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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE3B5A it is the complementary color #31C4A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE3B5A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE3B5A shade: #D33B55, #E44D68, #F55F7B, #FF718E and #FF83A1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE3B5A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE3B5A shade: #CE3B5A, #BD2947, #AC1734, #9B0521 and #8A000E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE3B5A shade: #CE3B5A and #CE3B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE3B5A shade: #CE3B5A, #CE3B81, #CE3BA9, #CB3BCE and #A33BCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE3B5A shade matches the following richer shades: #CE3B5A, #E1274E and #F51343

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE3B5A shade: #CE3B5A, #BA4E65, #A66271, #92767C and #7E8A87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE3B5A shade: #CE3BA9, #CE3B82, #CE3B5A, #CE423B and #CE693B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE3B5A shade: #92243B, #B32C49, #CE3B5A, #D65C75 and #DE7D91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE3B5A shade: #CE3B5A, #CECB3B and #3B95CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE3B5A shade: #CE3B5A, #5ACE3B and #3B5ACE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE3B5A shade: #CE3B5A, #CECB3B, #3BCEAE and #3B3DCE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE3B5A shade: #CE3B5A, #A4CE3B, #3BCEAE and #643BCE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 56 / 19

HEX #CE3B5A

RGB 206 59 90

HSL 347.35, 0.6%, 0.52%

LAB 48.24, 59.16, 16.42

 

Complementary color

CMYK 75 / 0 / 16 / 23

HEX #31C4A5

RGB 49 196 165

HSL 167.35, 0.6%, 0.48%

LAB 71.45, -45.06, 4.73

 

CMYK 0 / 72 / 60 / 17

HEX #D33B55

RGB 211 59 85

HSL 349.74, 0.63%, 0.53%

LAB 49.05, 60.31, 20.69

 

CMYK 0 / 66 / 54 / 11

HEX #E44D68

RGB 228 77 104

HSL 349.27, 0.74%, 0.6%

LAB 54.87, 60.11, 17.67

 

CMYK 0 / 61 / 50 / 4

HEX #F55F7B

RGB 245 95 123

HSL 348.8, 0.88%, 0.67%

LAB 60.81, 59.57, 15.15

 

CMYK 0 / 56 / 44 / 0

HEX #FF718E

RGB 255 113 142

HSL 347.75, 1%, 0.72%

LAB 65.77, 56.57, 11.4

 

CMYK 0 / 49 / 37 / 0

HEX #FF83A1

RGB 255 131 161

HSL 345.48, 1%, 0.76%

LAB 69.52, 50.04, 6

 

CMYK 0 / 71 / 56 / 19

HEX #CE3B5A

RGB 206 59 90

HSL 347.35, 0.6%, 0.52%

LAB 48.24, 59.16, 16.42

 

CMYK 0 / 78 / 62 / 26

HEX #BD2947

RGB 189 41 71

HSL 347.84, 0.64%, 0.45%

LAB 42.55, 58.83, 19.94

 

CMYK 0 / 87 / 70 / 33

HEX #AC1734

RGB 172 23 52

HSL 348.32, 0.76%, 0.38%

LAB 37.17, 57.62, 24.3

 

CMYK 0 / 97 / 79 / 39

HEX #9B0521

RGB 155 5 33

HSL 348.8, 0.94%, 0.31%

LAB 32.23, 55.21, 29.55

 

CMYK 0 / 100 / 90 / 46

HEX #8A000E

RGB 138 0 14

HSL 353.91, 1%, 0.27%

LAB 27.94, 50.98, 35.19

 

CMYK 0 / 71 / 56 / 19

HEX #CE3B5A

RGB 206 59 90

HSL 347.35, 0.6%, 0.52%

LAB 48.24, 59.16, 16.42

 

CMYK 0 / 71 / 71 / 19

HEX #CE3B3B

RGB 206 59 59

HSL 0, 0.6%, 0.52%

LAB 47.71, 57.32, 34.29

 

CMYK 0 / 71 / 56 / 19

HEX #CE3B5A

RGB 206 59 90

HSL 347.35, 0.6%, 0.52%

LAB 48.24, 59.16, 16.42

 

CMYK 0 / 71 / 37 / 19

HEX #CE3B81

RGB 206 59 129

HSL 331.43, 0.6%, 0.52%

LAB 49.3, 62.66, -5.8

 

CMYK 0 / 71 / 18 / 19

HEX #CE3BA9

RGB 206 59 169

HSL 315.1, 0.6%, 0.52%

LAB 50.82, 67.54, -27.34

 

CMYK 1 / 71 / 0 / 19

HEX #CB3BCE

RGB 203 59 206

HSL 298.78, 0.6%, 0.52%

LAB 52.15, 72.41, -46.77

 

CMYK 21 / 71 / 0 / 19

HEX #A33BCE

RGB 163 59 206

HSL 282.45, 0.6%, 0.52%

LAB 46.14, 64.1, -56.74

 

CMYK 0 / 71 / 56 / 19

HEX #CE3B5A

RGB 206 59 90

HSL 347.35, 0.6%, 0.52%

LAB 48.24, 59.16, 16.42

 

CMYK 0 / 83 / 65 / 12

HEX #E1274E

RGB 225 39 78

HSL 347.42, 0.76%, 0.52%

LAB 49.51, 69.6, 26.03

 

CMYK 0 / 92 / 73 / 4

HEX #F51343

RGB 245 19 67

HSL 347.26, 0.92%, 0.52%

LAB 52.16, 77.46, 36.73

 

CMYK 0 / 71 / 56 / 19

HEX #CE3B5A

RGB 206 59 90

HSL 347.35, 0.6%, 0.52%

LAB 48.24, 59.16, 16.42

 

CMYK 0 / 58 / 46 / 27

HEX #BA4E65

RGB 186 78 101

HSL 347.22, 0.44%, 0.52%

LAB 48.04, 45.69, 8.93

 

CMYK 0 / 41 / 32 / 35

HEX #A66271

RGB 166 98 113

HSL 346.76, 0.28%, 0.52%

LAB 49.54, 29.42, 3.46

 

CMYK 0 / 19 / 15 / 43

HEX #92767C

RGB 146 118 124

HSL 347.14, 0.11%, 0.52%

LAB 52.42, 11.93, 0.84

 

CMYK 9 / 0 / 2 / 46

HEX #7E8A87

RGB 126 138 135

HSL 165, 0.05%, 0.52%

LAB 56.45, -4.98, 0.1

 

CMYK 0 / 71 / 18 / 19

HEX #CE3BA9

RGB 206 59 169

HSL 315.1, 0.6%, 0.52%

LAB 50.82, 67.54, -27.34

 

CMYK 0 / 71 / 37 / 19

HEX #CE3B82

RGB 206 59 130

HSL 331.02, 0.6%, 0.52%

LAB 49.33, 62.76, -6.36

 

CMYK 0 / 71 / 56 / 19

HEX #CE3B5A

RGB 206 59 90

HSL 347.35, 0.6%, 0.52%

LAB 48.24, 59.16, 16.42

 

CMYK 0 / 68 / 71 / 19

HEX #CE423B

RGB 206 66 59

HSL 2.86, 0.6%, 0.52%

LAB 48.68, 54.66, 35.42

 

CMYK 0 / 49 / 71 / 19

HEX #CE693B

RGB 206 105 59

HSL 18.78, 0.6%, 0.52%

LAB 55.62, 36.53, 43.25

 

CMYK 0 / 75 / 60 / 43

HEX #92243B

RGB 146 36 59

HSL 347.45, 0.6%, 0.36%

LAB 33.33, 46.8, 13.8

 

CMYK 0 / 75 / 59 / 30

HEX #B32C49

RGB 179 44 73

HSL 347.11, 0.61%, 0.44%

LAB 41, 55.09, 16.28

 

CMYK 0 / 71 / 56 / 19

HEX #CE3B5A

RGB 206 59 90

HSL 347.35, 0.6%, 0.52%

LAB 48.24, 59.16, 16.42

 

CMYK 0 / 57 / 45 / 16

HEX #D65C75

RGB 214 92 117

HSL 347.7, 0.6%, 0.6%

LAB 55.31, 50.21, 10.26

 

CMYK 0 / 44 / 35 / 13

HEX #DE7D91

RGB 222 125 145

HSL 347.63, 0.6%, 0.68%

LAB 63.54, 39.7, 5.9

 

CMYK 0 / 71 / 56 / 19

HEX #CE3B5A

RGB 206 59 90

HSL 347.35, 0.6%, 0.52%

LAB 48.24, 59.16, 16.42

 

CMYK 0 / 1 / 71 / 19

HEX #CECB3B

RGB 206 203 59

HSL 58.78, 0.6%, 0.52%

LAB 79.7, -15.43, 67.88

 

CMYK 71 / 28 / 0 / 19

HEX #3B95CE

RGB 59 149 206

HSL 203.27, 0.6%, 0.52%

LAB 58.86, -8.02, -36.99

 

CMYK 0 / 71 / 56 / 19

HEX #CE3B5A

RGB 206 59 90

HSL 347.35, 0.6%, 0.52%

LAB 48.24, 59.16, 16.42

 

CMYK 56 / 0 / 71 / 19

HEX #5ACE3B

RGB 90 206 59

HSL 107.35, 0.6%, 0.52%

LAB 73.95, -58.74, 59.98

 

CMYK 71 / 56 / 0 / 19

HEX #3B5ACE

RGB 59 90 206

HSL 227.35, 0.6%, 0.52%

LAB 42.31, 28.17, -63.41

 

CMYK 0 / 71 / 56 / 19

HEX #CE3B5A

RGB 206 59 90

HSL 347.35, 0.6%, 0.52%

LAB 48.24, 59.16, 16.42

 

CMYK 0 / 1 / 71 / 19

HEX #CECB3B

RGB 206 203 59

HSL 58.78, 0.6%, 0.52%

LAB 79.7, -15.43, 67.88

 

CMYK 71 / 0 / 16 / 19

HEX #3BCEAE

RGB 59 206 174

HSL 166.94, 0.6%, 0.52%

LAB 74.91, -45.77, 4.87

 

CMYK 71 / 70 / 0 / 19

HEX #3B3DCE

RGB 59 61 206

HSL 239.18, 0.6%, 0.52%

LAB 35.45, 46.11, -74.63

 

CMYK 0 / 71 / 56 / 19

HEX #CE3B5A

RGB 206 59 90

HSL 347.35, 0.6%, 0.52%

LAB 48.24, 59.16, 16.42

 

CMYK 20 / 0 / 71 / 19

HEX #A4CE3B

RGB 164 206 59

HSL 77.14, 0.6%, 0.52%

LAB 77.49, -34.08, 64.69

 

CMYK 71 / 0 / 16 / 19

HEX #3BCEAE

RGB 59 206 174

HSL 166.94, 0.6%, 0.52%

LAB 74.91, -45.77, 4.87

 

CMYK 51 / 71 / 0 / 19

HEX #643BCE

RGB 100 59 206

HSL 256.73, 0.6%, 0.52%

LAB 38.36, 52.59, -69.72

 

Description

Color code: HEX #CE3B5A | qconv.com Color code: HEX #CE3B5A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 59 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 59 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 56 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 56% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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