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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE216E it is the complementary color #31DE91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE216E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE216E shade: #D32169, #E4337C, #F5458F, #FF57A2 and #FF69B5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE216E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE216E shade: #CE216E, #BD0F5B, #AC0048, #9B0035 and #8A0022

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE216E shade: #CE216E, #CE213F and #CE2121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE216E shade: #CE216E, #CE219C, #CE21CB, #A221CE and #7321CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE216E shade matches the following richer shades: #CE216E and #E10E6C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE216E shade: #CE216E, #BA3470, #A74872, #935B74 and #806F76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE216E shade: #CE21CB, #CE219D, #CE216F, #CE2141 and #CE2F21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE216E shade: #871648, #AA1B5B, #CE216E, #DE3A83 and #E45D99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE216E shade: #CE216E, #CEA221 and #21B4CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE216E shade: #CE216E, #6FCE21 and #216FCE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE216E shade: #CE216E, #CEA221, #21CE80 and #214CCE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE216E shade: #CE216E, #C5CE21, #21CE80 and #2A21CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 47 / 19

HEX #CE216E

RGB 206 33 110

HSL 333.29, 0.72%, 0.47%

LAB 46.09, 68.25, 1.09

 

Complementary color

CMYK 78 / 0 / 35 / 13

HEX #31DE91

RGB 49 222 145

HSL 153.29, 0.72%, 0.53%

LAB 79.01, -59.88, 25.92

 

CMYK 0 / 84 / 50 / 17

HEX #D32169

RGB 211 33 105

HSL 335.73, 0.73%, 0.48%

LAB 46.92, 69.08, 5.49

 

CMYK 0 / 78 / 46 / 11

HEX #E4337C

RGB 228 51 124

HSL 335.25, 0.77%, 0.55%

LAB 52.19, 70.54, 1.93

 

CMYK 0 / 72 / 42 / 4

HEX #F5458F

RGB 245 69 143

HSL 334.77, 0.9%, 0.62%

LAB 57.71, 71.26, -0.98

 

CMYK 0 / 66 / 36 / 0

HEX #FF57A2

RGB 255 87 162

HSL 333.21, 1%, 0.67%

LAB 62.24, 69.51, -5.18

 

CMYK 0 / 59 / 29 / 0

HEX #FF69B5

RGB 255 105 181

HSL 329.6, 1%, 0.71%

LAB 65.51, 64.37, -11.18

 

CMYK 0 / 84 / 47 / 19

HEX #CE216E

RGB 206 33 110

HSL 333.29, 0.72%, 0.47%

LAB 46.09, 68.25, 1.09

 

CMYK 0 / 92 / 52 / 26

HEX #BD0F5B

RGB 189 15 91

HSL 333.79, 0.85%, 0.4%

LAB 41.08, 65.74, 5.32

 

CMYK 0 / 100 / 58 / 33

HEX #AC0048

RGB 172 0 72

HSL 334.88, 1%, 0.34%

LAB 36.44, 62.07, 10.46

 

CMYK 0 / 100 / 66 / 39

HEX #9B0035

RGB 155 0 53

HSL 339.48, 1%, 0.3%

LAB 32.32, 56.81, 16.72

 

CMYK 0 / 100 / 75 / 46

HEX #8A0022

RGB 138 0 34

HSL 345.22, 1%, 0.27%

LAB 28.16, 51.59, 23.28

 

CMYK 0 / 84 / 47 / 19

HEX #CE216E

RGB 206 33 110

HSL 333.29, 0.72%, 0.47%

LAB 46.09, 68.25, 1.09

 

CMYK 0 / 84 / 69 / 19

HEX #CE213F

RGB 206 33 63

HSL 349.6, 0.72%, 0.47%

LAB 45.04, 65.16, 28.72

 

CMYK 0 / 84 / 84 / 19

HEX #CE2121

RGB 206 33 33

HSL 0, 0.72%, 0.47%

LAB 44.69, 64.12, 45.47

 

CMYK 0 / 84 / 47 / 19

HEX #CE216E

RGB 206 33 110

HSL 333.29, 0.72%, 0.47%

LAB 46.09, 68.25, 1.09

 

CMYK 0 / 84 / 24 / 19

HEX #CE219C

RGB 206 33 156

HSL 317.34, 0.72%, 0.47%

LAB 47.76, 72.98, -24.37

 

CMYK 0 / 84 / 1 / 19

HEX #CE21CB

RGB 206 33 203

HSL 301.04, 0.72%, 0.47%

LAB 50.12, 79.34, -48.25

 

CMYK 21 / 84 / 0 / 19

HEX #A221CE

RGB 162 33 206

HSL 284.74, 0.72%, 0.47%

LAB 43.1, 72.25, -61.65

 

CMYK 44 / 84 / 0 / 19

HEX #7321CE

RGB 115 33 206

HSL 268.44, 0.72%, 0.47%

LAB 36.35, 65.46, -72.97

 

CMYK 0 / 84 / 47 / 19

HEX #CE216E

RGB 206 33 110

HSL 333.29, 0.72%, 0.47%

LAB 46.09, 68.25, 1.09

 

CMYK 0 / 94 / 52 / 12

HEX #E10E6C

RGB 225 14 108

HSL 333.27, 0.88%, 0.47%

LAB 48.77, 75.48, 6.66

 

CMYK 0 / 84 / 47 / 19

HEX #CE216E

RGB 206 33 110

HSL 333.29, 0.72%, 0.47%

LAB 46.09, 68.25, 1.09

 

CMYK 0 / 72 / 40 / 27

HEX #BA3470

RGB 186 52 112

HSL 333.13, 0.56%, 0.47%

LAB 44.33, 57.76, -3.17

 

CMYK 0 / 57 / 32 / 35

HEX #A74872

RGB 167 72 114

HSL 333.47, 0.4%, 0.47%

LAB 44.33, 43.63, -4.75

 

CMYK 0 / 38 / 21 / 42

HEX #935B74

RGB 147 91 116

HSL 333.21, 0.24%, 0.47%

LAB 45.56, 26.63, -4.46

 

CMYK 0 / 13 / 8 / 50

HEX #806F76

RGB 128 111 118

HSL 335.29, 0.07%, 0.47%

LAB 48.59, 7.95, -1.43

 

CMYK 0 / 84 / 1 / 19

HEX #CE21CB

RGB 206 33 203

HSL 301.04, 0.72%, 0.47%

LAB 50.12, 79.34, -48.25

 

CMYK 0 / 84 / 24 / 19

HEX #CE219D

RGB 206 33 157

HSL 316.99, 0.72%, 0.47%

LAB 47.81, 73.1, -24.9

 

CMYK 0 / 84 / 46 / 19

HEX #CE216F

RGB 206 33 111

HSL 332.95, 0.72%, 0.47%

LAB 46.12, 68.33, 0.51

 

CMYK 0 / 84 / 68 / 19

HEX #CE2141

RGB 206 33 65

HSL 348.9, 0.72%, 0.47%

LAB 45.07, 65.26, 27.54

 

CMYK 0 / 77 / 84 / 19

HEX #CE2F21

RGB 206 47 33

HSL 4.86, 0.72%, 0.47%

LAB 45.99, 60.43, 46.64

 

CMYK 0 / 84 / 47 / 47

HEX #871648

RGB 135 22 72

HSL 333.45, 0.72%, 0.31%

LAB 29.89, 49.11, 0.08

 

CMYK 0 / 84 / 46 / 33

HEX #AA1B5B

RGB 170 27 91

HSL 333.15, 0.73%, 0.39%

LAB 37.99, 58.89, 0.37

 

CMYK 0 / 84 / 47 / 19

HEX #CE216E

RGB 206 33 110

HSL 333.29, 0.72%, 0.47%

LAB 46.09, 68.25, 1.09

 

CMYK 0 / 74 / 41 / 13

HEX #DE3A83

RGB 222 58 131

HSL 333.29, 0.71%, 0.55%

LAB 52.06, 67.52, -2.61

 

CMYK 0 / 59 / 33 / 11

HEX #E45D99

RGB 228 93 153

HSL 333.33, 0.71%, 0.63%

LAB 58.62, 58.15, -5.79

 

CMYK 0 / 84 / 47 / 19

HEX #CE216E

RGB 206 33 110

HSL 333.29, 0.72%, 0.47%

LAB 46.09, 68.25, 1.09

 

CMYK 0 / 21 / 84 / 19

HEX #CEA221

RGB 206 162 33

HSL 44.74, 0.72%, 0.47%

LAB 68.8, 4.89, 66.31

 

CMYK 84 / 13 / 0 / 19

HEX #21B4CE

RGB 33 180 206

HSL 189.02, 0.72%, 0.47%

LAB 67.59, -27.27, -23.53

 

CMYK 0 / 84 / 47 / 19

HEX #CE216E

RGB 206 33 110

HSL 333.29, 0.72%, 0.47%

LAB 46.09, 68.25, 1.09

 

CMYK 46 / 0 / 84 / 19

HEX #6FCE21

RGB 111 206 33

HSL 92.95, 0.72%, 0.47%

LAB 74.59, -54.26, 68.72

 

CMYK 84 / 46 / 0 / 19

HEX #216FCE

RGB 33 111 206

HSL 212.95, 0.72%, 0.47%

LAB 47.17, 11.91, -55.59

 

CMYK 0 / 84 / 47 / 19

HEX #CE216E

RGB 206 33 110

HSL 333.29, 0.72%, 0.47%

LAB 46.09, 68.25, 1.09

 

CMYK 0 / 21 / 84 / 19

HEX #CEA221

RGB 206 162 33

HSL 44.74, 0.72%, 0.47%

LAB 68.8, 4.89, 66.31

 

CMYK 84 / 0 / 38 / 19

HEX #21CE80

RGB 33 206 128

HSL 152.95, 0.72%, 0.47%

LAB 73.56, -59.01, 27.38

 

CMYK 84 / 63 / 0 / 19

HEX #214CCE

RGB 33 76 206

HSL 225.09, 0.72%, 0.47%

LAB 37.75, 34.57, -70.89

 

CMYK 0 / 84 / 47 / 19

HEX #CE216E

RGB 206 33 110

HSL 333.29, 0.72%, 0.47%

LAB 46.09, 68.25, 1.09

 

CMYK 4 / 0 / 84 / 19

HEX #C5CE21

RGB 197 206 33

HSL 63.12, 0.72%, 0.47%

LAB 79.68, -21.66, 75.1

 

CMYK 84 / 0 / 38 / 19

HEX #21CE80

RGB 33 206 128

HSL 152.95, 0.72%, 0.47%

LAB 73.56, -59.01, 27.38

 

CMYK 80 / 84 / 0 / 19

HEX #2A21CE

RGB 42 33 206

HSL 243.12, 0.72%, 0.47%

LAB 29.5, 59.07, -84.5

 

Description

Color code: HEX #CE216E | qconv.com Color code: HEX #CE216E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 33 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 33 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 47 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 47% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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