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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE2DD7 it is the complementary color #31D228. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE2DD7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE2DD7 shade: #D32DD2, #E43FE5, #F551F8, #FF63FF and #FF75FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE2DD7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE2DD7 shade: #CE2DD7, #BD1BC4, #AC09B1, #9B009E and #8A008B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE2DD7 shade: #CE2DD7, #D72DB2, #D72D84, #D72D56 and #D72D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE2DD7 shade: #CE2DD7, #A02DD7, #722DD7, #442DD7 and #2D2DD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE2DD7 shade matches the following richer shades: #CE2DD7 and #E018EB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE2DD7 shade: #CE2DD7, #BB41C2, #A955AE, #97699A and #857D86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE2DD7 shade: #712DD7, #9E2DD7, #CB2DD7, #D72DB5 and #D72D87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE2DD7 shade: #8E1C95, #AF23B7, #CE2DD7, #D64FDD and #DE72E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE2DD7 shade: #CE2DD7, #D7432D and #2DD787

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE2DD7 shade: #CE2DD7, #D7CB2D and #2DD7CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE2DD7 shade: #CE2DD7, #D7432D, #38D72D and #2DC0D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE2DD7 shade: #CE2DD7, #D7762D, #38D72D and #2D8DD7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 79 / 0 / 16

HEX #CE2DD7

RGB 206 45 215

HSL 296.82, 0.68%, 0.51%

LAB 51.73, 78.52, -52.57

 

Complementary color

CMYK 77 / 0 / 81 / 18

HEX #31D228

RGB 49 210 40

HSL 116.82, 0.68%, 0.49%

LAB 74.13, -69.41, 65.89

 

CMYK 0 / 79 / 0 / 17

HEX #D32DD2

RGB 211 45 210

HSL 300.36, 0.65%, 0.5%

LAB 52.26, 78.69, -48.81

 

CMYK 0 / 72 / 0 / 10

HEX #E43FE5

RGB 228 63 229

HSL 299.64, 0.76%, 0.57%

LAB 57.76, 80.02, -50.68

 

CMYK 1 / 67 / 0 / 3

HEX #F551F8

RGB 245 81 248

HSL 298.92, 0.92%, 0.65%

LAB 63.4, 80.72, -52.15

 

CMYK 0 / 61 / 0 / 0

HEX #FF63FF

RGB 255 99 255

HSL 300, 1%, 0.69%

LAB 67.58, 77.42, -49.31

 

CMYK 0 / 54 / 0 / 0

HEX #FF75FF

RGB 255 117 255

HSL 300, 1%, 0.73%

LAB 70.32, 69.92, -45

 

CMYK 4 / 79 / 0 / 16

HEX #CE2DD7

RGB 206 45 215

HSL 296.82, 0.68%, 0.51%

LAB 51.73, 78.52, -52.57

 

CMYK 4 / 86 / 0 / 23

HEX #BD1BC4

RGB 189 27 196

HSL 297.51, 0.76%, 0.44%

LAB 46.43, 76.34, -50.26

 

CMYK 3 / 95 / 0 / 31

HEX #AC09B1

RGB 172 9 177

HSL 298.21, 0.9%, 0.36%

LAB 41.44, 72.98, -47.27

 

CMYK 2 / 100 / 0 / 38

HEX #9B009E

RGB 155 0 158

HSL 298.86, 1%, 0.31%

LAB 36.81, 68.21, -43.46

 

CMYK 1 / 100 / 0 / 45

HEX #8A008B

RGB 138 0 139

HSL 299.57, 1%, 0.27%

LAB 32.41, 62.39, -39.06

 

CMYK 4 / 79 / 0 / 16

HEX #CE2DD7

RGB 206 45 215

HSL 296.82, 0.68%, 0.51%

LAB 51.73, 78.52, -52.57

 

CMYK 0 / 79 / 17 / 16

HEX #D72DB2

RGB 215 45 178

HSL 313.06, 0.68%, 0.51%

LAB 51.31, 74.94, -31.74

 

CMYK 0 / 79 / 39 / 16

HEX #D72D84

RGB 215 45 132

HSL 329.29, 0.68%, 0.51%

LAB 49.48, 69.62, -7.16

 

CMYK 0 / 79 / 60 / 16

HEX #D72D56

RGB 215 45 86

HSL 345.53, 0.68%, 0.51%

LAB 48.25, 65.89, 19.16

 

CMYK 0 / 79 / 79 / 16

HEX #D72D2D

RGB 215 45 45

HSL 0, 0.68%, 0.51%

LAB 47.64, 63.97, 42.59

 

CMYK 4 / 79 / 0 / 16

HEX #CE2DD7

RGB 206 45 215

HSL 296.82, 0.68%, 0.51%

LAB 51.73, 78.52, -52.57

 

CMYK 26 / 79 / 0 / 16

HEX #A02DD7

RGB 160 45 215

HSL 280.59, 0.68%, 0.51%

LAB 44.6, 70.3, -64.42

 

CMYK 47 / 79 / 0 / 16

HEX #722DD7

RGB 114 45 215

HSL 264.35, 0.68%, 0.51%

LAB 38.48, 63.27, -74.66

 

CMYK 68 / 79 / 0 / 16

HEX #442DD7

RGB 68 45 215

HSL 248.12, 0.68%, 0.51%

LAB 34.01, 58.14, -82.19

 

CMYK 79 / 79 / 0 / 16

HEX #2D2DD7

RGB 45 45 215

HSL 240, 0.68%, 0.51%

LAB 32.57, 56.49, -84.62

 

CMYK 4 / 79 / 0 / 16

HEX #CE2DD7

RGB 206 45 215

HSL 296.82, 0.68%, 0.51%

LAB 51.73, 78.52, -52.57

 

CMYK 5 / 90 / 0 / 8

HEX #E018EB

RGB 224 24 235

HSL 296.87, 0.84%, 0.51%

LAB 54.55, 88.64, -59.21

 

CMYK 4 / 79 / 0 / 16

HEX #CE2DD7

RGB 206 45 215

HSL 296.82, 0.68%, 0.51%

LAB 51.73, 78.52, -52.57

 

CMYK 4 / 66 / 0 / 24

HEX #BB41C2

RGB 187 65 194

HSL 296.74, 0.51%, 0.51%

LAB 49.79, 64.71, -43.77

 

CMYK 3 / 51 / 0 / 32

HEX #A955AE

RGB 169 85 174

HSL 296.63, 0.35%, 0.51%

LAB 49.48, 47.45, -32.78

 

CMYK 2 / 32 / 0 / 40

HEX #97699A

RGB 151 105 154

HSL 296.33, 0.2%, 0.51%

LAB 50.71, 26.95, -19.33

 

CMYK 1 / 7 / 0 / 47

HEX #857D86

RGB 133 125 134

HSL 293.33, 0.04%, 0.51%

LAB 53.36, 4.79, -3.79

 

CMYK 47 / 79 / 0 / 16

HEX #712DD7

RGB 113 45 215

HSL 264, 0.68%, 0.51%

LAB 38.36, 63.14, -74.86

 

CMYK 27 / 79 / 0 / 16

HEX #9E2DD7

RGB 158 45 215

HSL 279.88, 0.68%, 0.51%

LAB 44.31, 69.97, -64.91

 

CMYK 6 / 79 / 0 / 16

HEX #CB2DD7

RGB 203 45 215

HSL 295.76, 0.68%, 0.51%

LAB 51.24, 77.96, -53.37

 

CMYK 0 / 79 / 16 / 16

HEX #D72DB5

RGB 215 45 181

HSL 312, 0.68%, 0.51%

LAB 51.45, 75.34, -33.28

 

CMYK 0 / 79 / 37 / 16

HEX #D72D87

RGB 215 45 135

HSL 328.24, 0.68%, 0.51%

LAB 49.58, 69.92, -8.82

 

CMYK 5 / 81 / 0 / 42

HEX #8E1C95

RGB 142 28 149

HSL 296.53, 0.68%, 0.35%

LAB 35.5, 59.7, -40.22

 

CMYK 4 / 81 / 0 / 28

HEX #AF23B7

RGB 175 35 183

HSL 296.76, 0.68%, 0.43%

LAB 43.85, 70.01, -46.92

 

CMYK 4 / 79 / 0 / 16

HEX #CE2DD7

RGB 206 45 215

HSL 296.82, 0.68%, 0.51%

LAB 51.73, 78.52, -52.57

 

CMYK 3 / 64 / 0 / 13

HEX #D64FDD

RGB 214 79 221

HSL 297.04, 0.68%, 0.59%

LAB 57.18, 70.12, -47.22

 

CMYK 3 / 50 / 0 / 11

HEX #DE72E4

RGB 222 114 228

HSL 296.84, 0.68%, 0.67%

LAB 64.29, 57.92, -39.87

 

CMYK 4 / 79 / 0 / 16

HEX #CE2DD7

RGB 206 45 215

HSL 296.82, 0.68%, 0.51%

LAB 51.73, 78.52, -52.57

 

CMYK 0 / 69 / 79 / 16

HEX #D7432D

RGB 215 67 45

HSL 7.76, 0.68%, 0.51%

LAB 50.28, 56.66, 45.25

 

CMYK 79 / 0 / 37 / 16

HEX #2DD787

RGB 45 215 135

HSL 151.76, 0.68%, 0.51%

LAB 76.62, -59.73, 27.87

 

CMYK 4 / 79 / 0 / 16

HEX #CE2DD7

RGB 206 45 215

HSL 296.82, 0.68%, 0.51%

LAB 51.73, 78.52, -52.57

 

CMYK 0 / 6 / 79 / 16

HEX #D7CB2D

RGB 215 203 45

HSL 55.76, 0.68%, 0.51%

LAB 80.38, -12.18, 73.23

 

CMYK 79 / 0 / 6 / 16

HEX #2DD7CB

RGB 45 215 203

HSL 175.76, 0.68%, 0.51%

LAB 78.15, -43.52, -6

 

CMYK 4 / 79 / 0 / 16

HEX #CE2DD7

RGB 206 45 215

HSL 296.82, 0.68%, 0.51%

LAB 51.73, 78.52, -52.57

 

CMYK 0 / 69 / 79 / 16

HEX #D7432D

RGB 215 67 45

HSL 7.76, 0.68%, 0.51%

LAB 50.28, 56.66, 45.25

 

CMYK 74 / 0 / 79 / 16

HEX #38D72D

RGB 56 215 45

HSL 116.12, 0.68%, 0.51%

LAB 75.84, -69.62, 66.14

 

CMYK 79 / 11 / 0 / 16

HEX #2DC0D7

RGB 45 192 215

HSL 188.12, 0.68%, 0.51%

LAB 71.67, -29.32, -22.22

 

CMYK 4 / 79 / 0 / 16

HEX #CE2DD7

RGB 206 45 215

HSL 296.82, 0.68%, 0.51%

LAB 51.73, 78.52, -52.57

 

CMYK 0 / 45 / 79 / 16

HEX #D7762D

RGB 215 118 45

HSL 25.76, 0.68%, 0.51%

LAB 59.52, 32.79, 54.25

 

CMYK 74 / 0 / 79 / 16

HEX #38D72D

RGB 56 215 45

HSL 116.12, 0.68%, 0.51%

LAB 75.84, -69.62, 66.14

 

CMYK 79 / 34 / 0 / 16

HEX #2D8DD7

RGB 45 141 215

HSL 206.12, 0.68%, 0.51%

LAB 56.6, -1.92, -45.63

 

Description

Color code: HEX #CE2DD7 | qconv.com Color code: HEX #CE2DD7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 45 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 45 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 79 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 79% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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