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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE37F0 it is the complementary color #31C80F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE37F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE37F0 shade: #D337EB, #E449FE, #F55BFF, #FF6DFF and #FF7FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE37F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE37F0 shade: #CE37F0, #BD25DD, #AC13CA, #9B01B7 and #8A00A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE37F0 shade: #CE37F0, #F037E0, #F037AE, #F0377C and #F0374B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE37F0 shade: #CE37F0, #9C37F0, #6A37F0, #3937F0 and #3737F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE37F0 shade matches the following richer shades: #CE37F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE37F0 shade: #CE37F0, #C349DE, #B85ACD, #AD6BBC and #A27DAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE37F0 shade: #6837F0, #9A37F0, #CB37F0, #F037E3 and #F037B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE37F0 shade: #A40EC6, #C411EC, #CE37F0, #D75EF2 and #E084F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE37F0 shade: #CE37F0, #F03737 and #37F081

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE37F0 shade: #CE37F0, #F0CB37 and #37F0CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE37F0 shade: #CE37F0, #F03737, #5CF037 and #37F0F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE37F0 shade: #CE37F0, #F06F37, #5CF037 and #37B8F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 77 / 0 / 6

HEX #CE37F0

RGB 206 55 240

HSL 288.97, 0.86%, 0.58%

LAB 54.18, 79.98, -62.77

 

Complementary color

CMYK 76 / 0 / 93 / 22

HEX #31C80F

RGB 49 200 15

HSL 108.97, 0.86%, 0.42%

LAB 70.87, -67.4, 68.16

 

CMYK 10 / 77 / 0 / 8

HEX #D337EB

RGB 211 55 235

HSL 292, 0.82%, 0.57%

LAB 54.64, 80.04, -59.19

 

CMYK 10 / 71 / 0 / 0

HEX #E449FE

RGB 228 73 254

HSL 291.38, 0.99%, 0.64%

LAB 60.26, 80.92, -60.62

 

CMYK 4 / 64 / 0 / 0

HEX #F55BFF

RGB 245 91 255

HSL 296.34, 1%, 0.68%

LAB 65.05, 78.23, -53.39

 

CMYK 0 / 57 / 0 / 0

HEX #FF6DFF

RGB 255 109 255

HSL 300, 1%, 0.71%

LAB 69.05, 73.36, -46.99

 

CMYK 0 / 50 / 0 / 0

HEX #FF7FFF

RGB 255 127 255

HSL 300, 1%, 0.75%

LAB 72, 65.41, -42.36

 

CMYK 14 / 77 / 0 / 6

HEX #CE37F0

RGB 206 55 240

HSL 288.97, 0.86%, 0.58%

LAB 54.18, 79.98, -62.77

 

CMYK 14 / 83 / 0 / 13

HEX #BD25DD

RGB 189 37 221

HSL 289.57, 0.73%, 0.51%

LAB 48.71, 78.41, -60.98

 

CMYK 15 / 91 / 0 / 21

HEX #AC13CA

RGB 172 19 202

HSL 290.16, 0.83%, 0.43%

LAB 43.51, 75.82, -58.6

 

CMYK 15 / 99 / 0 / 28

HEX #9B01B7

RGB 155 1 183

HSL 290.77, 0.99%, 0.36%

LAB 38.57, 72.14, -55.6

 

CMYK 16 / 100 / 0 / 36

HEX #8A00A4

RGB 138 0 164

HSL 290.49, 1%, 0.32%

LAB 34.16, 66.52, -51.53

 

CMYK 14 / 77 / 0 / 6

HEX #CE37F0

RGB 206 55 240

HSL 288.97, 0.86%, 0.58%

LAB 54.18, 79.98, -62.77

 

CMYK 0 / 77 / 7 / 6

HEX #F037E0

RGB 240 55 224

HSL 305.19, 0.86%, 0.58%

LAB 58.64, 83.93, -46.35

 

CMYK 0 / 77 / 28 / 6

HEX #F037AE

RGB 240 55 174

HSL 321.41, 0.86%, 0.58%

LAB 56.4, 77.46, -21.18

 

CMYK 0 / 77 / 48 / 6

HEX #F0377C

RGB 240 55 124

HSL 337.62, 0.86%, 0.58%

LAB 54.78, 72.54, 5.93

 

CMYK 0 / 77 / 69 / 6

HEX #F0374B

RGB 240 55 75

HSL 353.51, 0.86%, 0.58%

LAB 53.78, 69.41, 33.75

 

CMYK 14 / 77 / 0 / 6

HEX #CE37F0

RGB 206 55 240

HSL 288.97, 0.86%, 0.58%

LAB 54.18, 79.98, -62.77

 

CMYK 35 / 77 / 0 / 6

HEX #9C37F0

RGB 156 55 240

HSL 272.76, 0.86%, 0.58%

LAB 47.09, 71.49, -74.59

 

CMYK 56 / 77 / 0 / 6

HEX #6A37F0

RGB 106 55 240

HSL 256.54, 0.86%, 0.58%

LAB 41.36, 64.53, -84.22

 

CMYK 76 / 77 / 0 / 6

HEX #3937F0

RGB 57 55 240

HSL 240.65, 0.86%, 0.58%

LAB 37.65, 59.98, -90.46

 

CMYK 77 / 77 / 0 / 6

HEX #3737F0

RGB 55 55 240

HSL 240, 0.86%, 0.58%

LAB 37.55, 59.85, -90.64

 

CMYK 14 / 77 / 0 / 6

HEX #CE37F0

RGB 206 55 240

HSL 288.97, 0.86%, 0.58%

LAB 54.18, 79.98, -62.77

 

CMYK 14 / 77 / 0 / 6

HEX #CE37F0

RGB 206 55 240

HSL 288.97, 0.86%, 0.58%

LAB 54.18, 79.98, -62.77

 

CMYK 12 / 67 / 0 / 13

HEX #C349DE

RGB 195 73 222

HSL 289.13, 0.69%, 0.58%

LAB 53.64, 68.39, -53.58

 

CMYK 10 / 56 / 0 / 20

HEX #B85ACD

RGB 184 90 205

HSL 289.04, 0.53%, 0.58%

LAB 53.93, 55.04, -43.55

 

CMYK 8 / 43 / 0 / 26

HEX #AD6BBC

RGB 173 107 188

HSL 288.89, 0.38%, 0.58%

LAB 55.1, 39.78, -32.08

 

CMYK 5 / 26 / 0 / 33

HEX #A27DAA

RGB 162 125 170

HSL 289.33, 0.21%, 0.58%

LAB 57.32, 22.46, -18.42

 

CMYK 57 / 77 / 0 / 6

HEX #6837F0

RGB 104 55 240

HSL 255.89, 0.86%, 0.58%

LAB 41.16, 64.29, -84.54

 

CMYK 36 / 77 / 0 / 6

HEX #9A37F0

RGB 154 55 240

HSL 272.11, 0.86%, 0.58%

LAB 46.83, 71.18, -75.02

 

CMYK 15 / 77 / 0 / 6

HEX #CB37F0

RGB 203 55 240

HSL 288, 0.86%, 0.58%

LAB 53.73, 79.44, -63.52

 

CMYK 0 / 77 / 5 / 6

HEX #F037E3

RGB 240 55 227

HSL 304.22, 0.86%, 0.58%

LAB 58.79, 84.36, -47.8

 

CMYK 0 / 77 / 26 / 6

HEX #F037B2

RGB 240 55 178

HSL 320.11, 0.86%, 0.58%

LAB 56.56, 77.92, -23.27

 

CMYK 17 / 93 / 0 / 22

HEX #A40EC6

RGB 164 14 198

HSL 288.91, 0.87%, 0.42%

LAB 41.66, 74.6, -59.32

 

CMYK 17 / 93 / 0 / 7

HEX #C411EC

RGB 196 17 236

HSL 289.04, 0.87%, 0.5%

LAB 49.73, 85.37, -67.79

 

CMYK 14 / 77 / 0 / 6

HEX #CE37F0

RGB 206 55 240

HSL 288.97, 0.86%, 0.58%

LAB 54.18, 79.98, -62.77

 

CMYK 11 / 61 / 0 / 5

HEX #D75EF2

RGB 215 94 242

HSL 289.05, 0.85%, 0.66%

LAB 60.66, 67.89, -53.44

 

CMYK 9 / 46 / 0 / 4

HEX #E084F5

RGB 224 132 245

HSL 288.85, 0.85%, 0.74%

LAB 68.71, 52.72, -42.32

 

CMYK 14 / 77 / 0 / 6

HEX #CE37F0

RGB 206 55 240

HSL 288.97, 0.86%, 0.58%

LAB 54.18, 79.98, -62.77

 

CMYK 0 / 77 / 77 / 6

HEX #F03737

RGB 240 55 55

HSL 0, 0.86%, 0.58%

LAB 53.53, 68.62, 44.76

 

CMYK 77 / 0 / 46 / 6

HEX #37F081

RGB 55 240 129

HSL 144, 0.86%, 0.58%

LAB 84.34, -68.4, 40.96

 

CMYK 14 / 77 / 0 / 6

HEX #CE37F0

RGB 206 55 240

HSL 288.97, 0.86%, 0.58%

LAB 54.18, 79.98, -62.77

 

CMYK 0 / 15 / 77 / 6

HEX #F0CB37

RGB 240 203 55

HSL 48, 0.86%, 0.58%

LAB 82.65, -1.18, 73.07

 

CMYK 77 / 0 / 15 / 6

HEX #37F0CB

RGB 55 240 203

HSL 168, 0.86%, 0.58%

LAB 85.73, -53.12, 5.09

 

CMYK 14 / 77 / 0 / 6

HEX #CE37F0

RGB 206 55 240

HSL 288.97, 0.86%, 0.58%

LAB 54.18, 79.98, -62.77

 

CMYK 0 / 77 / 77 / 6

HEX #F03737

RGB 240 55 55

HSL 0, 0.86%, 0.58%

LAB 53.53, 68.62, 44.76

 

CMYK 62 / 0 / 77 / 6

HEX #5CF037

RGB 92 240 55

HSL 108, 0.86%, 0.58%

LAB 84.42, -70.19, 71.65

 

CMYK 77 / 0 / 0 / 6

HEX #37F0F0

RGB 55 240 240

HSL 180, 0.86%, 0.58%

LAB 86.71, -43.28, -12.86

 

CMYK 14 / 77 / 0 / 6

HEX #CE37F0

RGB 206 55 240

HSL 288.97, 0.86%, 0.58%

LAB 54.18, 79.98, -62.77

 

CMYK 0 / 54 / 77 / 6

HEX #F06F37

RGB 240 111 55

HSL 18.16, 0.86%, 0.58%

LAB 61.8, 46.42, 53.23

 

CMYK 62 / 0 / 77 / 6

HEX #5CF037

RGB 92 240 55

HSL 108, 0.86%, 0.58%

LAB 84.42, -70.19, 71.65

 

CMYK 77 / 23 / 0 / 6

HEX #37B8F0

RGB 55 184 240

HSL 198.16, 0.86%, 0.58%

LAB 70.44, -16.13, -37.68

 

Description

Color code: HEX #CE37F0 | qconv.com Color code: HEX #CE37F0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 55 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 55 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 77 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 77% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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