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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEABC2 it is the complementary color #31543D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEABC2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEABC2 shade: #D3ABBD, #E4BDD0, #F5CFE3, #FFE1F6 and #FFF3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEABC2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEABC2 shade: #CEABC2, #BD99AF, #AC879C, #9B7589 and #8A6376

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEABC2 shade: #CDABC2, #CDABB8, #CDABAF and #CDABAB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEABC2 shade: #CDABC2, #CDABCB, #C7ABCD, #BDABCD and #B4ABCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEABC2 shade matches the following richer shades: #CDABC2, #D8A0C5, #E396C8, #EE8BCC and #F880CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEABC2 shade: #CDABC2, #C3B6BE, #B8C0BB, #ADCBB8 and #A3D6B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEABC2 shade: #C7ABCD, #CDABCB, #CDABC2, #CDABB9 and #CDABB0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEABC2 shade: #AF779C, #BE91AF, #CDABC2, #DDC5D5 and #ECDFE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEABC2 shade: #CEABC2, #CDBDAB and #ABCDCB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEABC2 shade: #CEABC2, #C2CDAB and #ABC2CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEABC2 shade: #CEABC2, #CDBDAB, #ABCDB6 and #ABBBCD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEABC2 shade: #CEABC2, #CDC8AB, #ABCDB6 and #ABB1CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 6 / 19

HEX #CEABC2

RGB 206 171 194

HSL 320.57, 0.26%, 0.74%

LAB 73.64, 16.59, -6.94

 

Complementary color

CMYK 42 / 0 / 27 / 67

HEX #31543D

RGB 49 84 61

HSL 140.57, 0.26%, 0.26%

LAB 32.55, -18.49, 9.54

 

CMYK 0 / 19 / 10 / 17

HEX #D3ABBD

RGB 211 171 189

HSL 333, 0.31%, 0.75%

LAB 73.96, 17.49, -3.67

 

CMYK 0 / 17 / 9 / 11

HEX #E4BDD0

RGB 228 189 208

HSL 330.77, 0.42%, 0.82%

LAB 80.43, 17.01, -4.29

 

CMYK 0 / 16 / 7 / 4

HEX #F5CFE3

RGB 245 207 227

HSL 328.42, 0.66%, 0.89%

LAB 86.79, 16.56, -4.89

 

CMYK 0 / 12 / 4 / 0

HEX #FFE1F6

RGB 255 225 246

HSL 318, 1%, 0.94%

LAB 92.47, 13.8, -6.41

 

CMYK 0 / 5 / 0 / 0

HEX #FFF3FF

RGB 255 243 255

HSL 300, 1%, 0.98%

LAB 97.06, 6.1, -4.32

 

CMYK 0 / 17 / 6 / 19

HEX #CEABC2

RGB 206 171 194

HSL 320.57, 0.26%, 0.74%

LAB 73.64, 16.59, -6.94

 

CMYK 0 / 19 / 7 / 26

HEX #BD99AF

RGB 189 153 175

HSL 323.33, 0.21%, 0.67%

LAB 67.05, 17.09, -6.37

 

CMYK 0 / 22 / 9 / 33

HEX #AC879C

RGB 172 135 156

HSL 325.95, 0.18%, 0.6%

LAB 60.34, 17.63, -5.76

 

CMYK 0 / 25 / 12 / 39

HEX #9B7589

RGB 155 117 137

HSL 328.42, 0.16%, 0.53%

LAB 53.49, 18.23, -5.11

 

CMYK 0 / 28 / 14 / 46

HEX #8A6376

RGB 138 99 118

HSL 330.77, 0.16%, 0.46%

LAB 46.49, 18.9, -4.4

 

CMYK 0 / 17 / 5 / 20

HEX #CDABC2

RGB 205 171 194

HSL 319.41, 0.25%, 0.74%

LAB 73.55, 16.24, -7.09

 

CMYK 0 / 17 / 10 / 20

HEX #CDABB8

RGB 205 171 184

HSL 337.06, 0.25%, 0.74%

LAB 73.26, 14.5, -2.02

 

CMYK 0 / 17 / 15 / 20

HEX #CDABAF

RGB 205 171 175

HSL 352.94, 0.25%, 0.74%

LAB 73.02, 13, 2.57

 

CMYK 0 / 17 / 17 / 20

HEX #CDABAB

RGB 205 171 171

HSL 0, 0.25%, 0.74%

LAB 72.92, 12.36, 4.62

 

CMYK 0 / 17 / 5 / 20

HEX #CDABC2

RGB 205 171 194

HSL 319.41, 0.25%, 0.74%

LAB 73.55, 16.24, -7.09

 

CMYK 0 / 17 / 1 / 20

HEX #CDABCB

RGB 205 171 203

HSL 303.53, 0.25%, 0.74%

LAB 73.82, 17.89, -11.62

 

CMYK 3 / 17 / 0 / 20

HEX #C7ABCD

RGB 199 171 205

HSL 289.41, 0.25%, 0.74%

LAB 73.33, 16.22, -13.5

 

CMYK 8 / 17 / 0 / 20

HEX #BDABCD

RGB 189 171 205

HSL 271.76, 0.25%, 0.74%

LAB 72.46, 12.87, -14.89

 

CMYK 12 / 17 / 0 / 20

HEX #B4ABCD

RGB 180 171 205

HSL 255.88, 0.25%, 0.74%

LAB 71.72, 9.89, -16.09

 

CMYK 0 / 17 / 5 / 20

HEX #CDABC2

RGB 205 171 194

HSL 319.41, 0.25%, 0.74%

LAB 73.55, 16.24, -7.09

 

CMYK 0 / 26 / 9 / 15

HEX #D8A0C5

RGB 216 160 197

HSL 320.36, 0.42%, 0.74%

LAB 72.08, 26.58, -10.82

 

CMYK 0 / 34 / 12 / 11

HEX #E396C8

RGB 227 150 200

HSL 321.04, 0.58%, 0.74%

LAB 71.09, 36.2, -13.83

 

CMYK 0 / 42 / 14 / 7

HEX #EE8BCC

RGB 238 139 204

HSL 320.61, 0.74%, 0.74%

LAB 70.18, 46.19, -17.3

 

CMYK 0 / 48 / 17 / 3

HEX #F880CF

RGB 248 128 207

HSL 320.5, 0.9%, 0.74%

LAB 69.4, 55.25, -20.03

 

CMYK 0 / 17 / 5 / 20

HEX #CDABC2

RGB 205 171 194

HSL 319.41, 0.25%, 0.74%

LAB 73.55, 16.24, -7.09

 

CMYK 0 / 7 / 3 / 24

HEX #C3B6BE

RGB 195 182 190

HSL 323.08, 0.1%, 0.74%

LAB 75.31, 6.04, -2.4

 

CMYK 4 / 0 / 3 / 25

HEX #B8C0BB

RGB 184 192 187

HSL 142.5, 0.06%, 0.74%

LAB 76.97, -3.7, 1.55

 

CMYK 15 / 0 / 9 / 20

HEX #ADCBB8

RGB 173 203 184

HSL 142, 0.22%, 0.74%

LAB 79.07, -13.74, 6.12

 

CMYK 24 / 0 / 16 / 16

HEX #A3D6B4

RGB 163 214 180

HSL 140, 0.38%, 0.74%

LAB 81.39, -23.3, 11.47

 

CMYK 3 / 17 / 0 / 20

HEX #C7ABCD

RGB 199 171 205

HSL 289.41, 0.25%, 0.74%

LAB 73.33, 16.22, -13.5

 

CMYK 0 / 17 / 1 / 20

HEX #CDABCB

RGB 205 171 203

HSL 303.53, 0.25%, 0.74%

LAB 73.82, 17.89, -11.62

 

CMYK 0 / 17 / 5 / 20

HEX #CDABC2

RGB 205 171 194

HSL 319.41, 0.25%, 0.74%

LAB 73.55, 16.24, -7.09

 

CMYK 0 / 17 / 10 / 20

HEX #CDABB9

RGB 205 171 185

HSL 335.29, 0.25%, 0.74%

LAB 73.29, 14.67, -2.53

 

CMYK 0 / 17 / 14 / 20

HEX #CDABB0

RGB 205 171 176

HSL 351.18, 0.25%, 0.74%

LAB 73.05, 13.16, 2.06

 

CMYK 0 / 32 / 11 / 31

HEX #AF779C

RGB 175 119 156

HSL 320.36, 0.26%, 0.58%

LAB 56.79, 27.73, -11.01

 

CMYK 0 / 24 / 8 / 25

HEX #BE91AF

RGB 190 145 175

HSL 320, 0.26%, 0.66%

LAB 65.19, 21.88, -9.11

 

CMYK 0 / 17 / 5 / 20

HEX #CDABC2

RGB 205 171 194

HSL 319.41, 0.25%, 0.74%

LAB 73.55, 16.24, -7.09

 

CMYK 0 / 11 / 4 / 13

HEX #DDC5D5

RGB 221 197 213

HSL 320, 0.26%, 0.82%

LAB 81.9, 11.18, -4.88

 

CMYK 0 / 6 / 2 / 7

HEX #ECDFE8

RGB 236 223 232

HSL 318.46, 0.25%, 0.9%

LAB 90.06, 6, -2.81

 

CMYK 0 / 17 / 6 / 19

HEX #CEABC2

RGB 206 171 194

HSL 320.57, 0.26%, 0.74%

LAB 73.64, 16.59, -6.94

 

CMYK 0 / 8 / 17 / 20

HEX #CDBDAB

RGB 205 189 171

HSL 31.76, 0.25%, 0.74%

LAB 77.47, 2.69, 11.13

 

CMYK 17 / 0 / 1 / 20

HEX #ABCDCB

RGB 171 205 203

HSL 176.47, 0.25%, 0.74%

LAB 79.97, -11.65, -2.78

 

CMYK 0 / 17 / 6 / 19

HEX #CEABC2

RGB 206 171 194

HSL 320.57, 0.26%, 0.74%

LAB 73.64, 16.59, -6.94

 

CMYK 5 / 0 / 17 / 20

HEX #C2CDAB

RGB 194 205 171

HSL 79.41, 0.25%, 0.74%

LAB 80.78, -9.71, 15.68

 

CMYK 17 / 5 / 0 / 20

HEX #ABC2CD

RGB 171 194 205

HSL 199.41, 0.25%, 0.74%

LAB 77.07, -5.48, -8.15

 

CMYK 0 / 17 / 6 / 19

HEX #CEABC2

RGB 206 171 194

HSL 320.57, 0.26%, 0.74%

LAB 73.64, 16.59, -6.94

 

CMYK 0 / 8 / 17 / 20

HEX #CDBDAB

RGB 205 189 171

HSL 31.76, 0.25%, 0.74%

LAB 77.47, 2.69, 11.13

 

CMYK 17 / 0 / 11 / 20

HEX #ABCDB6

RGB 171 205 182

HSL 139.41, 0.25%, 0.74%

LAB 79.44, -15.8, 7.7

 

CMYK 17 / 9 / 0 / 20

HEX #ABBBCD

RGB 171 187 205

HSL 211.76, 0.25%, 0.74%

LAB 75.21, -1.75, -10.92

 

CMYK 0 / 17 / 6 / 19

HEX #CEABC2

RGB 206 171 194

HSL 320.57, 0.26%, 0.74%

LAB 73.64, 16.59, -6.94

 

CMYK 0 / 2 / 17 / 20

HEX #CDC8AB

RGB 205 200 171

HSL 51.18, 0.25%, 0.74%

LAB 80.31, -3.11, 15.14

 

CMYK 17 / 0 / 11 / 20

HEX #ABCDB6

RGB 171 205 182

HSL 139.41, 0.25%, 0.74%

LAB 79.44, -15.8, 7.7

 

CMYK 17 / 14 / 0 / 20

HEX #ABB1CD

RGB 171 177 205

HSL 229.41, 0.25%, 0.74%

LAB 72.57, 3.67, -14.88

 

Description

Color code: HEX #CEABC2 | qconv.com Color code: HEX #CEABC2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 171 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 171 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 6 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 6% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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