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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE6C58 it is the complementary color #3193A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE6C58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE6C58 shade: #D36C53, #E47E66, #F59079, #FFA28C and #FFB49F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE6C58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE6C58 shade: #CE6C58, #BD5A45, #AC4832, #9B361F and #8A240C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE6C58 shade: #CE6C58 and #CE5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE6C58 shade: #CE6C58, #CE8C58, #CEAC58, #CECC58 and #B1CE58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE6C58 shade matches the following richer shades: #CE6C58, #E06147 and #F15636

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE6C58 shade: #CE6C58, #BD786A, #AC837B, #9A8F8C and #899A9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE6C58 shade: #CE5884, #CE5864, #CE6C58, #CE8C58 and #CEAB58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE6C58 shade: #A5432F, #C55139, #CE6C58, #D88978 and #E1A598

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE6C58 shade: #CE6C58, #A3CE58 and #5874CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE6C58 shade: #CE6C58, #58CE6C and #6C58CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE6C58 shade: #CE6C58, #A3CE58, #58BBCE and #8458CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE6C58 shade: #CE6C58, #80CE58, #58BBCE and #A758CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 57 / 19

HEX #CE6C58

RGB 206 108 88

HSL 10.17, 0.55%, 0.58%

LAB 56.64, 36.83, 28.67

 

Complementary color

CMYK 71 / 12 / 0 / 35

HEX #3193A7

RGB 49 147 167

HSL 190.17, 0.55%, 0.42%

LAB 56.4, -21.38, -18.74

 

CMYK 0 / 49 / 61 / 17

HEX #D36C53

RGB 211 108 83

HSL 11.72, 0.59%, 0.58%

LAB 57.27, 38.38, 32.43

 

CMYK 0 / 45 / 55 / 11

HEX #E47E66

RGB 228 126 102

HSL 11.43, 0.7%, 0.65%

LAB 63.65, 37.07, 30.46

 

CMYK 0 / 41 / 51 / 4

HEX #F59079

RGB 245 144 121

HSL 11.13, 0.86%, 0.72%

LAB 69.99, 35.85, 28.7

 

CMYK 0 / 36 / 45 / 0

HEX #FFA28C

RGB 255 162 140

HSL 11.48, 1%, 0.77%

LAB 75.45, 32.1, 25.87

 

CMYK 0 / 29 / 38 / 0

HEX #FFB49F

RGB 255 180 159

HSL 13.13, 1%, 0.81%

LAB 79.84, 24.71, 21.62

 

CMYK 0 / 48 / 57 / 19

HEX #CE6C58

RGB 206 108 88

HSL 10.17, 0.55%, 0.58%

LAB 56.64, 36.83, 28.67

 

CMYK 0 / 52 / 63 / 26

HEX #BD5A45

RGB 189 90 69

HSL 10.5, 0.48%, 0.51%

LAB 50.17, 38.18, 30.82

 

CMYK 0 / 58 / 71 / 33

HEX #AC4832

RGB 172 72 50

HSL 10.82, 0.55%, 0.44%

LAB 43.71, 39.58, 33.28

 

CMYK 0 / 65 / 80 / 39

HEX #9B361F

RGB 155 54 31

HSL 11.13, 0.67%, 0.36%

LAB 37.31, 40.92, 36.03

 

CMYK 0 / 74 / 91 / 46

HEX #8A240C

RGB 138 36 12

HSL 11.43, 0.84%, 0.29%

LAB 31.09, 41.98, 38.62

 

CMYK 0 / 48 / 57 / 19

HEX #CE6C58

RGB 206 108 88

HSL 10.17, 0.55%, 0.58%

LAB 56.64, 36.83, 28.67

 

CMYK 0 / 57 / 57 / 19

HEX #CE5858

RGB 206 88 88

HSL 0, 0.55%, 0.58%

LAB 52.74, 46.8, 23.62

 

CMYK 0 / 48 / 57 / 19

HEX #CE6C58

RGB 206 108 88

HSL 10.17, 0.55%, 0.58%

LAB 56.64, 36.83, 28.67

 

CMYK 0 / 32 / 57 / 19

HEX #CE8C58

RGB 206 140 88

HSL 26.44, 0.55%, 0.58%

LAB 63.82, 19.68, 37.67

 

CMYK 0 / 17 / 57 / 19

HEX #CEAC58

RGB 206 172 88

HSL 42.71, 0.55%, 0.58%

LAB 71.78, 2.38, 47.18

 

CMYK 0 / 1 / 57 / 19

HEX #CECC58

RGB 206 204 88

HSL 58.98, 0.55%, 0.58%

LAB 80.19, -14.2, 56.76

 

CMYK 14 / 0 / 57 / 19

HEX #B1CE58

RGB 177 206 88

HSL 74.75, 0.55%, 0.58%

LAB 78.57, -26.92, 54.36

 

CMYK 0 / 48 / 57 / 19

HEX #CE6C58

RGB 206 108 88

HSL 10.17, 0.55%, 0.58%

LAB 56.64, 36.83, 28.67

 

CMYK 0 / 57 / 68 / 12

HEX #E06147

RGB 224 97 71

HSL 10.2, 0.71%, 0.58%

LAB 56.93, 47.92, 39.1

 

CMYK 0 / 64 / 78 / 5

HEX #F15636

RGB 241 86 54

HSL 10.27, 0.87%, 0.58%

LAB 57.68, 57.96, 49.62

 

CMYK 0 / 48 / 57 / 19

HEX #CE6C58

RGB 206 108 88

HSL 10.17, 0.55%, 0.58%

LAB 56.64, 36.83, 28.67

 

CMYK 0 / 37 / 44 / 26

HEX #BD786A

RGB 189 120 106

HSL 10.12, 0.39%, 0.58%

LAB 57.36, 25.38, 18.96

 

CMYK 0 / 24 / 28 / 33

HEX #AC837B

RGB 172 131 123

HSL 9.8, 0.23%, 0.58%

LAB 58.45, 14.57, 10.42

 

CMYK 0 / 7 / 9 / 40

HEX #9A8F8C

RGB 154 143 140

HSL 12.86, 0.06%, 0.58%

LAB 60.26, 3.54, 3.06

 

CMYK 13 / 3 / 0 / 38

HEX #899A9E

RGB 137 154 158

HSL 191.43, 0.1%, 0.58%

LAB 62.42, -5.16, -4.15

 

CMYK 0 / 57 / 36 / 19

HEX #CE5884

RGB 206 88 132

HSL 337.63, 0.55%, 0.58%

LAB 53.78, 51.03, -0.98

 

CMYK 0 / 57 / 51 / 19

HEX #CE5864

RGB 206 88 100

HSL 353.9, 0.55%, 0.58%

LAB 52.97, 47.78, 16.86

 

CMYK 0 / 48 / 57 / 19

HEX #CE6C58

RGB 206 108 88

HSL 10.17, 0.55%, 0.58%

LAB 56.64, 36.83, 28.67

 

CMYK 0 / 32 / 57 / 19

HEX #CE8C58

RGB 206 140 88

HSL 26.44, 0.55%, 0.58%

LAB 63.82, 19.68, 37.67

 

CMYK 0 / 17 / 57 / 19

HEX #CEAB58

RGB 206 171 88

HSL 42.2, 0.55%, 0.58%

LAB 71.52, 2.91, 46.88

 

CMYK 0 / 59 / 72 / 35

HEX #A5432F

RGB 165 67 47

HSL 10.17, 0.56%, 0.42%

LAB 41.56, 39.22, 32.22

 

CMYK 0 / 59 / 71 / 23

HEX #C55139

RGB 197 81 57

HSL 10.29, 0.55%, 0.5%

LAB 49.56, 44.92, 37.15

 

CMYK 0 / 48 / 57 / 19

HEX #CE6C58

RGB 206 108 88

HSL 10.17, 0.55%, 0.58%

LAB 56.64, 36.83, 28.67

 

CMYK 0 / 37 / 44 / 15

HEX #D88978

RGB 216 137 120

HSL 10.63, 0.55%, 0.66%

LAB 64.84, 28.28, 21.74

 

CMYK 0 / 27 / 32 / 12

HEX #E1A598

RGB 225 165 152

HSL 10.68, 0.55%, 0.74%

LAB 73.01, 20.42, 15.45

 

CMYK 0 / 48 / 57 / 19

HEX #CE6C58

RGB 206 108 88

HSL 10.17, 0.55%, 0.58%

LAB 56.64, 36.83, 28.67

 

CMYK 21 / 0 / 57 / 19

HEX #A3CE58

RGB 163 206 88

HSL 81.86, 0.55%, 0.58%

LAB 77.66, -32.35, 53.07

 

CMYK 57 / 44 / 0 / 19

HEX #5874CE

RGB 88 116 206

HSL 225.76, 0.55%, 0.58%

LAB 50.71, 16.67, -49.79

 

CMYK 0 / 48 / 57 / 19

HEX #CE6C58

RGB 206 108 88

HSL 10.17, 0.55%, 0.58%

LAB 56.64, 36.83, 28.67

 

CMYK 57 / 0 / 48 / 19

HEX #58CE6C

RGB 88 206 108

HSL 130.17, 0.55%, 0.58%

LAB 74.38, -53.73, 38.83

 

CMYK 48 / 57 / 0 / 19

HEX #6C58CE

RGB 108 88 206

HSL 250.17, 0.55%, 0.58%

LAB 45.11, 37.95, -58.71

 

CMYK 0 / 48 / 57 / 19

HEX #CE6C58

RGB 206 108 88

HSL 10.17, 0.55%, 0.58%

LAB 56.64, 36.83, 28.67

 

CMYK 21 / 0 / 57 / 19

HEX #A3CE58

RGB 163 206 88

HSL 81.86, 0.55%, 0.58%

LAB 77.66, -32.35, 53.07

 

CMYK 57 / 9 / 0 / 19

HEX #58BBCE

RGB 88 187 206

HSL 189.66, 0.55%, 0.58%

LAB 70.92, -23.46, -18.35

 

CMYK 36 / 57 / 0 / 19

HEX #8458CE

RGB 132 88 206

HSL 262.37, 0.55%, 0.58%

LAB 47.42, 43.31, -54.87

 

CMYK 0 / 48 / 57 / 19

HEX #CE6C58

RGB 206 108 88

HSL 10.17, 0.55%, 0.58%

LAB 56.64, 36.83, 28.67

 

CMYK 38 / 0 / 57 / 19

HEX #80CE58

RGB 128 206 88

HSL 99.66, 0.55%, 0.58%

LAB 75.72, -44.88, 50.34

 

CMYK 57 / 9 / 0 / 19

HEX #58BBCE

RGB 88 187 206

HSL 189.66, 0.55%, 0.58%

LAB 70.92, -23.46, -18.35

 

CMYK 19 / 57 / 0 / 19

HEX #A758CE

RGB 167 88 206

HSL 280.17, 0.55%, 0.58%

LAB 51.44, 51.87, -48.21

 

Description

Color code: HEX #CE6C58 | qconv.com Color code: HEX #CE6C58 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 108 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 108 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 57 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 57% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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