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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE53A5 it is the complementary color #31AC5A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE53A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE53A5 shade: #D353A0, #E465B3, #F577C6, #FF89D9 and #FF9BEC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE53A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE53A5 shade: #CE53A5, #BD4192, #AC2F7F, #9B1D6C and #8A0B59

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE53A5 shade: #CE53A5, #CE5384, #CE5363 and #CE5353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE53A5 shade: #CE53A5, #CE53C6, #B553CE, #9453CE and #7353CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE53A5 shade matches the following richer shades: #CE53A5, #E042AB and #F230B1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE53A5 shade: #CE53A5, #BD659F, #AB7799, #998994 and #879A8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE53A5 shade: #B653CE, #CE53C6, #CE53A5, #CE5385 and #CE5364

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE53A5 shade: #A22D7B, #C23694, #CE53A5, #D774B6 and #E094C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE53A5 shade: #CE53A5, #CE9553 and #53CEC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE53A5 shade: #CE53A5, #A5CE53 and #53A5CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE53A5 shade: #CE53A5, #CE9553, #53CE7C and #538DCE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE53A5 shade: #CE53A5, #CEBA53, #53CE7C and #5368CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 20 / 19

HEX #CE53A5

RGB 206 83 165

HSL 320, 0.56%, 0.57%

LAB 54.05, 57.58, -20.01

 

Complementary color

CMYK 72 / 0 / 48 / 33

HEX #31AC5A

RGB 49 172 90

HSL 140, 0.56%, 0.43%

LAB 62.42, -51.61, 32.62

 

CMYK 0 / 61 / 24 / 17

HEX #D353A0

RGB 211 83 160

HSL 323.91, 0.59%, 0.58%

LAB 54.63, 58.33, -16.14

 

CMYK 0 / 56 / 21 / 11

HEX #E465B3

RGB 228 101 179

HSL 323.15, 0.7%, 0.65%

LAB 60.83, 57.91, -17.49

 

CMYK 0 / 51 / 19 / 4

HEX #F577C6

RGB 245 119 198

HSL 322.38, 0.86%, 0.71%

LAB 67.04, 57.33, -18.62

 

CMYK 0 / 46 / 15 / 0

HEX #FF89D9

RGB 255 137 217

HSL 319.32, 1%, 0.77%

LAB 72.34, 54.52, -21.02

 

CMYK 0 / 39 / 7 / 0

HEX #FF9BEC

RGB 255 155 236

HSL 311.4, 1%, 0.8%

LAB 76.53, 48.57, -25.02

 

CMYK 0 / 60 / 20 / 19

HEX #CE53A5

RGB 206 83 165

HSL 320, 0.56%, 0.57%

LAB 54.05, 57.58, -20.01

 

CMYK 0 / 66 / 23 / 26

HEX #BD4192

RGB 189 65 146

HSL 320.81, 0.49%, 0.5%

LAB 47.85, 57.74, -18.5

 

CMYK 0 / 73 / 26 / 33

HEX #AC2F7F

RGB 172 47 127

HSL 321.6, 0.57%, 0.43%

LAB 41.75, 57.44, -16.55

 

CMYK 0 / 81 / 30 / 39

HEX #9B1D6C

RGB 155 29 108

HSL 322.38, 0.68%, 0.36%

LAB 35.85, 56.36, -13.97

 

CMYK 0 / 92 / 36 / 46

HEX #8A0B59

RGB 138 11 89

HSL 323.15, 0.85%, 0.29%

LAB 30.31, 53.99, -10.46

 

CMYK 0 / 60 / 20 / 19

HEX #CE53A5

RGB 206 83 165

HSL 320, 0.56%, 0.57%

LAB 54.05, 57.58, -20.01

 

CMYK 0 / 60 / 36 / 19

HEX #CE5384

RGB 206 83 132

HSL 336.1, 0.56%, 0.57%

LAB 52.92, 53.32, -2.24

 

CMYK 0 / 60 / 52 / 19

HEX #CE5363

RGB 206 83 99

HSL 352.2, 0.56%, 0.57%

LAB 52.07, 50.01, 16.23

 

CMYK 0 / 60 / 60 / 19

HEX #CE5353

RGB 206 83 83

HSL 0, 0.56%, 0.57%

LAB 51.76, 48.77, 25.28

 

CMYK 0 / 60 / 20 / 19

HEX #CE53A5

RGB 206 83 165

HSL 320, 0.56%, 0.57%

LAB 54.05, 57.58, -20.01

 

CMYK 0 / 60 / 4 / 19

HEX #CE53C6

RGB 206 83 198

HSL 303.9, 0.56%, 0.57%

LAB 55.47, 62.67, -36.92

 

CMYK 12 / 60 / 0 / 19

HEX #B553CE

RGB 181 83 206

HSL 287.8, 0.56%, 0.57%

LAB 52.36, 57.79, -46.64

 

CMYK 28 / 60 / 0 / 19

HEX #9453CE

RGB 148 83 206

HSL 271.71, 0.56%, 0.57%

LAB 48.18, 49.77, -53.55

 

CMYK 44 / 60 / 0 / 19

HEX #7353CE

RGB 115 83 206

HSL 255.61, 0.56%, 0.57%

LAB 44.64, 42.33, -59.44

 

CMYK 0 / 60 / 20 / 19

HEX #CE53A5

RGB 206 83 165

HSL 320, 0.56%, 0.57%

LAB 54.05, 57.58, -20.01

 

CMYK 0 / 71 / 24 / 12

HEX #E042AB

RGB 224 66 171

HSL 320.13, 0.72%, 0.57%

LAB 54.75, 69.88, -22.21

 

CMYK 0 / 80 / 27 / 5

HEX #F230B1

RGB 242 48 177

HSL 320.1, 0.88%, 0.57%

LAB 56.25, 80.02, -23.13

 

CMYK 0 / 60 / 20 / 19

HEX #CE53A5

RGB 206 83 165

HSL 320, 0.56%, 0.57%

LAB 54.05, 57.58, -20.01

 

CMYK 0 / 47 / 16 / 26

HEX #BD659F

RGB 189 101 159

HSL 320.45, 0.4%, 0.57%

LAB 54.69, 42.77, -15.76

 

CMYK 0 / 30 / 11 / 33

HEX #AB7799

RGB 171 119 153

HSL 320.77, 0.24%, 0.57%

LAB 56.24, 25.78, -10.15

 

CMYK 0 / 10 / 3 / 40

HEX #998994

RGB 153 137 148

HSL 318.75, 0.07%, 0.57%

LAB 58.79, 8.04, -3.67

 

CMYK 12 / 0 / 8 / 40

HEX #879A8E

RGB 135 154 142

HSL 142.11, 0.09%, 0.57%

LAB 61.84, -9.16, 4.02

 

CMYK 12 / 60 / 0 / 19

HEX #B653CE

RGB 182 83 206

HSL 288.29, 0.56%, 0.57%

LAB 52.5, 58.04, -46.42

 

CMYK 0 / 60 / 4 / 19

HEX #CE53C6

RGB 206 83 198

HSL 303.9, 0.56%, 0.57%

LAB 55.47, 62.67, -36.92

 

CMYK 0 / 60 / 20 / 19

HEX #CE53A5

RGB 206 83 165

HSL 320, 0.56%, 0.57%

LAB 54.05, 57.58, -20.01

 

CMYK 0 / 60 / 35 / 19

HEX #CE5385

RGB 206 83 133

HSL 335.61, 0.56%, 0.57%

LAB 52.95, 53.44, -2.79

 

CMYK 0 / 60 / 51 / 19

HEX #CE5364

RGB 206 83 100

HSL 351.71, 0.56%, 0.57%

LAB 52.09, 50.1, 15.66

 

CMYK 0 / 72 / 24 / 36

HEX #A22D7B

RGB 162 45 123

HSL 320, 0.57%, 0.41%

LAB 39.56, 54.98, -17.58

 

CMYK 0 / 72 / 24 / 24

HEX #C23694

RGB 194 54 148

HSL 319.71, 0.56%, 0.49%

LAB 47.3, 63.44, -20.47

 

CMYK 0 / 60 / 20 / 19

HEX #CE53A5

RGB 206 83 165

HSL 320, 0.56%, 0.57%

LAB 54.05, 57.58, -20.01

 

CMYK 0 / 46 / 15 / 16

HEX #D774B6

RGB 215 116 182

HSL 320, 0.55%, 0.65%

LAB 61.93, 47.1, -17.71

 

CMYK 0 / 34 / 11 / 12

HEX #E094C7

RGB 224 148 199

HSL 319.74, 0.55%, 0.73%

LAB 70.28, 36.09, -14.53

 

CMYK 0 / 60 / 20 / 19

HEX #CE53A5

RGB 206 83 165

HSL 320, 0.56%, 0.57%

LAB 54.05, 57.58, -20.01

 

CMYK 0 / 28 / 60 / 19

HEX #CE9553

RGB 206 149 83

HSL 32.2, 0.56%, 0.57%

LAB 65.94, 14.4, 42.8

 

CMYK 60 / 0 / 4 / 19

HEX #53CEC6

RGB 83 206 198

HSL 176.1, 0.56%, 0.57%

LAB 76.11, -35.81, -6.25

 

CMYK 0 / 60 / 20 / 19

HEX #CE53A5

RGB 206 83 165

HSL 320, 0.56%, 0.57%

LAB 54.05, 57.58, -20.01

 

CMYK 20 / 0 / 60 / 19

HEX #A5CE53

RGB 165 206 83

HSL 80, 0.56%, 0.57%

LAB 77.74, -32.02, 55.41

 

CMYK 60 / 20 / 0 / 19

HEX #53A5CE

RGB 83 165 206

HSL 200, 0.56%, 0.57%

LAB 64.33, -12.9, -28.44

 

CMYK 0 / 60 / 20 / 19

HEX #CE53A5

RGB 206 83 165

HSL 320, 0.56%, 0.57%

LAB 54.05, 57.58, -20.01

 

CMYK 0 / 28 / 60 / 19

HEX #CE9553

RGB 206 149 83

HSL 32.2, 0.56%, 0.57%

LAB 65.94, 14.4, 42.8

 

CMYK 60 / 0 / 40 / 19

HEX #53CE7C

RGB 83 206 124

HSL 140, 0.56%, 0.57%

LAB 74.47, -52.28, 30.82

 

CMYK 60 / 32 / 0 / 19

HEX #538DCE

RGB 83 141 206

HSL 211.71, 0.56%, 0.57%

LAB 57.41, 0.63, -39.21

 

CMYK 0 / 60 / 20 / 19

HEX #CE53A5

RGB 206 83 165

HSL 320, 0.56%, 0.57%

LAB 54.05, 57.58, -20.01

 

CMYK 0 / 10 / 60 / 19

HEX #CEBA53

RGB 206 186 83

HSL 50.24, 0.56%, 0.57%

LAB 75.37, -5.36, 53.63

 

CMYK 60 / 0 / 40 / 19

HEX #53CE7C

RGB 83 206 124

HSL 140, 0.56%, 0.57%

LAB 74.47, -52.28, 30.82

 

CMYK 60 / 50 / 0 / 19

HEX #5368CE

RGB 83 104 206

HSL 229.76, 0.56%, 0.57%

LAB 47.23, 23.15, -55.39

 

Description

Color code: HEX #CE53A5 | qconv.com Color code: HEX #CE53A5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 83 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 83 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 20 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 20% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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