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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEA688 it is the complementary color #315977. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEA688. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEA688 shade: #D3A683, #E4B896, #F5CAA9, #FFDCBC and #FFEECF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEA688. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEA688 shade: #CEA688, #BD9475, #AC8262, #9B704F and #8A5E3C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEA688 shade: #CEA587, #CE9287 and #CE8787

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEA688 shade: #CEA587, #CEB887, #CECB87, #BDCE87 and #AACE87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEA688 shade matches the following richer shades: #CEA587, #DBA379, #E9A16C and #F79F5E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEA688 shade: #CEA587, #C0A795, #B2A9A2, #A5ABB0 and #97ADBD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEA688 shade: #CE878F, #CE9287, #CEA487, #CEB787 and #CECA87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEA688 shade: #B67A4C, #C28F6A, #CEA587, #DABBA4 and #E6D1C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEA688 shade: #CEA688, #A2CE87 and #8887CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEA688 shade: #CEA688, #87CEA4 and #A487CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEA688 shade: #CEA688, #A2CE87, #87B0CE and #B387CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEA688 shade: #CEA688, #8DCE87, #87B0CE and #C887CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 34 / 19

HEX #CEA688

RGB 206 166 136

HSL 25.71, 0.42%, 0.67%

LAB 70.99, 10.46, 21.1

 

Complementary color

CMYK 59 / 25 / 0 / 53

HEX #315977

RGB 49 89 119

HSL 205.71, 0.42%, 0.33%

LAB 36.23, -4.49, -21.28

 

CMYK 0 / 21 / 38 / 17

HEX #D3A683

RGB 211 166 131

HSL 26.25, 0.48%, 0.67%

LAB 71.39, 11.84, 24.44

 

CMYK 0 / 19 / 34 / 11

HEX #E4B896

RGB 228 184 150

HSL 26.15, 0.59%, 0.74%

LAB 77.86, 11.17, 23.28

 

CMYK 0 / 18 / 31 / 4

HEX #F5CAA9

RGB 245 202 169

HSL 26.05, 0.79%, 0.81%

LAB 84.23, 10.58, 22.19

 

CMYK 0 / 14 / 26 / 0

HEX #FFDCBC

RGB 255 220 188

HSL 28.66, 1%, 0.87%

LAB 89.9, 7.45, 20.21

 

CMYK 0 / 7 / 19 / 0

HEX #FFEECF

RGB 255 238 207

HSL 38.75, 1%, 0.91%

LAB 94.7, 0.9, 17.08

 

CMYK 0 / 19 / 34 / 19

HEX #CEA688

RGB 206 166 136

HSL 25.71, 0.42%, 0.67%

LAB 70.99, 10.46, 21.1

 

CMYK 0 / 22 / 38 / 26

HEX #BD9475

RGB 189 148 117

HSL 25.83, 0.35%, 0.6%

LAB 64.39, 11.15, 22.28

 

CMYK 0 / 24 / 43 / 33

HEX #AC8262

RGB 172 130 98

HSL 25.95, 0.31%, 0.53%

LAB 57.67, 11.94, 23.58

 

CMYK 0 / 28 / 49 / 39

HEX #9B704F

RGB 155 112 79

HSL 26.05, 0.32%, 0.46%

LAB 50.83, 12.88, 25

 

CMYK 0 / 32 / 57 / 46

HEX #8A5E3C

RGB 138 94 60

HSL 26.15, 0.39%, 0.39%

LAB 43.85, 14.01, 26.58

 

CMYK 0 / 20 / 34 / 19

HEX #CEA587

RGB 206 165 135

HSL 25.35, 0.42%, 0.67%

LAB 70.72, 10.88, 21.28

 

CMYK 0 / 29 / 34 / 19

HEX #CE9287

RGB 206 146 135

HSL 9.3, 0.42%, 0.67%

LAB 66.08, 21.23, 14.87

 

CMYK 0 / 34 / 34 / 19

HEX #CE8787

RGB 206 135 135

HSL 0, 0.42%, 0.67%

LAB 63.51, 27.22, 11.26

 

CMYK 0 / 20 / 34 / 19

HEX #CEA587

RGB 206 165 135

HSL 25.35, 0.42%, 0.67%

LAB 70.72, 10.88, 21.28

 

CMYK 0 / 11 / 34 / 19

HEX #CEB887

RGB 206 184 135

HSL 41.41, 0.42%, 0.67%

LAB 75.55, 0.7, 27.79

 

CMYK 0 / 1 / 34 / 19

HEX #CECB87

RGB 206 203 135

HSL 57.46, 0.42%, 0.67%

LAB 80.51, -9.19, 34.34

 

CMYK 8 / 0 / 34 / 19

HEX #BDCE87

RGB 189 206 135

HSL 74.37, 0.42%, 0.67%

LAB 80.02, -17.27, 33.46

 

CMYK 17 / 0 / 34 / 19

HEX #AACE87

RGB 170 206 135

HSL 90.42, 0.42%, 0.67%

LAB 78.72, -24.36, 31.5

 

CMYK 0 / 20 / 34 / 19

HEX #CEA587

RGB 206 165 135

HSL 25.35, 0.42%, 0.67%

LAB 70.72, 10.88, 21.28

 

CMYK 0 / 26 / 45 / 14

HEX #DBA379

RGB 219 163 121

HSL 25.71, 0.58%, 0.67%

LAB 71.31, 15.56, 29.87

 

CMYK 0 / 31 / 54 / 9

HEX #E9A16C

RGB 233 161 108

HSL 25.44, 0.74%, 0.67%

LAB 72.16, 21.08, 38.17

 

CMYK 0 / 36 / 62 / 3

HEX #F79F5E

RGB 247 159 94

HSL 25.49, 0.91%, 0.67%

LAB 73.14, 26.74, 46.92

 

CMYK 0 / 20 / 34 / 19

HEX #CEA587

RGB 206 165 135

HSL 25.35, 0.42%, 0.67%

LAB 70.72, 10.88, 21.28

 

CMYK 0 / 13 / 22 / 25

HEX #C0A795

RGB 192 167 149

HSL 25.12, 0.25%, 0.67%

LAB 70.19, 6.25, 12.66

 

CMYK 0 / 5 / 9 / 30

HEX #B2A9A2

RGB 178 169 162

HSL 26.25, 0.09%, 0.67%

LAB 69.79, 1.99, 4.75

 

CMYK 6 / 3 / 0 / 31

HEX #A5ABB0

RGB 165 171 176

HSL 207.27, 0.07%, 0.67%

LAB 69.65, -1.13, -3.31

 

CMYK 20 / 8 / 0 / 26

HEX #97ADBD

RGB 151 173 189

HSL 205.26, 0.22%, 0.67%

LAB 69.57, -4.11, -10.72

 

CMYK 0 / 34 / 31 / 19

HEX #CE878F

RGB 206 135 143

HSL 353.24, 0.42%, 0.67%

LAB 63.7, 28.25, 7

 

CMYK 0 / 29 / 34 / 19

HEX #CE9287

RGB 206 146 135

HSL 9.3, 0.42%, 0.67%

LAB 66.08, 21.23, 14.87

 

CMYK 0 / 20 / 34 / 19

HEX #CEA487

RGB 206 164 135

HSL 24.51, 0.42%, 0.67%

LAB 70.47, 11.42, 20.93

 

CMYK 0 / 11 / 34 / 19

HEX #CEB787

RGB 206 183 135

HSL 40.56, 0.42%, 0.67%

LAB 75.29, 1.23, 27.45

 

CMYK 0 / 2 / 34 / 19

HEX #CECA87

RGB 206 202 135

HSL 56.62, 0.42%, 0.67%

LAB 80.24, -8.68, 34

 

CMYK 0 / 33 / 58 / 29

HEX #B67A4C

RGB 182 122 76

HSL 26.04, 0.42%, 0.51%

LAB 56.47, 18.54, 34.44

 

CMYK 0 / 26 / 45 / 24

HEX #C28F6A

RGB 194 143 106

HSL 25.23, 0.42%, 0.59%

LAB 63.47, 14.71, 27.22

 

CMYK 0 / 20 / 34 / 19

HEX #CEA587

RGB 206 165 135

HSL 25.35, 0.42%, 0.67%

LAB 70.72, 10.88, 21.28

 

CMYK 0 / 14 / 25 / 15

HEX #DABBA4

RGB 218 187 164

HSL 25.56, 0.42%, 0.75%

LAB 77.95, 7.58, 15.75

 

CMYK 0 / 9 / 16 / 10

HEX #E6D1C2

RGB 230 209 194

HSL 25, 0.42%, 0.83%

LAB 85.16, 4.87, 10.08

 

CMYK 0 / 19 / 34 / 19

HEX #CEA688

RGB 206 166 136

HSL 25.71, 0.42%, 0.67%

LAB 70.99, 10.46, 21.1

 

CMYK 21 / 0 / 34 / 19

HEX #A2CE87

RGB 162 206 135

HSL 97.18, 0.42%, 0.67%

LAB 78.21, -27.24, 30.75

 

CMYK 34 / 34 / 0 / 19

HEX #8887CE

RGB 136 135 206

HSL 240.85, 0.42%, 0.67%

LAB 58.99, 17.03, -36.5

 

CMYK 0 / 19 / 34 / 19

HEX #CEA688

RGB 206 166 136

HSL 25.71, 0.42%, 0.67%

LAB 70.99, 10.46, 21.1

 

CMYK 34 / 0 / 20 / 19

HEX #87CEA4

RGB 135 206 164

HSL 144.51, 0.42%, 0.67%

LAB 77.27, -31.21, 13.94

 

CMYK 20 / 34 / 0 / 19

HEX #A487CE

RGB 164 135 206

HSL 264.51, 0.42%, 0.67%

LAB 61.37, 25.26, -32.61

 

CMYK 0 / 19 / 34 / 19

HEX #CEA688

RGB 206 166 136

HSL 25.71, 0.42%, 0.67%

LAB 70.99, 10.46, 21.1

 

CMYK 21 / 0 / 34 / 19

HEX #A2CE87

RGB 162 206 135

HSL 97.18, 0.42%, 0.67%

LAB 78.21, -27.24, 30.75

 

CMYK 34 / 15 / 0 / 19

HEX #87B0CE

RGB 135 176 206

HSL 205.35, 0.42%, 0.67%

LAB 69.94, -6.46, -19.64

 

CMYK 13 / 34 / 0 / 19

HEX #B387CE

RGB 179 135 206

HSL 277.18, 0.42%, 0.67%

LAB 62.82, 29.89, -30.26

 

CMYK 0 / 19 / 34 / 19

HEX #CEA688

RGB 206 166 136

HSL 25.71, 0.42%, 0.67%

LAB 70.99, 10.46, 21.1

 

CMYK 32 / 0 / 34 / 19

HEX #8DCE87

RGB 141 206 135

HSL 114.93, 0.42%, 0.67%

LAB 77.01, -34.43, 28.94

 

CMYK 34 / 15 / 0 / 19

HEX #87B0CE

RGB 135 176 206

HSL 205.35, 0.42%, 0.67%

LAB 69.94, -6.46, -19.64

 

CMYK 3 / 34 / 0 / 19

HEX #C887CE

RGB 200 135 206

HSL 294.93, 0.42%, 0.67%

LAB 65.01, 36.49, -26.69

 

Description

Color code: HEX #CEA688 | qconv.com Color code: HEX #CEA688 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 166 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 166 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 34 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 34% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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