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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE87D3 it is the complementary color #31782C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE87D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE87D3 shade: #D387CE, #E499E1, #F5ABF4, #FFBDFF and #FFCFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE87D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE87D3 shade: #CE87D3, #BD75C0, #AC63AD, #9B519A and #8A3F87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE87D3 shade: #CD87D2, #D287C3, #D287AF, #D2879B and #D28787

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE87D3 shade: #CD87D2, #B987D2, #A587D2, #9187D2 and #8787D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE87D3 shade matches the following richer shades: #CD87D2, #D97AE0, #E46DED and #F060FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE87D3 shade: #CD87D2, #C295C5, #B7A2B8, #ABAFAB and #A0BC9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE87D3 shade: #A587D2, #B987D2, #CD87D2, #D287C3 and #D287AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE87D3 shade: #B54BBC, #C169C7, #CD87D2, #DAA5DE and #E6C4E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE87D3 shade: #CE87D3, #D29187 and #87D2AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE87D3 shade: #CE87D3, #D2CD87 and #87D2CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE87D3 shade: #CE87D3, #D29187, #8CD287 and #87C8D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE87D3 shade: #CE87D3, #D2A887, #8CD287 and #87B2D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 36 / 0 / 17

HEX #CE87D3

RGB 206 135 211

HSL 296.05, 0.46%, 0.68%

LAB 65.87, 39.33, -28.11

 

Complementary color

CMYK 59 / 0 / 63 / 53

HEX #31782C

RGB 49 120 44

HSL 116.05, 0.46%, 0.32%

LAB 44.61, -38.22, 34.39

 

CMYK 0 / 36 / 2 / 17

HEX #D387CE

RGB 211 135 206

HSL 303.95, 0.46%, 0.68%

LAB 66.24, 39.98, -24.7

 

CMYK 0 / 33 / 1 / 11

HEX #E499E1

RGB 228 153 225

HSL 302.4, 0.58%, 0.75%

LAB 72.7, 39.25, -25.14

 

CMYK 0 / 30 / 0 / 4

HEX #F5ABF4

RGB 245 171 244

HSL 300.81, 0.79%, 0.82%

LAB 79.08, 38.56, -25.56

 

CMYK 0 / 26 / 0 / 0

HEX #FFBDFF

RGB 255 189 255

HSL 300, 1%, 0.87%

LAB 84.42, 34.25, -23.22

 

CMYK 0 / 19 / 0 / 0

HEX #FFCFFF

RGB 255 207 255

HSL 300, 1%, 0.91%

LAB 88.5, 24.79, -17.06

 

CMYK 2 / 36 / 0 / 17

HEX #CE87D3

RGB 206 135 211

HSL 296.05, 0.46%, 0.68%

LAB 65.87, 39.33, -28.11

 

CMYK 2 / 39 / 0 / 25

HEX #BD75C0

RGB 189 117 192

HSL 297.6, 0.37%, 0.61%

LAB 59.29, 40.08, -27.71

 

CMYK 1 / 43 / 0 / 32

HEX #AC63AD

RGB 172 99 173

HSL 299.19, 0.31%, 0.53%

LAB 52.63, 40.85, -27.26

 

CMYK 0 / 48 / 1 / 39

HEX #9B519A

RGB 155 81 154

HSL 300.81, 0.31%, 0.46%

LAB 45.89, 41.59, -26.72

 

CMYK 0 / 54 / 2 / 46

HEX #8A3F87

RGB 138 63 135

HSL 302.4, 0.37%, 0.39%

LAB 39.08, 42.24, -26.03

 

CMYK 2 / 36 / 0 / 18

HEX #CD87D2

RGB 205 135 210

HSL 296, 0.45%, 0.68%

LAB 65.72, 38.83, -27.79

 

CMYK 0 / 36 / 7 / 18

HEX #D287C3

RGB 210 135 195

HSL 312, 0.45%, 0.68%

LAB 65.73, 37.7, -19.34

 

CMYK 0 / 36 / 17 / 18

HEX #D287AF

RGB 210 135 175

HSL 328, 0.45%, 0.68%

LAB 65.06, 34.38, -9.08

 

CMYK 0 / 36 / 26 / 18

HEX #D2879B

RGB 210 135 155

HSL 344, 0.45%, 0.68%

LAB 64.48, 31.38, 1.38

 

CMYK 0 / 36 / 36 / 18

HEX #D28787

RGB 210 135 135

HSL 0, 0.45%, 0.68%

LAB 63.98, 28.74, 12

 

CMYK 2 / 36 / 0 / 18

HEX #CD87D2

RGB 205 135 210

HSL 296, 0.45%, 0.68%

LAB 65.72, 38.83, -27.79

 

CMYK 12 / 36 / 0 / 18

HEX #B987D2

RGB 185 135 210

HSL 280, 0.45%, 0.68%

LAB 63.59, 32.6, -31.26

 

CMYK 21 / 36 / 0 / 18

HEX #A587D2

RGB 165 135 210

HSL 264, 0.45%, 0.68%

LAB 61.64, 26.5, -34.43

 

CMYK 31 / 36 / 0 / 18

HEX #9187D2

RGB 145 135 210

HSL 248, 0.45%, 0.68%

LAB 59.89, 20.63, -37.29

 

CMYK 36 / 36 / 0 / 18

HEX #8787D2

RGB 135 135 210

HSL 240, 0.45%, 0.68%

LAB 59.1, 17.83, -38.59

 

CMYK 2 / 36 / 0 / 18

HEX #CD87D2

RGB 205 135 210

HSL 296, 0.45%, 0.68%

LAB 65.72, 38.83, -27.79

 

CMYK 3 / 46 / 0 / 12

HEX #D97AE0

RGB 217 122 224

HSL 295.88, 0.62%, 0.68%

LAB 65, 51.84, -36.58

 

CMYK 4 / 54 / 0 / 7

HEX #E46DED

RGB 228 109 237

HSL 295.78, 0.78%, 0.68%

LAB 64.6, 63.48, -44.33

 

CMYK 4 / 62 / 0 / 2

HEX #F060FA

RGB 240 96 250

HSL 296.1, 0.94%, 0.68%

LAB 64.8, 74.3, -51.09

 

CMYK 2 / 36 / 0 / 18

HEX #CD87D2

RGB 205 135 210

HSL 296, 0.45%, 0.68%

LAB 65.72, 38.83, -27.79

 

CMYK 2 / 24 / 0 / 23

HEX #C295C5

RGB 194 149 197

HSL 296.25, 0.29%, 0.68%

LAB 67.27, 25.12, -18.27

 

CMYK 1 / 12 / 0 / 28

HEX #B7A2B8

RGB 183 162 184

HSL 297.27, 0.13%, 0.68%

LAB 69.02, 11.65, -8.52

 

CMYK 2 / 0 / 2 / 31

HEX #ABAFAB

RGB 171 175 171

HSL 120, 0.02%, 0.68%

LAB 71.05, -2.16, 1.55

 

CMYK 15 / 0 / 16 / 26

HEX #A0BC9E

RGB 160 188 158

HSL 116, 0.18%, 0.68%

LAB 73.49, -15.28, 12.04

 

CMYK 21 / 36 / 0 / 18

HEX #A587D2

RGB 165 135 210

HSL 264, 0.45%, 0.68%

LAB 61.64, 26.5, -34.43

 

CMYK 12 / 36 / 0 / 18

HEX #B987D2

RGB 185 135 210

HSL 280, 0.45%, 0.68%

LAB 63.59, 32.6, -31.26

 

CMYK 2 / 36 / 0 / 18

HEX #CD87D2

RGB 205 135 210

HSL 296, 0.45%, 0.68%

LAB 65.72, 38.83, -27.79

 

CMYK 0 / 36 / 7 / 18

HEX #D287C3

RGB 210 135 195

HSL 312, 0.45%, 0.68%

LAB 65.73, 37.7, -19.34

 

CMYK 0 / 36 / 17 / 18

HEX #D287AF

RGB 210 135 175

HSL 328, 0.45%, 0.68%

LAB 65.06, 34.38, -9.08

 

CMYK 4 / 60 / 0 / 26

HEX #B54BBC

RGB 181 75 188

HSL 296.28, 0.46%, 0.52%

LAB 50.08, 58.04, -39.88

 

CMYK 3 / 47 / 0 / 22

HEX #C169C7

RGB 193 105 199

HSL 296.17, 0.46%, 0.6%

LAB 57.62, 48.91, -34.25

 

CMYK 2 / 36 / 0 / 18

HEX #CD87D2

RGB 205 135 210

HSL 296, 0.45%, 0.68%

LAB 65.72, 38.83, -27.79

 

CMYK 2 / 26 / 0 / 13

HEX #DAA5DE

RGB 218 165 222

HSL 295.79, 0.46%, 0.76%

LAB 74.25, 29.05, -21.24

 

CMYK 1 / 16 / 0 / 9

HEX #E6C4E9

RGB 230 196 233

HSL 295.14, 0.46%, 0.84%

LAB 83.01, 18.39, -13.85

 

CMYK 2 / 36 / 0 / 17

HEX #CE87D3

RGB 206 135 211

HSL 296.05, 0.46%, 0.68%

LAB 65.87, 39.33, -28.11

 

CMYK 0 / 31 / 36 / 18

HEX #D29187

RGB 210 145 135

HSL 8, 0.45%, 0.68%

LAB 66.29, 23.32, 15.23

 

CMYK 36 / 0 / 17 / 18

HEX #87D2AF

RGB 135 210 175

HSL 152, 0.45%, 0.68%

LAB 78.66, -30.91, 10.05

 

CMYK 2 / 36 / 0 / 17

HEX #CE87D3

RGB 206 135 211

HSL 296.05, 0.46%, 0.68%

LAB 65.87, 39.33, -28.11

 

CMYK 0 / 2 / 36 / 18

HEX #D2CD87

RGB 210 205 135

HSL 56, 0.45%, 0.68%

LAB 81.35, -8.65, 35.51

 

CMYK 36 / 0 / 2 / 18

HEX #87D2CD

RGB 135 210 205

HSL 176, 0.45%, 0.68%

LAB 79.42, -24.31, -4.9

 

CMYK 2 / 36 / 0 / 17

HEX #CE87D3

RGB 206 135 211

HSL 296.05, 0.46%, 0.68%

LAB 65.87, 39.33, -28.11

 

CMYK 0 / 31 / 36 / 18

HEX #D29187

RGB 210 145 135

HSL 8, 0.45%, 0.68%

LAB 66.29, 23.32, 15.23

 

CMYK 33 / 0 / 36 / 18

HEX #8CD287

RGB 140 210 135

HSL 116, 0.45%, 0.68%

LAB 78.12, -36.59, 30.4

 

CMYK 36 / 5 / 0 / 18

HEX #87C8D2

RGB 135 200 210

HSL 188, 0.45%, 0.68%

LAB 76.75, -18.09, -11.56

 

CMYK 2 / 36 / 0 / 17

HEX #CE87D3

RGB 206 135 211

HSL 296.05, 0.46%, 0.68%

LAB 65.87, 39.33, -28.11

 

CMYK 0 / 20 / 36 / 18

HEX #D2A887

RGB 210 168 135

HSL 26.4, 0.45%, 0.68%

LAB 71.86, 10.84, 22.9

 

CMYK 33 / 0 / 36 / 18

HEX #8CD287

RGB 140 210 135

HSL 116, 0.45%, 0.68%

LAB 78.12, -36.59, 30.4

 

CMYK 36 / 15 / 0 / 18

HEX #87B2D2

RGB 135 178 210

HSL 205.6, 0.45%, 0.68%

LAB 70.63, -6.52, -20.79

 

Description

Color code: HEX #CE87D3 | qconv.com Color code: HEX #CE87D3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 135 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 135 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 36 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 36% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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