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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE17B4 it is the complementary color #31E84B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE17B4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE17B4 shade: #D317AF, #E429C2, #F53BD5, #FF4DE8 and #FF5FFB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE17B4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE17B4 shade: #CE17B4, #BD05A1, #AC008E, #9B007B and #8A0068

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE17B4 shade: #CE16B4, #CE1682, #CE1651, #CE161F and #CE1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE17B4 shade: #CE16B4, #B716CE, #8516CE, #5416CE and #2216CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE17B4 shade matches the following richer shades: #CE16B4 and #E104C1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE17B4 shade: #CE16B4, #BB29A7, #A93C99, #964E8C and #84617F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE17B4 shade: #8516CE, #B616CE, #CE16B6, #CE1685 and #CE1654

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE17B4 shade: #840E73, #A91294, #CE16B4, #E727CB and #EB4CD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE17B4 shade: #CE17B4, #CE5416 and #16CE9D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE17B4 shade: #CE17B4, #B6CE16 and #16B6CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE17B4 shade: #CE17B4, #CE5416, #16CE2F and #1691CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE17B4 shade: #CE17B4, #CE8B16, #16CE2F and #165ACE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 13 / 19

HEX #CE17B4

RGB 206 23 180

HSL 308.52, 0.8%, 0.45%

LAB 48.3, 77.78, -37.76

 

Complementary color

CMYK 79 / 0 / 68 / 9

HEX #31E84B

RGB 49 232 75

HSL 128.52, 0.8%, 0.55%

LAB 81.22, -73.44, 61.29

 

CMYK 0 / 89 / 17 / 17

HEX #D317AF

RGB 211 23 175

HSL 311.49, 0.8%, 0.46%

LAB 48.95, 78.09, -33.72

 

CMYK 0 / 82 / 15 / 11

HEX #E429C2

RGB 228 41 194

HSL 310.91, 0.78%, 0.53%

LAB 54, 80.69, -36.67

 

CMYK 0 / 76 / 13 / 4

HEX #F53BD5

RGB 245 59 213

HSL 310.32, 0.9%, 0.6%

LAB 59.29, 82.38, -39.04

 

CMYK 0 / 70 / 9 / 0

HEX #FF4DE8

RGB 255 77 232

HSL 307.75, 1%, 0.65%

LAB 63.67, 81.82, -42.75

 

CMYK 0 / 63 / 2 / 0

HEX #FF5FFB

RGB 255 95 251

HSL 301.5, 1%, 0.69%

LAB 66.83, 78.33, -48.29

 

CMYK 0 / 89 / 13 / 19

HEX #CE17B4

RGB 206 23 180

HSL 308.52, 0.8%, 0.45%

LAB 48.3, 77.78, -37.76

 

CMYK 0 / 97 / 15 / 26

HEX #BD05A1

RGB 189 5 161

HSL 309.13, 0.95%, 0.38%

LAB 43.51, 74.09, -34.24

 

CMYK 0 / 100 / 17 / 33

HEX #AC008E

RGB 172 0 142

HSL 310.47, 1%, 0.34%

LAB 39.11, 68.96, -29.86

 

CMYK 0 / 100 / 21 / 39

HEX #9B007B

RGB 155 0 123

HSL 312.39, 1%, 0.3%

LAB 34.8, 63.26, -25.07

 

CMYK 0 / 100 / 25 / 46

HEX #8A0068

RGB 138 0 104

HSL 314.78, 1%, 0.27%

LAB 30.41, 57.45, -20.08

 

CMYK 0 / 89 / 13 / 19

HEX #CE16B4

RGB 206 22 180

HSL 308.48, 0.81%, 0.45%

LAB 48.25, 77.93, -37.84

 

CMYK 0 / 89 / 37 / 19

HEX #CE1682

RGB 206 22 130

HSL 324.78, 0.81%, 0.45%

LAB 46.05, 72.09, -11.26

 

CMYK 0 / 89 / 61 / 19

HEX #CE1651

RGB 206 22 81

HSL 340.76, 0.81%, 0.45%

LAB 44.65, 68.19, 17.09

 

CMYK 0 / 89 / 85 / 19

HEX #CE161F

RGB 206 22 31

HSL 357.07, 0.81%, 0.45%

LAB 43.94, 66.18, 45.83

 

CMYK 0 / 89 / 89 / 19

HEX #CE1616

RGB 206 22 22

HSL 0, 0.81%, 0.45%

LAB 43.88, 66, 50.04

 

CMYK 0 / 89 / 13 / 19

HEX #CE16B4

RGB 206 22 180

HSL 308.48, 0.81%, 0.45%

LAB 48.25, 77.93, -37.84

 

CMYK 11 / 89 / 0 / 19

HEX #B716CE

RGB 183 22 206

HSL 292.5, 0.81%, 0.45%

LAB 45.77, 77.77, -57.18

 

CMYK 35 / 89 / 0 / 19

HEX #8516CE

RGB 133 22 206

HSL 276.2, 0.81%, 0.45%

LAB 37.87, 70.54, -70.37

 

CMYK 59 / 89 / 0 / 19

HEX #5416CE

RGB 84 22 206

HSL 260.22, 0.81%, 0.45%

LAB 31.61, 65.48, -80.9

 

CMYK 83 / 89 / 0 / 19

HEX #2216CE

RGB 34 22 206

HSL 243.91, 0.81%, 0.45%

LAB 27.76, 62.8, -87.4

 

CMYK 0 / 89 / 13 / 19

HEX #CE16B4

RGB 206 22 180

HSL 308.48, 0.81%, 0.45%

LAB 48.25, 77.93, -37.84

 

CMYK 0 / 98 / 14 / 12

HEX #E104C1

RGB 225 4 193

HSL 308.69, 0.97%, 0.45%

LAB 51.77, 84.8, -39.63

 

CMYK 0 / 89 / 13 / 19

HEX #CE16B4

RGB 206 22 180

HSL 308.48, 0.81%, 0.45%

LAB 48.25, 77.93, -37.84

 

CMYK 0 / 78 / 11 / 27

HEX #BB29A7

RGB 187 41 167

HSL 308.22, 0.64%, 0.45%

LAB 45.55, 68.41, -34.63

 

CMYK 0 / 64 / 9 / 34

HEX #A93C99

RGB 169 60 153

HSL 308.81, 0.48%, 0.45%

LAB 44.19, 55.41, -28.62

 

CMYK 0 / 48 / 7 / 41

HEX #964E8C

RGB 150 78 140

HSL 308.33, 0.32%, 0.45%

LAB 43.98, 39.03, -21.33

 

CMYK 0 / 27 / 4 / 48

HEX #84617F

RGB 132 97 127

HSL 308.57, 0.15%, 0.45%

LAB 45.62, 19.51, -11.2

 

CMYK 35 / 89 / 0 / 19

HEX #8516CE

RGB 133 22 206

HSL 276.2, 0.81%, 0.45%

LAB 37.87, 70.54, -70.37

 

CMYK 12 / 89 / 0 / 19

HEX #B616CE

RGB 182 22 206

HSL 292.17, 0.81%, 0.45%

LAB 45.6, 77.61, -57.45

 

CMYK 0 / 89 / 12 / 19

HEX #CE16B6

RGB 206 22 182

HSL 307.83, 0.81%, 0.45%

LAB 48.35, 78.2, -38.85

 

CMYK 0 / 89 / 35 / 19

HEX #CE1685

RGB 206 22 133

HSL 323.8, 0.81%, 0.45%

LAB 46.16, 72.39, -12.93

 

CMYK 0 / 89 / 59 / 19

HEX #CE1654

RGB 206 22 84

HSL 339.78, 0.81%, 0.45%

LAB 44.71, 68.38, 15.31

 

CMYK 0 / 89 / 13 / 48

HEX #840E73

RGB 132 14 115

HSL 308.64, 0.81%, 0.29%

LAB 30.54, 55.47, -27.02

 

CMYK 0 / 89 / 12 / 34

HEX #A91294

RGB 169 18 148

HSL 308.34, 0.81%, 0.37%

LAB 39.59, 67.03, -32.81

 

CMYK 0 / 89 / 13 / 19

HEX #CE16B4

RGB 206 22 180

HSL 308.48, 0.81%, 0.45%

LAB 48.25, 77.93, -37.84

 

CMYK 0 / 83 / 12 / 9

HEX #E727CB

RGB 231 39 203

HSL 308.75, 0.8%, 0.53%

LAB 54.82, 82.89, -40.54

 

CMYK 0 / 68 / 10 / 8

HEX #EB4CD4

RGB 235 76 212

HSL 308.68, 0.8%, 0.61%

LAB 59.51, 74.7, -38.25

 

CMYK 0 / 89 / 13 / 19

HEX #CE17B4

RGB 206 23 180

HSL 308.52, 0.8%, 0.45%

LAB 48.3, 77.78, -37.76

 

CMYK 0 / 59 / 89 / 19

HEX #CE5416

RGB 206 84 22

HSL 20.22, 0.81%, 0.45%

LAB 51.29, 45.66, 55.54

 

CMYK 89 / 0 / 24 / 19

HEX #16CE9D

RGB 22 206 157

HSL 164.02, 0.81%, 0.45%

LAB 74.03, -53.44, 12.68

 

CMYK 0 / 89 / 13 / 19

HEX #CE17B4

RGB 206 23 180

HSL 308.52, 0.8%, 0.45%

LAB 48.3, 77.78, -37.76

 

CMYK 12 / 0 / 89 / 19

HEX #B6CE16

RGB 182 206 22

HSL 67.83, 0.81%, 0.45%

LAB 78.55, -28.18, 75.82

 

CMYK 89 / 12 / 0 / 19

HEX #16B6CE

RGB 22 182 206

HSL 187.83, 0.81%, 0.45%

LAB 68.08, -28.94, -22.79

 

CMYK 0 / 89 / 13 / 19

HEX #CE17B4

RGB 206 23 180

HSL 308.52, 0.8%, 0.45%

LAB 48.3, 77.78, -37.76

 

CMYK 0 / 59 / 89 / 19

HEX #CE5416

RGB 206 84 22

HSL 20.22, 0.81%, 0.45%

LAB 51.29, 45.66, 55.54

 

CMYK 89 / 0 / 77 / 19

HEX #16CE2F

RGB 22 206 47

HSL 128.15, 0.81%, 0.45%

LAB 72.57, -70.59, 62.25

 

CMYK 89 / 30 / 0 / 19

HEX #1691CE

RGB 22 145 206

HSL 199.89, 0.81%, 0.45%

LAB 56.96, -9.36, -40.03

 

CMYK 0 / 89 / 13 / 19

HEX #CE17B4

RGB 206 23 180

HSL 308.52, 0.8%, 0.45%

LAB 48.3, 77.78, -37.76

 

CMYK 0 / 33 / 89 / 19

HEX #CE8B16

RGB 206 139 22

HSL 38.15, 0.81%, 0.45%

LAB 63.05, 17.08, 64.52

 

CMYK 89 / 0 / 77 / 19

HEX #16CE2F

RGB 22 206 47

HSL 128.15, 0.81%, 0.45%

LAB 72.57, -70.59, 62.25

 

CMYK 89 / 56 / 0 / 19

HEX #165ACE

RGB 22 90 206

HSL 217.83, 0.81%, 0.45%

LAB 41.12, 24.76, -65.4

 

Description

Color code: HEX #CE17B4 | qconv.com Color code: HEX #CE17B4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 23 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 23 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 13 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 13% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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