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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE7279 it is the complementary color #318D86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE7279. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE7279 shade: #D37274, #E48487, #F5969A, #FFA8AD and #FFBAC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE7279. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE7279 shade: #CE7279, #BD6066, #AC4E53, #9B3C40 and #8A2A2D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE7279 shade: #CD737A and #CD7373

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE7279 shade: #CD737A, #CD7392, #CD73AB, #CD73C3 and #BF73CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE7279 shade matches the following richer shades: #CD737A, #DD646D, #EC5460 and #FB4553

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE7279 shade: #CD737A, #BE8287, #AF9194, #A0A1A1 and #90B0AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE7279 shade: #CD73AB, #CD7393, #CD737A, #CD8373 and #CD9C73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE7279 shade: #B03E46, #C3545D, #CD737A, #D89197 and #E3B0B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE7279 shade: #CE7279, #C3CD73 and #739FCD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE7279 shade: #CE7279, #7ACD73 and #737ACD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE7279 shade: #CE7279, #C3CD73, #73CDC6 and #7D73CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE7279 shade: #CE7279, #A8CD73, #73CDC6 and #9973CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 41 / 19

HEX #CE7279

RGB 206 114 121

HSL 355.43, 0.48%, 0.63%

LAB 58.54, 36.81, 12.29

 

Complementary color

CMYK 65 / 0 / 5 / 45

HEX #318D86

RGB 49 141 134

HSL 175.43, 0.48%, 0.37%

LAB 53.41, -28.41, -4.24

 

CMYK 0 / 46 / 45 / 17

HEX #D37274

RGB 211 114 116

HSL 358.76, 0.52%, 0.64%

LAB 59.11, 38.14, 16.07

 

CMYK 0 / 42 / 41 / 11

HEX #E48487

RGB 228 132 135

HSL 358.13, 0.64%, 0.71%

LAB 65.55, 37.09, 14.53

 

CMYK 0 / 39 / 37 / 4

HEX #F5969A

RGB 245 150 154

HSL 357.47, 0.83%, 0.77%

LAB 71.93, 36.11, 13.17

 

CMYK 0 / 34 / 32 / 0

HEX #FFA8AD

RGB 255 168 173

HSL 356.55, 1%, 0.83%

LAB 77.45, 32.66, 10.7

 

CMYK 0 / 27 / 25 / 0

HEX #FFBAC0

RGB 255 186 192

HSL 354.78, 1%, 0.86%

LAB 81.94, 25.73, 6.84

 

CMYK 0 / 45 / 41 / 19

HEX #CE7279

RGB 206 114 121

HSL 355.43, 0.48%, 0.63%

LAB 58.54, 36.81, 12.29

 

CMYK 0 / 49 / 46 / 26

HEX #BD6066

RGB 189 96 102

HSL 356.13, 0.41%, 0.56%

LAB 52, 37.87, 13.93

 

CMYK 0 / 55 / 52 / 33

HEX #AC4E53

RGB 172 78 83

HSL 356.81, 0.38%, 0.49%

LAB 45.42, 38.96, 15.88

 

CMYK 0 / 61 / 59 / 39

HEX #9B3C40

RGB 155 60 64

HSL 357.47, 0.44%, 0.42%

LAB 38.85, 40, 18.27

 

CMYK 0 / 70 / 67 / 46

HEX #8A2A2D

RGB 138 42 45

HSL 358.13, 0.53%, 0.35%

LAB 32.37, 40.83, 21.28

 

CMYK 0 / 44 / 40 / 20

HEX #CD737A

RGB 205 115 122

HSL 355.33, 0.47%, 0.63%

LAB 58.64, 36.02, 11.84

 

CMYK 0 / 44 / 44 / 20

HEX #CD7373

RGB 205 115 115

HSL 0, 0.47%, 0.63%

LAB 58.49, 35.26, 15.66

 

CMYK 0 / 44 / 40 / 20

HEX #CD737A

RGB 205 115 122

HSL 355.33, 0.47%, 0.63%

LAB 58.64, 36.02, 11.84

 

CMYK 0 / 44 / 29 / 20

HEX #CD7392

RGB 205 115 146

HSL 339.33, 0.47%, 0.63%

LAB 59.27, 39, -1.15

 

CMYK 0 / 44 / 17 / 20

HEX #CD73AB

RGB 205 115 171

HSL 322.67, 0.47%, 0.63%

LAB 60.05, 42.65, -14.38

 

CMYK 0 / 44 / 5 / 20

HEX #CD73C3

RGB 205 115 195

HSL 306.67, 0.47%, 0.63%

LAB 60.94, 46.63, -26.71

 

CMYK 7 / 44 / 0 / 20

HEX #BF73CD

RGB 191 115 205

HSL 290.67, 0.47%, 0.63%

LAB 59.66, 44.27, -34.5

 

CMYK 0 / 44 / 40 / 20

HEX #CD737A

RGB 205 115 122

HSL 355.33, 0.47%, 0.63%

LAB 58.64, 36.02, 11.84

 

CMYK 0 / 55 / 51 / 13

HEX #DD646D

RGB 221 100 109

HSL 355.54, 0.64%, 0.63%

LAB 57.65, 48.09, 18.34

 

CMYK 0 / 64 / 59 / 7

HEX #EC5460

RGB 236 84 96

HSL 355.26, 0.8%, 0.63%

LAB 57.09, 59.24, 25.58

 

CMYK 0 / 73 / 67 / 2

HEX #FB4553

RGB 251 69 83

HSL 355.38, 0.96%, 0.63%

LAB 57.45, 68.63, 34.08

 

CMYK 0 / 44 / 40 / 20

HEX #CD737A

RGB 205 115 122

HSL 355.33, 0.47%, 0.63%

LAB 58.64, 36.02, 11.84

 

CMYK 0 / 32 / 29 / 25

HEX #BE8287

RGB 190 130 135

HSL 355, 0.32%, 0.63%

LAB 60.48, 23.84, 6.71

 

CMYK 0 / 17 / 15 / 31

HEX #AF9194

RGB 175 145 148

HSL 354, 0.16%, 0.63%

LAB 62.93, 11.74, 2.63

 

CMYK 1 / 0 / 0 / 37

HEX #A0A1A1

RGB 160 161 161

HSL 180, 0.01%, 0.63%

LAB 66.16, -0.35, -0.13

 

CMYK 18 / 0 / 1 / 31

HEX #90B0AE

RGB 144 176 174

HSL 176.25, 0.17%, 0.63%

LAB 69.5, -11.27, -2.61

 

CMYK 0 / 44 / 17 / 20

HEX #CD73AB

RGB 205 115 171

HSL 322.67, 0.47%, 0.63%

LAB 60.05, 42.65, -14.38

 

CMYK 0 / 44 / 28 / 20

HEX #CD7393

RGB 205 115 147

HSL 338.67, 0.47%, 0.63%

LAB 59.29, 39.13, -1.69

 

CMYK 0 / 44 / 40 / 20

HEX #CD737A

RGB 205 115 122

HSL 355.33, 0.47%, 0.63%

LAB 58.64, 36.02, 11.84

 

CMYK 0 / 36 / 44 / 20

HEX #CD8373

RGB 205 131 115

HSL 10.67, 0.47%, 0.63%

LAB 62.04, 26.68, 20.52

 

CMYK 0 / 24 / 44 / 20

HEX #CD9C73

RGB 205 156 115

HSL 27.33, 0.47%, 0.63%

LAB 68.02, 13.05, 28.51

 

CMYK 0 / 65 / 60 / 31

HEX #B03E46

RGB 176 62 70

HSL 355.79, 0.48%, 0.47%

LAB 42.94, 46.93, 20.62

 

CMYK 0 / 57 / 52 / 24

HEX #C3545D

RGB 195 84 93

HSL 355.14, 0.48%, 0.55%

LAB 50.37, 45.22, 17.2

 

CMYK 0 / 44 / 40 / 20

HEX #CD737A

RGB 205 115 122

HSL 355.33, 0.47%, 0.63%

LAB 58.64, 36.02, 11.84

 

CMYK 0 / 33 / 30 / 15

HEX #D89197

RGB 216 145 151

HSL 354.93, 0.48%, 0.71%

LAB 67.34, 27.65, 7.85

 

CMYK 0 / 22 / 21 / 11

HEX #E3B0B4

RGB 227 176 180

HSL 355.29, 0.48%, 0.79%

LAB 76.48, 19.14, 5.11

 

CMYK 0 / 45 / 41 / 19

HEX #CE7279

RGB 206 114 121

HSL 355.43, 0.48%, 0.63%

LAB 58.54, 36.81, 12.29

 

CMYK 5 / 0 / 44 / 20

HEX #C3CD73

RGB 195 205 115

HSL 66.67, 0.47%, 0.63%

LAB 79.9, -16.76, 43.49

 

CMYK 44 / 22 / 0 / 20

HEX #739FCD

RGB 115 159 205

HSL 210.67, 0.47%, 0.63%

LAB 64.04, -2.73, -28.21

 

CMYK 0 / 45 / 41 / 19

HEX #CE7279

RGB 206 114 121

HSL 355.43, 0.48%, 0.63%

LAB 58.54, 36.81, 12.29

 

CMYK 40 / 0 / 44 / 20

HEX #7ACD73

RGB 122 205 115

HSL 115.33, 0.47%, 0.63%

LAB 75.47, -43.04, 36.99

 

CMYK 44 / 40 / 0 / 20

HEX #737ACD

RGB 115 122 205

HSL 235.33, 0.47%, 0.63%

LAB 54, 18.86, -43.9

 

CMYK 0 / 45 / 41 / 19

HEX #CE7279

RGB 206 114 121

HSL 355.43, 0.48%, 0.63%

LAB 58.54, 36.81, 12.29

 

CMYK 5 / 0 / 44 / 20

HEX #C3CD73

RGB 195 205 115

HSL 66.67, 0.47%, 0.63%

LAB 79.9, -16.76, 43.49

 

CMYK 44 / 0 / 3 / 20

HEX #73CDC6

RGB 115 205 198

HSL 175.33, 0.47%, 0.63%

LAB 76.91, -28.63, -4.94

 

CMYK 39 / 44 / 0 / 20

HEX #7D73CD

RGB 125 115 205

HSL 246.67, 0.47%, 0.63%

LAB 52.98, 25.6, -45.46

 

CMYK 0 / 45 / 41 / 19

HEX #CE7279

RGB 206 114 121

HSL 355.43, 0.48%, 0.63%

LAB 58.54, 36.81, 12.29

 

CMYK 18 / 0 / 44 / 20

HEX #A8CD73

RGB 168 205 115

HSL 84.67, 0.47%, 0.63%

LAB 78.01, -27.19, 40.72

 

CMYK 44 / 0 / 3 / 20

HEX #73CDC6

RGB 115 205 198

HSL 175.33, 0.47%, 0.63%

LAB 76.91, -28.63, -4.94

 

CMYK 25 / 44 / 0 / 20

HEX #9973CD

RGB 153 115 205

HSL 265.33, 0.47%, 0.63%

LAB 55.52, 33.22, -41.27

 

Description

Color code: HEX #CE7279 | qconv.com Color code: HEX #CE7279 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 114 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 114 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 41 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 41% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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