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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE6D68 it is the complementary color #319297. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE6D68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE6D68 shade: #D36D63, #E47F76, #F59189, #FFA39C and #FFB5AF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE6D68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE6D68 shade: #CE6D68, #BD5B55, #AC4942, #9B372F and #8A251C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE6D68 shade: #CE6D68 and #CE6868

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE6D68 shade: #CE6D68, #CE8968, #CEA468, #CEBF68 and #C1CE68

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE6D68 shade matches the following richer shades: #CE6D68, #DE5F58, #EE5048 and #FE4238

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE6D68 shade: #CE6D68, #BE7C78, #AE8A89, #9D9999 and #8DA7A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE6D68 shade: #CE689B, #CE6880, #CE6C68, #CE8768 and #CEA268

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE6D68 shade: #AC3D38, #C44F49, #CE6D68, #D88B87 and #E2AAA7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE6D68 shade: #CE6D68, #B6CE68 and #688ECE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE6D68 shade: #CE6D68, #68CE6C and #6C68CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE6D68 shade: #CE6D68, #B6CE68, #68CACE and #8068CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE6D68 shade: #CE6D68, #98CE68, #68CACE and #9E68CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 50 / 19

HEX #CE6D68

RGB 206 109 104

HSL 2.94, 0.51%, 0.61%

LAB 57.13, 37.68, 20.17

 

Complementary color

CMYK 68 / 3 / 0 / 41

HEX #319297

RGB 49 146 151

HSL 182.94, 0.51%, 0.39%

LAB 55.53, -25.87, -10.88

 

CMYK 0 / 48 / 53 / 17

HEX #D36D63

RGB 211 109 99

HSL 5.36, 0.56%, 0.61%

LAB 57.74, 39.12, 23.98

 

CMYK 0 / 44 / 48 / 11

HEX #E47F76

RGB 228 127 118

HSL 4.91, 0.67%, 0.68%

LAB 64.15, 37.95, 22.18

 

CMYK 0 / 41 / 44 / 4

HEX #F59189

RGB 245 145 137

HSL 4.44, 0.84%, 0.75%

LAB 70.5, 36.86, 20.59

 

CMYK 0 / 36 / 39 / 0

HEX #FFA39C

RGB 255 163 156

HSL 4.24, 1%, 0.81%

LAB 75.98, 33.26, 17.9

 

CMYK 0 / 29 / 31 / 0

HEX #FFB5AF

RGB 255 181 175

HSL 4.5, 1%, 0.84%

LAB 80.41, 26.1, 13.81

 

CMYK 0 / 47 / 50 / 19

HEX #CE6D68

RGB 206 109 104

HSL 2.94, 0.51%, 0.61%

LAB 57.13, 37.68, 20.17

 

CMYK 0 / 52 / 55 / 26

HEX #BD5B55

RGB 189 91 85

HSL 3.46, 0.44%, 0.54%

LAB 50.64, 38.87, 22.13

 

CMYK 0 / 58 / 62 / 33

HEX #AC4942

RGB 172 73 66

HSL 3.96, 0.45%, 0.47%

LAB 44.13, 40.08, 24.45

 

CMYK 0 / 65 / 70 / 39

HEX #9B372F

RGB 155 55 47

HSL 4.44, 0.53%, 0.4%

LAB 37.67, 41.21, 27.24

 

CMYK 0 / 73 / 80 / 46

HEX #8A251C

RGB 138 37 28

HSL 4.91, 0.66%, 0.33%

LAB 31.37, 42.05, 30.59

 

CMYK 0 / 47 / 50 / 19

HEX #CE6D68

RGB 206 109 104

HSL 2.94, 0.51%, 0.61%

LAB 57.13, 37.68, 20.17

 

CMYK 0 / 50 / 50 / 19

HEX #CE6868

RGB 206 104 104

HSL 0, 0.51%, 0.61%

LAB 56.11, 40.26, 18.79

 

CMYK 0 / 47 / 50 / 19

HEX #CE6D68

RGB 206 109 104

HSL 2.94, 0.51%, 0.61%

LAB 57.13, 37.68, 20.17

 

CMYK 0 / 33 / 50 / 19

HEX #CE8968

RGB 206 137 104

HSL 19.41, 0.51%, 0.61%

LAB 63.35, 22.71, 28.43

 

CMYK 0 / 20 / 50 / 19

HEX #CEA468

RGB 206 164 104

HSL 35.29, 0.51%, 0.61%

LAB 69.95, 8.03, 36.86

 

CMYK 0 / 7 / 50 / 19

HEX #CEBF68

RGB 206 191 104

HSL 51.18, 0.51%, 0.61%

LAB 76.91, -6.26, 45.45

 

CMYK 6 / 0 / 50 / 19

HEX #C1CE68

RGB 193 206 104

HSL 67.65, 0.51%, 0.61%

LAB 79.89, -19.15, 48.78

 

CMYK 0 / 47 / 50 / 19

HEX #CE6D68

RGB 206 109 104

HSL 2.94, 0.51%, 0.61%

LAB 57.13, 37.68, 20.17

 

CMYK 0 / 57 / 60 / 13

HEX #DE5F58

RGB 222 95 88

HSL 3.13, 0.67%, 0.61%

LAB 56.5, 49.17, 28.99

 

CMYK 0 / 66 / 70 / 7

HEX #EE5048

RGB 238 80 72

HSL 2.89, 0.83%, 0.61%

LAB 56.47, 60.13, 38.59

 

CMYK 0 / 74 / 78 / 0

HEX #FE4238

RGB 254 66 56

HSL 3.03, 0.99%, 0.61%

LAB 57.32, 69.38, 48.97

 

CMYK 0 / 47 / 50 / 19

HEX #CE6D68

RGB 206 109 104

HSL 2.94, 0.51%, 0.61%

LAB 57.13, 37.68, 20.17

 

CMYK 0 / 35 / 37 / 25

HEX #BE7C78

RGB 190 124 120

HSL 3.43, 0.35%, 0.61%

LAB 58.71, 25.19, 12.81

 

CMYK 0 / 21 / 21 / 32

HEX #AE8A89

RGB 174 138 137

HSL 1.62, 0.19%, 0.61%

LAB 60.77, 13.51, 5.74

 

CMYK 0 / 3 / 3 / 38

HEX #9D9999

RGB 157 153 153

HSL 0, 0.02%, 0.61%

LAB 63.55, 1.46, 0.51

 

CMYK 17 / 1 / 0 / 34

HEX #8DA7A9

RGB 141 167 169

HSL 184.29, 0.14%, 0.61%

LAB 66.65, -8.52, -4.05

 

CMYK 0 / 50 / 25 / 19

HEX #CE689B

RGB 206 104 155

HSL 330, 0.51%, 0.61%

LAB 57.45, 46.23, -9.04

 

CMYK 0 / 50 / 38 / 19

HEX #CE6880

RGB 206 104 128

HSL 345.88, 0.51%, 0.61%

LAB 56.66, 42.77, 5.56

 

CMYK 0 / 48 / 50 / 19

HEX #CE6C68

RGB 206 108 104

HSL 2.35, 0.51%, 0.61%

LAB 56.93, 38.2, 19.89

 

CMYK 0 / 34 / 50 / 19

HEX #CE8768

RGB 206 135 104

HSL 18.24, 0.51%, 0.61%

LAB 62.89, 23.79, 27.82

 

CMYK 0 / 21 / 50 / 19

HEX #CEA268

RGB 206 162 104

HSL 34.12, 0.51%, 0.61%

LAB 69.44, 9.11, 36.23

 

CMYK 0 / 65 / 67 / 33

HEX #AC3D38

RGB 172 61 56

HSL 2.59, 0.51%, 0.45%

LAB 41.84, 45.08, 27.57

 

CMYK 0 / 60 / 63 / 23

HEX #C44F49

RGB 196 79 73

HSL 2.93, 0.51%, 0.53%

LAB 49.26, 46.41, 27.62

 

CMYK 0 / 47 / 50 / 19

HEX #CE6D68

RGB 206 109 104

HSL 2.94, 0.51%, 0.61%

LAB 57.13, 37.68, 20.17

 

CMYK 0 / 36 / 38 / 15

HEX #D88B87

RGB 216 139 135

HSL 2.96, 0.51%, 0.69%

LAB 65.6, 28.87, 14.38

 

CMYK 0 / 25 / 26 / 11

HEX #E2AAA7

RGB 226 170 167

HSL 3.05, 0.5%, 0.77%

LAB 74.64, 20.11, 9.55

 

CMYK 0 / 47 / 50 / 19

HEX #CE6D68

RGB 206 109 104

HSL 2.94, 0.51%, 0.61%

LAB 57.13, 37.68, 20.17

 

CMYK 12 / 0 / 50 / 19

HEX #B6CE68

RGB 182 206 104

HSL 74.12, 0.51%, 0.61%

LAB 79.09, -23.49, 47.64

 

CMYK 50 / 31 / 0 / 19

HEX #688ECE

RGB 104 142 206

HSL 217.65, 0.51%, 0.61%

LAB 58.74, 4.59, -37.05

 

CMYK 0 / 47 / 50 / 19

HEX #CE6D68

RGB 206 109 104

HSL 2.94, 0.51%, 0.61%

LAB 57.13, 37.68, 20.17

 

CMYK 50 / 0 / 48 / 19

HEX #68CE6C

RGB 104 206 108

HSL 122.35, 0.51%, 0.61%

LAB 74.93, -49.68, 39.64

 

CMYK 48 / 50 / 0 / 19

HEX #6C68CE

RGB 108 104 206

HSL 242.35, 0.51%, 0.61%

LAB 48.94, 28.36, -52.55

 

CMYK 0 / 47 / 50 / 19

HEX #CE6D68

RGB 206 109 104

HSL 2.94, 0.51%, 0.61%

LAB 57.13, 37.68, 20.17

 

CMYK 12 / 0 / 50 / 19

HEX #B6CE68

RGB 182 206 104

HSL 74.12, 0.51%, 0.61%

LAB 79.09, -23.49, 47.64

 

CMYK 50 / 2 / 0 / 19

HEX #68CACE

RGB 104 202 206

HSL 182.35, 0.51%, 0.61%

LAB 75.85, -27.65, -10.88

 

CMYK 38 / 50 / 0 / 19

HEX #8068CE

RGB 128 104 206

HSL 254.12, 0.51%, 0.61%

LAB 50.62, 33.16, -49.76

 

CMYK 0 / 47 / 50 / 19

HEX #CE6D68

RGB 206 109 104

HSL 2.94, 0.51%, 0.61%

LAB 57.13, 37.68, 20.17

 

CMYK 26 / 0 / 50 / 19

HEX #98CE68

RGB 152 206 104

HSL 91.76, 0.51%, 0.61%

LAB 77.17, -34.82, 44.87

 

CMYK 50 / 2 / 0 / 19

HEX #68CACE

RGB 104 202 206

HSL 182.35, 0.51%, 0.61%

LAB 75.85, -27.65, -10.88

 

CMYK 23 / 50 / 0 / 19

HEX #9E68CE

RGB 158 104 206

HSL 271.76, 0.51%, 0.61%

LAB 53.63, 41.03, -44.8

 

Description

Color code: HEX #CE6D68 | qconv.com Color code: HEX #CE6D68 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 109 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 109 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 50 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 50% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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