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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CDF553 it is the complementary color #320AAC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CDF553. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CDF553 shade: #D2F54E, #E3FF61, #F4FF74, #FFFF87 and #FFFF9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CDF553. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CDF553 shade: #CDF553, #BCE340, #ABD12D, #9ABF1A and #89AD07

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CDF553 shade: #CCF451, #F4F151, #F4C551, #F49951 and #F46C51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CDF553 shade: #CCF451, #A0F451, #74F451, #51F45A and #51F486

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CDF553 shade matches the following richer shades: #CCF451

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CDF553 shade: #CCF451, #C5E660, #BDD76F, #B6C87E and #AEB98C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CDF553 shade: #F4C351, #F4EF51, #CEF451, #A3F451 and #77F451

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CDF553 shade: #B0E60D, #C1F22A, #CCF451, #D7F778 and #E3F99F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CDF553 shade: #CDF553, #51F498 and #D951F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CDF553 shade: #CDF553, #51CEF4 and #F451CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CDF553 shade: #CDF553, #51F498, #7751F4 and #F451AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CDF553 shade: #CDF553, #51F4C9, #7751F4 and #F4517D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 66 / 4

HEX #CDF553

RGB 205 245 83

HSL 74.81, 0.89%, 0.64%

LAB 91.19, -34.58, 70.59

 

Complementary color

CMYK 71 / 94 / 0 / 33

HEX #320AAC

RGB 50 10 172

HSL 254.81, 0.89%, 0.36%

LAB 23.25, 57.62, -74.74

 

CMYK 14 / 0 / 68 / 4

HEX #D2F54E

RGB 210 245 78

HSL 72.57, 0.89%, 0.63%

LAB 91.49, -32.94, 72.84

 

CMYK 11 / 0 / 62 / 0

HEX #E3FF61

RGB 227 255 97

HSL 70.63, 1%, 0.69%

LAB 95.46, -29.77, 70.09

 

CMYK 4 / 0 / 55 / 0

HEX #F4FF74

RGB 244 255 116

HSL 64.75, 1%, 0.73%

LAB 96.83, -21.79, 64

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF87

RGB 255 255 135

HSL 60, 1%, 0.76%

LAB 97.84, -15.94, 56.87

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF9A

RGB 255 255 154

HSL 60, 1%, 0.8%

LAB 98.08, -14.13, 48.19

 

CMYK 16 / 0 / 66 / 4

HEX #CDF553

RGB 205 245 83

HSL 74.81, 0.89%, 0.64%

LAB 91.19, -34.58, 70.59

 

CMYK 17 / 0 / 72 / 11

HEX #BCE340

RGB 188 227 64

HSL 74.36, 0.74%, 0.57%

LAB 85, -34.05, 70.84

 

CMYK 18 / 0 / 78 / 18

HEX #ABD12D

RGB 171 209 45

HSL 73.9, 0.65%, 0.5%

LAB 78.72, -33.38, 70.51

 

CMYK 19 / 0 / 86 / 25

HEX #9ABF1A

RGB 154 191 26

HSL 73.45, 0.76%, 0.43%

LAB 72.37, -32.53, 69.24

 

CMYK 21 / 0 / 96 / 32

HEX #89AD07

RGB 137 173 7

HSL 73.01, 0.92%, 0.35%

LAB 65.92, -31.48, 66.57

 

CMYK 16 / 0 / 67 / 4

HEX #CCF451

RGB 204 244 81

HSL 74.72, 0.88%, 0.64%

LAB 90.84, -34.63, 70.96

 

CMYK 0 / 1 / 67 / 4

HEX #F4F151

RGB 244 241 81

HSL 58.9, 0.88%, 0.64%

LAB 92.9, -17.33, 73.97

 

CMYK 0 / 19 / 67 / 4

HEX #F4C551

RGB 244 197 81

HSL 42.7, 0.88%, 0.64%

LAB 81.71, 4.79, 62.43

 

CMYK 0 / 37 / 67 / 4

HEX #F49951

RGB 244 153 81

HSL 26.5, 0.88%, 0.64%

LAB 71.29, 27.88, 51.11

 

CMYK 0 / 56 / 67 / 4

HEX #F46C51

RGB 244 108 81

HSL 9.94, 0.88%, 0.64%

LAB 62.13, 50.49, 40.57

 

CMYK 16 / 0 / 67 / 4

HEX #CCF451

RGB 204 244 81

HSL 74.72, 0.88%, 0.64%

LAB 90.84, -34.63, 70.96

 

CMYK 34 / 0 / 67 / 4

HEX #A0F451

RGB 160 244 81

HSL 90.92, 0.88%, 0.64%

LAB 88.34, -50.64, 67.58

 

CMYK 52 / 0 / 67 / 4

HEX #74F451

RGB 116 244 81

HSL 107.12, 0.88%, 0.64%

LAB 86.51, -63.94, 65.09

 

CMYK 67 / 0 / 63 / 4

HEX #51F45A

RGB 81 244 90

HSL 123.31, 0.88%, 0.64%

LAB 85.6, -70.92, 60.24

 

CMYK 67 / 0 / 45 / 4

HEX #51F486

RGB 81 244 134

HSL 139.51, 0.88%, 0.64%

LAB 86.09, -65.21, 40.87

 

CMYK 16 / 0 / 67 / 4

HEX #CCF451

RGB 204 244 81

HSL 74.72, 0.88%, 0.64%

LAB 90.84, -34.63, 70.96

 

CMYK 16 / 0 / 67 / 4

HEX #CCF451

RGB 204 244 81

HSL 74.72, 0.88%, 0.64%

LAB 90.84, -34.63, 70.96

 

CMYK 14 / 0 / 58 / 10

HEX #C5E660

RGB 197 230 96

HSL 74.78, 0.73%, 0.64%

LAB 86.66, -29.82, 60.3

 

CMYK 12 / 0 / 48 / 16

HEX #BDD76F

RGB 189 215 111

HSL 75, 0.57%, 0.64%

LAB 82.15, -24.44, 48.08

 

CMYK 9 / 0 / 37 / 22

HEX #B6C87E

RGB 182 200 126

HSL 74.59, 0.4%, 0.64%

LAB 77.73, -18.08, 35.01

 

CMYK 6 / 0 / 24 / 27

HEX #AEB98C

RGB 174 185 140

HSL 74.67, 0.24%, 0.64%

LAB 73.28, -11.58, 21.62

 

CMYK 0 / 20 / 67 / 4

HEX #F4C351

RGB 244 195 81

HSL 41.96, 0.88%, 0.64%

LAB 81.21, 5.83, 61.91

 

CMYK 0 / 2 / 67 / 4

HEX #F4EF51

RGB 244 239 81

HSL 58.16, 0.88%, 0.64%

LAB 92.38, -16.36, 73.45

 

CMYK 16 / 0 / 67 / 4

HEX #CEF451

RGB 206 244 81

HSL 73.99, 0.88%, 0.64%

LAB 90.97, -33.86, 71.13

 

CMYK 33 / 0 / 67 / 4

HEX #A3F451

RGB 163 244 81

HSL 89.82, 0.88%, 0.64%

LAB 88.49, -49.62, 67.78

 

CMYK 51 / 0 / 67 / 4

HEX #77F451

RGB 119 244 81

HSL 106.01, 0.88%, 0.64%

LAB 86.61, -63.14, 65.23

 

CMYK 23 / 0 / 94 / 10

HEX #B0E60D

RGB 176 230 13

HSL 74.93, 0.89%, 0.48%

LAB 84.92, -41.66, 81.84

 

CMYK 20 / 0 / 83 / 5

HEX #C1F22A

RGB 193 242 42

HSL 74.7, 0.88%, 0.56%

LAB 89.4, -39.77, 81.22

 

CMYK 16 / 0 / 67 / 4

HEX #CCF451

RGB 204 244 81

HSL 74.72, 0.88%, 0.64%

LAB 90.84, -34.63, 70.96

 

CMYK 13 / 0 / 51 / 3

HEX #D7F778

RGB 215 247 120

HSL 75.12, 0.89%, 0.72%

LAB 92.72, -28.83, 56.94

 

CMYK 9 / 0 / 36 / 2

HEX #E3F99F

RGB 227 249 159

HSL 74.67, 0.88%, 0.8%

LAB 94.56, -21.16, 40.85

 

CMYK 16 / 0 / 66 / 4

HEX #CDF553

RGB 205 245 83

HSL 74.81, 0.89%, 0.64%

LAB 91.19, -34.58, 70.59

 

CMYK 67 / 0 / 38 / 4

HEX #51F498

RGB 81 244 152

HSL 146.13, 0.88%, 0.64%

LAB 86.36, -62.17, 32.32

 

CMYK 11 / 67 / 0 / 4

HEX #D951F4

RGB 217 81 244

HSL 290.06, 0.88%, 0.64%

LAB 59.13, 74.02, -56.98

 

CMYK 16 / 0 / 66 / 4

HEX #CDF553

RGB 205 245 83

HSL 74.81, 0.89%, 0.64%

LAB 91.19, -34.58, 70.59

 

CMYK 67 / 16 / 0 / 4

HEX #51CEF4

RGB 81 206 244

HSL 193.99, 0.88%, 0.64%

LAB 77.53, -22.95, -28.84

 

CMYK 0 / 67 / 16 / 4

HEX #F451CE

RGB 244 81 206

HSL 313.99, 0.88%, 0.64%

LAB 61.29, 74.21, -31.98

 

CMYK 16 / 0 / 66 / 4

HEX #CDF553

RGB 205 245 83

HSL 74.81, 0.89%, 0.64%

LAB 91.19, -34.58, 70.59

 

CMYK 67 / 0 / 38 / 4

HEX #51F498

RGB 81 244 152

HSL 146.13, 0.88%, 0.64%

LAB 86.36, -62.17, 32.32

 

CMYK 51 / 67 / 0 / 4

HEX #7751F4

RGB 119 81 244

HSL 253.99, 0.88%, 0.64%

LAB 47.42, 54.85, -76.48

 

CMYK 0 / 67 / 29 / 4

HEX #F451AE

RGB 244 81 174

HSL 325.77, 0.88%, 0.64%

LAB 60.05, 70.09, -15.57

 

CMYK 16 / 0 / 66 / 4

HEX #CDF553

RGB 205 245 83

HSL 74.81, 0.89%, 0.64%

LAB 91.19, -34.58, 70.59

 

CMYK 67 / 0 / 18 / 4

HEX #51F4C9

RGB 81 244 201

HSL 164.17, 0.88%, 0.64%

LAB 87.32, -51.98, 8.49

 

CMYK 51 / 67 / 0 / 4

HEX #7751F4

RGB 119 81 244

HSL 253.99, 0.88%, 0.64%

LAB 47.42, 54.85, -76.48

 

CMYK 0 / 67 / 49 / 4

HEX #F4517D

RGB 244 81 125

HSL 343.8, 0.88%, 0.64%

LAB 58.6, 65.09, 10.87

 

Description

Color code: HEX #CDF553 | qconv.com Color code: HEX #CDF553 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 245 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 245 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 66 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 66% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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