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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE8E65 it is the complementary color #31719A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE8E65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE8E65 shade: #D38E60, #E4A073, #F5B286, #FFC499 and #FFD6AC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE8E65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE8E65 shade: #CE8E65, #BD7C52, #AC6A3F, #9B582C and #8A4619

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE8E65 shade: #CE8D63, #CE7063 and #CE6363

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE8E65 shade: #CE8D63, #CEA963, #CEC663, #B8CE63 and #9CCE63

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE8E65 shade matches the following richer shades: #CE8D63, #DE8953 and #EF8642

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE8E65 shade: #CE8D63, #BD9074, #AD9484, #9C9895 and #8C9BA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE8E65 shade: #CE6373, #CE7063, #CE8C63, #CEA863 and #CEC563

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE8E65 shade: #A96335, #C47644, #CE8D63, #D7A483 and #E1BBA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE8E65 shade: #CE8E65, #90CE63 and #6365CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE8E65 shade: #CE8E65, #63CE8C and #8C63CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE8E65 shade: #CE8E65, #90CE63, #63A5CE and #A163CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE8E65 shade: #CE8E65, #70CE63, #63A5CE and #C163CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 51 / 19

HEX #CE8E65

RGB 206 142 101

HSL 23.43, 0.52%, 0.6%

LAB 64.49, 19.7, 31.54

 

Complementary color

CMYK 68 / 27 / 0 / 40

HEX #31719A

RGB 49 113 154

HSL 203.43, 0.52%, 0.4%

LAB 45.35, -6.81, -28.21

 

CMYK 0 / 33 / 55 / 17

HEX #D38E60

RGB 211 142 96

HSL 24, 0.57%, 0.6%

LAB 64.99, 21.31, 34.99

 

CMYK 0 / 30 / 50 / 11

HEX #E4A073

RGB 228 160 115

HSL 23.89, 0.68%, 0.67%

LAB 71.47, 20.21, 33.48

 

CMYK 0 / 27 / 45 / 4

HEX #F5B286

RGB 245 178 134

HSL 23.78, 0.85%, 0.74%

LAB 77.86, 19.24, 32.08

 

CMYK 0 / 23 / 40 / 0

HEX #FFC499

RGB 255 196 153

HSL 25.29, 1%, 0.8%

LAB 83.46, 15.67, 29.71

 

CMYK 0 / 16 / 33 / 0

HEX #FFD6AC

RGB 255 214 172

HSL 30.36, 1%, 0.84%

LAB 88.13, 8.51, 26.1

 

CMYK 0 / 31 / 51 / 19

HEX #CE8E65

RGB 206 142 101

HSL 23.43, 0.52%, 0.6%

LAB 64.49, 19.7, 31.54

 

CMYK 0 / 34 / 57 / 26

HEX #BD7C52

RGB 189 124 82

HSL 23.55, 0.45%, 0.53%

LAB 57.89, 20.88, 33.12

 

CMYK 0 / 38 / 63 / 33

HEX #AC6A3F

RGB 172 106 63

HSL 23.67, 0.46%, 0.46%

LAB 51.2, 22.23, 34.83

 

CMYK 0 / 43 / 72 / 39

HEX #9B582C

RGB 155 88 44

HSL 23.78, 0.56%, 0.39%

LAB 44.42, 23.82, 36.65

 

CMYK 0 / 49 / 82 / 46

HEX #8A4619

RGB 138 70 25

HSL 23.89, 0.69%, 0.32%

LAB 37.58, 25.66, 38.37

 

CMYK 0 / 32 / 52 / 19

HEX #CE8D63

RGB 206 141 99

HSL 23.55, 0.52%, 0.6%

LAB 64.22, 20.07, 32.28

 

CMYK 0 / 46 / 52 / 19

HEX #CE7063

RGB 206 112 99

HSL 7.29, 0.52%, 0.6%

LAB 57.67, 35.66, 23.76

 

CMYK 0 / 52 / 52 / 19

HEX #CE6363

RGB 206 99 99

HSL 0, 0.52%, 0.6%

LAB 55.02, 42.33, 20.22

 

CMYK 0 / 32 / 52 / 19

HEX #CE8D63

RGB 206 141 99

HSL 23.55, 0.52%, 0.6%

LAB 64.22, 20.07, 32.28

 

CMYK 0 / 18 / 52 / 19

HEX #CEA963

RGB 206 169 99

HSL 39.25, 0.52%, 0.6%

LAB 71.14, 4.89, 40.93

 

CMYK 0 / 4 / 52 / 19

HEX #CEC663

RGB 206 198 99

HSL 55.51, 0.52%, 0.6%

LAB 78.7, -10.3, 50

 

CMYK 11 / 0 / 52 / 19

HEX #B8CE63

RGB 184 206 99

HSL 72.34, 0.52%, 0.6%

LAB 79.18, -23.19, 50.14

 

CMYK 24 / 0 / 52 / 19

HEX #9CCE63

RGB 156 206 99

HSL 88.04, 0.52%, 0.6%

LAB 77.35, -33.91, 47.52

 

CMYK 0 / 32 / 52 / 19

HEX #CE8D63

RGB 206 141 99

HSL 23.55, 0.52%, 0.6%

LAB 64.22, 20.07, 32.28

 

CMYK 0 / 38 / 63 / 13

HEX #DE8953

RGB 222 137 83

HSL 23.31, 0.68%, 0.6%

LAB 65, 27.52, 42.16

 

CMYK 0 / 44 / 72 / 6

HEX #EF8642

RGB 239 134 66

HSL 23.58, 0.84%, 0.6%

LAB 66.36, 34.99, 52.72

 

CMYK 0 / 32 / 52 / 19

HEX #CE8D63

RGB 206 141 99

HSL 23.55, 0.52%, 0.6%

LAB 64.22, 20.07, 32.28

 

CMYK 0 / 24 / 39 / 26

HEX #BD9074

RGB 189 144 116

HSL 23.01, 0.36%, 0.6%

LAB 63.36, 13.24, 21.45

 

CMYK 0 / 14 / 24 / 32

HEX #AD9484

RGB 173 148 132

HSL 23.41, 0.2%, 0.6%

LAB 63.12, 6.76, 11.91

 

CMYK 0 / 3 / 4 / 39

HEX #9C9895

RGB 156 152 149

HSL 25.71, 0.03%, 0.6%

LAB 63.09, 0.9, 2.08

 

CMYK 15 / 6 / 0 / 35

HEX #8C9BA5

RGB 140 155 165

HSL 204, 0.12%, 0.6%

LAB 63.12, -3.18, -7.03

 

CMYK 0 / 52 / 44 / 19

HEX #CE6373

RGB 206 99 115

HSL 351.03, 0.52%, 0.6%

LAB 55.36, 43.86, 11.33

 

CMYK 0 / 46 / 52 / 19

HEX #CE7063

RGB 206 112 99

HSL 7.29, 0.52%, 0.6%

LAB 57.67, 35.66, 23.76

 

CMYK 0 / 32 / 52 / 19

HEX #CE8C63

RGB 206 140 99

HSL 22.99, 0.52%, 0.6%

LAB 63.98, 20.61, 31.97

 

CMYK 0 / 18 / 52 / 19

HEX #CEA863

RGB 206 168 99

HSL 38.69, 0.52%, 0.6%

LAB 70.89, 5.43, 40.62

 

CMYK 0 / 4 / 52 / 19

HEX #CEC563

RGB 206 197 99

HSL 54.95, 0.52%, 0.6%

LAB 78.44, -9.79, 49.69

 

CMYK 0 / 41 / 69 / 34

HEX #A96335

RGB 169 99 53

HSL 23.79, 0.52%, 0.44%

LAB 49.03, 24.21, 37.57

 

CMYK 0 / 40 / 65 / 23

HEX #C47644

RGB 196 118 68

HSL 23.44, 0.52%, 0.52%

LAB 57.18, 26.07, 39.97

 

CMYK 0 / 32 / 52 / 19

HEX #CE8D63

RGB 206 141 99

HSL 23.55, 0.52%, 0.6%

LAB 64.22, 20.07, 32.28

 

CMYK 0 / 24 / 39 / 16

HEX #D7A483

RGB 215 164 131

HSL 23.57, 0.51%, 0.68%

LAB 71.31, 14.51, 24.4

 

CMYK 0 / 17 / 28 / 12

HEX #E1BBA2

RGB 225 187 162

HSL 23.81, 0.51%, 0.76%

LAB 78.55, 9.96, 17.76

 

CMYK 0 / 31 / 51 / 19

HEX #CE8E65

RGB 206 142 101

HSL 23.43, 0.52%, 0.6%

LAB 64.49, 19.7, 31.54

 

CMYK 30 / 0 / 52 / 19

HEX #90CE63

RGB 144 206 99

HSL 94.77, 0.52%, 0.6%

LAB 76.66, -38.23, 46.54

 

CMYK 52 / 51 / 0 / 19

HEX #6365CE

RGB 99 101 206

HSL 238.88, 0.52%, 0.6%

LAB 47.52, 28.21, -54.87

 

CMYK 0 / 31 / 51 / 19

HEX #CE8E65

RGB 206 142 101

HSL 23.43, 0.52%, 0.6%

LAB 64.49, 19.7, 31.54

 

CMYK 52 / 0 / 32 / 19

HEX #63CE8C

RGB 99 206 140

HSL 142.99, 0.52%, 0.6%

LAB 75.26, -45.69, 23.65

 

CMYK 32 / 52 / 0 / 19

HEX #8C63CE

RGB 140 99 206

HSL 262.99, 0.52%, 0.6%

LAB 50.63, 39.08, -49.68

 

CMYK 0 / 31 / 51 / 19

HEX #CE8E65

RGB 206 142 101

HSL 23.43, 0.52%, 0.6%

LAB 64.49, 19.7, 31.54

 

CMYK 30 / 0 / 52 / 19

HEX #90CE63

RGB 144 206 99

HSL 94.77, 0.52%, 0.6%

LAB 76.66, -38.23, 46.54

 

CMYK 52 / 20 / 0 / 19

HEX #63A5CE

RGB 99 165 206

HSL 202.99, 0.52%, 0.6%

LAB 64.98, -9.59, -27.38

 

CMYK 22 / 52 / 0 / 19

HEX #A163CE

RGB 161 99 206

HSL 274.77, 0.52%, 0.6%

LAB 52.9, 44.57, -45.93

 

CMYK 0 / 31 / 51 / 19

HEX #CE8E65

RGB 206 142 101

HSL 23.43, 0.52%, 0.6%

LAB 64.49, 19.7, 31.54

 

CMYK 46 / 0 / 52 / 19

HEX #70CE63

RGB 112 206 99

HSL 112.71, 0.52%, 0.6%

LAB 75.13, -48.62, 44.33

 

CMYK 52 / 20 / 0 / 19

HEX #63A5CE

RGB 99 165 206

HSL 202.99, 0.52%, 0.6%

LAB 64.98, -9.59, -27.38

 

CMYK 6 / 52 / 0 / 19

HEX #C163CE

RGB 193 99 206

HSL 292.71, 0.52%, 0.6%

LAB 56.8, 53.24, -39.52

 

Description

Color code: HEX #CE8E65 | qconv.com Color code: HEX #CE8E65 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 142 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 142 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 51 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 51% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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