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Color name
HEX #CE266C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE266C it is the complementary color #31D993. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE266C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE266C shade: #D32667, #E4387A, #F54A8D, #FF5CA0 and #FF6EB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE266C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE266C shade: #CE266C, #BD1459, #AC0246, #9B0033 and #8A0020

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE266C shade: #CE256C, #CE253E and #CE2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE266C shade: #CE256C, #CE2599, #CE25C7, #A825CE and #7B25CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE266C shade matches the following richer shades: #CE256C and #E21269

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE266C shade: #CE256C, #BB396F, #A74D72, #936176 and #7F7579

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE266C shade: #CE25C6, #CE2599, #CE256C, #CE253F and #CE3925

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE266C shade: #891947, #AB1F5A, #CE256C, #DC4182 and #E26499

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE266C shade: #CE266C, #CEAA25 and #25AFCE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE266C shade: #CE266C, #6CCE25 and #256CCE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE266C shade: #CE266C, #CEAA25, #25CE88 and #254ACE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE266C shade: #CE266C, #C0CE25, #25CE88 and #3425CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 48 / 19

HEX #CE266C

RGB 206 38 108

HSL 335, 0.69%, 0.48%

LAB 46.43, 66.93, 2.82

 

Complementary color

CMYK 77 / 0 / 32 / 15

HEX #31D993

RGB 49 217 147

HSL 155, 0.69%, 0.52%

LAB 77.51, -57.61, 22.85

 

CMYK 0 / 82 / 51 / 17

HEX #D32667

RGB 211 38 103

HSL 337.46, 0.69%, 0.49%

LAB 47.25, 67.8, 7.21

 

CMYK 0 / 75 / 46 / 11

HEX #E4387A

RGB 228 56 122

HSL 336.98, 0.76%, 0.56%

LAB 52.65, 68.92, 3.79

 

CMYK 0 / 70 / 42 / 4

HEX #F54A8D

RGB 245 74 141

HSL 336.49, 0.9%, 0.63%

LAB 58.26, 69.37, 1.01

 

CMYK 0 / 64 / 37 / 0

HEX #FF5CA0

RGB 255 92 160

HSL 334.97, 1%, 0.68%

LAB 62.89, 67.36, -3.07

 

CMYK 0 / 57 / 30 / 0

HEX #FF6EB3

RGB 255 110 179

HSL 331.45, 1%, 0.72%

LAB 66.26, 61.95, -8.92

 

CMYK 0 / 82 / 48 / 19

HEX #CE266C

RGB 206 38 108

HSL 335, 0.69%, 0.48%

LAB 46.43, 66.93, 2.82

 

CMYK 0 / 89 / 53 / 26

HEX #BD1459

RGB 189 20 89

HSL 335.5, 0.81%, 0.41%

LAB 41.28, 64.86, 6.87

 

CMYK 0 / 99 / 59 / 33

HEX #AC0246

RGB 172 2 70

HSL 336, 0.98%, 0.34%

LAB 36.47, 61.7, 11.81

 

CMYK 0 / 100 / 67 / 39

HEX #9B0033

RGB 155 0 51

HSL 340.26, 1%, 0.3%

LAB 32.27, 56.7, 17.99

 

CMYK 0 / 100 / 77 / 46

HEX #8A0020

RGB 138 0 32

HSL 346.09, 1%, 0.27%

LAB 28.13, 51.51, 24.55

 

CMYK 0 / 82 / 48 / 19

HEX #CE256C

RGB 206 37 108

HSL 334.79, 0.7%, 0.48%

LAB 46.35, 67.17, 2.7

 

CMYK 0 / 82 / 70 / 19

HEX #CE253E

RGB 206 37 62

HSL 351.12, 0.7%, 0.48%

LAB 45.35, 64.19, 29.71

 

CMYK 0 / 82 / 82 / 19

HEX #CE2525

RGB 206 37 37

HSL 0, 0.7%, 0.48%

LAB 45.05, 63.28, 43.73

 

CMYK 0 / 82 / 48 / 19

HEX #CE256C

RGB 206 37 108

HSL 334.79, 0.7%, 0.48%

LAB 46.35, 67.17, 2.7

 

CMYK 0 / 82 / 26 / 19

HEX #CE2599

RGB 206 37 153

HSL 318.82, 0.7%, 0.48%

LAB 47.94, 71.76, -22.3

 

CMYK 0 / 82 / 3 / 19

HEX #CE25C7

RGB 206 37 199

HSL 302.49, 0.7%, 0.48%

LAB 50.18, 77.93, -45.85

 

CMYK 18 / 82 / 0 / 19

HEX #A825CE

RGB 168 37 206

HSL 286.51, 0.7%, 0.48%

LAB 44.38, 72.23, -59.53

 

CMYK 40 / 82 / 0 / 19

HEX #7B25CE

RGB 123 37 206

HSL 270.53, 0.7%, 0.48%

LAB 37.83, 65.24, -70.5

 

CMYK 0 / 82 / 48 / 19

HEX #CE256C

RGB 206 37 108

HSL 334.79, 0.7%, 0.48%

LAB 46.35, 67.17, 2.7

 

CMYK 0 / 92 / 54 / 11

HEX #E21269

RGB 226 18 105

HSL 334.9, 0.85%, 0.48%

LAB 49.03, 75.07, 8.91

 

CMYK 0 / 82 / 48 / 19

HEX #CE256C

RGB 206 37 108

HSL 334.79, 0.7%, 0.48%

LAB 46.35, 67.17, 2.7

 

CMYK 0 / 70 / 41 / 27

HEX #BB396F

RGB 187 57 111

HSL 335.08, 0.53%, 0.48%

LAB 45.14, 56.1, -1.34

 

CMYK 0 / 54 / 32 / 35

HEX #A74D72

RGB 167 77 114

HSL 335.33, 0.37%, 0.48%

LAB 45.27, 41.14, -3.35

 

CMYK 0 / 34 / 20 / 42

HEX #936176

RGB 147 97 118

HSL 334.8, 0.2%, 0.48%

LAB 47.05, 23.5, -3.45

 

CMYK 0 / 8 / 5 / 50

HEX #7F7579

RGB 127 117 121

HSL 336, 0.04%, 0.48%

LAB 50.23, 4.61, -0.81

 

CMYK 0 / 82 / 4 / 19

HEX #CE25C6

RGB 206 37 198

HSL 302.84, 0.7%, 0.48%

LAB 50.12, 77.78, -45.36

 

CMYK 0 / 82 / 26 / 19

HEX #CE2599

RGB 206 37 153

HSL 318.82, 0.7%, 0.48%

LAB 47.94, 71.76, -22.3

 

CMYK 0 / 82 / 48 / 19

HEX #CE256C

RGB 206 37 108

HSL 334.79, 0.7%, 0.48%

LAB 46.35, 67.17, 2.7

 

CMYK 0 / 82 / 69 / 19

HEX #CE253F

RGB 206 37 63

HSL 350.77, 0.7%, 0.48%

LAB 45.36, 64.23, 29.12

 

CMYK 0 / 72 / 82 / 19

HEX #CE3925

RGB 206 57 37

HSL 7.1, 0.7%, 0.48%

LAB 47.21, 57.23, 45.78

 

CMYK 0 / 82 / 48 / 46

HEX #891947

RGB 137 25 71

HSL 335.36, 0.69%, 0.32%

LAB 30.57, 48.73, 1.77

 

CMYK 0 / 82 / 47 / 33

HEX #AB1F5A

RGB 171 31 90

HSL 334.71, 0.69%, 0.4%

LAB 38.51, 58.07, 1.78

 

CMYK 0 / 82 / 48 / 19

HEX #CE256C

RGB 206 37 108

HSL 334.79, 0.7%, 0.48%

LAB 46.35, 67.17, 2.7

 

CMYK 0 / 70 / 41 / 14

HEX #DC4182

RGB 220 65 130

HSL 334.84, 0.69%, 0.56%

LAB 52.52, 64.53, -1.37

 

CMYK 0 / 56 / 32 / 11

HEX #E26499

RGB 226 100 153

HSL 334.76, 0.68%, 0.64%

LAB 59.51, 54.37, -4.51

 

CMYK 0 / 82 / 48 / 19

HEX #CE266C

RGB 206 38 108

HSL 335, 0.69%, 0.48%

LAB 46.43, 66.93, 2.82

 

CMYK 0 / 17 / 82 / 19

HEX #CEAA25

RGB 206 170 37

HSL 47.22, 0.7%, 0.48%

LAB 70.87, 0.74, 66.93

 

CMYK 82 / 15 / 0 / 19

HEX #25AFCE

RGB 37 175 206

HSL 191.01, 0.7%, 0.48%

LAB 66.14, -24.44, -25.74

 

CMYK 0 / 82 / 48 / 19

HEX #CE266C

RGB 206 38 108

HSL 335, 0.69%, 0.48%

LAB 46.43, 66.93, 2.82

 

CMYK 48 / 0 / 82 / 19

HEX #6CCE25

RGB 108 206 37

HSL 94.79, 0.7%, 0.48%

LAB 74.49, -55.01, 67.6

 

CMYK 82 / 48 / 0 / 19

HEX #256CCE

RGB 37 108 206

HSL 214.79, 0.7%, 0.48%

LAB 46.41, 14.16, -56.81

 

CMYK 0 / 82 / 48 / 19

HEX #CE266C

RGB 206 38 108

HSL 335, 0.69%, 0.48%

LAB 46.43, 66.93, 2.82

 

CMYK 0 / 17 / 82 / 19

HEX #CEAA25

RGB 206 170 37

HSL 47.22, 0.7%, 0.48%

LAB 70.87, 0.74, 66.93

 

CMYK 82 / 0 / 34 / 19

HEX #25CE88

RGB 37 206 136

HSL 155.15, 0.7%, 0.48%

LAB 73.75, -57.04, 23.46

 

CMYK 82 / 64 / 0 / 19

HEX #254ACE

RGB 37 74 206

HSL 226.86, 0.7%, 0.48%

LAB 37.38, 36.15, -71.49

 

CMYK 0 / 82 / 48 / 19

HEX #CE266C

RGB 206 38 108

HSL 335, 0.69%, 0.48%

LAB 46.43, 66.93, 2.82

 

CMYK 7 / 0 / 82 / 19

HEX #C0CE25

RGB 192 206 37

HSL 64.97, 0.7%, 0.48%

LAB 79.32, -23.65, 73.71

 

CMYK 82 / 0 / 34 / 19

HEX #25CE88

RGB 37 206 136

HSL 155.15, 0.7%, 0.48%

LAB 73.75, -57.04, 23.46

 

CMYK 75 / 82 / 0 / 19

HEX #3425CE

RGB 52 37 206

HSL 245.33, 0.7%, 0.48%

LAB 30.66, 57.92, -82.56

 

Description

Color code: HEX #CE266C | qconv.com Color code: HEX #CE266C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 38 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 38 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 48 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 48% 19% C M Y K

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Provide designers and agencies with accurate color values.

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