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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEAD8D it is the complementary color #315272. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEAD8D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEAD8D shade: #D3AD88, #E4BF9B, #F5D1AE, #FFE3C1 and #FFF5D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEAD8D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEAD8D shade: #CEAD8D, #BD9B7A, #AC8967, #9B7754 and #8A6541

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEAD8D shade: #CEAC8C, #CE9B8C and #CE8C8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEAD8D shade: #CEAC8C, #CEBE8C, #CBCE8C, #BACE8C and #A8CE8C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEAD8D shade matches the following richer shades: #CEAC8C, #DBAC7F, #E8AC72 and #F5AC65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEAD8D shade: #CEAC8C, #C0AD99, #B3ADA7, #A6ADB4 and #99ADC1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEAD8D shade: #CE8C90, #CE9A8C, #CEAC8C, #CEBD8C and #CCCE8C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEAD8D shade: #B58352, #C1986F, #CEAC8C, #DAC1A9 and #E6D6C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEAD8D shade: #CEAD8D, #A1CE8C and #928CCE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEAD8D shade: #CEAD8D, #8CCEAC and #AC8CCE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEAD8D shade: #CEAD8D, #A1CE8C, #8CAECE and #B98CCE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEAD8D shade: #CEAD8D, #8DCE8C, #8CAECE and #CC8CCE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 32 / 19

HEX #CEAD8D

RGB 206 173 141

HSL 29.54, 0.4%, 0.68%

LAB 72.85, 7.33, 20.92

 

Complementary color

CMYK 57 / 28 / 0 / 55

HEX #315272

RGB 49 82 114

HSL 209.54, 0.4%, 0.32%

LAB 33.78, -1.82, -21.99

 

CMYK 0 / 18 / 36 / 17

HEX #D3AD88

RGB 211 173 136

HSL 29.6, 0.46%, 0.68%

LAB 73.23, 8.67, 24.22

 

CMYK 0 / 16 / 32 / 11

HEX #E4BF9B

RGB 228 191 155

HSL 29.59, 0.57%, 0.75%

LAB 79.68, 8.09, 23.1

 

CMYK 0 / 15 / 29 / 4

HEX #F5D1AE

RGB 245 209 174

HSL 29.58, 0.78%, 0.82%

LAB 86.04, 7.57, 22.05

 

CMYK 0 / 11 / 24 / 0

HEX #FFE3C1

RGB 255 227 193

HSL 32.9, 1%, 0.88%

LAB 91.71, 4.53, 20.13

 

CMYK 0 / 4 / 17 / 0

HEX #FFF5D4

RGB 255 245 212

HSL 46.05, 1%, 0.92%

LAB 96.54, -1.91, 17.1

 

CMYK 0 / 16 / 32 / 19

HEX #CEAD8D

RGB 206 173 141

HSL 29.54, 0.4%, 0.68%

LAB 72.85, 7.33, 20.92

 

CMYK 0 / 18 / 35 / 26

HEX #BD9B7A

RGB 189 155 122

HSL 29.55, 0.34%, 0.61%

LAB 66.26, 7.91, 22.06

 

CMYK 0 / 20 / 40 / 33

HEX #AC8967

RGB 172 137 103

HSL 29.57, 0.29%, 0.54%

LAB 59.56, 8.59, 23.29

 

CMYK 0 / 23 / 46 / 39

HEX #9B7754

RGB 155 119 84

HSL 29.58, 0.3%, 0.47%

LAB 52.73, 9.4, 24.63

 

CMYK 0 / 27 / 53 / 46

HEX #8A6541

RGB 138 101 65

HSL 29.59, 0.36%, 0.4%

LAB 45.76, 10.38, 26.11

 

CMYK 0 / 17 / 32 / 19

HEX #CEAC8C

RGB 206 172 140

HSL 29.09, 0.4%, 0.68%

LAB 72.57, 7.74, 21.09

 

CMYK 0 / 25 / 32 / 19

HEX #CE9B8C

RGB 206 155 140

HSL 13.64, 0.4%, 0.68%

LAB 68.36, 16.95, 15.26

 

CMYK 0 / 32 / 32 / 19

HEX #CE8C8C

RGB 206 140 140

HSL 0, 0.4%, 0.68%

LAB 64.78, 25.14, 10.24

 

CMYK 0 / 17 / 32 / 19

HEX #CEAC8C

RGB 206 172 140

HSL 29.09, 0.4%, 0.68%

LAB 72.57, 7.74, 21.09

 

CMYK 0 / 8 / 32 / 19

HEX #CEBE8C

RGB 206 190 140

HSL 45.45, 0.4%, 0.68%

LAB 77.19, -1.84, 27.34

 

CMYK 1 / 0 / 32 / 19

HEX #CBCE8C

RGB 203 206 140

HSL 62.73, 0.4%, 0.68%

LAB 81.14, -11.28, 32.56

 

CMYK 10 / 0 / 32 / 19

HEX #BACE8C

RGB 186 206 140

HSL 78.18, 0.4%, 0.68%

LAB 79.88, -17.75, 30.66

 

CMYK 18 / 0 / 32 / 19

HEX #A8CE8C

RGB 168 206 140

HSL 94.55, 0.4%, 0.68%

LAB 78.67, -24.37, 28.83

 

CMYK 0 / 17 / 32 / 19

HEX #CEAC8C

RGB 206 172 140

HSL 29.09, 0.4%, 0.68%

LAB 72.57, 7.74, 21.09

 

CMYK 0 / 21 / 42 / 14

HEX #DBAC7F

RGB 219 172 127

HSL 29.35, 0.56%, 0.68%

LAB 73.61, 11.36, 29.69

 

CMYK 0 / 26 / 51 / 9

HEX #E8AC72

RGB 232 172 114

HSL 29.49, 0.72%, 0.68%

LAB 74.75, 15.33, 38.27

 

CMYK 0 / 30 / 59 / 4

HEX #F5AC65

RGB 245 172 101

HSL 29.58, 0.88%, 0.68%

LAB 75.98, 19.57, 46.73

 

CMYK 0 / 17 / 32 / 19

HEX #CEAC8C

RGB 206 172 140

HSL 29.09, 0.4%, 0.68%

LAB 72.57, 7.74, 21.09

 

CMYK 0 / 10 / 20 / 25

HEX #C0AD99

RGB 192 173 153

HSL 30.77, 0.24%, 0.68%

LAB 71.82, 3.6, 12.77

 

CMYK 0 / 3 / 7 / 30

HEX #B3ADA7

RGB 179 173 167

HSL 30, 0.07%, 0.68%

LAB 71.05, 1.06, 3.83

 

CMYK 8 / 4 / 0 / 29

HEX #A6ADB4

RGB 166 173 180

HSL 210, 0.09%, 0.68%

LAB 70.38, -1.07, -4.44

 

CMYK 21 / 10 / 0 / 24

HEX #99ADC1

RGB 153 173 193

HSL 210, 0.24%, 0.68%

LAB 69.83, -2.57, -12.53

 

CMYK 0 / 32 / 30 / 19

HEX #CE8C90

RGB 206 140 144

HSL 356.36, 0.4%, 0.68%

LAB 64.88, 25.67, 8.12

 

CMYK 0 / 25 / 32 / 19

HEX #CE9A8C

RGB 206 154 140

HSL 12.73, 0.4%, 0.68%

LAB 68.11, 17.5, 14.93

 

CMYK 0 / 17 / 32 / 19

HEX #CEAC8C

RGB 206 172 140

HSL 29.09, 0.4%, 0.68%

LAB 72.57, 7.74, 21.09

 

CMYK 0 / 8 / 32 / 19

HEX #CEBD8C

RGB 206 189 140

HSL 44.55, 0.4%, 0.68%

LAB 76.93, -1.31, 26.99

 

CMYK 1 / 0 / 32 / 19

HEX #CCCE8C

RGB 204 206 140

HSL 61.82, 0.4%, 0.68%

LAB 81.22, -10.89, 32.67

 

CMYK 0 / 28 / 55 / 29

HEX #B58352

RGB 181 131 82

HSL 29.7, 0.4%, 0.52%

LAB 58.66, 13.6, 33.87

 

CMYK 0 / 21 / 42 / 24

HEX #C1986F

RGB 193 152 111

HSL 30, 0.4%, 0.6%

LAB 65.7, 9.9, 27.4

 

CMYK 0 / 17 / 32 / 19

HEX #CEAC8C

RGB 206 172 140

HSL 29.09, 0.4%, 0.68%

LAB 72.57, 7.74, 21.09

 

CMYK 0 / 11 / 22 / 15

HEX #DAC1A9

RGB 218 193 169

HSL 29.39, 0.4%, 0.76%

LAB 79.56, 5.11, 15.32

 

CMYK 0 / 7 / 14 / 10

HEX #E6D6C6

RGB 230 214 198

HSL 30, 0.39%, 0.84%

LAB 86.5, 2.89, 9.88

 

CMYK 0 / 16 / 32 / 19

HEX #CEAD8D

RGB 206 173 141

HSL 29.54, 0.4%, 0.68%

LAB 72.85, 7.33, 20.92

 

CMYK 22 / 0 / 32 / 19

HEX #A1CE8C

RGB 161 206 140

HSL 100.91, 0.4%, 0.68%

LAB 78.24, -26.86, 28.17

 

CMYK 29 / 32 / 0 / 19

HEX #928CCE

RGB 146 140 206

HSL 245.45, 0.4%, 0.68%

LAB 61.07, 17, -33.21

 

CMYK 0 / 16 / 32 / 19

HEX #CEAD8D

RGB 206 173 141

HSL 29.54, 0.4%, 0.68%

LAB 72.85, 7.33, 20.92

 

CMYK 32 / 0 / 17 / 19

HEX #8CCEAC

RGB 140 206 172

HSL 149.09, 0.4%, 0.68%

LAB 77.7, -28.13, 10.31

 

CMYK 17 / 32 / 0 / 19

HEX #AC8CCE

RGB 172 140 206

HSL 269.09, 0.4%, 0.68%

LAB 63.33, 24.89, -29.52

 

CMYK 0 / 16 / 32 / 19

HEX #CEAD8D

RGB 206 173 141

HSL 29.54, 0.4%, 0.68%

LAB 72.85, 7.33, 20.92

 

CMYK 22 / 0 / 32 / 19

HEX #A1CE8C

RGB 161 206 140

HSL 100.91, 0.4%, 0.68%

LAB 78.24, -26.86, 28.17

 

CMYK 32 / 16 / 0 / 19

HEX #8CAECE

RGB 140 174 206

HSL 209.09, 0.4%, 0.68%

LAB 69.69, -3.95, -19.99

 

CMYK 10 / 32 / 0 / 19

HEX #B98CCE

RGB 185 140 206

HSL 280.91, 0.4%, 0.68%

LAB 64.59, 28.98, -27.48

 

CMYK 0 / 16 / 32 / 19

HEX #CEAD8D

RGB 206 173 141

HSL 29.54, 0.4%, 0.68%

LAB 72.85, 7.33, 20.92

 

CMYK 32 / 0 / 32 / 19

HEX #8DCE8C

RGB 141 206 140

HSL 119.09, 0.4%, 0.68%

LAB 77.1, -33.63, 26.45

 

CMYK 32 / 16 / 0 / 19

HEX #8CAECE

RGB 140 174 206

HSL 209.09, 0.4%, 0.68%

LAB 69.69, -3.95, -19.99

 

CMYK 1 / 32 / 0 / 19

HEX #CC8CCE

RGB 204 140 206

HSL 298.18, 0.4%, 0.68%

LAB 66.56, 35.05, -24.28

 

Description

Color code: HEX #CEAD8D | qconv.com Color code: HEX #CEAD8D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 173 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 173 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 32 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 32% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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