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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE73F1 it is the complementary color #318C0E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE73F1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE73F1 shade: #D373EC, #E485FF, #F597FF, #FFA9FF and #FFBBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE73F1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE73F1 shade: #CE73F1, #BD61DE, #AC4FCB, #9B3DB8 and #8A2BA5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE73F1 shade: #CE73F1, #F073F1, #F173D0, #F173AE and #F1738C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE73F1 shade: #CE73F1, #AC73F1, #8A73F1 and #7373F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE73F1 shade matches the following richer shades: #CE73F1 and #D367FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE73F1 shade: #CE73F1, #C880E4, #C38CD8, #BD98CC and #B8A5BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE73F1 shade: #8A73F1, #AC73F1, #CD73F1, #EF73F1 and #F173D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE73F1 shade: #B428E9, #C14EED, #CE73F1, #DB99F4 and #E8BEF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE73F1 shade: #CE73F1, #F1737E and #73F19B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE73F1 shade: #CE73F1, #F1CD73 and #73F1CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE73F1 shade: #CE73F1, #F1737E, #97F173 and #73F1E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE73F1 shade: #CE73F1, #F18E73, #97F173 and #73D6F1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 52 / 0 / 5

HEX #CE73F1

RGB 206 115 241

HSL 283.33, 0.82%, 0.7%

LAB 63.12, 55.63, -49.06

 

Complementary color

CMYK 65 / 0 / 90 / 45

HEX #318C0E

RGB 49 140 14

HSL 103.33, 0.82%, 0.3%

LAB 51.2, -48.04, 51.65

 

CMYK 11 / 51 / 0 / 7

HEX #D373EC

RGB 211 115 236

HSL 287.6, 0.76%, 0.69%

LAB 63.48, 55.96, -45.69

 

CMYK 11 / 48 / 0 / 0

HEX #E485FF

RGB 228 133 255

HSL 286.72, 1%, 0.76%

LAB 69.82, 55.25, -46.02

 

CMYK 4 / 41 / 0 / 0

HEX #F597FF

RGB 245 151 255

HSL 294.23, 1%, 0.8%

LAB 75.31, 50.93, -37.31

 

CMYK 0 / 34 / 0 / 0

HEX #FFA9FF

RGB 255 169 255

HSL 300, 1%, 0.83%

LAB 80.1, 44.67, -29.82

 

CMYK 0 / 27 / 0 / 0

HEX #FFBBFF

RGB 255 187 255

HSL 300, 1%, 0.87%

LAB 83.98, 35.3, -23.9

 

CMYK 15 / 52 / 0 / 5

HEX #CE73F1

RGB 206 115 241

HSL 283.33, 0.82%, 0.7%

LAB 63.12, 55.63, -49.06

 

CMYK 15 / 56 / 0 / 13

HEX #BD61DE

RGB 189 97 222

HSL 284.16, 0.65%, 0.63%

LAB 56.73, 56.31, -48.72

 

CMYK 15 / 61 / 0 / 20

HEX #AC4FCB

RGB 172 79 203

HSL 285, 0.54%, 0.55%

LAB 50.3, 56.85, -48.27

 

CMYK 16 / 67 / 0 / 28

HEX #9B3DB8

RGB 155 61 184

HSL 285.85, 0.5%, 0.48%

LAB 43.9, 57.14, -47.61

 

CMYK 16 / 74 / 0 / 35

HEX #8A2BA5

RGB 138 43 165

HSL 286.72, 0.59%, 0.41%

LAB 37.57, 56.96, -46.63

 

CMYK 15 / 52 / 0 / 5

HEX #CE73F1

RGB 206 115 241

HSL 283.33, 0.82%, 0.7%

LAB 63.12, 55.63, -49.06

 

CMYK 0 / 52 / 0 / 5

HEX #F073F1

RGB 240 115 241

HSL 299.52, 0.82%, 0.7%

LAB 67.38, 64.56, -42.07

 

CMYK 0 / 52 / 14 / 5

HEX #F173D0

RGB 241 115 208

HSL 315.71, 0.82%, 0.7%

LAB 66.15, 59.49, -25.63

 

CMYK 0 / 52 / 28 / 5

HEX #F173AE

RGB 241 115 174

HSL 331.9, 0.82%, 0.7%

LAB 64.98, 54.71, -8.22

 

CMYK 0 / 52 / 42 / 5

HEX #F1738C

RGB 241 115 140

HSL 348.1, 0.82%, 0.7%

LAB 64.04, 50.76, 9.82

 

CMYK 15 / 52 / 0 / 5

HEX #CE73F1

RGB 206 115 241

HSL 283.33, 0.82%, 0.7%

LAB 63.12, 55.63, -49.06

 

CMYK 29 / 52 / 0 / 5

HEX #AC73F1

RGB 172 115 241

HSL 267.14, 0.82%, 0.7%

LAB 59.33, 46.93, -55.32

 

CMYK 43 / 52 / 0 / 5

HEX #8A73F1

RGB 138 115 241

HSL 250.95, 0.82%, 0.7%

LAB 56.1, 38.81, -60.66

 

CMYK 52 / 52 / 0 / 5

HEX #7373F1

RGB 115 115 241

HSL 240, 0.82%, 0.7%

LAB 54.3, 33.9, -63.66

 

CMYK 15 / 52 / 0 / 5

HEX #CE73F1

RGB 206 115 241

HSL 283.33, 0.82%, 0.7%

LAB 63.12, 55.63, -49.06

 

CMYK 17 / 59 / 0 / 1

HEX #D367FD

RGB 211 103 253

HSL 283.2, 0.97%, 0.7%

LAB 62.2, 65.04, -57.1

 

CMYK 15 / 52 / 0 / 5

HEX #CE73F1

RGB 206 115 241

HSL 283.33, 0.82%, 0.7%

LAB 63.12, 55.63, -49.06

 

CMYK 12 / 44 / 0 / 11

HEX #C880E4

RGB 200 128 228

HSL 283.2, 0.65%, 0.7%

LAB 64.42, 44.63, -39.86

 

CMYK 10 / 35 / 0 / 15

HEX #C38CD8

RGB 195 140 216

HSL 283.42, 0.49%, 0.7%

LAB 65.99, 34.18, -30.79

 

CMYK 7 / 25 / 0 / 20

HEX #BD98CC

RGB 189 152 204

HSL 282.69, 0.34%, 0.7%

LAB 67.75, 23.18, -21.48

 

CMYK 4 / 14 / 0 / 25

HEX #B8A5BF

RGB 184 165 191

HSL 283.85, 0.17%, 0.7%

LAB 70.08, 11.69, -10.8

 

CMYK 43 / 52 / 0 / 5

HEX #8A73F1

RGB 138 115 241

HSL 250.95, 0.82%, 0.7%

LAB 56.1, 38.81, -60.66

 

CMYK 29 / 52 / 0 / 5

HEX #AC73F1

RGB 172 115 241

HSL 267.14, 0.82%, 0.7%

LAB 59.33, 46.93, -55.32

 

CMYK 15 / 52 / 0 / 5

HEX #CD73F1

RGB 205 115 241

HSL 282.86, 0.82%, 0.7%

LAB 63, 55.37, -49.25

 

CMYK 1 / 52 / 0 / 5

HEX #EF73F1

RGB 239 115 241

HSL 299.05, 0.82%, 0.7%

LAB 67.25, 64.3, -42.28

 

CMYK 0 / 52 / 13 / 5

HEX #F173D1

RGB 241 115 209

HSL 315.24, 0.82%, 0.7%

LAB 66.19, 59.65, -26.13

 

CMYK 23 / 83 / 0 / 9

HEX #B428E9

RGB 180 40 233

HSL 283.52, 0.81%, 0.54%

LAB 48.39, 78.39, -68.38

 

CMYK 19 / 67 / 0 / 7

HEX #C14EED

RGB 193 78 237

HSL 283.4, 0.82%, 0.62%

LAB 54.97, 68.8, -59.92

 

CMYK 15 / 52 / 0 / 5

HEX #CE73F1

RGB 206 115 241

HSL 283.33, 0.82%, 0.7%

LAB 63.12, 55.63, -49.06

 

CMYK 10 / 37 / 0 / 4

HEX #DB99F4

RGB 219 153 244

HSL 283.52, 0.81%, 0.78%

LAB 72.48, 40.11, -35.95

 

CMYK 6 / 23 / 0 / 3

HEX #E8BEF8

RGB 232 190 248

HSL 283.45, 0.81%, 0.86%

LAB 82.25, 25.09, -22.99

 

CMYK 15 / 52 / 0 / 5

HEX #CE73F1

RGB 206 115 241

HSL 283.33, 0.82%, 0.7%

LAB 63.12, 55.63, -49.06

 

CMYK 0 / 52 / 48 / 5

HEX #F1737E

RGB 241 115 126

HSL 354.76, 0.82%, 0.7%

LAB 63.73, 49.4, 17.37

 

CMYK 52 / 0 / 36 / 5

HEX #73F19B

RGB 115 241 155

HSL 139.05, 0.82%, 0.7%

LAB 86.47, -53.58, 31.11

 

CMYK 15 / 52 / 0 / 5

HEX #CE73F1

RGB 206 115 241

HSL 283.33, 0.82%, 0.7%

LAB 63.12, 55.63, -49.06

 

CMYK 0 / 15 / 52 / 5

HEX #F1CD73

RGB 241 205 115

HSL 42.86, 0.82%, 0.7%

LAB 83.76, 1.77, 49.09

 

CMYK 52 / 0 / 15 / 5

HEX #73F1CD

RGB 115 241 205

HSL 162.86, 0.82%, 0.7%

LAB 87.47, -43.58, 6.73

 

CMYK 15 / 52 / 0 / 5

HEX #CE73F1

RGB 206 115 241

HSL 283.33, 0.82%, 0.7%

LAB 63.12, 55.63, -49.06

 

CMYK 0 / 52 / 48 / 5

HEX #F1737E

RGB 241 115 126

HSL 354.76, 0.82%, 0.7%

LAB 63.73, 49.4, 17.37

 

CMYK 37 / 0 / 52 / 5

HEX #97F173

RGB 151 241 115

HSL 102.86, 0.82%, 0.7%

LAB 87.35, -49.22, 51.96

 

CMYK 52 / 0 / 5 / 5

HEX #73F1E6

RGB 115 241 230

HSL 174.76, 0.82%, 0.7%

LAB 88.1, -37.65, -5.42

 

CMYK 15 / 52 / 0 / 5

HEX #CE73F1

RGB 206 115 241

HSL 283.33, 0.82%, 0.7%

LAB 63.12, 55.63, -49.06

 

CMYK 0 / 41 / 52 / 5

HEX #F18E73

RGB 241 142 115

HSL 12.86, 0.82%, 0.7%

LAB 68.96, 34.84, 30.53

 

CMYK 37 / 0 / 52 / 5

HEX #97F173

RGB 151 241 115

HSL 102.86, 0.82%, 0.7%

LAB 87.35, -49.22, 51.96

 

CMYK 52 / 11 / 0 / 5

HEX #73D6F1

RGB 115 214 241

HSL 192.86, 0.82%, 0.7%

LAB 80.79, -21.82, -22.17

 

Description

Color code: HEX #CE73F1 | qconv.com Color code: HEX #CE73F1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 115 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 115 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 52 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 52% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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