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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE6C6A it is the complementary color #319395. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE6C6A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE6C6A shade: #D36C65, #E47E78, #F5908B, #FFA29E and #FFB4B1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE6C6A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE6C6A shade: #CE6C6A, #BD5A57, #AC4844, #9B3631 and #8A241E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE6C6A shade: #CE6A68 and #CE6868

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE6C6A shade: #CE6A68, #CE8668, #CEA168, #CEBC68 and #C4CE68

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE6C6A shade matches the following richer shades: #CE6A68, #DE5B58, #EE4B48 and #FE3C38

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE6C6A shade: #CE6A68, #BE7A78, #AE8989, #9D9999 and #8DA8A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE6C6A shade: #CE689D, #CE6882, #CE6A68, #CE8568 and #CEA068

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE6C6A shade: #AC3A38, #C44C49, #CE6A68, #D88987 and #E2A8A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE6C6A shade: #CE6C6A, #B8CE68 and #688FCE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE6C6A shade: #CE6C6A, #68CE6A and #6A68CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE6C6A shade: #CE6C6A, #B8CE68, #68CCCE and #7E68CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE6C6A shade: #CE6C6A, #99CE68, #68CCCE and #9D68CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 49 / 19

HEX #CE6C6A

RGB 206 108 106

HSL 1.2, 0.51%, 0.61%

LAB 56.97, 38.39, 18.79

 

Complementary color

CMYK 67 / 1 / 0 / 42

HEX #319395

RGB 49 147 149

HSL 181.2, 0.51%, 0.39%

LAB 55.78, -26.98, -9.36

 

CMYK 0 / 49 / 52 / 17

HEX #D36C65

RGB 211 108 101

HSL 3.82, 0.56%, 0.61%

LAB 57.57, 39.8, 22.61

 

CMYK 0 / 45 / 47 / 11

HEX #E47E78

RGB 228 126 120

HSL 3.33, 0.67%, 0.68%

LAB 63.98, 38.66, 20.82

 

CMYK 0 / 41 / 43 / 4

HEX #F5908B

RGB 245 144 139

HSL 2.83, 0.84%, 0.75%

LAB 70.33, 37.58, 19.25

 

CMYK 0 / 36 / 38 / 0

HEX #FFA29E

RGB 255 162 158

HSL 2.47, 1%, 0.81%

LAB 75.8, 34, 16.57

 

CMYK 0 / 29 / 31 / 0

HEX #FFB4B1

RGB 255 180 177

HSL 2.31, 1%, 0.85%

LAB 80.22, 26.88, 12.47

 

CMYK 0 / 48 / 49 / 19

HEX #CE6C6A

RGB 206 108 106

HSL 1.2, 0.51%, 0.61%

LAB 56.97, 38.39, 18.79

 

CMYK 0 / 52 / 54 / 26

HEX #BD5A57

RGB 189 90 87

HSL 1.76, 0.44%, 0.54%

LAB 50.48, 39.55, 20.74

 

CMYK 0 / 58 / 60 / 33

HEX #AC4844

RGB 172 72 68

HSL 2.31, 0.43%, 0.47%

LAB 43.98, 40.71, 23.05

 

CMYK 0 / 65 / 68 / 39

HEX #9B3631

RGB 155 54 49

HSL 2.83, 0.52%, 0.4%

LAB 37.53, 41.78, 25.86

 

CMYK 0 / 74 / 78 / 46

HEX #8A241E

RGB 138 36 30

HSL 3.33, 0.64%, 0.33%

LAB 31.25, 42.52, 29.28

 

CMYK 0 / 49 / 50 / 19

HEX #CE6A68

RGB 206 106 104

HSL 1.18, 0.51%, 0.61%

LAB 56.52, 39.23, 19.34

 

CMYK 0 / 50 / 50 / 19

HEX #CE6868

RGB 206 104 104

HSL 0, 0.51%, 0.61%

LAB 56.11, 40.26, 18.79

 

CMYK 0 / 49 / 50 / 19

HEX #CE6A68

RGB 206 106 104

HSL 1.18, 0.51%, 0.61%

LAB 56.52, 39.23, 19.34

 

CMYK 0 / 35 / 50 / 19

HEX #CE8668

RGB 206 134 104

HSL 17.65, 0.51%, 0.61%

LAB 62.65, 24.34, 27.51

 

CMYK 0 / 22 / 50 / 19

HEX #CEA168

RGB 206 161 104

HSL 33.53, 0.51%, 0.61%

LAB 69.19, 9.65, 35.91

 

CMYK 0 / 9 / 50 / 19

HEX #CEBC68

RGB 206 188 104

HSL 49.41, 0.51%, 0.61%

LAB 76.12, -4.7, 44.5

 

CMYK 5 / 0 / 50 / 19

HEX #C4CE68

RGB 196 206 104

HSL 65.88, 0.51%, 0.61%

LAB 80.11, -17.95, 49.1

 

CMYK 0 / 49 / 50 / 19

HEX #CE6A68

RGB 206 106 104

HSL 1.18, 0.51%, 0.61%

LAB 56.52, 39.23, 19.34

 

CMYK 0 / 59 / 60 / 13

HEX #DE5B58

RGB 222 91 88

HSL 1.34, 0.67%, 0.61%

LAB 55.8, 51.01, 28.09

 

CMYK 0 / 68 / 70 / 7

HEX #EE4B48

RGB 238 75 72

HSL 1.08, 0.83%, 0.61%

LAB 55.76, 62.05, 37.76

 

CMYK 0 / 76 / 78 / 0

HEX #FE3C38

RGB 254 60 56

HSL 1.21, 0.99%, 0.61%

LAB 56.67, 71.2, 48.31

 

CMYK 0 / 49 / 50 / 19

HEX #CE6A68

RGB 206 106 104

HSL 1.18, 0.51%, 0.61%

LAB 56.52, 39.23, 19.34

 

CMYK 0 / 36 / 37 / 25

HEX #BE7A78

RGB 190 122 120

HSL 1.71, 0.35%, 0.61%

LAB 58.25, 26.29, 12.16

 

CMYK 0 / 21 / 21 / 32

HEX #AE8989

RGB 174 137 137

HSL 0, 0.19%, 0.61%

LAB 60.51, 14.07, 5.38

 

CMYK 0 / 3 / 3 / 38

HEX #9D9999

RGB 157 153 153

HSL 0, 0.02%, 0.61%

LAB 63.55, 1.46, 0.51

 

CMYK 17 / 1 / 0 / 34

HEX #8DA8A9

RGB 141 168 169

HSL 182.14, 0.14%, 0.61%

LAB 66.92, -9.06, -3.64

 

CMYK 0 / 50 / 24 / 19

HEX #CE689D

RGB 206 104 157

HSL 328.82, 0.51%, 0.61%

LAB 57.52, 46.51, -10.1

 

CMYK 0 / 50 / 37 / 19

HEX #CE6882

RGB 206 104 130

HSL 344.71, 0.51%, 0.61%

LAB 56.72, 43, 4.46

 

CMYK 0 / 49 / 50 / 19

HEX #CE6A68

RGB 206 106 104

HSL 1.18, 0.51%, 0.61%

LAB 56.52, 39.23, 19.34

 

CMYK 0 / 35 / 50 / 19

HEX #CE8568

RGB 206 133 104

HSL 17.06, 0.51%, 0.61%

LAB 62.42, 24.88, 27.21

 

CMYK 0 / 22 / 50 / 19

HEX #CEA068

RGB 206 160 104

HSL 32.94, 0.51%, 0.61%

LAB 68.94, 10.19, 35.6

 

CMYK 0 / 66 / 67 / 33

HEX #AC3A38

RGB 172 58 56

HSL 1.03, 0.51%, 0.45%

LAB 41.35, 46.4, 26.97

 

CMYK 0 / 61 / 63 / 23

HEX #C44C49

RGB 196 76 73

HSL 1.46, 0.51%, 0.53%

LAB 48.74, 47.79, 26.96

 

CMYK 0 / 49 / 50 / 19

HEX #CE6A68

RGB 206 106 104

HSL 1.18, 0.51%, 0.61%

LAB 56.52, 39.23, 19.34

 

CMYK 0 / 37 / 38 / 15

HEX #D88987

RGB 216 137 135

HSL 1.48, 0.51%, 0.69%

LAB 65.15, 29.95, 13.75

 

CMYK 0 / 26 / 26 / 11

HEX #E2A8A7

RGB 226 168 167

HSL 1.02, 0.5%, 0.77%

LAB 74.17, 21.18, 8.88

 

CMYK 0 / 48 / 49 / 19

HEX #CE6C6A

RGB 206 108 106

HSL 1.2, 0.51%, 0.61%

LAB 56.97, 38.39, 18.79

 

CMYK 11 / 0 / 50 / 19

HEX #B8CE68

RGB 184 206 104

HSL 72.94, 0.51%, 0.61%

LAB 79.23, -22.71, 47.84

 

CMYK 50 / 31 / 0 / 19

HEX #688FCE

RGB 104 143 206

HSL 217.06, 0.51%, 0.61%

LAB 59.02, 4.01, -36.62

 

CMYK 0 / 48 / 49 / 19

HEX #CE6C6A

RGB 206 108 106

HSL 1.2, 0.51%, 0.61%

LAB 56.97, 38.39, 18.79

 

CMYK 50 / 0 / 49 / 19

HEX #68CE6A

RGB 104 206 106

HSL 121.18, 0.51%, 0.61%

LAB 74.9, -49.96, 40.59

 

CMYK 49 / 50 / 0 / 19

HEX #6A68CE

RGB 106 104 206

HSL 241.18, 0.51%, 0.61%

LAB 48.79, 27.91, -52.81

 

CMYK 0 / 48 / 49 / 19

HEX #CE6C6A

RGB 206 108 106

HSL 1.2, 0.51%, 0.61%

LAB 56.97, 38.39, 18.79

 

CMYK 11 / 0 / 50 / 19

HEX #B8CE68

RGB 184 206 104

HSL 72.94, 0.51%, 0.61%

LAB 79.23, -22.71, 47.84

 

CMYK 50 / 1 / 0 / 19

HEX #68CCCE

RGB 104 204 206

HSL 181.18, 0.51%, 0.61%

LAB 76.43, -28.63, -10.02

 

CMYK 39 / 50 / 0 / 19

HEX #7E68CE

RGB 126 104 206

HSL 252.94, 0.51%, 0.61%

LAB 50.44, 32.66, -50.06

 

CMYK 0 / 48 / 49 / 19

HEX #CE6C6A

RGB 206 108 106

HSL 1.2, 0.51%, 0.61%

LAB 56.97, 38.39, 18.79

 

CMYK 26 / 0 / 50 / 19

HEX #99CE68

RGB 153 206 104

HSL 91.18, 0.51%, 0.61%

LAB 77.23, -34.46, 44.95

 

CMYK 50 / 1 / 0 / 19

HEX #68CCCE

RGB 104 204 206

HSL 181.18, 0.51%, 0.61%

LAB 76.43, -28.63, -10.02

 

CMYK 24 / 50 / 0 / 19

HEX #9D68CE

RGB 157 104 206

HSL 271.18, 0.51%, 0.61%

LAB 53.52, 40.76, -44.98

 

Description

Color code: HEX #CE6C6A | qconv.com Color code: HEX #CE6C6A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 108 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 108 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 49 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 49% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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