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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE3A7E it is the complementary color #31C581. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE3A7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE3A7E shade: #D33A79, #E44C8C, #F55E9F, #FF70B2 and #FF82C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE3A7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE3A7E shade: #CE3A7E, #BD286B, #AC1658, #9B0445 and #8A0032

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE3A7E shade: #CE3B7E, #CE3B57 and #CE3B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE3A7E shade: #CE3B7E, #CE3BA6, #CE3BCD, #A63BCE and #7E3BCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE3A7E shade matches the following richer shades: #CE3B7E, #E1277D and #F5137B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE3A7E shade: #CE3B7E, #BA4E80, #A66281, #927683 and #7E8A85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE3A7E shade: #CE3BCE, #CE3BA6, #CE3B7F, #CE3B58 and #CE443B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE3A7E shade: #922456, #B32C6A, #CE3B7E, #D65C94 and #DE7DA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE3A7E shade: #CE3A7E, #CEA63B and #3BBACE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE3A7E shade: #CE3A7E, #7FCE3B and #3B7FCE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE3A7E shade: #CE3A7E, #CEA63B, #3BCE89 and #3B62CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE3A7E shade: #CE3A7E, #C9CE3B, #3BCE89 and #403BCE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 39 / 19

HEX #CE3A7E

RGB 206 58 126

HSL 332.43, 0.6%, 0.52%

LAB 49.07, 62.69, -4.31

 

Complementary color

CMYK 75 / 0 / 35 / 23

HEX #31C581

RGB 49 197 129

HSL 152.43, 0.6%, 0.48%

LAB 70.99, -53.76, 23.43

 

CMYK 0 / 73 / 43 / 17

HEX #D33A79

RGB 211 58 121

HSL 335.29, 0.63%, 0.53%

LAB 49.8, 63.57, -0.11

 

CMYK 0 / 67 / 39 / 11

HEX #E44C8C

RGB 228 76 140

HSL 334.74, 0.74%, 0.6%

LAB 55.64, 63.74, -2.57

 

CMYK 0 / 62 / 35 / 4

HEX #F55E9F

RGB 245 94 159

HSL 334.17, 0.88%, 0.66%

LAB 61.59, 63.52, -4.59

 

CMYK 0 / 56 / 30 / 0

HEX #FF70B2

RGB 255 112 178

HSL 332.31, 1%, 0.72%

LAB 66.57, 60.94, -7.91

 

CMYK 0 / 49 / 23 / 0

HEX #FF82C5

RGB 255 130 197

HSL 327.84, 1%, 0.75%

LAB 70.36, 55.02, -12.92

 

CMYK 0 / 72 / 39 / 19

HEX #CE3A7E

RGB 206 58 126

HSL 332.43, 0.6%, 0.52%

LAB 49.07, 62.69, -4.31

 

CMYK 0 / 79 / 43 / 26

HEX #BD286B

RGB 189 40 107

HSL 333.02, 0.65%, 0.45%

LAB 43.36, 61.92, -1.43

 

CMYK 0 / 87 / 49 / 33

HEX #AC1658

RGB 172 22 88

HSL 333.6, 0.77%, 0.38%

LAB 37.93, 60.21, 2.25

 

CMYK 0 / 97 / 55 / 39

HEX #9B0445

RGB 155 4 69

HSL 334.17, 0.95%, 0.31%

LAB 32.89, 57.27, 6.92

 

CMYK 0 / 100 / 64 / 46

HEX #8A0032

RGB 138 0 50

HSL 338.26, 1%, 0.27%

LAB 28.47, 52.41, 12.94

 

CMYK 0 / 71 / 39 / 19

HEX #CE3B7E

RGB 206 59 126

HSL 332.65, 0.6%, 0.52%

LAB 49.2, 62.34, -4.13

 

CMYK 0 / 71 / 58 / 19

HEX #CE3B57

RGB 206 59 87

HSL 348.57, 0.6%, 0.52%

LAB 48.18, 58.94, 18.16

 

CMYK 0 / 71 / 71 / 19

HEX #CE3B3B

RGB 206 59 59

HSL 0, 0.6%, 0.52%

LAB 47.71, 57.32, 34.29

 

CMYK 0 / 71 / 39 / 19

HEX #CE3B7E

RGB 206 59 126

HSL 332.65, 0.6%, 0.52%

LAB 49.2, 62.34, -4.13

 

CMYK 0 / 71 / 19 / 19

HEX #CE3BA6

RGB 206 59 166

HSL 316.33, 0.6%, 0.52%

LAB 50.69, 67.13, -25.78

 

CMYK 0 / 71 / 0 / 19

HEX #CE3BCD

RGB 206 59 205

HSL 300.41, 0.6%, 0.52%

LAB 52.57, 72.89, -45.5

 

CMYK 19 / 71 / 0 / 19

HEX #A63BCE

RGB 166 59 206

HSL 283.67, 0.6%, 0.52%

LAB 46.57, 64.7, -56.02

 

CMYK 39 / 71 / 0 / 19

HEX #7E3BCE

RGB 126 59 206

HSL 267.35, 0.6%, 0.52%

LAB 41.25, 56.99, -64.89

 

CMYK 0 / 71 / 39 / 19

HEX #CE3B7E

RGB 206 59 126

HSL 332.65, 0.6%, 0.52%

LAB 49.2, 62.34, -4.13

 

CMYK 0 / 83 / 44 / 12

HEX #E1277D

RGB 225 39 125

HSL 332.26, 0.76%, 0.52%

LAB 50.62, 72.87, -1.04

 

CMYK 0 / 92 / 50 / 4

HEX #F5137B

RGB 245 19 123

HSL 332.39, 0.92%, 0.52%

LAB 53.29, 80.57, 4.52

 

CMYK 0 / 71 / 39 / 19

HEX #CE3B7E

RGB 206 59 126

HSL 332.65, 0.6%, 0.52%

LAB 49.2, 62.34, -4.13

 

CMYK 0 / 58 / 31 / 27

HEX #BA4E80

RGB 186 78 128

HSL 332.22, 0.44%, 0.52%

LAB 48.82, 48.77, -6.26

 

CMYK 0 / 41 / 22 / 35

HEX #A66281

RGB 166 98 129

HSL 332.65, 0.28%, 0.52%

LAB 50.01, 31.75, -5.4

 

CMYK 0 / 19 / 10 / 43

HEX #927683

RGB 146 118 131

HSL 332.14, 0.11%, 0.52%

LAB 52.63, 13.17, -2.97

 

CMYK 9 / 0 / 4 / 46

HEX #7E8A85

RGB 126 138 133

HSL 155, 0.05%, 0.52%

LAB 56.39, -5.39, 1.17

 

CMYK 0 / 71 / 0 / 19

HEX #CE3BCE

RGB 206 59 206

HSL 300, 0.6%, 0.52%

LAB 52.63, 73.05, -45.99

 

CMYK 0 / 71 / 19 / 19

HEX #CE3BA6

RGB 206 59 166

HSL 316.33, 0.6%, 0.52%

LAB 50.69, 67.13, -25.78

 

CMYK 0 / 71 / 38 / 19

HEX #CE3B7F

RGB 206 59 127

HSL 332.24, 0.6%, 0.52%

LAB 49.23, 62.44, -4.69

 

CMYK 0 / 71 / 57 / 19

HEX #CE3B58

RGB 206 59 88

HSL 348.16, 0.6%, 0.52%

LAB 48.2, 59.02, 17.58

 

CMYK 0 / 67 / 71 / 19

HEX #CE443B

RGB 206 68 59

HSL 3.67, 0.6%, 0.52%

LAB 48.97, 53.86, 35.76

 

CMYK 0 / 75 / 41 / 43

HEX #922456

RGB 146 36 86

HSL 332.73, 0.6%, 0.36%

LAB 34.08, 49.25, -2.71

 

CMYK 0 / 75 / 41 / 30

HEX #B32C6A

RGB 179 44 106

HSL 332.44, 0.61%, 0.44%

LAB 41.88, 57.92, -3.19

 

CMYK 0 / 71 / 39 / 19

HEX #CE3B7E

RGB 206 59 126

HSL 332.65, 0.6%, 0.52%

LAB 49.2, 62.34, -4.13

 

CMYK 0 / 57 / 31 / 16

HEX #D65C94

RGB 214 92 148

HSL 332.46, 0.6%, 0.6%

LAB 56.18, 53.66, -6.73

 

CMYK 0 / 44 / 24 / 13

HEX #DE7DA9

RGB 222 125 169

HSL 332.78, 0.6%, 0.68%

LAB 64.21, 42.86, -6.79

 

CMYK 0 / 72 / 39 / 19

HEX #CE3A7E

RGB 206 58 126

HSL 332.43, 0.6%, 0.52%

LAB 49.07, 62.69, -4.31

 

CMYK 0 / 19 / 71 / 19

HEX #CEA63B

RGB 206 166 59

HSL 43.67, 0.6%, 0.52%

LAB 69.97, 3.75, 58.31

 

CMYK 71 / 10 / 0 / 19

HEX #3BBACE

RGB 59 186 206

HSL 188.16, 0.6%, 0.52%

LAB 69.83, -27.62, -20.08

 

CMYK 0 / 72 / 39 / 19

HEX #CE3A7E

RGB 206 58 126

HSL 332.43, 0.6%, 0.52%

LAB 49.07, 62.69, -4.31

 

CMYK 38 / 0 / 71 / 19

HEX #7FCE3B

RGB 127 206 59

HSL 92.24, 0.6%, 0.52%

LAB 75.43, -47.68, 61.96

 

CMYK 71 / 38 / 0 / 19

HEX #3B7FCE

RGB 59 127 206

HSL 212.24, 0.6%, 0.52%

LAB 52.47, 4.89, -47.07

 

CMYK 0 / 72 / 39 / 19

HEX #CE3A7E

RGB 206 58 126

HSL 332.43, 0.6%, 0.52%

LAB 49.07, 62.69, -4.31

 

CMYK 0 / 19 / 71 / 19

HEX #CEA63B

RGB 206 166 59

HSL 43.67, 0.6%, 0.52%

LAB 69.97, 3.75, 58.31

 

CMYK 71 / 0 / 33 / 19

HEX #3BCE89

RGB 59 206 137

HSL 151.84, 0.6%, 0.52%

LAB 74.11, -54.18, 23.48

 

CMYK 71 / 52 / 0 / 19

HEX #3B62CE

RGB 59 98 206

HSL 224.08, 0.6%, 0.52%

LAB 44.41, 23.05, -60.01

 

CMYK 0 / 72 / 39 / 19

HEX #CE3A7E

RGB 206 58 126

HSL 332.43, 0.6%, 0.52%

LAB 49.07, 62.69, -4.31

 

CMYK 2 / 0 / 71 / 19

HEX #C9CE3B

RGB 201 206 59

HSL 62.04, 0.6%, 0.52%

LAB 80.11, -19.02, 68.14

 

CMYK 71 / 0 / 33 / 19

HEX #3BCE89

RGB 59 206 137

HSL 151.84, 0.6%, 0.52%

LAB 74.11, -54.18, 23.48

 

CMYK 69 / 71 / 0 / 19

HEX #403BCE

RGB 64 59 206

HSL 242.04, 0.6%, 0.52%

LAB 35.35, 47.78, -74.78

 

Description

Color code: HEX #CE3A7E | qconv.com Color code: HEX #CE3A7E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 58 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 58 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 39 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 39% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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