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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE817C it is the complementary color #317E83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE817C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE817C shade: #D38177, #E4938A, #F5A59D, #FFB7B0 and #FFC9C3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE817C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE817C shade: #CE817C, #BD6F69, #AC5D56, #9B4B43 and #8A3930

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE817C shade: #CE817C and #CE7C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE817C shade: #CE817C, #CE977C, #CEAD7C, #CEC47C and #C3CE7C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE817C shade matches the following richer shades: #CE817C, #DD756E, #EB685F and #FA5B51

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE817C shade: #CE817C, #C08E8B, #B19B99, #A3A7A8 and #95B4B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE817C shade: #CE7CA4, #CE7C8E, #CE807C, #CE967C and #CEAC7C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE817C shade: #B54A43, #C3645E, #CE817C, #D99E9A and #E5BBB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE817C shade: #CE817C, #BACE7C and #7C99CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE817C shade: #CE817C, #7CCE80 and #807CCE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE817C shade: #CE817C, #BACE7C, #7CCACE and #917CCE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE817C shade: #CE817C, #A1CE7C, #7CCACE and #A97CCE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 40 / 19

HEX #CE817C

RGB 206 129 124

HSL 3.66, 0.46%, 0.65%

LAB 61.89, 29.15, 15.25

 

Complementary color

CMYK 63 / 4 / 0 / 49

HEX #317E83

RGB 49 126 131

HSL 183.66, 0.46%, 0.35%

LAB 48.53, -21.69, -9.76

 

CMYK 0 / 39 / 44 / 17

HEX #D38177

RGB 211 129 119

HSL 6.52, 0.51%, 0.65%

LAB 62.41, 30.52, 18.89

 

CMYK 0 / 36 / 39 / 11

HEX #E4938A

RGB 228 147 138

HSL 6, 0.63%, 0.72%

LAB 68.89, 29.51, 17.49

 

CMYK 0 / 33 / 36 / 4

HEX #F5A59D

RGB 245 165 157

HSL 5.45, 0.81%, 0.79%

LAB 75.3, 28.6, 16.24

 

CMYK 0 / 28 / 31 / 0

HEX #FFB7B0

RGB 255 183 176

HSL 5.32, 1%, 0.85%

LAB 80.88, 25.18, 13.94

 

CMYK 0 / 21 / 24 / 0

HEX #FFC9C3

RGB 255 201 195

HSL 6, 1%, 0.88%

LAB 85.49, 18.29, 10.32

 

CMYK 0 / 37 / 40 / 19

HEX #CE817C

RGB 206 129 124

HSL 3.66, 0.46%, 0.65%

LAB 61.89, 29.15, 15.25

 

CMYK 0 / 41 / 44 / 26

HEX #BD6F69

RGB 189 111 105

HSL 4.29, 0.39%, 0.58%

LAB 55.29, 30.19, 16.7

 

CMYK 0 / 46 / 50 / 33

HEX #AC5D56

RGB 172 93 86

HSL 4.88, 0.34%, 0.51%

LAB 48.6, 31.35, 18.38

 

CMYK 0 / 52 / 57 / 39

HEX #9B4B43

RGB 155 75 67

HSL 5.45, 0.4%, 0.44%

LAB 41.85, 32.6, 20.37

 

CMYK 0 / 59 / 65 / 46

HEX #8A3930

RGB 138 57 48

HSL 6, 0.48%, 0.36%

LAB 35.09, 33.91, 22.8

 

CMYK 0 / 37 / 40 / 19

HEX #CE817C

RGB 206 129 124

HSL 3.66, 0.46%, 0.65%

LAB 61.89, 29.15, 15.25

 

CMYK 0 / 40 / 40 / 19

HEX #CE7C7C

RGB 206 124 124

HSL 0, 0.46%, 0.65%

LAB 60.77, 31.84, 13.69

 

CMYK 0 / 37 / 40 / 19

HEX #CE817C

RGB 206 129 124

HSL 3.66, 0.46%, 0.65%

LAB 61.89, 29.15, 15.25

 

CMYK 0 / 27 / 40 / 19

HEX #CE977C

RGB 206 151 124

HSL 19.76, 0.46%, 0.65%

LAB 67.06, 17.17, 22.33

 

CMYK 0 / 16 / 40 / 19

HEX #CEAD7C

RGB 206 173 124

HSL 35.85, 0.46%, 0.65%

LAB 72.54, 5.26, 29.65

 

CMYK 0 / 5 / 40 / 19

HEX #CEC47C

RGB 206 196 124

HSL 52.68, 0.46%, 0.65%

LAB 78.49, -6.85, 37.38

 

CMYK 5 / 0 / 40 / 19

HEX #C3CE7C

RGB 195 206 124

HSL 68.05, 0.46%, 0.65%

LAB 80.29, -16.29, 39.49

 

CMYK 0 / 37 / 40 / 19

HEX #CE817C

RGB 206 129 124

HSL 3.66, 0.46%, 0.65%

LAB 61.89, 29.15, 15.25

 

CMYK 0 / 47 / 50 / 13

HEX #DD756E

RGB 221 117 110

HSL 3.78, 0.62%, 0.65%

LAB 60.98, 39.74, 22.27

 

CMYK 0 / 56 / 60 / 8

HEX #EB685F

RGB 235 104 95

HSL 3.86, 0.78%, 0.65%

LAB 60.24, 50.02, 30.19

 

CMYK 0 / 64 / 68 / 2

HEX #FA5B51

RGB 250 91 81

HSL 3.55, 0.94%, 0.65%

LAB 60.25, 60.03, 38.56

 

CMYK 0 / 37 / 40 / 19

HEX #CE817C

RGB 206 129 124

HSL 3.66, 0.46%, 0.65%

LAB 61.89, 29.15, 15.25

 

CMYK 0 / 26 / 28 / 25

HEX #C08E8B

RGB 192 142 139

HSL 3.4, 0.3%, 0.65%

LAB 63.69, 18.53, 9.03

 

CMYK 0 / 12 / 14 / 31

HEX #B19B99

RGB 177 155 153

HSL 5, 0.13%, 0.65%

LAB 65.82, 7.76, 4.02

 

CMYK 3 / 1 / 0 / 34

HEX #A3A7A8

RGB 163 167 168

HSL 192, 0.03%, 0.65%

LAB 68.21, -1.22, -1.02

 

CMYK 18 / 1 / 0 / 29

HEX #95B4B6

RGB 149 180 182

HSL 183.64, 0.18%, 0.65%

LAB 71.15, -10.05, -4.53

 

CMYK 0 / 40 / 20 / 19

HEX #CE7CA4

RGB 206 124 164

HSL 330.73, 0.46%, 0.65%

LAB 61.84, 37.17, -7.68

 

CMYK 0 / 40 / 31 / 19

HEX #CE7C8E

RGB 206 124 142

HSL 346.83, 0.46%, 0.65%

LAB 61.21, 34.05, 4

 

CMYK 0 / 38 / 40 / 19

HEX #CE807C

RGB 206 128 124

HSL 2.93, 0.46%, 0.65%

LAB 61.67, 29.69, 14.93

 

CMYK 0 / 27 / 40 / 19

HEX #CE967C

RGB 206 150 124

HSL 19.02, 0.46%, 0.65%

LAB 66.82, 17.72, 22

 

CMYK 0 / 17 / 40 / 19

HEX #CEAC7C

RGB 206 172 124

HSL 35.12, 0.46%, 0.65%

LAB 72.28, 5.8, 29.31

 

CMYK 0 / 59 / 63 / 29

HEX #B54A43

RGB 181 74 67

HSL 3.68, 0.46%, 0.49%

LAB 45.81, 42.98, 26.28

 

CMYK 0 / 49 / 52 / 24

HEX #C3645E

RGB 195 100 94

HSL 3.56, 0.46%, 0.57%

LAB 53.52, 37.28, 20.85

 

CMYK 0 / 37 / 40 / 19

HEX #CE817C

RGB 206 129 124

HSL 3.66, 0.46%, 0.65%

LAB 61.89, 29.15, 15.25

 

CMYK 0 / 27 / 29 / 15

HEX #D99E9A

RGB 217 158 154

HSL 3.81, 0.45%, 0.73%

LAB 70.55, 21.41, 10.76

 

CMYK 0 / 18 / 20 / 10

HEX #E5BBB8

RGB 229 187 184

HSL 4, 0.46%, 0.81%

LAB 79.42, 14.59, 7.19

 

CMYK 0 / 37 / 40 / 19

HEX #CE817C

RGB 206 129 124

HSL 3.66, 0.46%, 0.65%

LAB 61.89, 29.15, 15.25

 

CMYK 10 / 0 / 40 / 19

HEX #BACE7C

RGB 186 206 124

HSL 74.63, 0.46%, 0.65%

LAB 79.63, -19.77, 38.52

 

CMYK 40 / 26 / 0 / 19

HEX #7C99CE

RGB 124 153 206

HSL 218.78, 0.46%, 0.65%

LAB 62.95, 3.31, -30.41

 

CMYK 0 / 37 / 40 / 19

HEX #CE817C

RGB 206 129 124

HSL 3.66, 0.46%, 0.65%

LAB 61.89, 29.15, 15.25

 

CMYK 40 / 0 / 38 / 19

HEX #7CCE80

RGB 124 206 128

HSL 122.93, 0.46%, 0.65%

LAB 76.06, -40.91, 31.14

 

CMYK 38 / 40 / 0 / 19

HEX #807CCE

RGB 128 124 206

HSL 242.93, 0.46%, 0.65%

LAB 55.54, 21.32, -41.96

 

CMYK 0 / 37 / 40 / 19

HEX #CE817C

RGB 206 129 124

HSL 3.66, 0.46%, 0.65%

LAB 61.89, 29.15, 15.25

 

CMYK 10 / 0 / 40 / 19

HEX #BACE7C

RGB 186 206 124

HSL 74.63, 0.46%, 0.65%

LAB 79.63, -19.77, 38.52

 

CMYK 40 / 2 / 0 / 19

HEX #7CCACE

RGB 124 202 206

HSL 182.93, 0.46%, 0.65%

LAB 76.67, -22.96, -9.57

 

CMYK 30 / 40 / 0 / 19

HEX #917CCE

RGB 145 124 206

HSL 255.37, 0.46%, 0.65%

LAB 56.97, 26.01, -39.62

 

CMYK 0 / 37 / 40 / 19

HEX #CE817C

RGB 206 129 124

HSL 3.66, 0.46%, 0.65%

LAB 61.89, 29.15, 15.25

 

CMYK 22 / 0 / 40 / 19

HEX #A1CE7C

RGB 161 206 124

HSL 92.93, 0.46%, 0.65%

LAB 77.98, -29.12, 36.07

 

CMYK 40 / 2 / 0 / 19

HEX #7CCACE

RGB 124 202 206

HSL 182.93, 0.46%, 0.65%

LAB 76.67, -22.96, -9.57

 

CMYK 18 / 40 / 0 / 19

HEX #A97CCE

RGB 169 124 206

HSL 272.93, 0.46%, 0.65%

LAB 59.26, 33.01, -35.87

 

Description

Color code: HEX #CE817C | qconv.com Color code: HEX #CE817C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 129 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 129 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 40 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 40% 19% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

44% - Get the reservation ...
Link: http://www.rezhound.com

Verification of their color palette as a manufacturer!

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