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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE8B69 it is the complementary color #317496. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE8B69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE8B69 shade: #D38B64, #E49D77, #F5AF8A, #FFC19D and #FFD3B0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE8B69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE8B69 shade: #CE8B69, #BD7956, #AC6743, #9B5530 and #8A431D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE8B69 shade: #CE8A68, #CE6F68 and #CE6868

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE8B69 shade: #CE8A68, #CEA668, #CEC168, #BFCE68 and #A4CE68

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE8B69 shade matches the following richer shades: #CE8A68, #DE8558, #EE8048 and #FE7B38

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE8B69 shade: #CE8A68, #BE9078, #AE9589, #9D9A99 and #8DA0A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE8B69 shade: #CE687D, #CE6F68, #CE8A68, #CEA568 and #CEC068

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE8B69 shade: #AC5F38, #C47249, #CE8A68, #D8A387 and #E2BBA7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE8B69 shade: #CE8B69, #98CE68 and #686FCE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE8B69 shade: #CE8B69, #68CE8A and #8A68CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE8B69 shade: #CE8B69, #98CE68, #68ACCE and #9E68CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE8B69 shade: #CE8B69, #79CE68, #68ACCE and #BD68CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 49 / 19

HEX #CE8B69

RGB 206 139 105

HSL 20.2, 0.51%, 0.61%

LAB 63.84, 21.71, 28.51

 

Complementary color

CMYK 67 / 23 / 0 / 41

HEX #317496

RGB 49 116 150

HSL 200.2, 0.51%, 0.39%

LAB 46.1, -9.96, -24.68

 

CMYK 0 / 34 / 53 / 17

HEX #D38B64

RGB 211 139 100

HSL 21.08, 0.56%, 0.61%

LAB 64.35, 23.28, 32.02

 

CMYK 0 / 31 / 48 / 11

HEX #E49D77

RGB 228 157 119

HSL 20.92, 0.67%, 0.68%

LAB 70.83, 22.19, 30.51

 

CMYK 0 / 29 / 44 / 4

HEX #F5AF8A

RGB 245 175 138

HSL 20.75, 0.84%, 0.75%

LAB 77.23, 21.22, 29.12

 

CMYK 0 / 24 / 38 / 0

HEX #FFC19D

RGB 255 193 157

HSL 22.04, 1%, 0.81%

LAB 82.83, 17.68, 26.75

 

CMYK 0 / 17 / 31 / 0

HEX #FFD3B0

RGB 255 211 176

HSL 26.58, 1%, 0.85%

LAB 87.48, 10.55, 23.13

 

CMYK 0 / 33 / 49 / 19

HEX #CE8B69

RGB 206 139 105

HSL 20.2, 0.51%, 0.61%

LAB 63.84, 21.71, 28.51

 

CMYK 0 / 36 / 54 / 26

HEX #BD7956

RGB 189 121 86

HSL 20.39, 0.44%, 0.54%

LAB 57.24, 22.87, 30.1

 

CMYK 0 / 40 / 61 / 33

HEX #AC6743

RGB 172 103 67

HSL 20.57, 0.44%, 0.47%

LAB 50.54, 24.2, 31.85

 

CMYK 0 / 45 / 69 / 39

HEX #9B5530

RGB 155 85 48

HSL 20.75, 0.53%, 0.4%

LAB 43.77, 25.73, 33.77

 

CMYK 0 / 51 / 79 / 46

HEX #8A431D

RGB 138 67 29

HSL 20.92, 0.65%, 0.33%

LAB 36.94, 27.49, 35.77

 

CMYK 0 / 33 / 50 / 19

HEX #CE8A68

RGB 206 138 104

HSL 20, 0.51%, 0.61%

LAB 63.59, 22.16, 28.73

 

CMYK 0 / 46 / 50 / 19

HEX #CE6F68

RGB 206 111 104

HSL 4.12, 0.51%, 0.61%

LAB 57.55, 36.64, 20.74

 

CMYK 0 / 50 / 50 / 19

HEX #CE6868

RGB 206 104 104

HSL 0, 0.51%, 0.61%

LAB 56.11, 40.26, 18.79

 

CMYK 0 / 33 / 50 / 19

HEX #CE8A68

RGB 206 138 104

HSL 20, 0.51%, 0.61%

LAB 63.59, 22.16, 28.73

 

CMYK 0 / 19 / 50 / 19

HEX #CEA668

RGB 206 166 104

HSL 36.47, 0.51%, 0.61%

LAB 70.45, 6.96, 37.5

 

CMYK 0 / 6 / 50 / 19

HEX #CEC168

RGB 206 193 104

HSL 52.35, 0.51%, 0.61%

LAB 77.44, -7.29, 46.09

 

CMYK 7 / 0 / 50 / 19

HEX #BFCE68

RGB 191 206 104

HSL 68.82, 0.51%, 0.61%

LAB 79.74, -19.94, 48.57

 

CMYK 20 / 0 / 50 / 19

HEX #A4CE68

RGB 164 206 104

HSL 84.71, 0.51%, 0.61%

LAB 77.9, -30.4, 45.91

 

CMYK 0 / 33 / 50 / 19

HEX #CE8A68

RGB 206 138 104

HSL 20, 0.51%, 0.61%

LAB 63.59, 22.16, 28.73

 

CMYK 0 / 40 / 60 / 13

HEX #DE8558

RGB 222 133 88

HSL 20.15, 0.67%, 0.61%

LAB 64.17, 29.99, 38.54

 

CMYK 0 / 46 / 70 / 7

HEX #EE8048

RGB 238 128 72

HSL 20.24, 0.83%, 0.61%

LAB 65.03, 37.96, 48.33

 

CMYK 0 / 52 / 78 / 0

HEX #FE7B38

RGB 254 123 56

HSL 20.3, 0.99%, 0.61%

LAB 66.15, 45.91, 57.76

 

CMYK 0 / 33 / 50 / 19

HEX #CE8A68

RGB 206 138 104

HSL 20, 0.51%, 0.61%

LAB 63.59, 22.16, 28.73

 

CMYK 0 / 24 / 37 / 25

HEX #BE9078

RGB 190 144 120

HSL 20.57, 0.35%, 0.61%

LAB 63.55, 14.12, 19.49

 

CMYK 0 / 14 / 21 / 32

HEX #AE9589

RGB 174 149 137

HSL 19.46, 0.19%, 0.61%

LAB 63.59, 7.36, 9.77

 

CMYK 0 / 2 / 3 / 38

HEX #9D9A99

RGB 157 154 153

HSL 15, 0.02%, 0.61%

LAB 63.82, 0.9, 0.9

 

CMYK 17 / 5 / 0 / 34

HEX #8DA0A9

RGB 141 160 169

HSL 199.29, 0.14%, 0.61%

LAB 64.7, -4.72, -6.93

 

CMYK 0 / 50 / 39 / 19

HEX #CE687D

RGB 206 104 125

HSL 347.65, 0.51%, 0.61%

LAB 56.59, 42.42, 7.2

 

CMYK 0 / 46 / 50 / 19

HEX #CE6F68

RGB 206 111 104

HSL 4.12, 0.51%, 0.61%

LAB 57.55, 36.64, 20.74

 

CMYK 0 / 33 / 50 / 19

HEX #CE8A68

RGB 206 138 104

HSL 20, 0.51%, 0.61%

LAB 63.59, 22.16, 28.73

 

CMYK 0 / 20 / 50 / 19

HEX #CEA568

RGB 206 165 104

HSL 35.88, 0.51%, 0.61%

LAB 70.2, 7.5, 37.18

 

CMYK 0 / 7 / 50 / 19

HEX #CEC068

RGB 206 192 104

HSL 51.76, 0.51%, 0.61%

LAB 77.17, -6.78, 45.77

 

CMYK 0 / 45 / 67 / 33

HEX #AC5F38

RGB 172 95 56

HSL 20.17, 0.51%, 0.45%

LAB 48.56, 27.87, 35.55

 

CMYK 0 / 42 / 63 / 23

HEX #C47249

RGB 196 114 73

HSL 20, 0.51%, 0.53%

LAB 56.34, 28.57, 36.32

 

CMYK 0 / 33 / 50 / 19

HEX #CE8A68

RGB 206 138 104

HSL 20, 0.51%, 0.61%

LAB 63.59, 22.16, 28.73

 

CMYK 0 / 25 / 38 / 15

HEX #D8A387

RGB 216 163 135

HSL 20.74, 0.51%, 0.69%

LAB 71.24, 15.91, 22.16

 

CMYK 0 / 17 / 26 / 11

HEX #E2BBA7

RGB 226 187 167

HSL 20.34, 0.5%, 0.77%

LAB 78.75, 11.03, 15.37

 

CMYK 0 / 33 / 49 / 19

HEX #CE8B69

RGB 206 139 105

HSL 20.2, 0.51%, 0.61%

LAB 63.84, 21.71, 28.51

 

CMYK 26 / 0 / 50 / 19

HEX #98CE68

RGB 152 206 104

HSL 91.76, 0.51%, 0.61%

LAB 77.17, -34.82, 44.87

 

CMYK 50 / 46 / 0 / 19

HEX #686FCE

RGB 104 111 206

HSL 235.88, 0.51%, 0.61%

LAB 50.41, 23.19, -50.21

 

CMYK 0 / 33 / 49 / 19

HEX #CE8B69

RGB 206 139 105

HSL 20.2, 0.51%, 0.61%

LAB 63.84, 21.71, 28.51

 

CMYK 50 / 0 / 33 / 19

HEX #68CE8A

RGB 104 206 138

HSL 140, 0.51%, 0.61%

LAB 75.4, -44.81, 24.92

 

CMYK 33 / 50 / 0 / 19

HEX #8A68CE

RGB 138 104 206

HSL 260, 0.51%, 0.61%

LAB 51.56, 35.71, -48.21

 

CMYK 0 / 33 / 49 / 19

HEX #CE8B69

RGB 206 139 105

HSL 20.2, 0.51%, 0.61%

LAB 63.84, 21.71, 28.51

 

CMYK 26 / 0 / 50 / 19

HEX #98CE68

RGB 152 206 104

HSL 91.76, 0.51%, 0.61%

LAB 77.17, -34.82, 44.87

 

CMYK 50 / 17 / 0 / 19

HEX #68ACCE

RGB 104 172 206

HSL 200, 0.51%, 0.61%

LAB 67.21, -12.26, -23.95

 

CMYK 23 / 50 / 0 / 19

HEX #9E68CE

RGB 158 104 206

HSL 271.76, 0.51%, 0.61%

LAB 53.63, 41.03, -44.8

 

CMYK 0 / 33 / 49 / 19

HEX #CE8B69

RGB 206 139 105

HSL 20.2, 0.51%, 0.61%

LAB 63.84, 21.71, 28.51

 

CMYK 41 / 0 / 50 / 19

HEX #79CE68

RGB 121 206 104

HSL 110, 0.51%, 0.61%

LAB 75.58, -45.26, 42.56

 

CMYK 50 / 17 / 0 / 19

HEX #68ACCE

RGB 104 172 206

HSL 200, 0.51%, 0.61%

LAB 67.21, -12.26, -23.95

 

CMYK 8 / 50 / 0 / 19

HEX #BD68CE

RGB 189 104 206

HSL 290, 0.51%, 0.61%

LAB 57.25, 49.62, -38.86

 

Description

Color code: HEX #CE8B69 | qconv.com Color code: HEX #CE8B69 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 139 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 139 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 49 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 49% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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