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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE6FE6 it is the complementary color #319019. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE6FE6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE6FE6 shade: #D36FE1, #E481F4, #F593FF, #FFA5FF and #FFB7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE6FE6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE6FE6 shade: #CE6FE6, #BD5DD3, #AC4BC0, #9B39AD and #8A279A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE6FE6 shade: #CD6FE5, #E56FDD, #E56FBD, #E56F9E and #E56F7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE6FE6 shade: #CD6FE5, #AE6FE5, #8E6FE5 and #6F6FE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE6FE6 shade matches the following richer shades: #CD6FE5 and #D662F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE6FE6 shade: #CD6FE5, #C57DD8, #BD8BCA, #B598BC and #ADA6AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE6FE6 shade: #8D6FE5, #AC6FE5, #CC6FE5, #E56FDF and #E56FC0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE6FE6 shade: #B529D9, #C14CDF, #CD6FE5, #DA93EB and #E6B6F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE6FE6 shade: #CE6FE6, #E56F71 and #6FE59D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE6FE6 shade: #CE6FE6, #E5CC6F and #6FE5CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE6FE6 shade: #CE6FE6, #E56F71, #89E56F and #6FE5E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE6FE6 shade: #CE6FE6, #E5916F, #89E56F and #6FC4E5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 52 / 0 / 10

HEX #CE6FE6

RGB 206 111 230

HSL 287.9, 0.7%, 0.67%

LAB 61.83, 55.44, -44.99

 

Complementary color

CMYK 66 / 0 / 83 / 44

HEX #319019

RGB 49 144 25

HSL 107.9, 0.7%, 0.33%

LAB 52.59, -48.94, 50.1

 

CMYK 6 / 51 / 0 / 12

HEX #D36FE1

RGB 211 111 225

HSL 292.63, 0.66%, 0.66%

LAB 62.21, 55.83, -41.56

 

CMYK 7 / 47 / 0 / 4

HEX #E481F4

RGB 228 129 244

HSL 291.65, 0.84%, 0.73%

LAB 68.55, 55.15, -41.99

 

CMYK 4 / 42 / 0 / 0

HEX #F593FF

RGB 245 147 255

HSL 294.44, 1%, 0.79%

LAB 74.51, 52.95, -38.55

 

CMYK 0 / 35 / 0 / 0

HEX #FFA5FF

RGB 255 165 255

HSL 300, 1%, 0.82%

LAB 79.27, 46.73, -31.1

 

CMYK 0 / 28 / 0 / 0

HEX #FFB7FF

RGB 255 183 255

HSL 300, 1%, 0.86%

LAB 83.1, 37.39, -25.23

 

CMYK 10 / 52 / 0 / 10

HEX #CE6FE6

RGB 206 111 230

HSL 287.9, 0.7%, 0.67%

LAB 61.83, 55.44, -44.99

 

CMYK 10 / 56 / 0 / 17

HEX #BD5DD3

RGB 189 93 211

HSL 288.81, 0.57%, 0.6%

LAB 55.43, 56.06, -44.55

 

CMYK 10 / 61 / 0 / 25

HEX #AC4BC0

RGB 172 75 192

HSL 289.74, 0.48%, 0.52%

LAB 49.02, 56.53, -43.97

 

CMYK 10 / 67 / 0 / 32

HEX #9B39AD

RGB 155 57 173

HSL 290.69, 0.5%, 0.45%

LAB 42.63, 56.69, -43.15

 

CMYK 10 / 75 / 0 / 40

HEX #8A279A

RGB 138 39 154

HSL 291.65, 0.6%, 0.38%

LAB 36.34, 56.32, -41.96

 

CMYK 10 / 52 / 0 / 10

HEX #CD6FE5

RGB 205 111 229

HSL 287.8, 0.69%, 0.67%

LAB 61.66, 54.97, -44.71

 

CMYK 0 / 52 / 3 / 10

HEX #E56FDD

RGB 229 111 221

HSL 304.07, 0.69%, 0.67%

LAB 64.36, 60.05, -35.8

 

CMYK 0 / 52 / 17 / 10

HEX #E56FBD

RGB 229 111 189

HSL 320.34, 0.69%, 0.67%

LAB 63.1, 54.97, -19.74

 

CMYK 0 / 52 / 31 / 10

HEX #E56F9E

RGB 229 111 158

HSL 336.1, 0.69%, 0.67%

LAB 62.08, 50.74, -3.56

 

CMYK 0 / 52 / 45 / 10

HEX #E56F7E

RGB 229 111 126

HSL 352.37, 0.69%, 0.67%

LAB 61.25, 47.15, 13.67

 

CMYK 10 / 52 / 0 / 10

HEX #CD6FE5

RGB 205 111 229

HSL 287.8, 0.69%, 0.67%

LAB 61.66, 54.97, -44.71

 

CMYK 24 / 52 / 0 / 10

HEX #AE6FE5

RGB 174 111 229

HSL 272.03, 0.69%, 0.67%

LAB 58.06, 46.78, -50.64

 

CMYK 38 / 52 / 0 / 10

HEX #8E6FE5

RGB 142 111 229

HSL 255.76, 0.69%, 0.67%

LAB 54.84, 38.76, -55.96

 

CMYK 52 / 52 / 0 / 10

HEX #6F6FE5

RGB 111 111 229

HSL 240, 0.69%, 0.67%

LAB 52.29, 31.8, -60.19

 

CMYK 10 / 52 / 0 / 10

HEX #CD6FE5

RGB 205 111 229

HSL 287.8, 0.69%, 0.67%

LAB 61.66, 54.97, -44.71

 

CMYK 12 / 60 / 0 / 5

HEX #D662F3

RGB 214 98 243

HSL 288, 0.86%, 0.67%

LAB 61.22, 66.08, -53.11

 

CMYK 10 / 52 / 0 / 10

HEX #CD6FE5

RGB 205 111 229

HSL 287.8, 0.69%, 0.67%

LAB 61.66, 54.97, -44.71

 

CMYK 9 / 42 / 0 / 15

HEX #C57DD8

RGB 197 125 216

HSL 287.47, 0.54%, 0.67%

LAB 62.92, 42.92, -35.54

 

CMYK 6 / 31 / 0 / 21

HEX #BD8BCA

RGB 189 139 202

HSL 287.62, 0.37%, 0.67%

LAB 64.6, 30, -25.18

 

CMYK 4 / 19 / 0 / 26

HEX #B598BC

RGB 181 152 188

HSL 288.33, 0.21%, 0.67%

LAB 66.45, 17.29, -14.61

 

CMYK 1 / 5 / 0 / 31

HEX #ADA6AF

RGB 173 166 175

HSL 286.67, 0.05%, 0.67%

LAB 68.93, 4.2, -3.74

 

CMYK 38 / 52 / 0 / 10

HEX #8D6FE5

RGB 141 111 229

HSL 255.25, 0.69%, 0.67%

LAB 54.75, 38.52, -56.11

 

CMYK 25 / 52 / 0 / 10

HEX #AC6FE5

RGB 172 111 229

HSL 271.02, 0.69%, 0.67%

LAB 57.84, 46.27, -51

 

CMYK 11 / 52 / 0 / 10

HEX #CC6FE5

RGB 204 111 229

HSL 287.29, 0.69%, 0.67%

LAB 61.54, 54.71, -44.92

 

CMYK 0 / 52 / 3 / 10

HEX #E56FDF

RGB 229 111 223

HSL 303.05, 0.69%, 0.67%

LAB 64.45, 60.39, -36.78

 

CMYK 0 / 52 / 16 / 10

HEX #E56FC0

RGB 229 111 192

HSL 318.81, 0.69%, 0.67%

LAB 63.2, 55.42, -21.27

 

CMYK 17 / 81 / 0 / 15

HEX #B529D9

RGB 181 41 217

HSL 287.73, 0.7%, 0.51%

LAB 47.52, 75.39, -60.69

 

CMYK 13 / 66 / 0 / 13

HEX #C14CDF

RGB 193 76 223

HSL 287.76, 0.7%, 0.59%

LAB 53.85, 66.93, -53.83

 

CMYK 10 / 52 / 0 / 10

HEX #CD6FE5

RGB 205 111 229

HSL 287.8, 0.69%, 0.67%

LAB 61.66, 54.97, -44.71

 

CMYK 7 / 37 / 0 / 8

HEX #DA93EB

RGB 218 147 235

HSL 288.41, 0.69%, 0.75%

LAB 70.71, 41.23, -33.78

 

CMYK 5 / 25 / 0 / 5

HEX #E6B6F2

RGB 230 182 242

HSL 288, 0.7%, 0.83%

LAB 80, 27.58, -23.21

 

CMYK 10 / 52 / 0 / 10

HEX #CE6FE6

RGB 206 111 230

HSL 287.9, 0.7%, 0.67%

LAB 61.83, 55.44, -44.99

 

CMYK 0 / 52 / 51 / 10

HEX #E56F71

RGB 229 111 113

HSL 358.98, 0.69%, 0.67%

LAB 60.97, 45.94, 20.75

 

CMYK 52 / 0 / 31 / 10

HEX #6FE59D

RGB 111 229 157

HSL 143.39, 0.69%, 0.67%

LAB 82.83, -49.27, 25.17

 

CMYK 10 / 52 / 0 / 10

HEX #CE6FE6

RGB 206 111 230

HSL 287.9, 0.7%, 0.67%

LAB 61.83, 55.44, -44.99

 

CMYK 0 / 11 / 52 / 10

HEX #E5CC6F

RGB 229 204 111

HSL 47.29, 0.69%, 0.67%

LAB 82.37, -2.93, 49.1

 

CMYK 52 / 0 / 11 / 10

HEX #6FE5CC

RGB 111 229 204

HSL 167.29, 0.69%, 0.67%

LAB 83.85, -39.33, 2.01

 

CMYK 10 / 52 / 0 / 10

HEX #CE6FE6

RGB 206 111 230

HSL 287.9, 0.7%, 0.67%

LAB 61.83, 55.44, -44.99

 

CMYK 0 / 52 / 51 / 10

HEX #E56F71

RGB 229 111 113

HSL 358.98, 0.69%, 0.67%

LAB 60.97, 45.94, 20.75

 

CMYK 40 / 0 / 52 / 10

HEX #89E56F

RGB 137 229 111

HSL 106.78, 0.69%, 0.67%

LAB 83.18, -49.08, 48.65

 

CMYK 52 / 0 / 1 / 10

HEX #6FE5E3

RGB 111 229 227

HSL 178.98, 0.69%, 0.67%

LAB 84.47, -33.65, -9.23

 

CMYK 10 / 52 / 0 / 10

HEX #CE6FE6

RGB 206 111 230

HSL 287.9, 0.7%, 0.67%

LAB 61.83, 55.44, -44.99

 

CMYK 0 / 37 / 52 / 10

HEX #E5916F

RGB 229 145 111

HSL 17.29, 0.69%, 0.67%

LAB 68.06, 28.25, 31.25

 

CMYK 40 / 0 / 52 / 10

HEX #89E56F

RGB 137 229 111

HSL 106.78, 0.69%, 0.67%

LAB 83.18, -49.08, 48.65

 

CMYK 52 / 14 / 0 / 10

HEX #6FC4E5

RGB 111 196 229

HSL 196.78, 0.69%, 0.67%

LAB 75.15, -16.83, -24.33

 

Description

Color code: HEX #CE6FE6 | qconv.com Color code: HEX #CE6FE6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 111 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 111 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 52 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 52% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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