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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEA997 it is the complementary color #315668. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEA997. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEA997 shade: #D3A992, #E4BBA5, #F5CDB8, #FFDFCB and #FFF1DE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEA997. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEA997 shade: #CEA997, #BD9784, #AC8571, #9B735E and #8A614B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEA997 shade: #CEA896, #CE9A96 and #CE9696

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEA997 shade: #CEA896, #CEB796, #CEC696, #C6CE96 and #B7CE96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEA997 shade matches the following richer shades: #CEA896, #DAA48A, #E6A07E and #F39C71

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEA997 shade: #CEA896, #C1ADA3, #B5B1AF, #A8B5BC and #9CBAC8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEA997 shade: #CE96A2, #CE9996, #CEA896, #CEB796 and #CEC596

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEA997 shade: #B37A5E, #C0917A, #CEA896, #DBC0B3 and #E8D7CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEA997 shade: #CEA997, #B1CE96 and #969BCE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEA997 shade: #CEA997, #96CEA8 and #A896CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEA997 shade: #CEA997, #B1CE96, #96BCCE and #B396CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEA997 shade: #CEA997, #A1CE96, #96BCCE and #C396CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 27 / 19

HEX #CEA997

RGB 206 169 151

HSL 19.64, 0.36%, 0.7%

LAB 72.05, 10.83, 14.37

 

Complementary color

CMYK 53 / 17 / 0 / 59

HEX #315668

RGB 49 86 104

HSL 199.64, 0.36%, 0.3%

LAB 34.62, -7.67, -14.45

 

CMYK 0 / 20 / 31 / 17

HEX #D3A992

RGB 211 169 146

HSL 21.23, 0.42%, 0.7%

LAB 72.43, 12.09, 17.7

 

CMYK 0 / 18 / 28 / 11

HEX #E4BBA5

RGB 228 187 165

HSL 20.95, 0.54%, 0.77%

LAB 78.9, 11.51, 16.67

 

CMYK 0 / 16 / 25 / 4

HEX #F5CDB8

RGB 245 205 184

HSL 20.66, 0.75%, 0.84%

LAB 85.27, 10.99, 15.71

 

CMYK 0 / 13 / 20 / 0

HEX #FFDFCB

RGB 255 223 203

HSL 23.08, 1%, 0.9%

LAB 90.94, 7.99, 13.85

 

CMYK 0 / 5 / 13 / 0

HEX #FFF1DE

RGB 255 241 222

HSL 34.55, 1%, 0.94%

LAB 95.77, 1.63, 10.85

 

CMYK 0 / 18 / 27 / 19

HEX #CEA997

RGB 206 169 151

HSL 19.64, 0.36%, 0.7%

LAB 72.05, 10.83, 14.37

 

CMYK 0 / 20 / 30 / 26

HEX #BD9784

RGB 189 151 132

HSL 20, 0.3%, 0.63%

LAB 65.45, 11.41, 15.4

 

CMYK 0 / 23 / 34 / 33

HEX #AC8571

RGB 172 133 113

HSL 20.34, 0.26%, 0.56%

LAB 58.73, 12.08, 16.52

 

CMYK 0 / 26 / 39 / 39

HEX #9B735E

RGB 155 115 94

HSL 20.66, 0.24%, 0.49%

LAB 51.88, 12.86, 17.76

 

CMYK 0 / 30 / 46 / 46

HEX #8A614B

RGB 138 97 75

HSL 20.95, 0.3%, 0.42%

LAB 44.89, 13.78, 19.16

 

CMYK 0 / 18 / 27 / 19

HEX #CEA896

RGB 206 168 150

HSL 19.29, 0.36%, 0.7%

LAB 71.78, 11.23, 14.54

 

CMYK 0 / 25 / 27 / 19

HEX #CE9A96

RGB 206 154 150

HSL 4.29, 0.36%, 0.7%

LAB 68.34, 18.85, 9.68

 

CMYK 0 / 27 / 27 / 19

HEX #CE9696

RGB 206 150 150

HSL 0, 0.36%, 0.7%

LAB 67.38, 21.04, 8.32

 

CMYK 0 / 18 / 27 / 19

HEX #CEA896

RGB 206 168 150

HSL 19.29, 0.36%, 0.7%

LAB 71.78, 11.23, 14.54

 

CMYK 0 / 11 / 27 / 19

HEX #CEB796

RGB 206 183 150

HSL 35.36, 0.36%, 0.7%

LAB 75.57, 3.18, 19.81

 

CMYK 0 / 4 / 27 / 19

HEX #CEC696

RGB 206 198 150

HSL 51.43, 0.36%, 0.7%

LAB 79.45, -4.72, 25.11

 

CMYK 4 / 0 / 27 / 19

HEX #C6CE96

RGB 198 206 150

HSL 68.57, 0.36%, 0.7%

LAB 80.93, -11.87, 27.01

 

CMYK 11 / 0 / 27 / 19

HEX #B7CE96

RGB 183 206 150

HSL 84.64, 0.36%, 0.7%

LAB 79.85, -17.46, 25.36

 

CMYK 0 / 18 / 27 / 19

HEX #CEA896

RGB 206 168 150

HSL 19.29, 0.36%, 0.7%

LAB 71.78, 11.23, 14.54

 

CMYK 0 / 25 / 37 / 15

HEX #DAA48A

RGB 218 164 138

HSL 19.5, 0.52%, 0.7%

LAB 71.75, 16.52, 21.25

 

CMYK 0 / 30 / 45 / 10

HEX #E6A07E

RGB 230 160 126

HSL 19.62, 0.68%, 0.7%

LAB 71.87, 22.07, 28.15

 

CMYK 0 / 36 / 53 / 5

HEX #F39C71

RGB 243 156 113

HSL 19.85, 0.84%, 0.7%

LAB 72.24, 28.13, 35.88

 

CMYK 0 / 18 / 27 / 19

HEX #CEA896

RGB 206 168 150

HSL 19.29, 0.36%, 0.7%

LAB 71.78, 11.23, 14.54

 

CMYK 0 / 10 / 16 / 24

HEX #C1ADA3

RGB 193 173 163

HSL 20, 0.19%, 0.7%

LAB 72.14, 5.54, 7.75

 

CMYK 0 / 2 / 3 / 29

HEX #B5B1AF

RGB 181 177 175

HSL 20, 0.04%, 0.7%

LAB 72.47, 1.05, 1.51

 

CMYK 11 / 4 / 0 / 26

HEX #A8B5BC

RGB 168 181 188

HSL 201, 0.13%, 0.7%

LAB 72.89, -3.09, -5.11

 

CMYK 22 / 7 / 0 / 22

HEX #9CBAC8

RGB 156 186 200

HSL 199.09, 0.29%, 0.7%

LAB 73.78, -7.05, -10.44

 

CMYK 0 / 27 / 21 / 19

HEX #CE96A2

RGB 206 150 162

HSL 347.14, 0.36%, 0.7%

LAB 67.68, 22.78, 2.04

 

CMYK 0 / 26 / 27 / 19

HEX #CE9996

RGB 206 153 150

HSL 3.21, 0.36%, 0.7%

LAB 68.1, 19.4, 9.34

 

CMYK 0 / 18 / 27 / 19

HEX #CEA896

RGB 206 168 150

HSL 19.29, 0.36%, 0.7%

LAB 71.78, 11.23, 14.54

 

CMYK 0 / 11 / 27 / 19

HEX #CEB796

RGB 206 183 150

HSL 35.36, 0.36%, 0.7%

LAB 75.57, 3.18, 19.81

 

CMYK 0 / 4 / 27 / 19

HEX #CEC596

RGB 206 197 150

HSL 50.36, 0.36%, 0.7%

LAB 79.19, -4.2, 24.76

 

CMYK 0 / 32 / 47 / 30

HEX #B37A5E

RGB 179 122 94

HSL 19.76, 0.36%, 0.54%

LAB 56.4, 18.92, 24.29

 

CMYK 0 / 24 / 36 / 25

HEX #C0917A

RGB 192 145 122

HSL 19.71, 0.36%, 0.62%

LAB 64.05, 14.62, 19.09

 

CMYK 0 / 18 / 27 / 19

HEX #CEA896

RGB 206 168 150

HSL 19.29, 0.36%, 0.7%

LAB 71.78, 11.23, 14.54

 

CMYK 0 / 12 / 18 / 14

HEX #DBC0B3

RGB 219 192 179

HSL 19.5, 0.36%, 0.78%

LAB 79.62, 7.5, 10.05

 

CMYK 0 / 7 / 11 / 9

HEX #E8D7CF

RGB 232 215 207

HSL 19.2, 0.35%, 0.86%

LAB 87.13, 4.52, 6.04

 

CMYK 0 / 18 / 27 / 19

HEX #CEA997

RGB 206 169 151

HSL 19.64, 0.36%, 0.7%

LAB 72.05, 10.83, 14.37

 

CMYK 14 / 0 / 27 / 19

HEX #B1CE96

RGB 177 206 150

HSL 91.07, 0.36%, 0.7%

LAB 79.44, -19.64, 24.74

 

CMYK 27 / 25 / 0 / 19

HEX #969BCE

RGB 150 155 206

HSL 234.64, 0.36%, 0.7%

LAB 65.27, 9.59, -26.69

 

CMYK 0 / 18 / 27 / 19

HEX #CEA997

RGB 206 169 151

HSL 19.64, 0.36%, 0.7%

LAB 72.05, 10.83, 14.37

 

CMYK 27 / 0 / 18 / 19

HEX #96CEA8

RGB 150 206 168

HSL 139.29, 0.36%, 0.7%

LAB 78.14, -25.8, 13.16

 

CMYK 18 / 27 / 0 / 19

HEX #A896CE

RGB 168 150 206

HSL 259.29, 0.36%, 0.7%

LAB 65.43, 17.98, -26.31

 

CMYK 0 / 18 / 27 / 19

HEX #CEA997

RGB 206 169 151

HSL 19.64, 0.36%, 0.7%

LAB 72.05, 10.83, 14.37

 

CMYK 14 / 0 / 27 / 19

HEX #B1CE96

RGB 177 206 150

HSL 91.07, 0.36%, 0.7%

LAB 79.44, -19.64, 24.74

 

CMYK 27 / 9 / 0 / 19

HEX #96BCCE

RGB 150 188 206

HSL 199.29, 0.36%, 0.7%

LAB 74.13, -8.56, -13.22

 

CMYK 13 / 27 / 0 / 19

HEX #B396CE

RGB 179 150 206

HSL 271.07, 0.36%, 0.7%

LAB 66.41, 21.47, -24.73

 

CMYK 0 / 18 / 27 / 19

HEX #CEA997

RGB 206 169 151

HSL 19.64, 0.36%, 0.7%

LAB 72.05, 10.83, 14.37

 

CMYK 22 / 0 / 27 / 19

HEX #A1CE96

RGB 161 206 150

HSL 108.21, 0.36%, 0.7%

LAB 78.42, -25.3, 23.18

 

CMYK 27 / 9 / 0 / 19

HEX #96BCCE

RGB 150 188 206

HSL 199.29, 0.36%, 0.7%

LAB 74.13, -8.56, -13.22

 

CMYK 5 / 27 / 0 / 19

HEX #C396CE

RGB 195 150 206

HSL 288.21, 0.36%, 0.7%

LAB 67.93, 26.65, -22.27

 

Description

Color code: HEX #CEA997 | qconv.com Color code: HEX #CEA997 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 169 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 169 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 27 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 27% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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