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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE9C96 it is the complementary color #316369. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE9C96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE9C96 shade: #D39C91, #E4AEA4, #F5C0B7, #FFD2CA and #FFE4DD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE9C96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE9C96 shade: #CE9C96, #BD8A83, #AC7870, #9B665D and #8A544A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE9C96 shade: #CE9C96 and #CE9696

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE9C96 shade: #CE9C96, #CEAB96, #CEBA96, #CEC996 and #C3CE96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE9C96 shade matches the following richer shades: #CE9C96, #DA938A, #E6897E and #F37F71

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE9C96 shade: #CE9C96, #C1A6A3, #B5B0AF, #A8BABC and #9CC3C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE9C96 shade: #CE96AE, #CE96A0, #CE9C96, #CEAB96 and #CEB996

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE9C96 shade: #B3675E, #C0827A, #CE9C96, #DBB7B3 and #E8D1CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE9C96 shade: #CE9C96, #BDCE96 and #96A7CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE9C96 shade: #CE9C96, #96CE9C and #9C96CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE9C96 shade: #CE9C96, #BDCE96, #96C8CE and #A796CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE9C96 shade: #CE9C96, #ACCE96, #96C8CE and #B896CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 27 / 19

HEX #CE9C96

RGB 206 156 150

HSL 6.43, 0.36%, 0.7%

LAB 68.82, 17.76, 10.37

 

Complementary color

CMYK 53 / 6 / 0 / 59

HEX #316369

RGB 49 99 105

HSL 186.43, 0.36%, 0.3%

LAB 38.89, -14.97, -8.59

 

CMYK 0 / 26 / 31 / 17

HEX #D39C91

RGB 211 156 145

HSL 10, 0.43%, 0.7%

LAB 69.23, 19, 13.8

 

CMYK 0 / 24 / 28 / 11

HEX #E4AEA4

RGB 228 174 164

HSL 9.37, 0.54%, 0.77%

LAB 75.73, 18.31, 12.76

 

CMYK 0 / 22 / 25 / 4

HEX #F5C0B7

RGB 245 192 183

HSL 8.71, 0.76%, 0.84%

LAB 82.13, 17.68, 11.8

 

CMYK 0 / 18 / 21 / 0

HEX #FFD2CA

RGB 255 210 202

HSL 9.06, 1%, 0.9%

LAB 87.78, 14.58, 9.89

 

CMYK 0 / 11 / 13 / 0

HEX #FFE4DD

RGB 255 228 221

HSL 12.35, 1%, 0.93%

LAB 92.56, 8.12, 6.77

 

CMYK 0 / 24 / 27 / 19

HEX #CE9C96

RGB 206 156 150

HSL 6.43, 0.36%, 0.7%

LAB 68.82, 17.76, 10.37

 

CMYK 0 / 27 / 31 / 26

HEX #BD8A83

RGB 189 138 131

HSL 7.24, 0.31%, 0.63%

LAB 62.2, 18.47, 11.41

 

CMYK 0 / 30 / 35 / 33

HEX #AC7870

RGB 172 120 112

HSL 8, 0.27%, 0.56%

LAB 55.45, 19.28, 12.55

 

CMYK 0 / 34 / 40 / 39

HEX #9B665D

RGB 155 102 93

HSL 8.71, 0.25%, 0.49%

LAB 48.59, 20.21, 13.84

 

CMYK 0 / 39 / 46 / 46

HEX #8A544A

RGB 138 84 74

HSL 9.38, 0.3%, 0.42%

LAB 41.59, 21.28, 15.33

 

CMYK 0 / 24 / 27 / 19

HEX #CE9C96

RGB 206 156 150

HSL 6.43, 0.36%, 0.7%

LAB 68.82, 17.76, 10.37

 

CMYK 0 / 27 / 27 / 19

HEX #CE9696

RGB 206 150 150

HSL 0, 0.36%, 0.7%

LAB 67.38, 21.04, 8.32

 

CMYK 0 / 24 / 27 / 19

HEX #CE9C96

RGB 206 156 150

HSL 6.43, 0.36%, 0.7%

LAB 68.82, 17.76, 10.37

 

CMYK 0 / 17 / 27 / 19

HEX #CEAB96

RGB 206 171 150

HSL 22.5, 0.36%, 0.7%

LAB 72.53, 9.61, 15.59

 

CMYK 0 / 10 / 27 / 19

HEX #CEBA96

RGB 206 186 150

HSL 38.57, 0.36%, 0.7%

LAB 76.34, 1.58, 20.87

 

CMYK 0 / 2 / 27 / 19

HEX #CEC996

RGB 206 201 150

HSL 54.64, 0.36%, 0.7%

LAB 80.23, -6.27, 26.18

 

CMYK 5 / 0 / 27 / 19

HEX #C3CE96

RGB 195 206 150

HSL 71.79, 0.36%, 0.7%

LAB 80.71, -13, 26.67

 

CMYK 0 / 24 / 27 / 19

HEX #CE9C96

RGB 206 156 150

HSL 6.43, 0.36%, 0.7%

LAB 68.82, 17.76, 10.37

 

CMYK 0 / 33 / 37 / 15

HEX #DA938A

RGB 218 147 138

HSL 6.75, 0.52%, 0.7%

LAB 67.73, 25.69, 15.7

 

CMYK 0 / 40 / 45 / 10

HEX #E6897E

RGB 230 137 126

HSL 6.35, 0.68%, 0.7%

LAB 66.69, 34.28, 21.18

 

CMYK 0 / 48 / 53 / 5

HEX #F37F71

RGB 243 127 113

HSL 6.46, 0.84%, 0.7%

LAB 66.08, 43.09, 27.91

 

CMYK 0 / 24 / 27 / 19

HEX #CE9C96

RGB 206 156 150

HSL 6.43, 0.36%, 0.7%

LAB 68.82, 17.76, 10.37

 

CMYK 0 / 14 / 16 / 24

HEX #C1A6A3

RGB 193 166 163

HSL 6, 0.19%, 0.7%

LAB 70.35, 9.35, 5.19

 

CMYK 0 / 3 / 3 / 29

HEX #B5B0AF

RGB 181 176 175

HSL 10, 0.04%, 0.7%

LAB 72.21, 1.59, 1.13

 

CMYK 11 / 1 / 0 / 26

HEX #A8BABC

RGB 168 186 188

HSL 186, 0.13%, 0.7%

LAB 74.24, -5.76, -3.13

 

CMYK 22 / 3 / 0 / 22

HEX #9CC3C8

RGB 156 195 200

HSL 186.82, 0.29%, 0.7%

LAB 76.23, -11.8, -6.79

 

CMYK 0 / 27 / 16 / 19

HEX #CE96AE

RGB 206 150 174

HSL 334.29, 0.36%, 0.7%

LAB 68.01, 24.66, -4.19

 

CMYK 0 / 27 / 22 / 19

HEX #CE96A0

RGB 206 150 160

HSL 349.29, 0.36%, 0.7%

LAB 67.63, 22.48, 3.08

 

CMYK 0 / 24 / 27 / 19

HEX #CE9C96

RGB 206 156 150

HSL 6.43, 0.36%, 0.7%

LAB 68.82, 17.76, 10.37

 

CMYK 0 / 17 / 27 / 19

HEX #CEAB96

RGB 206 171 150

HSL 22.5, 0.36%, 0.7%

LAB 72.53, 9.61, 15.59

 

CMYK 0 / 10 / 27 / 19

HEX #CEB996

RGB 206 185 150

HSL 37.5, 0.36%, 0.7%

LAB 76.08, 2.11, 20.51

 

CMYK 0 / 42 / 47 / 30

HEX #B3675E

RGB 179 103 94

HSL 6.35, 0.36%, 0.54%

LAB 51.94, 29.47, 18.34

 

CMYK 0 / 32 / 36 / 25

HEX #C0827A

RGB 192 130 122

HSL 6.86, 0.36%, 0.62%

LAB 60.41, 22.91, 14.06

 

CMYK 0 / 24 / 27 / 19

HEX #CE9C96

RGB 206 156 150

HSL 6.43, 0.36%, 0.7%

LAB 68.82, 17.76, 10.37

 

CMYK 0 / 16 / 18 / 14

HEX #DBB7B3

RGB 219 183 179

HSL 6, 0.36%, 0.78%

LAB 77.39, 12.3, 6.86

 

CMYK 0 / 10 / 11 / 9

HEX #E8D1CF

RGB 232 209 207

HSL 4.8, 0.35%, 0.86%

LAB 85.64, 7.66, 3.89

 

CMYK 0 / 24 / 27 / 19

HEX #CE9C96

RGB 206 156 150

HSL 6.43, 0.36%, 0.7%

LAB 68.82, 17.76, 10.37

 

CMYK 8 / 0 / 27 / 19

HEX #BDCE96

RGB 189 206 150

HSL 78.21, 0.36%, 0.7%

LAB 80.27, -15.24, 26.01

 

CMYK 27 / 19 / 0 / 19

HEX #96A7CE

RGB 150 167 206

HSL 221.79, 0.36%, 0.7%

LAB 68.44, 2.86, -21.82

 

CMYK 0 / 24 / 27 / 19

HEX #CE9C96

RGB 206 156 150

HSL 6.43, 0.36%, 0.7%

LAB 68.82, 17.76, 10.37

 

CMYK 27 / 0 / 24 / 19

HEX #96CE9C

RGB 150 206 156

HSL 126.43, 0.36%, 0.7%

LAB 77.89, -27.99, 19.19

 

CMYK 24 / 27 / 0 / 19

HEX #9C96CE

RGB 156 150 206

HSL 246.43, 0.36%, 0.7%

LAB 64.43, 14.26, -27.93

 

CMYK 0 / 24 / 27 / 19

HEX #CE9C96

RGB 206 156 150

HSL 6.43, 0.36%, 0.7%

LAB 68.82, 17.76, 10.37

 

CMYK 8 / 0 / 27 / 19

HEX #BDCE96

RGB 189 206 150

HSL 78.21, 0.36%, 0.7%

LAB 80.27, -15.24, 26.01

 

CMYK 27 / 3 / 0 / 19

HEX #96C8CE

RGB 150 200 206

HSL 186.43, 0.36%, 0.7%

LAB 77.43, -14.83, -8.29

 

CMYK 19 / 27 / 0 / 19

HEX #A796CE

RGB 167 150 206

HSL 258.21, 0.36%, 0.7%

LAB 65.35, 17.66, -26.45

 

CMYK 0 / 24 / 27 / 19

HEX #CE9C96

RGB 206 156 150

HSL 6.43, 0.36%, 0.7%

LAB 68.82, 17.76, 10.37

 

CMYK 17 / 0 / 27 / 19

HEX #ACCE96

RGB 172 206 150

HSL 96.43, 0.36%, 0.7%

LAB 79.11, -21.44, 24.23

 

CMYK 27 / 3 / 0 / 19

HEX #96C8CE

RGB 150 200 206

HSL 186.43, 0.36%, 0.7%

LAB 77.43, -14.83, -8.29

 

CMYK 11 / 27 / 0 / 19

HEX #B896CE

RGB 184 150 206

HSL 276.43, 0.36%, 0.7%

LAB 66.87, 23.08, -23.98

 

Description

Color code: HEX #CE9C96 | qconv.com Color code: HEX #CE9C96 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 156 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 156 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 27 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 27% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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