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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE3A85 it is the complementary color #31C57A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE3A85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE3A85 shade: #D33A80, #E44C93, #F55EA6, #FF70B9 and #FF82CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE3A85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE3A85 shade: #CE3A85, #BD2872, #AC165F, #9B044C and #8A0039

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE3A85 shade: #CE3B85, #CE3B5D and #CE3B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE3A85 shade: #CE3B85, #CE3BAD, #C73BCE, #9F3BCE and #783BCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE3A85 shade matches the following richer shades: #CE3B85, #E12785 and #F51386

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE3A85 shade: #CE3B85, #BA4E85, #A66285, #927684 and #7E8A84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE3A85 shade: #C63BCE, #CE3BAE, #CE3B87, #CE3B5F and #CE3D3B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE3A85 shade: #92245C, #B32C70, #CE3B85, #D65C9A and #DE7DAE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE3A85 shade: #CE3A85, #CE9F3B and #3BC1CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE3A85 shade: #CE3A85, #87CE3B and #3B87CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE3A85 shade: #CE3A85, #CE9F3B, #3BCE82 and #3B69CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE3A85 shade: #CE3A85, #CECB3B, #3BCE82 and #3B3DCE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 35 / 19

HEX #CE3A85

RGB 206 58 133

HSL 329.59, 0.6%, 0.52%

LAB 49.3, 63.43, -8.2

 

Complementary color

CMYK 75 / 0 / 38 / 23

HEX #31C57A

RGB 49 197 122

HSL 149.59, 0.6%, 0.48%

LAB 70.86, -55.15, 26.95

 

CMYK 0 / 73 / 39 / 17

HEX #D33A80

RGB 211 58 128

HSL 332.55, 0.63%, 0.53%

LAB 50.02, 64.26, -4.03

 

CMYK 0 / 67 / 36 / 11

HEX #E44C93

RGB 228 76 147

HSL 331.97, 0.74%, 0.6%

LAB 55.86, 64.49, -6.38

 

CMYK 0 / 62 / 32 / 4

HEX #F55EA6

RGB 245 94 166

HSL 331.39, 0.88%, 0.66%

LAB 61.8, 64.31, -8.31

 

CMYK 0 / 56 / 27 / 0

HEX #FF70B9

RGB 255 112 185

HSL 329.37, 1%, 0.72%

LAB 66.79, 61.8, -11.54

 

CMYK 0 / 49 / 20 / 0

HEX #FF82CC

RGB 255 130 204

HSL 324.48, 1%, 0.75%

LAB 70.58, 56, -16.47

 

CMYK 0 / 72 / 35 / 19

HEX #CE3A85

RGB 206 58 133

HSL 329.59, 0.6%, 0.52%

LAB 49.3, 63.43, -8.2

 

CMYK 0 / 79 / 40 / 26

HEX #BD2872

RGB 189 40 114

HSL 330.2, 0.65%, 0.45%

LAB 43.58, 62.61, -5.45

 

CMYK 0 / 87 / 45 / 33

HEX #AC165F

RGB 172 22 95

HSL 330.8, 0.77%, 0.38%

LAB 38.15, 60.82, -1.91

 

CMYK 0 / 97 / 51 / 39

HEX #9B044C

RGB 155 4 76

HSL 331.39, 0.95%, 0.31%

LAB 33.09, 57.81, 2.59

 

CMYK 0 / 100 / 59 / 46

HEX #8A0039

RGB 138 0 57

HSL 335.22, 1%, 0.27%

LAB 28.64, 52.86, 8.44

 

CMYK 0 / 71 / 35 / 19

HEX #CE3B85

RGB 206 59 133

HSL 329.8, 0.6%, 0.52%

LAB 49.43, 63.09, -8.02

 

CMYK 0 / 71 / 55 / 19

HEX #CE3B5D

RGB 206 59 93

HSL 346.12, 0.6%, 0.52%

LAB 48.31, 59.38, 14.68

 

CMYK 0 / 71 / 71 / 19

HEX #CE3B3B

RGB 206 59 59

HSL 0, 0.6%, 0.52%

LAB 47.71, 57.32, 34.29

 

CMYK 0 / 71 / 35 / 19

HEX #CE3B85

RGB 206 59 133

HSL 329.8, 0.6%, 0.52%

LAB 49.43, 63.09, -8.02

 

CMYK 0 / 71 / 16 / 19

HEX #CE3BAD

RGB 206 59 173

HSL 313.47, 0.6%, 0.52%

LAB 51, 68.09, -29.42

 

CMYK 3 / 71 / 0 / 19

HEX #C73BCE

RGB 199 59 206

HSL 297.14, 0.6%, 0.52%

LAB 51.53, 71.56, -47.81

 

CMYK 23 / 71 / 0 / 19

HEX #9F3BCE

RGB 159 59 206

HSL 280.82, 0.6%, 0.52%

LAB 45.57, 63.3, -57.68

 

CMYK 42 / 71 / 0 / 19

HEX #783BCE

RGB 120 59 206

HSL 264.9, 0.6%, 0.52%

LAB 40.54, 55.92, -66.08

 

CMYK 0 / 71 / 35 / 19

HEX #CE3B85

RGB 206 59 133

HSL 329.8, 0.6%, 0.52%

LAB 49.43, 63.09, -8.02

 

CMYK 0 / 83 / 41 / 12

HEX #E12785

RGB 225 39 133

HSL 329.68, 0.76%, 0.52%

LAB 50.86, 73.59, -5.51

 

CMYK 0 / 92 / 45 / 4

HEX #F51386

RGB 245 19 134

HSL 329.47, 0.92%, 0.52%

LAB 53.6, 81.42, -1.65

 

CMYK 0 / 71 / 35 / 19

HEX #CE3B85

RGB 206 59 133

HSL 329.8, 0.6%, 0.52%

LAB 49.43, 63.09, -8.02

 

CMYK 0 / 58 / 28 / 27

HEX #BA4E85

RGB 186 78 133

HSL 329.44, 0.44%, 0.52%

LAB 48.98, 49.42, -9.02

 

CMYK 0 / 41 / 20 / 35

HEX #A66285

RGB 166 98 133

HSL 329.12, 0.28%, 0.52%

LAB 50.14, 32.37, -7.59

 

CMYK 0 / 19 / 10 / 43

HEX #927684

RGB 146 118 132

HSL 330, 0.11%, 0.52%

LAB 52.66, 13.36, -3.51

 

CMYK 9 / 0 / 4 / 46

HEX #7E8A84

RGB 126 138 132

HSL 150, 0.05%, 0.52%

LAB 56.37, -5.59, 1.71

 

CMYK 4 / 71 / 0 / 19

HEX #C63BCE

RGB 198 59 206

HSL 296.73, 0.6%, 0.52%

LAB 51.37, 71.35, -48.06

 

CMYK 0 / 71 / 16 / 19

HEX #CE3BAE

RGB 206 59 174

HSL 313.06, 0.6%, 0.52%

LAB 51.04, 68.23, -29.93

 

CMYK 0 / 71 / 34 / 19

HEX #CE3B87

RGB 206 59 135

HSL 328.98, 0.6%, 0.52%

LAB 49.49, 63.31, -9.12

 

CMYK 0 / 71 / 54 / 19

HEX #CE3B5F

RGB 206 59 95

HSL 345.31, 0.6%, 0.52%

LAB 48.36, 59.53, 13.52

 

CMYK 0 / 70 / 71 / 19

HEX #CE3D3B

RGB 206 61 59

HSL 0.82, 0.6%, 0.52%

LAB 47.98, 56.59, 34.6

 

CMYK 0 / 75 / 37 / 43

HEX #92245C

RGB 146 36 92

HSL 329.45, 0.6%, 0.36%

LAB 34.28, 49.91, -6.28

 

CMYK 0 / 75 / 37 / 30

HEX #B32C70

RGB 179 44 112

HSL 329.78, 0.61%, 0.44%

LAB 42.08, 58.55, -6.63

 

CMYK 0 / 71 / 35 / 19

HEX #CE3B85

RGB 206 59 133

HSL 329.8, 0.6%, 0.52%

LAB 49.43, 63.09, -8.02

 

CMYK 0 / 57 / 28 / 16

HEX #D65C9A

RGB 214 92 154

HSL 329.51, 0.6%, 0.6%

LAB 56.37, 54.42, -9.96

 

CMYK 0 / 44 / 22 / 13

HEX #DE7DAE

RGB 222 125 174

HSL 329.69, 0.6%, 0.68%

LAB 64.37, 43.58, -9.4

 

CMYK 0 / 72 / 35 / 19

HEX #CE3A85

RGB 206 58 133

HSL 329.59, 0.6%, 0.52%

LAB 49.3, 63.43, -8.2

 

CMYK 0 / 23 / 71 / 19

HEX #CE9F3B

RGB 206 159 59

HSL 40.82, 0.6%, 0.52%

LAB 68.19, 7.5, 56.51

 

CMYK 71 / 6 / 0 / 19

HEX #3BC1CE

RGB 59 193 206

HSL 185.31, 0.6%, 0.52%

LAB 71.91, -31.04, -16.92

 

CMYK 0 / 72 / 35 / 19

HEX #CE3A85

RGB 206 58 133

HSL 329.59, 0.6%, 0.52%

LAB 49.3, 63.43, -8.2

 

CMYK 34 / 0 / 71 / 19

HEX #87CE3B

RGB 135 206 59

HSL 88.98, 0.6%, 0.52%

LAB 75.83, -44.92, 62.48

 

CMYK 71 / 34 / 0 / 19

HEX #3B87CE

RGB 59 135 206

HSL 208.98, 0.6%, 0.52%

LAB 54.78, 0.09, -43.42

 

CMYK 0 / 72 / 35 / 19

HEX #CE3A85

RGB 206 58 133

HSL 329.59, 0.6%, 0.52%

LAB 49.3, 63.43, -8.2

 

CMYK 0 / 23 / 71 / 19

HEX #CE9F3B

RGB 206 159 59

HSL 40.82, 0.6%, 0.52%

LAB 68.19, 7.5, 56.51

 

CMYK 71 / 0 / 37 / 19

HEX #3BCE82

RGB 59 206 130

HSL 148.98, 0.6%, 0.52%

LAB 73.99, -55.56, 26.98

 

CMYK 71 / 49 / 0 / 19

HEX #3B69CE

RGB 59 105 206

HSL 221.22, 0.6%, 0.52%

LAB 46.3, 18.59, -56.95

 

CMYK 0 / 72 / 35 / 19

HEX #CE3A85

RGB 206 58 133

HSL 329.59, 0.6%, 0.52%

LAB 49.3, 63.43, -8.2

 

CMYK 0 / 1 / 71 / 19

HEX #CECB3B

RGB 206 203 59

HSL 58.78, 0.6%, 0.52%

LAB 79.7, -15.43, 67.88

 

CMYK 71 / 0 / 37 / 19

HEX #3BCE82

RGB 59 206 130

HSL 148.98, 0.6%, 0.52%

LAB 73.99, -55.56, 26.98

 

CMYK 71 / 70 / 0 / 19

HEX #3B3DCE

RGB 59 61 206

HSL 239.18, 0.6%, 0.52%

LAB 35.45, 46.11, -74.63

 

Description

Color code: HEX #CE3A85 | qconv.com Color code: HEX #CE3A85 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 58 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 58 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 35 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 35% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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