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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE9BD4 it is the complementary color #31642B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE9BD4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE9BD4 shade: #D39BCF, #E4ADE2, #F5BFF5, #FFD1FF and #FFE3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE9BD4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE9BD4 shade: #CE9BD4, #BD89C1, #AC77AE, #9B659B and #8A5388

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE9BD4 shade: #CE9BD4, #D49BCA, #D49BBB, #D49BAB and #D49B9C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE9BD4 shade: #CE9BD4, #BE9BD4, #AF9BD4, #9F9BD4 and #9B9BD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE9BD4 shade matches the following richer shades: #CE9BD4, #D78FDF, #E083EB and #E978F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE9BD4 shade: #CE9BD4, #C5A6C8, #BBB2BD, #B2BDB1 and #A9C9A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE9BD4 shade: #AF9BD4, #BE9BD4, #CD9BD4, #D49BCB and #D49BBC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE9BD4 shade: #B161BB, #C07EC7, #CE9BD4, #DCB7E0 and #EAD4EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE9BD4 shade: #CE9BD4, #D49F9B and #9BD4B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE9BD4 shade: #CE9BD4, #D4CD9B and #9BD4CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE9BD4 shade: #CE9BD4, #D49F9B, #A1D49B and #9BCFD4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE9BD4 shade: #CE9BD4, #D4B09B, #A1D49B and #9BBED4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 27 / 0 / 17

HEX #CE9BD4

RGB 206 155 212

HSL 293.68, 0.4%, 0.72%

LAB 70.4, 28.67, -21.72

 

Complementary color

CMYK 51 / 0 / 57 / 61

HEX #31642B

RGB 49 100 43

HSL 113.68, 0.4%, 0.28%

LAB 37.74, -29.71, 26.87

 

CMYK 0 / 27 / 2 / 17

HEX #D39BCF

RGB 211 155 207

HSL 304.29, 0.39%, 0.72%

LAB 70.73, 29.38, -18.41

 

CMYK 0 / 24 / 1 / 11

HEX #E4ADE2

RGB 228 173 226

HSL 302.18, 0.5%, 0.79%

LAB 77.2, 28.76, -18.84

 

CMYK 0 / 22 / 0 / 4

HEX #F5BFF5

RGB 245 191 245

HSL 300, 0.73%, 0.85%

LAB 83.58, 28.17, -19.26

 

CMYK 0 / 18 / 0 / 0

HEX #FFD1FF

RGB 255 209 255

HSL 300, 1%, 0.91%

LAB 88.96, 23.75, -16.36

 

CMYK 0 / 11 / 0 / 0

HEX #FFE3FF

RGB 255 227 255

HSL 300, 1%, 0.95%

LAB 93.2, 14.35, -10.03

 

CMYK 3 / 27 / 0 / 17

HEX #CE9BD4

RGB 206 155 212

HSL 293.68, 0.4%, 0.72%

LAB 70.4, 28.67, -21.72

 

CMYK 2 / 29 / 0 / 24

HEX #BD89C1

RGB 189 137 193

HSL 295.71, 0.31%, 0.65%

LAB 63.8, 29.33, -21.35

 

CMYK 1 / 32 / 0 / 32

HEX #AC77AE

RGB 172 119 174

HSL 297.82, 0.25%, 0.57%

LAB 57.1, 30.03, -20.97

 

CMYK 0 / 35 / 0 / 39

HEX #9B659B

RGB 155 101 155

HSL 300, 0.21%, 0.5%

LAB 50.27, 30.78, -20.55

 

CMYK 0 / 40 / 1 / 46

HEX #8A5388

RGB 138 83 136

HSL 302.18, 0.25%, 0.43%

LAB 43.31, 31.58, -20.08

 

CMYK 3 / 27 / 0 / 17

HEX #CE9BD4

RGB 206 155 212

HSL 293.68, 0.4%, 0.72%

LAB 70.4, 28.67, -21.72

 

CMYK 0 / 27 / 5 / 17

HEX #D49BCA

RGB 212 155 202

HSL 310.53, 0.4%, 0.72%

LAB 70.67, 28.81, -15.73

 

CMYK 0 / 27 / 12 / 17

HEX #D49BBB

RGB 212 155 187

HSL 326.32, 0.4%, 0.72%

LAB 70.2, 26.2, -8.13

 

CMYK 0 / 27 / 19 / 17

HEX #D49BAB

RGB 212 155 171

HSL 343.16, 0.4%, 0.72%

LAB 69.74, 23.63, 0.09

 

CMYK 0 / 27 / 26 / 17

HEX #D49B9C

RGB 212 155 156

HSL 358.95, 0.4%, 0.72%

LAB 69.36, 21.42, 7.88

 

CMYK 3 / 27 / 0 / 17

HEX #CE9BD4

RGB 206 155 212

HSL 293.68, 0.4%, 0.72%

LAB 70.4, 28.67, -21.72

 

CMYK 10 / 27 / 0 / 17

HEX #BE9BD4

RGB 190 155 212

HSL 276.84, 0.4%, 0.72%

LAB 68.85, 23.48, -24.22

 

CMYK 17 / 27 / 0 / 17

HEX #AF9BD4

RGB 175 155 212

HSL 261.05, 0.4%, 0.72%

LAB 67.51, 18.71, -26.4

 

CMYK 25 / 27 / 0 / 17

HEX #9F9BD4

RGB 159 155 212

HSL 244.21, 0.4%, 0.72%

LAB 66.19, 13.77, -28.54

 

CMYK 27 / 27 / 0 / 17

HEX #9B9BD4

RGB 155 155 212

HSL 240, 0.4%, 0.72%

LAB 65.88, 12.57, -29.05

 

CMYK 3 / 27 / 0 / 17

HEX #CE9BD4

RGB 206 155 212

HSL 293.68, 0.4%, 0.72%

LAB 70.4, 28.67, -21.72

 

CMYK 4 / 36 / 0 / 13

HEX #D78FDF

RGB 215 143 223

HSL 294, 0.56%, 0.72%

LAB 69.05, 40.13, -29.77

 

CMYK 5 / 44 / 0 / 8

HEX #E083EB

RGB 224 131 235

HSL 293.65, 0.72%, 0.72%

LAB 68.08, 51.33, -37.82

 

CMYK 5 / 51 / 0 / 4

HEX #E978F6

RGB 233 120 246

HSL 293.81, 0.88%, 0.72%

LAB 67.58, 61.26, -44.56

 

CMYK 3 / 27 / 0 / 17

HEX #CE9BD4

RGB 206 155 212

HSL 293.68, 0.4%, 0.72%

LAB 70.4, 28.67, -21.72

 

CMYK 1 / 17 / 0 / 22

HEX #C5A6C8

RGB 197 166 200

HSL 294.71, 0.24%, 0.72%

LAB 71.77, 17.33, -13.12

 

CMYK 1 / 6 / 0 / 26

HEX #BBB2BD

RGB 187 178 189

HSL 289.09, 0.08%, 0.72%

LAB 73.6, 5.23, -4.45

 

CMYK 6 / 0 / 6 / 26

HEX #B2BDB1

RGB 178 189 177

HSL 115, 0.08%, 0.72%

LAB 75.47, -6.05, 4.75

 

CMYK 16 / 0 / 18 / 21

HEX #A9C9A5

RGB 169 201 165

HSL 113.33, 0.25%, 0.72%

LAB 77.83, -17.53, 14.49

 

CMYK 17 / 27 / 0 / 17

HEX #AF9BD4

RGB 175 155 212

HSL 261.05, 0.4%, 0.72%

LAB 67.51, 18.71, -26.4

 

CMYK 10 / 27 / 0 / 17

HEX #BE9BD4

RGB 190 155 212

HSL 276.84, 0.4%, 0.72%

LAB 68.85, 23.48, -24.22

 

CMYK 3 / 27 / 0 / 17

HEX #CD9BD4

RGB 205 155 212

HSL 292.63, 0.4%, 0.72%

LAB 70.3, 28.35, -21.88

 

CMYK 0 / 27 / 4 / 17

HEX #D49BCB

RGB 212 155 203

HSL 309.47, 0.4%, 0.72%

LAB 70.7, 28.99, -16.24

 

CMYK 0 / 27 / 11 / 17

HEX #D49BBC

RGB 212 155 188

HSL 325.26, 0.4%, 0.72%

LAB 70.23, 26.37, -8.64

 

CMYK 5 / 48 / 0 / 27

HEX #B161BB

RGB 177 97 187

HSL 293.33, 0.4%, 0.56%

LAB 53.48, 46.1, -34.01

 

CMYK 4 / 37 / 0 / 22

HEX #C07EC7

RGB 192 126 199

HSL 294.25, 0.39%, 0.64%

LAB 61.87, 37.5, -27.67

 

CMYK 3 / 27 / 0 / 17

HEX #CE9BD4

RGB 206 155 212

HSL 293.68, 0.4%, 0.72%

LAB 70.4, 28.67, -21.72

 

CMYK 2 / 18 / 0 / 12

HEX #DCB7E0

RGB 220 183 224

HSL 294.15, 0.4%, 0.8%

LAB 78.73, 20.36, -15.53

 

CMYK 1 / 10 / 0 / 7

HEX #EAD4EC

RGB 234 212 236

HSL 295, 0.39%, 0.88%

LAB 87.31, 11.8, -9

 

CMYK 3 / 27 / 0 / 17

HEX #CE9BD4

RGB 206 155 212

HSL 293.68, 0.4%, 0.72%

LAB 70.4, 28.67, -21.72

 

CMYK 0 / 25 / 27 / 17

HEX #D49F9B

RGB 212 159 155

HSL 4.21, 0.4%, 0.72%

LAB 70.29, 19.11, 9.76

 

CMYK 27 / 0 / 14 / 17

HEX #9BD4B6

RGB 155 212 182

HSL 148.42, 0.4%, 0.72%

LAB 80.42, -24.47, 8.98

 

CMYK 3 / 27 / 0 / 17

HEX #CE9BD4

RGB 206 155 212

HSL 293.68, 0.4%, 0.72%

LAB 70.4, 28.67, -21.72

 

CMYK 0 / 3 / 27 / 17

HEX #D4CD9B

RGB 212 205 155

HSL 52.63, 0.4%, 0.72%

LAB 81.85, -5.38, 25.83

 

CMYK 27 / 0 / 3 / 17

HEX #9BD4CD

RGB 155 212 205

HSL 172.63, 0.4%, 0.72%

LAB 81, -19.69, -2.46

 

CMYK 3 / 27 / 0 / 17

HEX #CE9BD4

RGB 206 155 212

HSL 293.68, 0.4%, 0.72%

LAB 70.4, 28.67, -21.72

 

CMYK 0 / 25 / 27 / 17

HEX #D49F9B

RGB 212 159 155

HSL 4.21, 0.4%, 0.72%

LAB 70.29, 19.11, 9.76

 

CMYK 24 / 0 / 27 / 17

HEX #A1D49B

RGB 161 212 155

HSL 113.68, 0.4%, 0.72%

LAB 80.2, -27.39, 22.99

 

CMYK 27 / 2 / 0 / 17

HEX #9BCFD4

RGB 155 207 212

HSL 185.26, 0.4%, 0.72%

LAB 79.81, -15.6, -7.95

 

CMYK 3 / 27 / 0 / 17

HEX #CE9BD4

RGB 206 155 212

HSL 293.68, 0.4%, 0.72%

LAB 70.4, 28.67, -21.72

 

CMYK 0 / 17 / 27 / 17

HEX #D4B09B

RGB 212 176 155

HSL 22.11, 0.4%, 0.72%

LAB 74.45, 9.92, 15.64

 

CMYK 24 / 0 / 27 / 17

HEX #A1D49B

RGB 161 212 155

HSL 113.68, 0.4%, 0.72%

LAB 80.2, -27.39, 22.99

 

CMYK 27 / 10 / 0 / 17

HEX #9BBED4

RGB 155 190 212

HSL 203.16, 0.4%, 0.72%

LAB 75.17, -6.73, -14.89

 

Description

Color code: HEX #CE9BD4 | qconv.com Color code: HEX #CE9BD4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 155 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 155 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 27 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 27% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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