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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE8AD5 it is the complementary color #31752A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE8AD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE8AD5 shade: #D38AD0, #E49CE3, #F5AEF6, #FFC0FF and #FFD2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE8AD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE8AD5 shade: #CE8AD5, #BD78C2, #AC66AF, #9B549C and #8A4289

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE8AD5 shade: #CE8AD5, #D58AC8, #D58AB3, #D58A9F and #D58A8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE8AD5 shade: #CE8AD5, #BA8AD5, #A68AD5, #928AD5 and #8A8AD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE8AD5 shade matches the following richer shades: #CE8AD5, #D87EE1, #E271EE and #ED64FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE8AD5 shade: #CE8AD5, #C397C8, #B9A4BB, #AEB1AE and #A4BDA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE8AD5 shade: #A68AD5, #B98AD5, #CD8AD5, #D58AC8 and #D58AB4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE8AD5 shade: #B44EBF, #C16CCA, #CE8AD5, #DAA9E0 and #E7C7EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE8AD5 shade: #CE8AD5, #D5928A and #8AD5AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE8AD5 shade: #CE8AD5, #D5CD8A and #8AD5CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE8AD5 shade: #CE8AD5, #D5928A, #92D58A and #8ACDD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE8AD5 shade: #CE8AD5, #D5A88A, #92D58A and #8AB7D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 35 / 0 / 16

HEX #CE8AD5

RGB 206 138 213

HSL 294.4, 0.47%, 0.69%

LAB 66.6, 38.1, -28.09

 

Complementary color

CMYK 58 / 0 / 64 / 54

HEX #31752A

RGB 49 117 42

HSL 114.4, 0.47%, 0.31%

LAB 43.57, -37.23, 34.18

 

CMYK 0 / 35 / 1 / 17

HEX #D38AD0

RGB 211 138 208

HSL 302.47, 0.45%, 0.68%

LAB 66.96, 38.74, -24.71

 

CMYK 0 / 32 / 0 / 11

HEX #E49CE3

RGB 228 156 227

HSL 300.83, 0.57%, 0.75%

LAB 73.43, 38.02, -25.13

 

CMYK 0 / 29 / 0 / 4

HEX #F5AEF6

RGB 245 174 246

HSL 299.17, 0.8%, 0.82%

LAB 79.81, 37.34, -25.53

 

CMYK 0 / 25 / 0 / 0

HEX #FFC0FF

RGB 255 192 255

HSL 300, 1%, 0.88%

LAB 85.09, 32.67, -22.21

 

CMYK 0 / 18 / 0 / 0

HEX #FFD2FF

RGB 255 210 255

HSL 300, 1%, 0.91%

LAB 89.19, 23.22, -16.01

 

CMYK 3 / 35 / 0 / 16

HEX #CE8AD5

RGB 206 138 213

HSL 294.4, 0.47%, 0.69%

LAB 66.6, 38.1, -28.09

 

CMYK 3 / 38 / 0 / 24

HEX #BD78C2

RGB 189 120 194

HSL 295.95, 0.38%, 0.62%

LAB 60.02, 38.85, -27.72

 

CMYK 2 / 42 / 0 / 31

HEX #AC66AF

RGB 172 102 175

HSL 297.53, 0.31%, 0.54%

LAB 53.35, 39.62, -27.31

 

CMYK 1 / 46 / 0 / 39

HEX #9B549C

RGB 155 84 156

HSL 299.17, 0.3%, 0.47%

LAB 46.59, 40.38, -26.82

 

CMYK 0 / 52 / 1 / 46

HEX #8A4289

RGB 138 66 137

HSL 300.83, 0.35%, 0.4%

LAB 39.76, 41.07, -26.2

 

CMYK 3 / 35 / 0 / 16

HEX #CE8AD5

RGB 206 138 213

HSL 294.4, 0.47%, 0.69%

LAB 66.6, 38.1, -28.09

 

CMYK 0 / 35 / 6 / 16

HEX #D58AC8

RGB 213 138 200

HSL 310.4, 0.47%, 0.69%

LAB 66.9, 37.95, -20.33

 

CMYK 0 / 35 / 16 / 16

HEX #D58AB3

RGB 213 138 179

HSL 327.2, 0.47%, 0.69%

LAB 66.2, 34.44, -9.61

 

CMYK 0 / 35 / 25 / 16

HEX #D58A9F

RGB 213 138 159

HSL 343.2, 0.47%, 0.69%

LAB 65.61, 31.42, 0.81

 

CMYK 0 / 35 / 35 / 16

HEX #D58A8B

RGB 213 138 139

HSL 359.2, 0.47%, 0.69%

LAB 65.11, 28.76, 11.38

 

CMYK 3 / 35 / 0 / 16

HEX #CE8AD5

RGB 206 138 213

HSL 294.4, 0.47%, 0.69%

LAB 66.6, 38.1, -28.09

 

CMYK 13 / 35 / 0 / 16

HEX #BA8AD5

RGB 186 138 213

HSL 278.4, 0.47%, 0.69%

LAB 64.5, 31.88, -31.51

 

CMYK 22 / 35 / 0 / 16

HEX #A68AD5

RGB 166 138 213

HSL 262.4, 0.47%, 0.69%

LAB 62.58, 25.79, -34.63

 

CMYK 31 / 35 / 0 / 16

HEX #928AD5

RGB 146 138 213

HSL 246.4, 0.47%, 0.69%

LAB 60.86, 19.95, -37.45

 

CMYK 35 / 35 / 0 / 16

HEX #8A8AD5

RGB 138 138 213

HSL 240, 0.47%, 0.69%

LAB 60.23, 17.71, -38.47

 

CMYK 3 / 35 / 0 / 16

HEX #CE8AD5

RGB 206 138 213

HSL 294.4, 0.47%, 0.69%

LAB 66.6, 38.1, -28.09

 

CMYK 4 / 44 / 0 / 12

HEX #D87EE1

RGB 216 126 225

HSL 294.55, 0.62%, 0.69%

LAB 65.72, 49.71, -36.04

 

CMYK 5 / 53 / 0 / 7

HEX #E271EE

RGB 226 113 238

HSL 294.24, 0.79%, 0.69%

LAB 65.08, 61.27, -44.14

 

CMYK 6 / 60 / 0 / 2

HEX #ED64FB

RGB 237 100 251

HSL 294.44, 0.95%, 0.69%

LAB 65.03, 72.12, -51.3

 

CMYK 3 / 35 / 0 / 16

HEX #CE8AD5

RGB 206 138 213

HSL 294.4, 0.47%, 0.69%

LAB 66.6, 38.1, -28.09

 

CMYK 3 / 25 / 0 / 22

HEX #C397C8

RGB 195 151 200

HSL 293.88, 0.31%, 0.69%

LAB 67.95, 24.93, -18.9

 

CMYK 1 / 12 / 0 / 27

HEX #B9A4BB

RGB 185 164 187

HSL 294.78, 0.14%, 0.69%

LAB 69.79, 11.81, -9.01

 

CMYK 2 / 0 / 2 / 31

HEX #AEB1AE

RGB 174 177 174

HSL 120, 0.02%, 0.69%

LAB 71.89, -1.62, 1.15

 

CMYK 13 / 0 / 15 / 26

HEX #A4BDA1

RGB 164 189 161

HSL 113.57, 0.18%, 0.69%

LAB 74.1, -13.86, 11.33

 

CMYK 22 / 35 / 0 / 16

HEX #A68AD5

RGB 166 138 213

HSL 262.4, 0.47%, 0.69%

LAB 62.58, 25.79, -34.63

 

CMYK 13 / 35 / 0 / 16

HEX #B98AD5

RGB 185 138 213

HSL 277.6, 0.47%, 0.69%

LAB 64.4, 31.57, -31.67

 

CMYK 4 / 35 / 0 / 16

HEX #CD8AD5

RGB 205 138 213

HSL 293.6, 0.47%, 0.69%

LAB 66.49, 37.79, -28.27

 

CMYK 0 / 35 / 6 / 16

HEX #D58AC8

RGB 213 138 200

HSL 310.4, 0.47%, 0.69%

LAB 66.9, 37.95, -20.33

 

CMYK 0 / 35 / 15 / 16

HEX #D58AB4

RGB 213 138 180

HSL 326.4, 0.47%, 0.69%

LAB 66.23, 34.6, -10.12

 

CMYK 6 / 59 / 0 / 25

HEX #B44EBF

RGB 180 78 191

HSL 294.16, 0.47%, 0.53%

LAB 50.59, 56.98, -40.83

 

CMYK 4 / 47 / 0 / 21

HEX #C16CCA

RGB 193 108 202

HSL 294.26, 0.47%, 0.61%

LAB 58.35, 47.94, -34.83

 

CMYK 3 / 35 / 0 / 16

HEX #CE8AD5

RGB 206 138 213

HSL 294.4, 0.47%, 0.69%

LAB 66.6, 38.1, -28.09

 

CMYK 3 / 25 / 0 / 12

HEX #DAA9E0

RGB 218 169 224

HSL 293.45, 0.47%, 0.77%

LAB 75.24, 27.27, -20.82

 

CMYK 1 / 15 / 0 / 8

HEX #E7C7EA

RGB 231 199 234

HSL 294.86, 0.45%, 0.85%

LAB 83.85, 17.31, -13.12

 

CMYK 3 / 35 / 0 / 16

HEX #CE8AD5

RGB 206 138 213

HSL 294.4, 0.47%, 0.69%

LAB 66.6, 38.1, -28.09

 

CMYK 0 / 31 / 35 / 16

HEX #D5928A

RGB 213 146 138

HSL 6.4, 0.47%, 0.69%

LAB 66.93, 24.31, 14.5

 

CMYK 35 / 0 / 18 / 16

HEX #8AD5AF

RGB 138 213 175

HSL 149.6, 0.47%, 0.69%

LAB 79.66, -31.46, 11.5

 

CMYK 3 / 35 / 0 / 16

HEX #CE8AD5

RGB 206 138 213

HSL 294.4, 0.47%, 0.69%

LAB 66.6, 38.1, -28.09

 

CMYK 0 / 4 / 35 / 16

HEX #D5CD8A

RGB 213 205 138

HSL 53.6, 0.47%, 0.69%

LAB 81.64, -7.12, 34.39

 

CMYK 35 / 0 / 4 / 16

HEX #8AD5CD

RGB 138 213 205

HSL 173.6, 0.47%, 0.69%

LAB 80.4, -24.99, -3.43

 

CMYK 3 / 35 / 0 / 16

HEX #CE8AD5

RGB 206 138 213

HSL 294.4, 0.47%, 0.69%

LAB 66.6, 38.1, -28.09

 

CMYK 0 / 31 / 35 / 16

HEX #D5928A

RGB 213 146 138

HSL 6.4, 0.47%, 0.69%

LAB 66.93, 24.31, 14.5

 

CMYK 31 / 0 / 35 / 16

HEX #92D58A

RGB 146 213 138

HSL 113.6, 0.47%, 0.69%

LAB 79.35, -35.55, 30.54

 

CMYK 35 / 4 / 0 / 16

HEX #8ACDD5

RGB 138 205 213

HSL 186.4, 0.47%, 0.69%

LAB 78.39, -19.1, -10.71

 

CMYK 3 / 35 / 0 / 16

HEX #CE8AD5

RGB 206 138 213

HSL 294.4, 0.47%, 0.69%

LAB 66.6, 38.1, -28.09

 

CMYK 0 / 21 / 35 / 16

HEX #D5A88A

RGB 213 168 138

HSL 24, 0.47%, 0.69%

LAB 72.22, 12.39, 21.8

 

CMYK 31 / 0 / 35 / 16

HEX #92D58A

RGB 146 213 138

HSL 113.6, 0.47%, 0.69%

LAB 79.35, -35.55, 30.54

 

CMYK 35 / 14 / 0 / 16

HEX #8AB7D5

RGB 138 183 213

HSL 204, 0.47%, 0.69%

LAB 72.28, -7.62, -19.9

 

Description

Color code: HEX #CE8AD5 | qconv.com Color code: HEX #CE8AD5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 138 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 138 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 35 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 35% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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