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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE7D98 it is the complementary color #318267. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE7D98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE7D98 shade: #D37D93, #E48FA6, #F5A1B9, #FFB3CC and #FFC5DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE7D98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE7D98 shade: #CE7D98, #BD6B85, #AC5972, #9B475F and #8A354C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE7D98 shade: #CD7D98, #CD7D82 and #CD7D7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE7D98 shade: #CD7D98, #CD7DAE, #CD7DC3, #C27DCD and #AC7DCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE7D98 shade matches the following richer shades: #CD7D98, #DC6F93, #EA608E and #F95289

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE7D98 shade: #CD7D98, #BF8C9D, #B19AA1, #A2A8A6 and #94B7AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE7D98 shade: #CD7DC3, #CD7DAD, #CD7D98, #CD7D82 and #CD8D7D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE7D98 shade: #B44469, #C25F80, #CD7D98, #D99BB0 and #E4B9C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE7D98 shade: #CE7D98, #CDC37D and #7DB8CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE7D98 shade: #CE7D98, #98CD7D and #7D98CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE7D98 shade: #CE7D98, #CDC37D, #7DCDB3 and #7D88CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE7D98 shade: #CE7D98, #C0CD7D, #7DCDB3 and #8A7DCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 26 / 19

HEX #CE7D98

RGB 206 125 152

HSL 340, 0.45%, 0.65%

LAB 61.7, 34.88, -1.02

 

Complementary color

CMYK 62 / 0 / 21 / 49

HEX #318267

RGB 49 130 103

HSL 160, 0.45%, 0.35%

LAB 49, -31.48, 7.4

 

CMYK 0 / 41 / 30 / 17

HEX #D37D93

RGB 211 125 147

HSL 344.65, 0.49%, 0.66%

LAB 62.19, 36, 2.62

 

CMYK 0 / 37 / 27 / 11

HEX #E48FA6

RGB 228 143 166

HSL 343.76, 0.61%, 0.73%

LAB 68.67, 35.13, 1.55

 

CMYK 0 / 34 / 24 / 4

HEX #F5A1B9

RGB 245 161 185

HSL 342.86, 0.81%, 0.8%

LAB 75.08, 34.32, 0.58

 

CMYK 0 / 30 / 20 / 0

HEX #FFB3CC

RGB 255 179 204

HSL 340.26, 1%, 0.85%

LAB 80.66, 31.12, -1.48

 

CMYK 0 / 23 / 13 / 0

HEX #FFC5DF

RGB 255 197 223

HSL 333.1, 1%, 0.89%

LAB 85.26, 24.59, -4.92

 

CMYK 0 / 39 / 26 / 19

HEX #CE7D98

RGB 206 125 152

HSL 340, 0.45%, 0.65%

LAB 61.7, 34.88, -1.02

 

CMYK 0 / 43 / 30 / 26

HEX #BD6B85

RGB 189 107 133

HSL 340.98, 0.38%, 0.58%

LAB 55.1, 35.76, 0.07

 

CMYK 0 / 48 / 34 / 33

HEX #AC5972

RGB 172 89 114

HSL 341.93, 0.33%, 0.51%

LAB 48.42, 36.68, 1.35

 

CMYK 0 / 54 / 39 / 39

HEX #9B475F

RGB 155 71 95

HSL 342.86, 0.37%, 0.44%

LAB 41.69, 37.59, 2.89

 

CMYK 0 / 62 / 45 / 46

HEX #8A354C

RGB 138 53 76

HSL 343.76, 0.45%, 0.37%

LAB 34.95, 38.41, 4.83

 

CMYK 0 / 39 / 26 / 20

HEX #CD7D98

RGB 205 125 152

HSL 339.75, 0.44%, 0.65%

LAB 61.58, 34.52, -1.22

 

CMYK 0 / 39 / 37 / 20

HEX #CD7D82

RGB 205 125 130

HSL 356.25, 0.44%, 0.65%

LAB 61.01, 31.63, 10.57

 

CMYK 0 / 39 / 39 / 20

HEX #CD7D7D

RGB 205 125 125

HSL 0, 0.44%, 0.65%

LAB 60.89, 31.03, 13.26

 

CMYK 0 / 39 / 26 / 20

HEX #CD7D98

RGB 205 125 152

HSL 339.75, 0.44%, 0.65%

LAB 61.58, 34.52, -1.22

 

CMYK 0 / 39 / 15 / 20

HEX #CD7DAE

RGB 205 125 174

HSL 323.25, 0.44%, 0.65%

LAB 62.26, 37.86, -12.78

 

CMYK 0 / 39 / 5 / 20

HEX #CD7DC3

RGB 205 125 195

HSL 307.5, 0.44%, 0.65%

LAB 63, 41.41, -23.55

 

CMYK 5 / 39 / 0 / 20

HEX #C27DCD

RGB 194 125 205

HSL 291.75, 0.44%, 0.65%

LAB 62.12, 39.83, -30.64

 

CMYK 16 / 39 / 0 / 20

HEX #AC7DCD

RGB 172 125 205

HSL 275.25, 0.44%, 0.65%

LAB 59.75, 33.12, -34.51

 

CMYK 0 / 39 / 26 / 20

HEX #CD7D98

RGB 205 125 152

HSL 339.75, 0.44%, 0.65%

LAB 61.58, 34.52, -1.22

 

CMYK 0 / 50 / 33 / 14

HEX #DC6F93

RGB 220 111 147

HSL 340.18, 0.61%, 0.65%

LAB 60.51, 46.37, 0.33

 

CMYK 0 / 59 / 39 / 8

HEX #EA608E

RGB 234 96 142

HSL 340, 0.77%, 0.65%

LAB 59.72, 57.46, 2.32

 

CMYK 0 / 67 / 45 / 2

HEX #F95289

RGB 249 82 137

HSL 340.24, 0.93%, 0.65%

LAB 59.87, 67.23, 5.77

 

CMYK 0 / 39 / 26 / 20

HEX #CD7D98

RGB 205 125 152

HSL 339.75, 0.44%, 0.65%

LAB 61.58, 34.52, -1.22

 

CMYK 0 / 27 / 18 / 25

HEX #BF8C9D

RGB 191 140 157

HSL 340, 0.28%, 0.65%

LAB 63.56, 21.97, -1.35

 

CMYK 0 / 13 / 9 / 31

HEX #B19AA1

RGB 177 154 161

HSL 341.74, 0.13%, 0.65%

LAB 65.77, 9.69, -0.53

 

CMYK 4 / 0 / 1 / 34

HEX #A2A8A6

RGB 162 168 166

HSL 160, 0.03%, 0.65%

LAB 68.34, -2.5, 0.28

HEX #A2A8A6

CMYK 19 / 0 / 7 / 28

HEX #94B7AB

RGB 148 183 171

HSL 159.43, 0.2%, 0.65%

LAB 71.62, -14.27, 2.19

HEX #94B7AB

CMYK 0 / 39 / 5 / 20

HEX #CD7DC3

RGB 205 125 195

HSL 307.5, 0.44%, 0.65%

LAB 63, 41.41, -23.55

 

CMYK 0 / 39 / 16 / 20

HEX #CD7DAD

RGB 205 125 173

HSL 324, 0.44%, 0.65%

LAB 62.22, 37.69, -12.26

 

CMYK 0 / 39 / 26 / 20

HEX #CD7D98

RGB 205 125 152

HSL 339.75, 0.44%, 0.65%

LAB 61.58, 34.52, -1.22

 

CMYK 0 / 39 / 37 / 20

HEX #CD7D82

RGB 205 125 130

HSL 356.25, 0.44%, 0.65%

LAB 61.01, 31.63, 10.57

 

CMYK 0 / 31 / 39 / 20

HEX #CD8D7D

RGB 205 141 125

HSL 12, 0.44%, 0.65%

LAB 64.57, 22.35, 18.36

 

CMYK 0 / 62 / 42 / 29

HEX #B44469

RGB 180 68 105

HSL 340.18, 0.45%, 0.49%

LAB 45.44, 48.73, 2.64

 

CMYK 0 / 51 / 34 / 24

HEX #C25F80

RGB 194 95 128

HSL 340, 0.45%, 0.57%

LAB 53.18, 43.13, 0.3

 

CMYK 0 / 39 / 26 / 20

HEX #CD7D98

RGB 205 125 152

HSL 339.75, 0.44%, 0.65%

LAB 61.58, 34.52, -1.22

 

CMYK 0 / 29 / 19 / 15

HEX #D99BB0

RGB 217 155 176

HSL 339.68, 0.45%, 0.73%

LAB 70.41, 26.21, -1.65

 

CMYK 0 / 19 / 13 / 11

HEX #E4B9C7

RGB 228 185 199

HSL 340.47, 0.44%, 0.81%

LAB 79.22, 17.65, -1.21

 

CMYK 0 / 39 / 26 / 19

HEX #CE7D98

RGB 206 125 152

HSL 340, 0.45%, 0.65%

LAB 61.7, 34.88, -1.02

 

CMYK 0 / 5 / 39 / 20

HEX #CDC37D

RGB 205 195 125

HSL 52.5, 0.44%, 0.65%

LAB 78.16, -6.62, 36.43

 

CMYK 39 / 10 / 0 / 20

HEX #7DB8CD

RGB 125 184 205

HSL 195.75, 0.44%, 0.65%

LAB 71.59, -13.71, -16.64

 

CMYK 0 / 39 / 26 / 19

HEX #CE7D98

RGB 206 125 152

HSL 340, 0.45%, 0.65%

LAB 61.7, 34.88, -1.02

 

CMYK 26 / 0 / 39 / 20

HEX #98CD7D

RGB 152 205 125

HSL 99.75, 0.44%, 0.65%

LAB 77.17, -31.71, 34.41

 

CMYK 39 / 26 / 0 / 20

HEX #7D98CD

RGB 125 152 205

HSL 219.75, 0.44%, 0.65%

LAB 62.7, 3.87, -30.23

 

CMYK 0 / 39 / 26 / 19

HEX #CE7D98

RGB 206 125 152

HSL 340, 0.45%, 0.65%

LAB 61.7, 34.88, -1.02

 

CMYK 0 / 5 / 39 / 20

HEX #CDC37D

RGB 205 195 125

HSL 52.5, 0.44%, 0.65%

LAB 78.16, -6.62, 36.43

 

CMYK 39 / 0 / 13 / 20

HEX #7DCDB3

RGB 125 205 179

HSL 160.5, 0.44%, 0.65%

LAB 76.85, -30.49, 5.25

 

CMYK 39 / 34 / 0 / 20

HEX #7D88CD

RGB 125 136 205

HSL 231.75, 0.44%, 0.65%

LAB 58.39, 13.15, -36.93

 

CMYK 0 / 39 / 26 / 19

HEX #CE7D98

RGB 206 125 152

HSL 340, 0.45%, 0.65%

LAB 61.7, 34.88, -1.02

 

CMYK 6 / 0 / 39 / 20

HEX #C0CD7D

RGB 192 205 125

HSL 69.75, 0.44%, 0.65%

LAB 79.81, -16.84, 38.33

 

CMYK 39 / 0 / 13 / 20

HEX #7DCDB3

RGB 125 205 179

HSL 160.5, 0.44%, 0.65%

LAB 76.85, -30.49, 5.25

 

CMYK 33 / 39 / 0 / 20

HEX #8A7DCD

RGB 138 125 205

HSL 249.75, 0.44%, 0.65%

LAB 56.56, 23.19, -39.73

 

Description

Color code: HEX #CE7D98 | qconv.com Color code: HEX #CE7D98 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 125 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 125 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 26 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 26% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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