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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE729C it is the complementary color #318D63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE729C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE729C shade: #D37297, #E484AA, #F596BD, #FFA8D0 and #FFBAE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE729C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE729C shade: #CE729C, #BD6089, #AC4E76, #9B3C63 and #8A2A50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE729C shade: #CD739C, #CD7384 and #CD7373

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE729C shade: #CD739C, #CD73B5, #CD73CD, #B573CD and #9D73CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE729C shade matches the following richer shades: #CD739C, #DD649B, #EC549A and #FB4598

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE729C shade: #CD739C, #BE829E, #AF919F, #A0A1A0 and #90B0A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE729C shade: #CD73CD, #CD73B5, #CD739D, #CD7385 and #CD7973

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE729C shade: #B03E72, #C35487, #CD739C, #D891B2 and #E3B0C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE729C shade: #CE729C, #CDB573 and #73C1CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE729C shade: #CE729C, #9DCD73 and #739DCD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE729C shade: #CE729C, #CDB573, #73CDA3 and #738BCD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE729C shade: #CE729C, #CACD73, #73CDA3 and #7673CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 24 / 19

HEX #CE729C

RGB 206 114 156

HSL 332.61, 0.48%, 0.63%

LAB 59.49, 41.26, -6.59

 

Complementary color

CMYK 65 / 0 / 30 / 45

HEX #318D63

RGB 49 141 99

HSL 152.61, 0.48%, 0.37%

LAB 52.51, -37.41, 14.62

 

CMYK 0 / 46 / 28 / 17

HEX #D37297

RGB 211 114 151

HSL 337.11, 0.52%, 0.64%

LAB 60, 42.28, -2.88

 

CMYK 0 / 42 / 25 / 11

HEX #E484AA

RGB 228 132 170

HSL 336.25, 0.64%, 0.71%

LAB 66.44, 41.43, -3.97

 

CMYK 0 / 39 / 23 / 4

HEX #F596BD

RGB 245 150 189

HSL 335.37, 0.83%, 0.77%

LAB 72.83, 40.61, -4.93

 

CMYK 0 / 34 / 18 / 0

HEX #FFA8D0

RGB 255 168 208

HSL 332.41, 1%, 0.83%

LAB 78.36, 37.45, -7.05

 

CMYK 0 / 27 / 11 / 0

HEX #FFBAE3

RGB 255 186 227

HSL 324.35, 1%, 0.86%

LAB 82.87, 31.01, -10.6

 

CMYK 0 / 45 / 24 / 19

HEX #CE729C

RGB 206 114 156

HSL 332.61, 0.48%, 0.63%

LAB 59.49, 41.26, -6.59

 

CMYK 0 / 49 / 28 / 26

HEX #BD6089

RGB 189 96 137

HSL 333.55, 0.41%, 0.56%

LAB 52.94, 42.08, -5.46

 

CMYK 0 / 55 / 31 / 33

HEX #AC4E76

RGB 172 78 118

HSL 334.47, 0.38%, 0.49%

LAB 46.35, 42.87, -4.12

 

CMYK 0 / 61 / 36 / 39

HEX #9B3C63

RGB 155 60 99

HSL 335.37, 0.44%, 0.42%

LAB 39.75, 43.52, -2.44

 

CMYK 0 / 70 / 42 / 46

HEX #8A2A50

RGB 138 42 80

HSL 336.25, 0.53%, 0.35%

LAB 33.22, 43.85, -0.25

 

CMYK 0 / 44 / 24 / 20

HEX #CD739C

RGB 205 115 156

HSL 332.67, 0.47%, 0.63%

LAB 59.56, 40.39, -6.49

 

CMYK 0 / 44 / 36 / 20

HEX #CD7384

RGB 205 115 132

HSL 348.67, 0.47%, 0.63%

LAB 58.89, 37.2, 6.4

 

CMYK 0 / 44 / 44 / 20

HEX #CD7373

RGB 205 115 115

HSL 0, 0.47%, 0.63%

LAB 58.49, 35.26, 15.66

 

CMYK 0 / 44 / 24 / 20

HEX #CD739C

RGB 205 115 156

HSL 332.67, 0.47%, 0.63%

LAB 59.56, 40.39, -6.49

 

CMYK 0 / 44 / 12 / 20

HEX #CD73B5

RGB 205 115 181

HSL 316, 0.47%, 0.63%

LAB 60.41, 44.25, -19.57

 

CMYK 0 / 44 / 0 / 20

HEX #CD73CD

RGB 205 115 205

HSL 300, 0.47%, 0.63%

LAB 61.35, 48.42, -31.74

 

CMYK 12 / 44 / 0 / 20

HEX #B573CD

RGB 181 115 205

HSL 284, 0.47%, 0.63%

LAB 58.5, 41.32, -36.39

 

CMYK 23 / 44 / 0 / 20

HEX #9D73CD

RGB 157 115 205

HSL 268, 0.47%, 0.63%

LAB 55.92, 34.36, -40.62

 

CMYK 0 / 44 / 24 / 20

HEX #CD739C

RGB 205 115 156

HSL 332.67, 0.47%, 0.63%

LAB 59.56, 40.39, -6.49

 

CMYK 0 / 55 / 30 / 13

HEX #DD649B

RGB 221 100 155

HSL 332.73, 0.64%, 0.63%

LAB 58.84, 53.03, -6.75

 

CMYK 0 / 64 / 35 / 7

HEX #EC549A

RGB 236 84 154

HSL 332.37, 0.8%, 0.63%

LAB 58.51, 64.41, -6.4

 

CMYK 0 / 73 / 39 / 2

HEX #FB4598

RGB 251 69 152

HSL 332.64, 0.96%, 0.63%

LAB 59, 73.71, -4.23

 

CMYK 0 / 44 / 24 / 20

HEX #CD739C

RGB 205 115 156

HSL 332.67, 0.47%, 0.63%

LAB 59.56, 40.39, -6.49

 

CMYK 0 / 32 / 17 / 25

HEX #BE829E

RGB 190 130 158

HSL 332, 0.32%, 0.63%

LAB 61.12, 27.31, -5.53

 

CMYK 0 / 17 / 9 / 31

HEX #AF919F

RGB 175 145 159

HSL 332, 0.16%, 0.63%

LAB 63.23, 13.63, -3.15

 

CMYK 1 / 0 / 1 / 37

HEX #A0A1A0

RGB 160 161 160

HSL 120, 0.01%, 0.63%

LAB 66.14, -0.55, 0.39

 

CMYK 18 / 0 / 8 / 31

HEX #90B0A2

RGB 144 176 162

HSL 153.75, 0.17%, 0.63%

LAB 69.18, -13.78, 3.55

 

CMYK 0 / 44 / 0 / 20

HEX #CD73CD

RGB 205 115 205

HSL 300, 0.47%, 0.63%

LAB 61.35, 48.42, -31.74

 

CMYK 0 / 44 / 12 / 20

HEX #CD73B5

RGB 205 115 181

HSL 316, 0.47%, 0.63%

LAB 60.41, 44.25, -19.57

 

CMYK 0 / 44 / 23 / 20

HEX #CD739D

RGB 205 115 157

HSL 332, 0.47%, 0.63%

LAB 59.59, 40.54, -7.02

 

CMYK 0 / 44 / 35 / 20

HEX #CD7385

RGB 205 115 133

HSL 348, 0.47%, 0.63%

LAB 58.91, 37.32, 5.86

 

CMYK 0 / 41 / 44 / 20

HEX #CD7973

RGB 205 121 115

HSL 4, 0.47%, 0.63%

LAB 59.79, 32.07, 17.45

 

CMYK 0 / 65 / 35 / 31

HEX #B03E72

RGB 176 62 114

HSL 332.63, 0.48%, 0.47%

LAB 44.08, 51.11, -4.97

 

CMYK 0 / 57 / 31 / 24

HEX #C35487

RGB 195 84 135

HSL 332.43, 0.48%, 0.55%

LAB 51.49, 49.73, -6.34

 

CMYK 0 / 44 / 24 / 20

HEX #CD739C

RGB 205 115 156

HSL 332.67, 0.47%, 0.63%

LAB 59.56, 40.39, -6.49

 

CMYK 0 / 33 / 18 / 15

HEX #D891B2

RGB 216 145 178

HSL 332.11, 0.48%, 0.71%

LAB 68.07, 31.56, -6.22

 

CMYK 0 / 22 / 12 / 11

HEX #E3B0C7

RGB 227 176 199

HSL 332.94, 0.48%, 0.79%

LAB 76.98, 22.11, -4.51

 

CMYK 0 / 45 / 24 / 19

HEX #CE729C

RGB 206 114 156

HSL 332.61, 0.48%, 0.63%

LAB 59.49, 41.26, -6.59

 

CMYK 0 / 12 / 44 / 20

HEX #CDB573

RGB 205 181 115

HSL 44, 0.47%, 0.63%

LAB 74.36, -0.37, 36.71

 

CMYK 44 / 6 / 0 / 20

HEX #73C1CD

RGB 115 193 205

HSL 188, 0.47%, 0.63%

LAB 73.67, -20.9, -13.55

 

CMYK 0 / 45 / 24 / 19

HEX #CE729C

RGB 206 114 156

HSL 332.61, 0.48%, 0.63%

LAB 59.49, 41.26, -6.59

 

CMYK 23 / 0 / 44 / 20

HEX #9DCD73

RGB 157 205 115

HSL 92, 0.47%, 0.63%

LAB 77.32, -31.24, 39.71

 

CMYK 44 / 23 / 0 / 20

HEX #739DCD

RGB 115 157 205

HSL 212, 0.47%, 0.63%

LAB 63.48, -1.6, -29.07

 

CMYK 0 / 45 / 24 / 19

HEX #CE729C

RGB 206 114 156

HSL 332.61, 0.48%, 0.63%

LAB 59.49, 41.26, -6.59

 

CMYK 0 / 12 / 44 / 20

HEX #CDB573

RGB 205 181 115

HSL 44, 0.47%, 0.63%

LAB 74.36, -0.37, 36.71

 

CMYK 44 / 0 / 20 / 20

HEX #73CDA3

RGB 115 205 163

HSL 152, 0.47%, 0.63%

LAB 76.04, -36.6, 12.62

 

CMYK 44 / 32 / 0 / 20

HEX #738BCD

RGB 115 139 205

HSL 224, 0.47%, 0.63%

LAB 58.53, 8.76, -36.77

 

CMYK 0 / 45 / 24 / 19

HEX #CE729C

RGB 206 114 156

HSL 332.61, 0.48%, 0.63%

LAB 59.49, 41.26, -6.59

 

CMYK 1 / 0 / 44 / 20

HEX #CACD73

RGB 202 205 115

HSL 62, 0.47%, 0.63%

LAB 80.44, -13.98, 44.27

 

CMYK 44 / 0 / 20 / 20

HEX #73CDA3

RGB 115 205 163

HSL 152, 0.47%, 0.63%

LAB 76.04, -36.6, 12.62

 

CMYK 42 / 44 / 0 / 20

HEX #7673CD

RGB 118 115 205

HSL 242, 0.47%, 0.63%

LAB 52.42, 23.82, -46.38

 

Description

Color code: HEX #CE729C | qconv.com Color code: HEX #CE729C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 114 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 114 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 24 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 24% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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