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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE7C5D it is the complementary color #3183A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE7C5D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE7C5D shade: #D37C58, #E48E6B, #F5A07E, #FFB291 and #FFC4A4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE7C5D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE7C5D shade: #CE7C5D, #BD6A4A, #AC5837, #9B4624 and #8A3411

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE7C5D shade: #CE7C5D, #CE5E5D and #CE5D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE7C5D shade: #CE7C5D, #CE9B5D, #CEB95D, #C5CE5D and #A7CE5D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE7C5D shade matches the following richer shades: #CE7C5D, #DF754D and #F06D3C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE7C5D shade: #CE7C5D, #BD846E, #AD8C7F, #9C9390 and #8B9BA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE7C5D shade: #CE5D7C, #CE5D5D, #CE7C5D, #CE9A5D and #CEB85D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE7C5D shade: #A85232, #C5633E, #CE7C5D, #D8967D and #E1B09D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE7C5D shade: #CE7C5D, #9ACE5D and #5D6DCE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE7C5D shade: #CE7C5D, #5DCE7C and #7C5DCE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE7C5D shade: #CE7C5D, #9ACE5D, #5DB0CE and #925DCE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE7C5D shade: #CE7C5D, #78CE5D, #5DB0CE and #B45DCE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 55 / 19

HEX #CE7C5D

RGB 206 124 93

HSL 16.46, 0.54%, 0.59%

LAB 60.18, 28.76, 30.41

 

Complementary color

CMYK 70 / 19 / 0 / 36

HEX #3183A2

RGB 49 131 162

HSL 196.46, 0.54%, 0.41%

LAB 51.26, -14.39, -23.73

 

CMYK 0 / 41 / 58 / 17

HEX #D37C58

RGB 211 124 88

HSL 17.56, 0.58%, 0.59%

LAB 60.75, 30.37, 34.02

 

CMYK 0 / 38 / 53 / 11

HEX #E48E6B

RGB 228 142 107

HSL 17.36, 0.69%, 0.66%

LAB 67.2, 29.1, 32.29

 

CMYK 0 / 35 / 49 / 4

HEX #F5A07E

RGB 245 160 126

HSL 17.14, 0.86%, 0.73%

LAB 73.58, 27.96, 30.72

 

CMYK 0 / 30 / 43 / 0

HEX #FFB291

RGB 255 178 145

HSL 18, 1%, 0.78%

LAB 79.12, 24.24, 28.12

 

CMYK 0 / 23 / 36 / 0

HEX #FFC4A4

RGB 255 196 164

HSL 21.1, 1%, 0.82%

LAB 83.66, 16.91, 24.2

 

CMYK 0 / 40 / 55 / 19

HEX #CE7C5D

RGB 206 124 93

HSL 16.46, 0.54%, 0.59%

LAB 60.18, 28.76, 30.41

 

CMYK 0 / 44 / 61 / 26

HEX #BD6A4A

RGB 189 106 74

HSL 16.7, 0.47%, 0.52%

LAB 53.62, 30.11, 32.25

 

CMYK 0 / 49 / 68 / 33

HEX #AC5837

RGB 172 88 55

HSL 16.92, 0.52%, 0.45%

LAB 47.01, 31.6, 34.3

 

CMYK 0 / 55 / 77 / 39

HEX #9B4624

RGB 155 70 36

HSL 17.14, 0.62%, 0.37%

LAB 40.37, 33.25, 36.52

 

CMYK 0 / 62 / 88 / 46

HEX #8A3411

RGB 138 52 17

HSL 17.36, 0.78%, 0.3%

LAB 33.77, 34.97, 38.6

 

CMYK 0 / 40 / 55 / 19

HEX #CE7C5D

RGB 206 124 93

HSL 16.46, 0.54%, 0.59%

LAB 60.18, 28.76, 30.41

 

CMYK 0 / 54 / 55 / 19

HEX #CE5E5D

RGB 206 94 93

HSL 0.53, 0.54%, 0.59%

LAB 53.94, 44.3, 22.28

 

CMYK 0 / 55 / 55 / 19

HEX #CE5D5D

RGB 206 93 93

HSL 0, 0.54%, 0.59%

LAB 53.75, 44.79, 22.03

 

CMYK 0 / 40 / 55 / 19

HEX #CE7C5D

RGB 206 124 93

HSL 16.46, 0.54%, 0.59%

LAB 60.18, 28.76, 30.41

 

CMYK 0 / 25 / 55 / 19

HEX #CE9B5D

RGB 206 155 93

HSL 32.92, 0.54%, 0.59%

LAB 67.54, 11.93, 39.6

 

CMYK 0 / 10 / 55 / 19

HEX #CEB95D

RGB 206 185 93

HSL 48.85, 0.54%, 0.59%

LAB 75.21, -4.08, 48.77

 

CMYK 4 / 0 / 55 / 19

HEX #C5CE5D

RGB 197 206 93

HSL 64.78, 0.54%, 0.59%

LAB 80.07, -18.5, 54.19

 

CMYK 19 / 0 / 55 / 19

HEX #A7CE5D

RGB 167 206 93

HSL 80.71, 0.54%, 0.59%

LAB 77.96, -30.37, 51.22

 

CMYK 0 / 40 / 55 / 19

HEX #CE7C5D

RGB 206 124 93

HSL 16.46, 0.54%, 0.59%

LAB 60.18, 28.76, 30.41

 

CMYK 0 / 48 / 65 / 13

HEX #DF754D

RGB 223 117 77

HSL 16.44, 0.7%, 0.59%

LAB 60.73, 38.02, 40.3

 

CMYK 0 / 55 / 75 / 6

HEX #F06D3C

RGB 240 109 60

HSL 16.33, 0.86%, 0.59%

LAB 61.47, 47.57, 50.51

 

CMYK 0 / 40 / 55 / 19

HEX #CE7C5D

RGB 206 124 93

HSL 16.46, 0.54%, 0.59%

LAB 60.18, 28.76, 30.41

 

CMYK 0 / 30 / 42 / 26

HEX #BD846E

RGB 189 132 110

HSL 16.71, 0.37%, 0.59%

LAB 60.29, 19.19, 20.66

 

CMYK 0 / 19 / 27 / 32

HEX #AD8C7F

RGB 173 140 127

HSL 16.96, 0.22%, 0.59%

LAB 60.93, 10.49, 11.66

 

CMYK 0 / 6 / 8 / 39

HEX #9C9390

RGB 156 147 144

HSL 15, 0.06%, 0.59%

LAB 61.61, 2.77, 2.77

 

CMYK 14 / 4 / 0 / 37

HEX #8B9BA1

RGB 139 155 161

HSL 196.36, 0.1%, 0.59%

LAB 62.93, -4.38, -5.07

 

CMYK 0 / 55 / 40 / 19

HEX #CE5D7C

RGB 206 93 124

HSL 343.54, 0.54%, 0.59%

LAB 54.45, 47.76, 4.73

 

CMYK 0 / 55 / 55 / 19

HEX #CE5D5D

RGB 206 93 93

HSL 0, 0.54%, 0.59%

LAB 53.75, 44.79, 22.03

 

CMYK 0 / 40 / 55 / 19

HEX #CE7C5D

RGB 206 124 93

HSL 16.46, 0.54%, 0.59%

LAB 60.18, 28.76, 30.41

 

CMYK 0 / 25 / 55 / 19

HEX #CE9A5D

RGB 206 154 93

HSL 32.39, 0.54%, 0.59%

LAB 67.29, 12.47, 39.3

 

CMYK 0 / 11 / 55 / 19

HEX #CEB85D

RGB 206 184 93

HSL 48.32, 0.54%, 0.59%

LAB 74.95, -3.56, 48.46

 

CMYK 0 / 51 / 70 / 34

HEX #A85232

RGB 168 82 50

HSL 16.27, 0.54%, 0.43%

LAB 45.07, 32.89, 34.67

 

CMYK 0 / 50 / 69 / 23

HEX #C5633E

RGB 197 99 62

HSL 16.44, 0.54%, 0.51%

LAB 53.1, 36.24, 38.48

 

CMYK 0 / 40 / 55 / 19

HEX #CE7C5D

RGB 206 124 93

HSL 16.46, 0.54%, 0.59%

LAB 60.18, 28.76, 30.41

 

CMYK 0 / 31 / 42 / 15

HEX #D8967D

RGB 216 150 125

HSL 16.48, 0.54%, 0.67%

LAB 67.94, 21.8, 23.16

 

CMYK 0 / 22 / 30 / 12

HEX #E1B09D

RGB 225 176 157

HSL 16.76, 0.53%, 0.75%

LAB 75.76, 15.16, 16.56

 

CMYK 0 / 40 / 55 / 19

HEX #CE7C5D

RGB 206 124 93

HSL 16.46, 0.54%, 0.59%

LAB 60.18, 28.76, 30.41

 

CMYK 25 / 0 / 55 / 19

HEX #9ACE5D

RGB 154 206 93

HSL 87.61, 0.54%, 0.59%

LAB 77.16, -35.26, 50.08

 

CMYK 55 / 47 / 0 / 19

HEX #5D6DCE

RGB 93 109 206

HSL 231.5, 0.54%, 0.59%

LAB 49.16, 22.02, -52.27

 

CMYK 0 / 40 / 55 / 19

HEX #CE7C5D

RGB 206 124 93

HSL 16.46, 0.54%, 0.59%

LAB 60.18, 28.76, 30.41

 

CMYK 55 / 0 / 40 / 19

HEX #5DCE7C

RGB 93 206 124

HSL 136.46, 0.54%, 0.59%

LAB 74.78, -50.01, 31.29

 

CMYK 40 / 55 / 0 / 19

HEX #7C5DCE

RGB 124 93 206

HSL 256.46, 0.54%, 0.59%

LAB 47.71, 38.6, -54.44

 

CMYK 0 / 40 / 55 / 19

HEX #CE7C5D

RGB 206 124 93

HSL 16.46, 0.54%, 0.59%

LAB 60.18, 28.76, 30.41

 

CMYK 25 / 0 / 55 / 19

HEX #9ACE5D

RGB 154 206 93

HSL 87.61, 0.54%, 0.59%

LAB 77.16, -35.26, 50.08

 

CMYK 55 / 15 / 0 / 19

HEX #5DB0CE

RGB 93 176 206

HSL 195.93, 0.54%, 0.59%

LAB 67.9, -16.79, -22.93

 

CMYK 29 / 55 / 0 / 19

HEX #925DCE

RGB 146 93 206

HSL 268.14, 0.54%, 0.59%

LAB 49.97, 43.95, -50.7

 

CMYK 0 / 40 / 55 / 19

HEX #CE7C5D

RGB 206 124 93

HSL 16.46, 0.54%, 0.59%

LAB 60.18, 28.76, 30.41

 

CMYK 42 / 0 / 55 / 19

HEX #78CE5D

RGB 120 206 93

HSL 105.66, 0.54%, 0.59%

LAB 75.41, -46.91, 47.58

 

CMYK 55 / 15 / 0 / 19

HEX #5DB0CE

RGB 93 176 206

HSL 195.93, 0.54%, 0.59%

LAB 67.9, -16.79, -22.93

 

CMYK 13 / 55 / 0 / 19

HEX #B45DCE

RGB 180 93 206

HSL 286.19, 0.54%, 0.59%

LAB 54.01, 52.72, -44.03

 

Description

Color code: HEX #CE7C5D | qconv.com Color code: HEX #CE7C5D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 124 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 124 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 55 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 55% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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