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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE59B7 it is the complementary color #31A648. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE59B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE59B7 shade: #D359B2, #E46BC5, #F57DD8, #FF8FEB and #FFA1FE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE59B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE59B7 shade: #CE59B7, #BD47A4, #AC3591, #9B237E and #8A116B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE59B7 shade: #CD5AB7, #CD5A97, #CD5A78 and #CD5A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE59B7 shade: #CD5AB7, #C55ACD, #A65ACD, #865ACD and #675ACD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE59B7 shade matches the following richer shades: #CD5AB7, #DF48C1 and #F037CC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE59B7 shade: #CD5AB7, #BC6BAC, #AB7CA1, #998E97 and #889F8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE59B7 shade: #A55ACD, #C45ACD, #CD5AB8, #CD5A99 and #CD5A7A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE59B7 shade: #A4318D, #C33AA8, #CD5AB7, #D779C4 and #E099D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE59B7 shade: #CE59B7, #CD865A and #5ACDB4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE59B7 shade: #CE59B7, #B8CD5A and #5AB8CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE59B7 shade: #CE59B7, #CD865A, #5ACD6F and #5AA1CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE59B7 shade: #CE59B7, #CDA95A, #5ACD6F and #5A7ECD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 11 / 19

HEX #CE59B7

RGB 206 89 183

HSL 311.79, 0.54%, 0.58%

LAB 55.77, 57.6, -27.82

 

Complementary color

CMYK 70 / 0 / 57 / 35

HEX #31A648

RGB 49 166 72

HSL 131.79, 0.54%, 0.42%

LAB 60.24, -52.14, 38.97

 

CMYK 0 / 58 / 16 / 17

HEX #D359B2

RGB 211 89 178

HSL 316.23, 0.58%, 0.59%

LAB 56.3, 58.24, -24.07

 

CMYK 0 / 53 / 14 / 11

HEX #E46BC5

RGB 228 107 197

HSL 315.37, 0.69%, 0.66%

LAB 62.54, 57.77, -25.13

 

CMYK 0 / 49 / 12 / 4

HEX #F57DD8

RGB 245 125 216

HSL 314.5, 0.86%, 0.73%

LAB 68.78, 57.17, -26.01

 

CMYK 0 / 44 / 8 / 0

HEX #FF8FEB

RGB 255 143 235

HSL 310.71, 1%, 0.78%

LAB 74.13, 54.41, -28.16

 

CMYK 0 / 37 / 0 / 0

HEX #FFA1FE

RGB 255 161 254

HSL 300.64, 1%, 0.82%

LAB 78.41, 48.6, -31.88

 

CMYK 0 / 57 / 11 / 19

HEX #CE59B7

RGB 206 89 183

HSL 311.79, 0.54%, 0.58%

LAB 55.77, 57.6, -27.82

 

CMYK 0 / 62 / 13 / 26

HEX #BD47A4

RGB 189 71 164

HSL 312.71, 0.47%, 0.51%

LAB 49.5, 57.87, -26.65

 

CMYK 0 / 69 / 16 / 33

HEX #AC3591

RGB 172 53 145

HSL 313.61, 0.53%, 0.44%

LAB 43.3, 57.75, -25.14

 

CMYK 0 / 77 / 19 / 39

HEX #9B237E

RGB 155 35 126

HSL 314.5, 0.63%, 0.37%

LAB 37.26, 56.96, -23.11

 

CMYK 0 / 88 / 22 / 46

HEX #8A116B

RGB 138 17 107

HSL 315.37, 0.78%, 0.3%

LAB 31.5, 55.07, -20.31

 

CMYK 0 / 56 / 11 / 20

HEX #CD5AB7

RGB 205 90 183

HSL 311.48, 0.53%, 0.58%

LAB 55.8, 56.86, -27.8

 

CMYK 0 / 56 / 26 / 20

HEX #CD5A97

RGB 205 90 151

HSL 328.17, 0.53%, 0.58%

LAB 54.58, 52.16, -11.02

 

CMYK 0 / 56 / 41 / 20

HEX #CD5A78

RGB 205 90 120

HSL 344.35, 0.53%, 0.58%

LAB 53.65, 48.42, 5.93

 

CMYK 0 / 56 / 56 / 20

HEX #CD5A5A

RGB 205 90 90

HSL 0, 0.53%, 0.58%

LAB 52.98, 45.64, 22.74

 

CMYK 0 / 56 / 11 / 20

HEX #CD5AB7

RGB 205 90 183

HSL 311.48, 0.53%, 0.58%

LAB 55.8, 56.86, -27.8

 

CMYK 4 / 56 / 0 / 20

HEX #C55ACD

RGB 197 90 205

HSL 295.83, 0.53%, 0.58%

LAB 55.68, 58.43, -40.68

 

CMYK 19 / 56 / 0 / 20

HEX #A65ACD

RGB 166 90 205

HSL 279.65, 0.53%, 0.58%

LAB 51.64, 50.39, -47.33

 

CMYK 35 / 56 / 0 / 20

HEX #865ACD

RGB 134 90 205

HSL 262.96, 0.53%, 0.58%

LAB 47.99, 42.41, -53.37

 

CMYK 50 / 56 / 0 / 20

HEX #675ACD

RGB 103 90 205

HSL 246.78, 0.53%, 0.58%

LAB 45.09, 35.42, -58.2

 

CMYK 0 / 56 / 11 / 20

HEX #CD5AB7

RGB 205 90 183

HSL 311.48, 0.53%, 0.58%

LAB 55.8, 56.86, -27.8

 

CMYK 0 / 68 / 13 / 13

HEX #DF48C1

RGB 223 72 193

HSL 311.92, 0.7%, 0.58%

LAB 56.26, 70.5, -32.63

 

CMYK 0 / 77 / 15 / 6

HEX #F037CC

RGB 240 55 204

HSL 311.68, 0.86%, 0.58%

LAB 57.67, 81.17, -36.52

 

CMYK 0 / 56 / 11 / 20

HEX #CD5AB7

RGB 205 90 183

HSL 311.48, 0.53%, 0.58%

LAB 55.8, 56.86, -27.8

 

CMYK 0 / 43 / 9 / 26

HEX #BC6BAC

RGB 188 107 172

HSL 311.85, 0.38%, 0.58%

LAB 56.27, 41.47, -20.91

 

CMYK 0 / 27 / 6 / 33

HEX #AB7CA1

RGB 171 124 161

HSL 312.77, 0.22%, 0.58%

LAB 57.7, 24.4, -12.58

 

CMYK 0 / 7 / 1 / 40

HEX #998E97

RGB 153 142 151

HSL 310.91, 0.05%, 0.58%

LAB 60.21, 5.78, -3.3

 

CMYK 14 / 0 / 12 / 38

HEX #889F8C

RGB 136 159 140

HSL 130.43, 0.11%, 0.58%

LAB 63.28, -11.89, 7.22

 

CMYK 20 / 56 / 0 / 20

HEX #A55ACD

RGB 165 90 205

HSL 279.13, 0.53%, 0.58%

LAB 51.52, 50.13, -47.53

 

CMYK 4 / 56 / 0 / 20

HEX #C45ACD

RGB 196 90 205

HSL 295.3, 0.53%, 0.58%

LAB 55.54, 58.17, -40.91

 

CMYK 0 / 56 / 10 / 20

HEX #CD5AB8

RGB 205 90 184

HSL 310.96, 0.53%, 0.58%

LAB 55.84, 57.02, -28.31

 

CMYK 0 / 56 / 25 / 20

HEX #CD5A99

RGB 205 90 153

HSL 327.13, 0.53%, 0.58%

LAB 54.65, 52.43, -12.09

 

CMYK 0 / 56 / 40 / 20

HEX #CD5A7A

RGB 205 90 122

HSL 343.3, 0.53%, 0.58%

LAB 53.7, 48.64, 4.82

 

CMYK 0 / 70 / 14 / 36

HEX #A4318D

RGB 164 49 141

HSL 312, 0.54%, 0.42%

LAB 41.24, 56.6, -26.03

 

CMYK 0 / 70 / 14 / 24

HEX #C33AA8

RGB 195 58 168

HSL 311.82, 0.54%, 0.5%

LAB 48.83, 65.06, -29.99

 

CMYK 0 / 56 / 11 / 20

HEX #CD5AB7

RGB 205 90 183

HSL 311.48, 0.53%, 0.58%

LAB 55.8, 56.86, -27.8

 

CMYK 0 / 44 / 9 / 16

HEX #D779C4

RGB 215 121 196

HSL 312.13, 0.54%, 0.66%

LAB 63.43, 46.82, -23.35

 

CMYK 0 / 32 / 6 / 12

HEX #E099D2

RGB 224 153 210

HSL 311.83, 0.53%, 0.74%

LAB 71.75, 35.3, -18.4

 

CMYK 0 / 57 / 11 / 19

HEX #CE59B7

RGB 206 89 183

HSL 311.79, 0.54%, 0.58%

LAB 55.77, 57.6, -27.82

 

CMYK 0 / 35 / 56 / 20

HEX #CD865A

RGB 205 134 90

HSL 22.96, 0.53%, 0.58%

LAB 62.31, 22.69, 34.71

 

CMYK 56 / 0 / 12 / 20

HEX #5ACDB4

RGB 90 205 180

HSL 166.96, 0.53%, 0.58%

LAB 75.53, -38.61, 2.64

 

CMYK 0 / 57 / 11 / 19

HEX #CE59B7

RGB 206 89 183

HSL 311.79, 0.54%, 0.58%

LAB 55.77, 57.6, -27.82

 

CMYK 10 / 0 / 56 / 20

HEX #B8CD5A

RGB 184 205 90

HSL 70.96, 0.53%, 0.58%

LAB 78.81, -23.49, 53.85

 

CMYK 56 / 10 / 0 / 20

HEX #5AB8CD

RGB 90 184 205

HSL 190.96, 0.53%, 0.58%

LAB 70.08, -21.84, -19.07

 

CMYK 0 / 57 / 11 / 19

HEX #CE59B7

RGB 206 89 183

HSL 311.79, 0.54%, 0.58%

LAB 55.77, 57.6, -27.82

 

CMYK 0 / 35 / 56 / 20

HEX #CD865A

RGB 205 134 90

HSL 22.96, 0.53%, 0.58%

LAB 62.31, 22.69, 34.71

 

CMYK 56 / 0 / 46 / 20

HEX #5ACD6F

RGB 90 205 111

HSL 130.96, 0.53%, 0.58%

LAB 74.18, -52.42, 37.09

 

CMYK 56 / 21 / 0 / 20

HEX #5AA1CD

RGB 90 161 205

HSL 202.96, 0.53%, 0.58%

LAB 63.4, -9.63, -29.29

 

CMYK 0 / 57 / 11 / 19

HEX #CE59B7

RGB 206 89 183

HSL 311.79, 0.54%, 0.58%

LAB 55.77, 57.6, -27.82

 

CMYK 0 / 18 / 56 / 20

HEX #CDA95A

RGB 205 169 90

HSL 41.22, 0.53%, 0.58%

LAB 70.94, 3.72, 45.18

 

CMYK 56 / 0 / 46 / 20

HEX #5ACD6F

RGB 90 205 111

HSL 130.96, 0.53%, 0.58%

LAB 74.18, -52.42, 37.09

 

CMYK 56 / 39 / 0 / 20

HEX #5A7ECD

RGB 90 126 205

HSL 221.22, 0.53%, 0.58%

LAB 53.5, 10.65, -44.79

 

Description

Color code: HEX #CE59B7 | qconv.com Color code: HEX #CE59B7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 89 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 89 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 11 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 11% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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