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Color name
HEX #CE32A3

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE32A3 it is the complementary color #31CD5C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE32A3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE32A3 shade: #D3329E, #E444B1, #F556C4, #FF68D7 and #FF7AEA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE32A3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE32A3 shade: #CE32A3, #BD2090, #AC0E7D, #9B006A and #8A0057

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE32A3 shade: #CD31A2, #CD3178, #CD314E and #CD3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE32A3 shade: #CD31A2, #CD31CC, #A431CD, #7A31CD and #5031CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE32A3 shade matches the following richer shades: #CD31A2, #E11DAB and #F608B4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE32A3 shade: #CD31A2, #B84699, #A45A8F, #8F6F86 and #7A847D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE32A3 shade: #A331CD, #CD31CD, #CD31A3, #CD317A and #CD3150

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE32A3 shade: #8A216D, #AC2988, #CD31A2, #D552B1 and #DD74C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE32A3 shade: #CE32A3, #CD7A31 and #31CDB8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE32A3 shade: #CE32A3, #A3CD31 and #31A3CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE32A3 shade: #CE32A3, #CD7A31, #31CD5B and #3184CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE32A3 shade: #CE32A3, #CDA831, #31CD5B and #3156CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 21 / 19

HEX #CE32A3

RGB 206 50 163

HSL 316.54, 0.61%, 0.5%

LAB 49.55, 69.59, -25.76

 

Complementary color

CMYK 76 / 0 / 55 / 20

HEX #31CD5C

RGB 49 205 92

HSL 136.54, 0.61%, 0.5%

LAB 72.95, -62.92, 44.6

 

CMYK 0 / 76 / 25 / 17

HEX #D3329E

RGB 211 50 158

HSL 319.75, 0.65%, 0.51%

LAB 50.21, 70.14, -21.7

 

CMYK 0 / 70 / 22 / 11

HEX #E444B1

RGB 228 68 177

HSL 319.13, 0.75%, 0.58%

LAB 55.89, 70.96, -23.89

 

CMYK 0 / 65 / 20 / 4

HEX #F556C4

RGB 245 86 196

HSL 318.49, 0.89%, 0.65%

LAB 61.7, 71.25, -25.64

 

CMYK 0 / 59 / 16 / 0

HEX #FF68D7

RGB 255 104 215

HSL 315.89, 1%, 0.7%

LAB 66.57, 69.3, -28.73

 

CMYK 0 / 52 / 8 / 0

HEX #FF7AEA

RGB 255 122 234

HSL 309.47, 1%, 0.74%

LAB 70.26, 64.26, -33.58

 

CMYK 0 / 76 / 21 / 19

HEX #CE32A3

RGB 206 50 163

HSL 316.54, 0.61%, 0.5%

LAB 49.55, 69.59, -25.76

 

CMYK 0 / 83 / 24 / 26

HEX #BD2090

RGB 189 32 144

HSL 317.2, 0.71%, 0.43%

LAB 44.04, 68, -23.15

 

CMYK 0 / 92 / 27 / 33

HEX #AC0E7D

RGB 172 14 125

HSL 317.85, 0.85%, 0.36%

LAB 38.84, 65.28, -19.78

 

CMYK 0 / 100 / 32 / 39

HEX #9B006A

RGB 155 0 106

HSL 318.97, 1%, 0.3%

LAB 34, 61.23, -15.53

 

CMYK 0 / 100 / 37 / 46

HEX #8A0057

RGB 138 0 87

HSL 322.17, 1%, 0.27%

LAB 29.64, 55.5, -10.17

 

CMYK 0 / 76 / 21 / 20

HEX #CD31A2

RGB 205 49 162

HSL 316.54, 0.61%, 0.5%

LAB 49.23, 69.52, -25.68

 

CMYK 0 / 76 / 41 / 20

HEX #CD3178

RGB 205 49 120

HSL 332.69, 0.61%, 0.5%

LAB 47.66, 64.75, -2.77

 

CMYK 0 / 76 / 62 / 20

HEX #CD314E

RGB 205 49 78

HSL 348.85, 0.61%, 0.5%

LAB 46.61, 61.42, 21.53

 

CMYK 0 / 76 / 76 / 20

HEX #CD3131

RGB 205 49 49

HSL 0, 0.61%, 0.5%

LAB 46.17, 60, 38.23

 

CMYK 0 / 76 / 21 / 20

HEX #CD31A2

RGB 205 49 162

HSL 316.54, 0.61%, 0.5%

LAB 49.23, 69.52, -25.68

 

CMYK 0 / 76 / 0 / 20

HEX #CD31CC

RGB 205 49 204

HSL 300.38, 0.61%, 0.5%

LAB 51.31, 75.53, -46.95

 

CMYK 20 / 76 / 0 / 20

HEX #A431CD

RGB 164 49 205

HSL 284.23, 0.61%, 0.5%

LAB 44.94, 67.75, -58.09

 

CMYK 40 / 76 / 0 / 20

HEX #7A31CD

RGB 122 49 205

HSL 268.08, 0.61%, 0.5%

LAB 39.14, 60.42, -67.77

 

CMYK 61 / 76 / 0 / 20

HEX #5031CD

RGB 80 49 205

HSL 251.92, 0.61%, 0.5%

LAB 34.62, 54.55, -75.36

 

CMYK 0 / 76 / 21 / 20

HEX #CD31A2

RGB 205 49 162

HSL 316.54, 0.61%, 0.5%

LAB 49.23, 69.52, -25.68

 

CMYK 0 / 87 / 24 / 12

HEX #E11DAB

RGB 225 29 171

HSL 316.53, 0.77%, 0.5%

LAB 51.64, 79.49, -26.98

 

CMYK 0 / 97 / 27 / 4

HEX #F608B4

RGB 246 8 180

HSL 316.64, 0.94%, 0.5%

LAB 55.14, 86.88, -26.54

 

CMYK 0 / 76 / 21 / 20

HEX #CD31A2

RGB 205 49 162

HSL 316.54, 0.61%, 0.5%

LAB 49.23, 69.52, -25.68

 

CMYK 0 / 62 / 17 / 28

HEX #B84699

RGB 184 70 153

HSL 316.32, 0.45%, 0.5%

LAB 48.1, 55.25, -22.37

 

CMYK 0 / 45 / 13 / 36

HEX #A45A8F

RGB 164 90 143

HSL 317.03, 0.29%, 0.5%

LAB 48.5, 37.69, -16.05

 

CMYK 0 / 22 / 6 / 44

HEX #8F6F86

RGB 143 111 134

HSL 316.88, 0.13%, 0.5%

LAB 50.6, 16.69, -7.77

 

CMYK 8 / 0 / 5 / 48

HEX #7A847D

RGB 122 132 125

HSL 138, 0.04%, 0.5%

LAB 54.15, -5.1, 2.51

 

CMYK 20 / 76 / 0 / 20

HEX #A331CD

RGB 163 49 205

HSL 283.85, 0.61%, 0.5%

LAB 44.79, 67.56, -58.34

 

CMYK 0 / 76 / 0 / 20

HEX #CD31CD

RGB 205 49 205

HSL 300, 0.61%, 0.5%

LAB 51.36, 75.69, -47.43

 

CMYK 0 / 76 / 20 / 20

HEX #CD31A3

RGB 205 49 163

HSL 316.15, 0.61%, 0.5%

LAB 49.28, 69.65, -26.2

 

CMYK 0 / 76 / 40 / 20

HEX #CD317A

RGB 205 49 122

HSL 331.92, 0.61%, 0.5%

LAB 47.73, 64.94, -3.9

 

CMYK 0 / 76 / 61 / 20

HEX #CD3150

RGB 205 49 80

HSL 348.08, 0.61%, 0.5%

LAB 46.65, 61.54, 20.36

 

CMYK 0 / 76 / 21 / 46

HEX #8A216D

RGB 138 33 109

HSL 316.57, 0.61%, 0.34%

LAB 33.13, 50.96, -19.07

 

CMYK 0 / 76 / 21 / 33

HEX #AC2988

RGB 172 41 136

HSL 316.49, 0.62%, 0.42%

LAB 41.43, 60.62, -22.57

 

CMYK 0 / 76 / 21 / 20

HEX #CD31A2

RGB 205 49 162

HSL 316.54, 0.61%, 0.5%

LAB 49.23, 69.52, -25.68

 

CMYK 0 / 62 / 17 / 16

HEX #D552B1

RGB 213 82 177

HSL 316.49, 0.61%, 0.58%

LAB 55.44, 61.7, -24.79

 

CMYK 0 / 48 / 13 / 13

HEX #DD74C0

RGB 221 116 192

HSL 316.57, 0.61%, 0.66%

LAB 63.07, 50.55, -21.57

 

CMYK 0 / 76 / 21 / 19

HEX #CE32A3

RGB 206 50 163

HSL 316.54, 0.61%, 0.5%

LAB 49.55, 69.59, -25.76

 

CMYK 0 / 40 / 76 / 20

HEX #CD7A31

RGB 205 122 49

HSL 28.08, 0.61%, 0.5%

LAB 59.09, 26.68, 51.62

 

CMYK 76 / 0 / 10 / 20

HEX #31CDB8

RGB 49 205 184

HSL 171.92, 0.61%, 0.5%

LAB 74.68, -43.95, -0.87

 

CMYK 0 / 76 / 21 / 19

HEX #CE32A3

RGB 206 50 163

HSL 316.54, 0.61%, 0.5%

LAB 49.55, 69.59, -25.76

 

CMYK 20 / 0 / 76 / 20

HEX #A3CD31

RGB 163 205 49

HSL 76.15, 0.61%, 0.5%

LAB 77.08, -34.54, 67.61

 

CMYK 76 / 20 / 0 / 20

HEX #31A3CD

RGB 49 163 205

HSL 196.15, 0.61%, 0.5%

LAB 62.72, -17.33, -30.44

 

CMYK 0 / 76 / 21 / 19

HEX #CE32A3

RGB 206 50 163

HSL 316.54, 0.61%, 0.5%

LAB 49.55, 69.59, -25.76

 

CMYK 0 / 40 / 76 / 20

HEX #CD7A31

RGB 205 122 49

HSL 28.08, 0.61%, 0.5%

LAB 59.09, 26.68, 51.62

 

CMYK 76 / 0 / 56 / 20

HEX #31CD5B

RGB 49 205 91

HSL 136.15, 0.61%, 0.5%

LAB 72.94, -63.06, 45.06

 

CMYK 76 / 36 / 0 / 20

HEX #3184CD

RGB 49 132 205

HSL 208.08, 0.61%, 0.5%

LAB 53.56, 0.21, -44.8

 

CMYK 0 / 76 / 21 / 19

HEX #CE32A3

RGB 206 50 163

HSL 316.54, 0.61%, 0.5%

LAB 49.55, 69.59, -25.76

 

CMYK 0 / 18 / 76 / 20

HEX #CDA831

RGB 205 168 49

HSL 45.77, 0.61%, 0.5%

LAB 70.32, 1.79, 62.47

 

CMYK 76 / 0 / 56 / 20

HEX #31CD5B

RGB 49 205 91

HSL 136.15, 0.61%, 0.5%

LAB 72.94, -63.06, 45.06

 

CMYK 76 / 58 / 0 / 20

HEX #3156CD

RGB 49 86 205

HSL 225.77, 0.61%, 0.5%

LAB 40.76, 29.18, -65.37

 

Description

Color code: HEX #CE32A3 | qconv.com Color code: HEX #CE32A3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 50 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 50 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 21 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 21% 19% C M Y K

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