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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE42D6 it is the complementary color #31BD29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE42D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE42D6 shade: #D342D1, #E454E4, #F566F7, #FF78FF and #FF8AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE42D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE42D6 shade: #CE42D6, #BD30C3, #AC1EB0, #9B0C9D and #8A008A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE42D6 shade: #CD42D5, #D542B6, #D5428E, #D54266 and #D54242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE42D6 shade: #CD42D5, #A642D5, #7E42D5, #5642D5 and #4242D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE42D6 shade matches the following richer shades: #CD42D5, #DE30E8 and #EE1DFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE42D6 shade: #CD42D5, #BD55C3, #AC67B0, #9C7A9D and #8B8D8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE42D6 shade: #7D42D5, #A442D5, #CB42D5, #D542B8 and #D54291

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE42D6 shade: #9B23A2, #BB2BC4, #CD42D5, #D664DD and #DF86E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE42D6 shade: #CE42D6, #D55642 and #42D591

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE42D6 shade: #CE42D6, #D5CB42 and #42D5CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE42D6 shade: #CE42D6, #D55642, #4CD542 and #42C2D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE42D6 shade: #CE42D6, #D58242, #4CD542 and #4296D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 69 / 0 / 16

HEX #CE42D6

RGB 206 66 214

HSL 296.76, 0.64%, 0.55%

LAB 53.89, 71.99, -48.55

 

Complementary color

CMYK 74 / 0 / 78 / 26

HEX #31BD29

RGB 49 189 41

HSL 116.76, 0.64%, 0.45%

LAB 67.43, -62.9, 59.28

 

CMYK 0 / 69 / 1 / 17

HEX #D342D1

RGB 211 66 209

HSL 300.83, 0.62%, 0.54%

LAB 54.4, 72.27, -44.85

 

CMYK 0 / 63 / 0 / 11

HEX #E454E4

RGB 228 84 228

HSL 300, 0.73%, 0.61%

LAB 60.28, 72.58, -46.12

 

CMYK 1 / 59 / 0 / 3

HEX #F566F7

RGB 245 102 247

HSL 299.17, 0.9%, 0.68%

LAB 66.24, 72.53, -47.12

 

CMYK 0 / 53 / 0 / 0

HEX #FF78FF

RGB 255 120 255

HSL 300, 1%, 0.74%

LAB 70.81, 68.59, -44.22

 

CMYK 0 / 46 / 0 / 0

HEX #FF8AFF

RGB 255 138 255

HSL 300, 1%, 0.77%

LAB 73.97, 60.22, -39.29

 

CMYK 4 / 69 / 0 / 16

HEX #CE42D6

RGB 206 66 214

HSL 296.76, 0.64%, 0.55%

LAB 53.89, 71.99, -48.55

 

CMYK 3 / 75 / 0 / 24

HEX #BD30C3

RGB 189 48 195

HSL 297.55, 0.6%, 0.48%

LAB 48.1, 71.16, -47.01

 

CMYK 2 / 83 / 0 / 31

HEX #AC1EB0

RGB 172 30 176

HSL 298.36, 0.71%, 0.4%

LAB 42.51, 69.49, -44.96

 

CMYK 1 / 92 / 0 / 38

HEX #9B0C9D

RGB 155 12 157

HSL 299.17, 0.86%, 0.33%

LAB 37.24, 66.61, -42.18

 

CMYK 0 / 100 / 0 / 46

HEX #8A008A

RGB 138 0 138

HSL 300, 1%, 0.27%

LAB 32.34, 62.24, -38.54

 

CMYK 4 / 69 / 0 / 16

HEX #CD42D5

RGB 205 66 213

HSL 296.73, 0.64%, 0.55%

LAB 53.69, 71.61, -48.32

 

CMYK 0 / 69 / 15 / 16

HEX #D542B6

RGB 213 66 182

HSL 312.65, 0.64%, 0.55%

LAB 53.41, 68.64, -30.83

 

CMYK 0 / 69 / 33 / 16

HEX #D5428E

RGB 213 66 142

HSL 328.98, 0.64%, 0.55%

LAB 51.83, 63.5, -9.69

 

CMYK 0 / 69 / 52 / 16

HEX #D54266

RGB 213 66 102

HSL 345.31, 0.64%, 0.55%

LAB 50.69, 59.61, 12.7

 

CMYK 0 / 69 / 69 / 16

HEX #D54242

RGB 213 66 66

HSL 0, 0.64%, 0.55%

LAB 50.02, 57.26, 33.28

 

CMYK 4 / 69 / 0 / 16

HEX #CD42D5

RGB 205 66 213

HSL 296.73, 0.64%, 0.55%

LAB 53.69, 71.61, -48.32

 

CMYK 22 / 69 / 0 / 16

HEX #A642D5

RGB 166 66 213

HSL 280.82, 0.64%, 0.55%

LAB 48.02, 63.3, -57.71

 

CMYK 41 / 69 / 0 / 16

HEX #7E42D5

RGB 126 66 213

HSL 264.49, 0.64%, 0.55%

LAB 42.97, 55.42, -66.12

 

CMYK 60 / 69 / 0 / 16

HEX #5642D5

RGB 86 66 213

HSL 248.16, 0.64%, 0.55%

LAB 39.03, 48.83, -72.71

 

CMYK 69 / 69 / 0 / 16

HEX #4242D5

RGB 66 66 213

HSL 240, 0.64%, 0.55%

LAB 37.59, 46.27, -75.14

 

CMYK 4 / 69 / 0 / 16

HEX #CD42D5

RGB 205 66 213

HSL 296.73, 0.64%, 0.55%

LAB 53.69, 71.61, -48.32

 

CMYK 4 / 79 / 0 / 9

HEX #DE30E8

RGB 222 48 232

HSL 296.74, 0.8%, 0.55%

LAB 55.55, 83.42, -55.94

 

CMYK 5 / 88 / 0 / 2

HEX #EE1DFA

RGB 238 29 250

HSL 296.74, 0.96%, 0.55%

LAB 58, 92.47, -61.95

 

CMYK 4 / 69 / 0 / 16

HEX #CD42D5

RGB 205 66 213

HSL 296.73, 0.64%, 0.55%

LAB 53.69, 71.61, -48.32

 

CMYK 3 / 56 / 0 / 24

HEX #BD55C3

RGB 189 85 195

HSL 296.73, 0.48%, 0.55%

LAB 53.23, 56.83, -38.89

 

CMYK 2 / 41 / 0 / 31

HEX #AC67B0

RGB 172 103 176

HSL 296.71, 0.32%, 0.55%

LAB 53.61, 39.27, -27.49

 

CMYK 1 / 22 / 0 / 38

HEX #9C7A9D

RGB 156 122 157

HSL 298.29, 0.15%, 0.55%

LAB 55.5, 19.48, -13.73

 

CMYK 1 / 0 / 1 / 45

HEX #8B8D8B

RGB 139 141 139

HSL 120, 0.01%, 0.55%

LAB 58.42, -1.12, 0.8

 

CMYK 41 / 69 / 0 / 16

HEX #7D42D5

RGB 125 66 213

HSL 264.08, 0.64%, 0.55%

LAB 42.85, 55.24, -66.31

 

CMYK 23 / 69 / 0 / 16

HEX #A442D5

RGB 164 66 213

HSL 280, 0.64%, 0.55%

LAB 47.74, 62.89, -58.16

 

CMYK 5 / 69 / 0 / 16

HEX #CB42D5

RGB 203 66 213

HSL 295.92, 0.64%, 0.55%

LAB 53.38, 71.17, -48.82

 

CMYK 0 / 69 / 14 / 16

HEX #D542B8

RGB 213 66 184

HSL 311.84, 0.64%, 0.55%

LAB 53.5, 68.92, -31.86

 

CMYK 0 / 69 / 32 / 16

HEX #D54291

RGB 213 66 145

HSL 327.76, 0.64%, 0.55%

LAB 51.94, 63.84, -11.32

 

CMYK 4 / 78 / 0 / 36

HEX #9B23A2

RGB 155 35 162

HSL 296.69, 0.64%, 0.39%

LAB 39.21, 62.58, -42.05

 

CMYK 5 / 78 / 0 / 23

HEX #BB2BC4

RGB 187 43 196

HSL 296.47, 0.64%, 0.47%

LAB 47.34, 72.35, -48.83

 

CMYK 4 / 69 / 0 / 16

HEX #CD42D5

RGB 205 66 213

HSL 296.73, 0.64%, 0.55%

LAB 53.69, 71.61, -48.32

 

CMYK 3 / 55 / 0 / 13

HEX #D664DD

RGB 214 100 221

HSL 296.53, 0.64%, 0.63%

LAB 60.45, 61.13, -42.06

 

CMYK 2 / 41 / 0 / 11

HEX #DF86E4

RGB 223 134 228

HSL 296.81, 0.64%, 0.71%

LAB 68.27, 48.21, -33.67

 

CMYK 4 / 69 / 0 / 16

HEX #CE42D6

RGB 206 66 214

HSL 296.76, 0.64%, 0.55%

LAB 53.89, 71.99, -48.55

 

CMYK 0 / 60 / 69 / 16

HEX #D55642

RGB 213 86 66

HSL 8.16, 0.64%, 0.55%

LAB 53.16, 48.82, 37

 

CMYK 69 / 0 / 32 / 16

HEX #42D591

RGB 66 213 145

HSL 152.24, 0.64%, 0.55%

LAB 76.55, -54.2, 22.63

 

CMYK 4 / 69 / 0 / 16

HEX #CE42D6

RGB 206 66 214

HSL 296.76, 0.64%, 0.55%

LAB 53.89, 71.99, -48.55

 

CMYK 0 / 5 / 69 / 16

HEX #D5CB42

RGB 213 203 66

HSL 55.92, 0.64%, 0.55%

LAB 80.32, -12.14, 66.14

 

CMYK 69 / 0 / 5 / 16

HEX #42D5CB

RGB 66 213 203

HSL 175.92, 0.64%, 0.55%

LAB 77.91, -40.29, -6.32

 

CMYK 4 / 69 / 0 / 16

HEX #CE42D6

RGB 206 66 214

HSL 296.76, 0.64%, 0.55%

LAB 53.89, 71.99, -48.55

 

CMYK 0 / 60 / 69 / 16

HEX #D55642

RGB 213 86 66

HSL 8.16, 0.64%, 0.55%

LAB 53.16, 48.82, 37

 

CMYK 64 / 0 / 69 / 16

HEX #4CD542

RGB 76 213 66

HSL 115.92, 0.64%, 0.55%

LAB 75.77, -63.84, 59.12

 

CMYK 69 / 9 / 0 / 16

HEX #42C2D5

RGB 66 194 213

HSL 187.76, 0.64%, 0.55%

LAB 72.59, -28.5, -19.69

 

CMYK 4 / 69 / 0 / 16

HEX #CE42D6

RGB 206 66 214

HSL 296.76, 0.64%, 0.55%

LAB 53.89, 71.99, -48.55

 

CMYK 0 / 39 / 69 / 16

HEX #D58242

RGB 213 130 66

HSL 26.12, 0.64%, 0.55%

LAB 62.09, 26.54, 47.12

 

CMYK 64 / 0 / 69 / 16

HEX #4CD542

RGB 76 213 66

HSL 115.92, 0.64%, 0.55%

LAB 75.77, -63.84, 59.12

 

CMYK 69 / 30 / 0 / 16

HEX #4296D5

RGB 66 150 213

HSL 205.71, 0.64%, 0.55%

LAB 59.68, -5.17, -39.61

 

Description

Color code: HEX #CE42D6 | qconv.com Color code: HEX #CE42D6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 66 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 66 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 69 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 69% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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