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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE5ED4 it is the complementary color #31A12B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE5ED4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE5ED4 shade: #D35ECF, #E470E2, #F582F5, #FF94FF and #FFA6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE5ED4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE5ED4 shade: #CE5ED4, #BD4CC1, #AC3AAE, #9B289B and #8A1688

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE5ED4 shade: #CE5DD4, #D45DBA, #D45D9A, #D45D7A and #D45D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE5ED4 shade: #CE5DD4, #AE5DD4, #8E5DD4, #6E5DD4 and #5D5DD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE5ED4 shade matches the following richer shades: #CE5DD4, #DC4DE4 and #EB3CF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE5ED4 shade: #CE5DD4, #BF6EC3, #B07EB3, #A18FA2 and #929F92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE5ED4 shade: #8D5DD4, #AC5DD4, #CC5DD4, #D45DBC and #D45D9C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE5ED4 shade: #A92EB0, #C43DCB, #CE5DD4, #D87EDC and #E19FE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE5ED4 shade: #CE5ED4, #D46D5D and #5DD49C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE5ED4 shade: #CE5ED4, #D4CC5D and #5DD4CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE5ED4 shade: #CE5ED4, #D46D5D, #65D45D and #5DC4D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE5ED4 shade: #CE5ED4, #D4915D, #65D45D and #5DA0D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 56 / 0 / 17

HEX #CE5ED4

RGB 206 94 212

HSL 296.95, 0.58%, 0.6%

LAB 57.92, 60.2, -41.04

 

Complementary color

CMYK 70 / 0 / 73 / 37

HEX #31A12B

RGB 49 161 43

HSL 116.95, 0.58%, 0.4%

LAB 58.34, -53.57, 49.59

 

CMYK 0 / 55 / 2 / 17

HEX #D35ECF

RGB 211 94 207

HSL 302.05, 0.57%, 0.6%

LAB 58.38, 60.64, -37.44

 

CMYK 0 / 51 / 1 / 11

HEX #E470E2

RGB 228 112 226

HSL 301.03, 0.68%, 0.67%

LAB 64.62, 60.16, -38.19

 

CMYK 0 / 47 / 0 / 4

HEX #F582F5

RGB 245 130 245

HSL 300, 0.85%, 0.74%

LAB 70.85, 59.56, -38.79

 

CMYK 0 / 42 / 0 / 0

HEX #FF94FF

RGB 255 148 255

HSL 300, 1%, 0.79%

LAB 75.86, 55.33, -36.36

 

CMYK 0 / 35 / 0 / 0

HEX #FFA6FF

RGB 255 166 255

HSL 300, 1%, 0.83%

LAB 79.47, 46.22, -30.78

 

CMYK 3 / 56 / 0 / 17

HEX #CE5ED4

RGB 206 94 212

HSL 296.95, 0.58%, 0.6%

LAB 57.92, 60.2, -41.04

 

CMYK 2 / 61 / 0 / 24

HEX #BD4CC1

RGB 189 76 193

HSL 297.95, 0.49%, 0.53%

LAB 51.65, 60.51, -40.22

 

CMYK 1 / 67 / 0 / 32

HEX #AC3AAE

RGB 172 58 174

HSL 298.97, 0.5%, 0.45%

LAB 45.43, 60.47, -39.13

 

CMYK 0 / 74 / 0 / 39

HEX #9B289B

RGB 155 40 155

HSL 300, 0.59%, 0.38%

LAB 39.33, 59.85, -37.63

 

CMYK 0 / 84 / 1 / 46

HEX #8A1688

RGB 138 22 136

HSL 301.03, 0.73%, 0.31%

LAB 33.47, 58.25, -35.5

 

CMYK 3 / 56 / 0 / 17

HEX #CE5DD4

RGB 206 93 212

HSL 296.97, 0.58%, 0.6%

LAB 57.75, 60.65, -41.3

 

CMYK 0 / 56 / 12 / 17

HEX #D45DBA

RGB 212 93 186

HSL 313.11, 0.58%, 0.6%

LAB 57.44, 57.94, -26.91

 

CMYK 0 / 56 / 27 / 17

HEX #D45D9A

RGB 212 93 154

HSL 329.24, 0.58%, 0.6%

LAB 56.25, 53.34, -10.17

 

CMYK 0 / 56 / 42 / 17

HEX #D45D7A

RGB 212 93 122

HSL 345.38, 0.58%, 0.6%

LAB 55.31, 49.57, 7.26

 

CMYK 0 / 56 / 56 / 17

HEX #D45D5D

RGB 212 93 93

HSL 0, 0.58%, 0.6%

LAB 54.67, 46.94, 23.42

 

CMYK 3 / 56 / 0 / 17

HEX #CE5DD4

RGB 206 93 212

HSL 296.97, 0.58%, 0.6%

LAB 57.75, 60.65, -41.3

 

CMYK 18 / 56 / 0 / 17

HEX #AE5DD4

RGB 174 93 212

HSL 280.84, 0.58%, 0.6%

LAB 53.58, 52.41, -48.18

 

CMYK 33 / 56 / 0 / 17

HEX #8E5DD4

RGB 142 93 212

HSL 264.71, 0.58%, 0.6%

LAB 49.9, 44.45, -54.27

 

CMYK 48 / 56 / 0 / 17

HEX #6E5DD4

RGB 110 93 212

HSL 248.57, 0.58%, 0.6%

LAB 46.84, 37.19, -59.35

 

CMYK 56 / 56 / 0 / 17

HEX #5D5DD4

RGB 93 93 212

HSL 240, 0.58%, 0.6%

LAB 45.51, 33.81, -61.57

 

CMYK 3 / 56 / 0 / 17

HEX #CE5DD4

RGB 206 93 212

HSL 296.97, 0.58%, 0.6%

LAB 57.75, 60.65, -41.3

 

CMYK 4 / 66 / 0 / 11

HEX #DC4DE4

RGB 220 77 228

HSL 296.82, 0.74%, 0.6%

LAB 58.16, 73.42, -49.56

 

CMYK 4 / 76 / 0 / 4

HEX #EB3CF5

RGB 235 60 245

HSL 296.76, 0.9%, 0.6%

LAB 59.42, 84.78, -56.91

 

CMYK 3 / 56 / 0 / 17

HEX #CE5DD4

RGB 206 93 212

HSL 296.97, 0.58%, 0.6%

LAB 57.75, 60.65, -41.3

 

CMYK 2 / 44 / 0 / 24

HEX #BF6EC3

RGB 191 110 195

HSL 297.18, 0.41%, 0.6%

LAB 58.2, 44.98, -31.1

 

CMYK 2 / 30 / 0 / 30

HEX #B07EB3

RGB 176 126 179

HSL 296.6, 0.26%, 0.6%

LAB 59.35, 28.42, -20.35

 

CMYK 1 / 12 / 0 / 36

HEX #A18FA2

RGB 161 143 162

HSL 296.84, 0.09%, 0.6%

LAB 61.51, 10.24, -7.55

 

CMYK 8 / 0 / 8 / 38

HEX #929F92

RGB 146 159 146

HSL 120, 0.06%, 0.6%

LAB 64.15, -7.16, 5.2

 

CMYK 33 / 56 / 0 / 17

HEX #8D5DD4

RGB 141 93 212

HSL 264.2, 0.58%, 0.6%

LAB 49.79, 44.21, -54.45

 

CMYK 19 / 56 / 0 / 17

HEX #AC5DD4

RGB 172 93 212

HSL 279.83, 0.58%, 0.6%

LAB 53.33, 51.9, -48.58

 

CMYK 4 / 56 / 0 / 17

HEX #CC5DD4

RGB 204 93 212

HSL 295.97, 0.58%, 0.6%

LAB 57.48, 60.13, -41.75

 

CMYK 0 / 56 / 11 / 17

HEX #D45DBC

RGB 212 93 188

HSL 312.1, 0.58%, 0.6%

LAB 57.52, 58.25, -27.93

 

CMYK 0 / 56 / 26 / 17

HEX #D45D9C

RGB 212 93 156

HSL 328.24, 0.58%, 0.6%

LAB 56.31, 53.61, -11.24

 

CMYK 4 / 74 / 0 / 31

HEX #A92EB0

RGB 169 46 176

HSL 296.77, 0.59%, 0.44%

LAB 43.54, 64.46, -43.34

 

CMYK 3 / 70 / 0 / 20

HEX #C43DCB

RGB 196 61 203

HSL 297.04, 0.58%, 0.52%

LAB 51.13, 69.73, -46.74

 

CMYK 3 / 56 / 0 / 17

HEX #CE5DD4

RGB 206 93 212

HSL 296.97, 0.58%, 0.6%

LAB 57.75, 60.65, -41.3

 

CMYK 2 / 43 / 0 / 14

HEX #D87EDC

RGB 216 126 220

HSL 297.45, 0.57%, 0.68%

LAB 65.5, 48.78, -33.59

 

CMYK 2 / 31 / 0 / 10

HEX #E19FE5

RGB 225 159 229

HSL 296.57, 0.57%, 0.76%

LAB 73.84, 35.85, -25.61

 

CMYK 3 / 56 / 0 / 17

HEX #CE5ED4

RGB 206 94 212

HSL 296.95, 0.58%, 0.6%

LAB 57.92, 60.2, -41.04

 

CMYK 0 / 49 / 56 / 17

HEX #D46D5D

RGB 212 109 93

HSL 8.07, 0.58%, 0.6%

LAB 57.77, 39, 27.47

 

CMYK 56 / 0 / 26 / 17

HEX #5DD49C

RGB 93 212 156

HSL 151.76, 0.58%, 0.6%

LAB 77.17, -46.45, 17.81

 

CMYK 3 / 56 / 0 / 17

HEX #CE5ED4

RGB 206 94 212

HSL 296.95, 0.58%, 0.6%

LAB 57.92, 60.2, -41.04

 

CMYK 0 / 4 / 56 / 17

HEX #D4CC5D

RGB 212 204 93

HSL 55.97, 0.58%, 0.6%

LAB 80.72, -11.36, 55.25

 

CMYK 56 / 0 / 4 / 17

HEX #5DD4CC

RGB 93 212 204

HSL 175.97, 0.58%, 0.6%

LAB 78.33, -35.19, -6.16

 

CMYK 3 / 56 / 0 / 17

HEX #CE5ED4

RGB 206 94 212

HSL 296.95, 0.58%, 0.6%

LAB 57.92, 60.2, -41.04

 

CMYK 0 / 49 / 56 / 17

HEX #D46D5D

RGB 212 109 93

HSL 8.07, 0.58%, 0.6%

LAB 57.77, 39, 27.47

 

CMYK 52 / 0 / 56 / 17

HEX #65D45D

RGB 101 212 93

HSL 115.97, 0.58%, 0.6%

LAB 76.46, -54.8, 48.64

 

CMYK 56 / 8 / 0 / 17

HEX #5DC4D4

RGB 93 196 212

HSL 188.07, 0.58%, 0.6%

LAB 73.91, -25.31, -17.08

 

CMYK 3 / 56 / 0 / 17

HEX #CE5ED4

RGB 206 94 212

HSL 296.95, 0.58%, 0.6%

LAB 57.92, 60.2, -41.04

 

CMYK 0 / 32 / 56 / 17

HEX #D4915D

RGB 212 145 93

HSL 26.22, 0.58%, 0.6%

LAB 65.78, 19.85, 37.59

 

CMYK 52 / 0 / 56 / 17

HEX #65D45D

RGB 101 212 93

HSL 115.97, 0.58%, 0.6%

LAB 76.46, -54.8, 48.64

 

CMYK 56 / 25 / 0 / 17

HEX #5DA0D4

RGB 93 160 212

HSL 206.22, 0.58%, 0.6%

LAB 63.53, -6.3, -32.98

 

Description

Color code: HEX #CE5ED4 | qconv.com Color code: HEX #CE5ED4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 94 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 94 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 56 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 56% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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