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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE60C6 it is the complementary color #319F39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE60C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE60C6 shade: #D360C1, #E472D4, #F584E7, #FF96FA and #FFA8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE60C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE60C6 shade: #CE60C6, #BD4EB3, #AC3CA0, #9B2A8D and #8A187A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE60C6 shade: #CD5FC5, #CD5FA7, #CD5F8A, #CD5F6C and #CD5F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE60C6 shade: #CD5FC5, #B85FCD, #9A5FCD, #7C5FCD and #5F5FCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE60C6 shade matches the following richer shades: #CD5FC5, #DE4ED4 and #EF3DE2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE60C6 shade: #CD5FC5, #BC6FB7, #AC80A8, #9B919A and #8AA28B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE60C6 shade: #9A5FCD, #B75FCD, #CD5FC6, #CD5FA8 and #CD5F8B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE60C6 shade: #A7339E, #C43FBA, #CD5FC5, #D77ED1 and #E19EDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE60C6 shade: #CE60C6, #CD7C5F and #5FCDA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE60C6 shade: #CE60C6, #C6CD5F and #5FC6CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE60C6 shade: #CE60C6, #CD7C5F, #5FCD66 and #5FB0CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE60C6 shade: #CE60C6, #CD9D5F, #5FCD66 and #5F8FCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 4 / 19

HEX #CE60C6

RGB 206 96 198

HSL 304.36, 0.53%, 0.59%

LAB 57.62, 56.83, -33.56

 

Complementary color

CMYK 69 / 0 / 64 / 38

HEX #319F39

RGB 49 159 57

HSL 124.36, 0.53%, 0.41%

LAB 57.79, -51.51, 43.18

 

CMYK 0 / 55 / 9 / 17

HEX #D360C1

RGB 211 96 193

HSL 309.39, 0.57%, 0.6%

LAB 58.1, 57.39, -29.91

 

CMYK 0 / 50 / 7 / 11

HEX #E472D4

RGB 228 114 212

HSL 308.42, 0.68%, 0.67%

LAB 64.39, 56.84, -30.73

 

CMYK 0 / 46 / 6 / 4

HEX #F584E7

RGB 245 132 231

HSL 307.43, 0.85%, 0.74%

LAB 70.65, 56.2, -31.42

 

CMYK 0 / 41 / 2 / 0

HEX #FF96FA

RGB 255 150 250

HSL 302.86, 1%, 0.79%

LAB 76.05, 53.46, -33.35

 

CMYK 0 / 34 / 0 / 0

HEX #FFA8FF

RGB 255 168 255

HSL 300, 1%, 0.83%

LAB 79.89, 45.19, -30.14

 

CMYK 0 / 53 / 4 / 19

HEX #CE60C6

RGB 206 96 198

HSL 304.36, 0.53%, 0.59%

LAB 57.62, 56.83, -33.56

 

CMYK 0 / 59 / 5 / 26

HEX #BD4EB3

RGB 189 78 179

HSL 305.41, 0.46%, 0.52%

LAB 51.29, 57.23, -32.66

 

CMYK 0 / 65 / 7 / 33

HEX #AC3CA0

RGB 172 60 160

HSL 306.43, 0.48%, 0.45%

LAB 45, 57.33, -31.5

 

CMYK 0 / 73 / 9 / 39

HEX #9B2A8D

RGB 155 42 141

HSL 307.43, 0.57%, 0.39%

LAB 38.81, 56.9, -29.94

 

CMYK 0 / 83 / 12 / 46

HEX #8A187A

RGB 138 24 122

HSL 308.42, 0.7%, 0.32%

LAB 32.84, 55.56, -27.75

 

CMYK 0 / 54 / 4 / 20

HEX #CD5FC5

RGB 205 95 197

HSL 304.36, 0.52%, 0.59%

LAB 57.26, 56.85, -33.55

 

CMYK 0 / 54 / 19 / 20

HEX #CD5FA7

RGB 205 95 167

HSL 320.73, 0.52%, 0.59%

LAB 56.04, 52.06, -18.16

 

CMYK 0 / 54 / 33 / 20

HEX #CD5F8A

RGB 205 95 138

HSL 336.55, 0.52%, 0.59%

LAB 55.07, 48.1, -2.65

 

CMYK 0 / 54 / 47 / 20

HEX #CD5F6C

RGB 205 95 108

HSL 352.91, 0.52%, 0.59%

LAB 54.29, 44.79, 13.92

 

CMYK 0 / 54 / 54 / 20

HEX #CD5F5F

RGB 205 95 95

HSL 0, 0.52%, 0.59%

LAB 54.02, 43.61, 21.19

 

CMYK 0 / 54 / 4 / 20

HEX #CD5FC5

RGB 205 95 197

HSL 304.36, 0.52%, 0.59%

LAB 57.26, 56.85, -33.55

 

CMYK 10 / 54 / 0 / 20

HEX #B85FCD

RGB 184 95 205

HSL 288.55, 0.52%, 0.59%

LAB 54.85, 52.59, -42.11

 

CMYK 25 / 54 / 0 / 20

HEX #9A5FCD

RGB 154 95 205

HSL 272.18, 0.52%, 0.59%

LAB 51.22, 44.66, -48.08

 

CMYK 40 / 54 / 0 / 20

HEX #7C5FCD

RGB 124 95 205

HSL 255.82, 0.52%, 0.59%

LAB 48.11, 37.17, -53.24

 

CMYK 54 / 54 / 0 / 20

HEX #5F5FCD

RGB 95 95 205

HSL 240, 0.52%, 0.59%

LAB 45.67, 30.74, -57.29

 

CMYK 0 / 54 / 4 / 20

HEX #CD5FC5

RGB 205 95 197

HSL 304.36, 0.52%, 0.59%

LAB 57.26, 56.85, -33.55

 

CMYK 0 / 65 / 5 / 13

HEX #DE4ED4

RGB 222 78 212

HSL 304.17, 0.69%, 0.59%

LAB 57.78, 70.9, -41.1

 

CMYK 0 / 74 / 5 / 6

HEX #EF3DE2

RGB 239 61 226

HSL 304.38, 0.85%, 0.59%

LAB 59.14, 82.4, -46.69

 

CMYK 0 / 54 / 4 / 20

HEX #CD5FC5

RGB 205 95 197

HSL 304.36, 0.52%, 0.59%

LAB 57.26, 56.85, -33.55

 

CMYK 0 / 41 / 3 / 26

HEX #BC6FB7

RGB 188 111 183

HSL 303.9, 0.36%, 0.59%

LAB 57.54, 41.3, -25.29

 

CMYK 0 / 26 / 2 / 33

HEX #AC80A8

RGB 172 128 168

HSL 305.45, 0.21%, 0.59%

LAB 59.01, 23.8, -14.61

 

CMYK 0 / 6 / 1 / 39

HEX #9B919A

RGB 155 145 154

HSL 306, 0.05%, 0.59%

LAB 61.27, 5.39, -3.42

 

CMYK 15 / 0 / 14 / 36

HEX #8AA28B

RGB 138 162 139

HSL 122.5, 0.11%, 0.59%

LAB 64.25, -12.96, 9.18

 

CMYK 25 / 54 / 0 / 20

HEX #9A5FCD

RGB 154 95 205

HSL 272.18, 0.52%, 0.59%

LAB 51.22, 44.66, -48.08

 

CMYK 11 / 54 / 0 / 20

HEX #B75FCD

RGB 183 95 205

HSL 288, 0.52%, 0.59%

LAB 54.72, 52.32, -42.32

 

CMYK 0 / 54 / 3 / 20

HEX #CD5FC6

RGB 205 95 198

HSL 303.82, 0.52%, 0.59%

LAB 57.31, 57.02, -34.05

 

CMYK 0 / 54 / 18 / 20

HEX #CD5FA8

RGB 205 95 168

HSL 320.18, 0.52%, 0.59%

LAB 56.08, 52.21, -18.68

 

CMYK 0 / 54 / 32 / 20

HEX #CD5F8B

RGB 205 95 139

HSL 336, 0.52%, 0.59%

LAB 55.1, 48.22, -3.19

 

CMYK 0 / 69 / 5 / 35

HEX #A7339E

RGB 167 51 158

HSL 304.66, 0.53%, 0.43%

LAB 42.84, 59.26, -33.75

 

CMYK 0 / 68 / 5 / 23

HEX #C43FBA

RGB 196 63 186

HSL 304.51, 0.53%, 0.51%

LAB 50.49, 66.24, -37.92

 

CMYK 0 / 54 / 4 / 20

HEX #CD5FC5

RGB 205 95 197

HSL 304.36, 0.52%, 0.59%

LAB 57.26, 56.85, -33.55

 

CMYK 0 / 41 / 3 / 16

HEX #D77ED1

RGB 215 126 209

HSL 304.04, 0.53%, 0.67%

LAB 64.94, 46.49, -28.33

 

CMYK 0 / 30 / 2 / 12

HEX #E19EDC

RGB 225 158 220

HSL 304.48, 0.53%, 0.75%

LAB 73.3, 34.73, -21.52

 

CMYK 0 / 53 / 4 / 19

HEX #CE60C6

RGB 206 96 198

HSL 304.36, 0.53%, 0.59%

LAB 57.62, 56.83, -33.56

 

CMYK 0 / 40 / 54 / 20

HEX #CD7C5F

RGB 205 124 95

HSL 15.82, 0.52%, 0.59%

LAB 60.09, 28.53, 29.15

 

CMYK 54 / 0 / 18 / 20

HEX #5FCDA8

RGB 95 205 168

HSL 159.82, 0.52%, 0.59%

LAB 75.4, -40.38, 8.93

 

CMYK 0 / 53 / 4 / 19

HEX #CE60C6

RGB 206 96 198

HSL 304.36, 0.53%, 0.59%

LAB 57.62, 56.83, -33.56

 

CMYK 3 / 0 / 54 / 20

HEX #C6CD5F

RGB 198 205 95

HSL 63.82, 0.52%, 0.59%

LAB 79.89, -17.43, 53.1

 

CMYK 54 / 3 / 0 / 20

HEX #5FC6CD

RGB 95 198 205

HSL 183.82, 0.52%, 0.59%

LAB 74.34, -27.84, -12.63

 

CMYK 0 / 53 / 4 / 19

HEX #CE60C6

RGB 206 96 198

HSL 304.36, 0.53%, 0.59%

LAB 57.62, 56.83, -33.56

 

CMYK 0 / 40 / 54 / 20

HEX #CD7C5F

RGB 205 124 95

HSL 15.82, 0.52%, 0.59%

LAB 60.09, 28.53, 29.15

 

CMYK 54 / 0 / 50 / 20

HEX #5FCD66

RGB 95 205 102

HSL 123.82, 0.52%, 0.59%

LAB 74.22, -52.49, 41.63

 

CMYK 54 / 14 / 0 / 20

HEX #5FB0CD

RGB 95 176 205

HSL 195.82, 0.52%, 0.59%

LAB 67.94, -16.66, -22.3

 

CMYK 0 / 53 / 4 / 19

HEX #CE60C6

RGB 206 96 198

HSL 304.36, 0.53%, 0.59%

LAB 57.62, 56.83, -33.56

 

CMYK 0 / 23 / 54 / 20

HEX #CD9D5F

RGB 205 157 95

HSL 33.82, 0.52%, 0.59%

LAB 67.96, 10.59, 39.06

 

CMYK 54 / 0 / 50 / 20

HEX #5FCD66

RGB 95 205 102

HSL 123.82, 0.52%, 0.59%

LAB 74.22, -52.49, 41.63

 

CMYK 54 / 30 / 0 / 20

HEX #5F8FCD

RGB 95 143 205

HSL 213.82, 0.52%, 0.59%

LAB 58.5, 1.64, -36.9

 

Description

Color code: HEX #CE60C6 | qconv.com Color code: HEX #CE60C6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 96 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 96 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 4 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 4% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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