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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE9A58 it is the complementary color #3165A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE9A58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE9A58 shade: #D39A53, #E4AC66, #F5BE79, #FFD08C and #FFE29F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE9A58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE9A58 shade: #CE9A58, #BD8845, #AC7632, #9B641F and #8A520C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE9A58 shade: #CE9A58, #CE7B58, #CE5B58 and #CE5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE9A58 shade: #CE9A58, #CEBA58, #C3CE58, #A3CE58 and #83CE58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE9A58 shade matches the following richer shades: #CE9A58, #E09C47 and #F19F36

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE9A58 shade: #CE9A58, #BD986A, #AC967B, #9A948C and #89929E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE9A58 shade: #CE5A58, #CE7A58, #CE9958, #CEB958 and #C4CE58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE9A58 shade: #A5712F, #C58739, #CE9A58, #D8AE78 and #E1C198

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE9A58 shade: #CE9A58, #76CE58 and #6A58CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE9A58 shade: #CE9A58, #58CE99 and #9958CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE9A58 shade: #CE9A58, #76CE58, #588ECE and #B158CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE9A58 shade: #CE9A58, #58CE5E, #588ECE and #CE58C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 57 / 19

HEX #CE9A58

RGB 206 154 88

HSL 33.56, 0.55%, 0.58%

LAB 67.23, 12.07, 41.79

 

Complementary color

CMYK 71 / 40 / 0 / 35

HEX #3165A7

RGB 49 101 167

HSL 213.56, 0.55%, 0.42%

LAB 42.38, 5.26, -40.57

 

CMYK 0 / 27 / 61 / 17

HEX #D39A53

RGB 211 154 83

HSL 33.28, 0.59%, 0.58%

LAB 67.71, 13.8, 45.02

 

CMYK 0 / 25 / 55 / 11

HEX #E4AC66

RGB 228 172 102

HSL 33.33, 0.7%, 0.65%

LAB 74.16, 12.68, 43.61

 

CMYK 0 / 22 / 51 / 4

HEX #F5BE79

RGB 245 190 121

HSL 33.39, 0.86%, 0.72%

LAB 80.53, 11.71, 42.23

 

CMYK 0 / 18 / 45 / 0

HEX #FFD08C

RGB 255 208 140

HSL 35.48, 1%, 0.77%

LAB 86.14, 8.1, 39.92

 

CMYK 0 / 11 / 38 / 0

HEX #FFE29F

RGB 255 226 159

HSL 41.88, 1%, 0.81%

LAB 90.85, 0.84, 36.42

 

CMYK 0 / 25 / 57 / 19

HEX #CE9A58

RGB 206 154 88

HSL 33.56, 0.55%, 0.58%

LAB 67.23, 12.07, 41.79

 

CMYK 0 / 28 / 63 / 26

HEX #BD8845

RGB 189 136 69

HSL 33.5, 0.48%, 0.51%

LAB 60.66, 13.26, 43.23

 

CMYK 0 / 31 / 71 / 33

HEX #AC7632

RGB 172 118 50

HSL 33.44, 0.55%, 0.44%

LAB 53.98, 14.68, 44.6

 

CMYK 0 / 35 / 80 / 39

HEX #9B641F

RGB 155 100 31

HSL 33.39, 0.67%, 0.36%

LAB 47.21, 16.37, 45.67

 

CMYK 0 / 41 / 91 / 46

HEX #8A520C

RGB 138 82 12

HSL 33.33, 0.84%, 0.29%

LAB 40.35, 18.4, 45.78

 

CMYK 0 / 25 / 57 / 19

HEX #CE9A58

RGB 206 154 88

HSL 33.56, 0.55%, 0.58%

LAB 67.23, 12.07, 41.79

 

CMYK 0 / 40 / 57 / 19

HEX #CE7B58

RGB 206 123 88

HSL 17.8, 0.55%, 0.58%

LAB 59.88, 28.89, 32.79

 

CMYK 0 / 56 / 57 / 19

HEX #CE5B58

RGB 206 91 88

HSL 1.53, 0.55%, 0.58%

LAB 53.29, 45.37, 24.34

 

CMYK 0 / 57 / 57 / 19

HEX #CE5858

RGB 206 88 88

HSL 0, 0.55%, 0.58%

LAB 52.74, 46.8, 23.62

 

CMYK 0 / 25 / 57 / 19

HEX #CE9A58

RGB 206 154 88

HSL 33.56, 0.55%, 0.58%

LAB 67.23, 12.07, 41.79

 

CMYK 0 / 10 / 57 / 19

HEX #CEBA58

RGB 206 186 88

HSL 49.83, 0.55%, 0.58%

LAB 75.42, -4.99, 51.38

 

CMYK 5 / 0 / 57 / 19

HEX #C3CE58

RGB 195 206 88

HSL 65.59, 0.55%, 0.58%

LAB 79.87, -19.7, 56.17

 

CMYK 21 / 0 / 57 / 19

HEX #A3CE58

RGB 163 206 88

HSL 81.86, 0.55%, 0.58%

LAB 77.66, -32.35, 53.07

 

CMYK 36 / 0 / 57 / 19

HEX #83CE58

RGB 131 206 88

HSL 98.14, 0.55%, 0.58%

LAB 75.87, -43.88, 50.55

 

CMYK 0 / 25 / 57 / 19

HEX #CE9A58

RGB 206 154 88

HSL 33.56, 0.55%, 0.58%

LAB 67.23, 12.07, 41.79

 

CMYK 0 / 30 / 68 / 12

HEX #E09C47

RGB 224 156 71

HSL 33.33, 0.71%, 0.58%

LAB 69.53, 17.46, 53.22

 

CMYK 0 / 34 / 78 / 5

HEX #F19F36

RGB 241 159 54

HSL 33.69, 0.87%, 0.58%

LAB 72.07, 22.23, 63.65

 

CMYK 0 / 25 / 57 / 19

HEX #CE9A58

RGB 206 154 88

HSL 33.56, 0.55%, 0.58%

LAB 67.23, 12.07, 41.79

 

CMYK 0 / 20 / 44 / 26

HEX #BD986A

RGB 189 152 106

HSL 33.25, 0.39%, 0.58%

LAB 65.21, 7.7, 29.4

 

CMYK 0 / 13 / 28 / 33

HEX #AC967B

RGB 172 150 123

HSL 33.06, 0.23%, 0.58%

LAB 63.35, 3.95, 17.26

 

CMYK 0 / 4 / 9 / 40

HEX #9A948C

RGB 154 148 140

HSL 34.29, 0.06%, 0.58%

LAB 61.61, 0.74, 5

 

CMYK 13 / 8 / 0 / 38

HEX #89929E

RGB 137 146 158

HSL 214.29, 0.1%, 0.58%

LAB 60.2, -0.71, -7.44

 

CMYK 0 / 56 / 57 / 19

HEX #CE5A58

RGB 206 90 88

HSL 1.02, 0.55%, 0.58%

LAB 53.1, 45.85, 24.1

 

CMYK 0 / 41 / 57 / 19

HEX #CE7A58

RGB 206 122 88

HSL 17.29, 0.55%, 0.58%

LAB 59.66, 29.43, 32.5

 

CMYK 0 / 26 / 57 / 19

HEX #CE9958

RGB 206 153 88

HSL 33.05, 0.55%, 0.58%

LAB 66.98, 12.61, 41.5

 

CMYK 0 / 10 / 57 / 19

HEX #CEB958

RGB 206 185 88

HSL 49.32, 0.55%, 0.58%

LAB 75.15, -4.47, 51.08

 

CMYK 5 / 0 / 57 / 19

HEX #C4CE58

RGB 196 206 88

HSL 65.08, 0.55%, 0.58%

LAB 79.94, -19.3, 56.27

 

CMYK 0 / 32 / 72 / 35

HEX #A5712F

RGB 165 113 47

HSL 33.56, 0.56%, 0.42%

LAB 51.85, 14.22, 43.52

 

CMYK 0 / 31 / 71 / 23

HEX #C58739

RGB 197 135 57

HSL 33.43, 0.55%, 0.5%

LAB 61.21, 16.56, 49.87

 

CMYK 0 / 25 / 57 / 19

HEX #CE9A58

RGB 206 154 88

HSL 33.56, 0.55%, 0.58%

LAB 67.23, 12.07, 41.79

 

CMYK 0 / 19 / 44 / 15

HEX #D8AE78

RGB 216 174 120

HSL 33.75, 0.55%, 0.66%

LAB 73.69, 8.35, 33.46

 

CMYK 0 / 14 / 32 / 12

HEX #E1C198

RGB 225 193 152

HSL 33.7, 0.55%, 0.74%

LAB 79.85, 5.5, 24.87

 

CMYK 0 / 25 / 57 / 19

HEX #CE9A58

RGB 206 154 88

HSL 33.56, 0.55%, 0.58%

LAB 67.23, 12.07, 41.79

 

CMYK 43 / 0 / 57 / 19

HEX #76CE58

RGB 118 206 88

HSL 104.75, 0.55%, 0.58%

LAB 75.26, -48.08, 49.69

 

CMYK 49 / 57 / 0 / 19

HEX #6A58CE

RGB 106 88 206

HSL 249.15, 0.55%, 0.58%

LAB 44.94, 37.54, -58.99

 

CMYK 0 / 25 / 57 / 19

HEX #CE9A58

RGB 206 154 88

HSL 33.56, 0.55%, 0.58%

LAB 67.23, 12.07, 41.79

 

CMYK 57 / 0 / 26 / 19

HEX #58CE99

RGB 88 206 153

HSL 153.05, 0.55%, 0.58%

LAB 75.15, -45.61, 16.56

 

CMYK 26 / 57 / 0 / 19

HEX #9958CE

RGB 153 88 206

HSL 273.05, 0.55%, 0.58%

LAB 49.75, 48.37, -51.01

 

CMYK 0 / 25 / 57 / 19

HEX #CE9A58

RGB 206 154 88

HSL 33.56, 0.55%, 0.58%

LAB 67.23, 12.07, 41.79

 

CMYK 43 / 0 / 57 / 19

HEX #76CE58

RGB 118 206 88

HSL 104.75, 0.55%, 0.58%

LAB 75.26, -48.08, 49.69

 

CMYK 57 / 31 / 0 / 19

HEX #588ECE

RGB 88 142 206

HSL 212.54, 0.55%, 0.58%

LAB 57.92, 1.05, -38.39

 

CMYK 14 / 57 / 0 / 19

HEX #B158CE

RGB 177 88 206

HSL 285.25, 0.55%, 0.58%

LAB 52.71, 54.41, -46.12

 

CMYK 0 / 25 / 57 / 19

HEX #CE9A58

RGB 206 154 88

HSL 33.56, 0.55%, 0.58%

LAB 67.23, 12.07, 41.79

 

CMYK 57 / 0 / 54 / 19

HEX #58CE5E

RGB 88 206 94

HSL 123.05, 0.55%, 0.58%

LAB 74.21, -55.67, 45.39

 

CMYK 57 / 31 / 0 / 19

HEX #588ECE

RGB 88 142 206

HSL 212.54, 0.55%, 0.58%

LAB 57.92, 1.05, -38.39

 

CMYK 0 / 57 / 3 / 19

HEX #CE58C8

RGB 206 88 200

HSL 303.05, 0.55%, 0.58%

LAB 56.36, 60.82, -36.67

 

Description

Color code: HEX #CE9A58 | qconv.com Color code: HEX #CE9A58 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 154 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 154 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 57 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 57% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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