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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEAF54 it is the complementary color #3150AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEAF54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEAF54 shade: #D3AF4F, #E4C162, #F5D375, #FFE588 and #FFF79B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEAF54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEAF54 shade: #CEAF54, #BD9D41, #AC8B2E, #9B791B and #8A6708

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEAF54 shade: #CDAF55, #CD8E55, #CD6D55 and #CD5555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEAF54 shade: #CDAF55, #CBCD55, #ABCD55, #8ACD55 and #6ACD55

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEAF54 shade matches the following richer shades: #CDAF55, #DFB743 and #F1C031

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEAF54 shade: #CDAF55, #BBA666, #AA9D78, #98948A and #868C9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEAF54 shade: #CD6D55, #CD8D55, #CDAD55, #CDCD55 and #ADCD55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEAF54 shade: #A1842E, #C19E38, #CDAF55, #D6BE75 and #E0CD94

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEAF54 shade: #CEAF54, #5DCD55 and #7D55CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEAF54 shade: #CEAF54, #55CDAD and #AD55CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEAF54 shade: #CEAF54, #5DCD55, #5575CD and #C555CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEAF54 shade: #CEAF54, #55CD71, #5575CD and #CD55B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 59 / 19

HEX #CEAF54

RGB 206 175 84

HSL 44.75, 0.55%, 0.57%

LAB 72.51, 0.49, 49.94

 

Complementary color

CMYK 71 / 53 / 0 / 33

HEX #3150AB

RGB 49 80 171

HSL 224.75, 0.55%, 0.43%

LAB 36.61, 20.42, -52.2

 

CMYK 0 / 17 / 63 / 17

HEX #D3AF4F

RGB 211 175 79

HSL 43.64, 0.6%, 0.57%

LAB 72.94, 2.27, 52.89

 

CMYK 0 / 15 / 57 / 11

HEX #E4C162

RGB 228 193 98

HSL 43.85, 0.71%, 0.64%

LAB 79.34, 1.3, 51.71

 

CMYK 0 / 14 / 52 / 4

HEX #F5D375

RGB 245 211 117

HSL 44.06, 0.86%, 0.71%

LAB 85.65, 0.48, 50.49

 

CMYK 0 / 10 / 47 / 0

HEX #FFE588

RGB 255 229 136

HSL 46.89, 1%, 0.77%

LAB 91.27, -3.01, 48.37

 

CMYK 0 / 3 / 39 / 0

HEX #FFF79B

RGB 255 247 155

HSL 55.2, 1%, 0.8%

LAB 96.06, -10.1, 45.15

 

CMYK 0 / 15 / 59 / 19

HEX #CEAF54

RGB 206 175 84

HSL 44.75, 0.55%, 0.57%

LAB 72.51, 0.49, 49.94

 

CMYK 0 / 17 / 66 / 26

HEX #BD9D41

RGB 189 157 65

HSL 44.52, 0.49%, 0.5%

LAB 65.99, 1.51, 51.05

 

CMYK 0 / 19 / 73 / 33

HEX #AC8B2E

RGB 172 139 46

HSL 44.29, 0.58%, 0.43%

LAB 59.37, 2.74, 51.91

 

CMYK 0 / 22 / 83 / 39

HEX #9B791B

RGB 155 121 27

HSL 44.06, 0.7%, 0.36%

LAB 52.64, 4.23, 52.13

 

CMYK 0 / 25 / 94 / 46

HEX #8A6708

RGB 138 103 8

HSL 43.85, 0.89%, 0.29%

LAB 45.8, 6.06, 50.96

 

CMYK 0 / 15 / 59 / 20

HEX #CDAF55

RGB 205 175 85

HSL 45, 0.55%, 0.57%

LAB 72.43, 0.14, 49.34

 

CMYK 0 / 31 / 59 / 20

HEX #CD8E55

RGB 205 142 85

HSL 28.5, 0.55%, 0.57%

LAB 64.15, 17.94, 39.61

 

CMYK 0 / 47 / 59 / 20

HEX #CD6D55

RGB 205 109 85

HSL 12, 0.55%, 0.57%

LAB 56.66, 35.69, 30.36

 

CMYK 0 / 59 / 59 / 20

HEX #CD5555

RGB 205 85 85

HSL 0, 0.55%, 0.57%

LAB 51.99, 47.63, 24.36

 

CMYK 0 / 15 / 59 / 20

HEX #CDAF55

RGB 205 175 85

HSL 45, 0.55%, 0.57%

LAB 72.43, 0.14, 49.34

 

CMYK 1 / 0 / 59 / 20

HEX #CBCD55

RGB 203 205 85

HSL 61, 0.55%, 0.57%

LAB 80.19, -16.16, 58.01

 

CMYK 17 / 0 / 59 / 20

HEX #ABCD55

RGB 171 205 85

HSL 77, 0.55%, 0.57%

LAB 77.86, -29.05, 54.78

 

CMYK 33 / 0 / 59 / 20

HEX #8ACD55

RGB 138 205 85

HSL 93.5, 0.55%, 0.57%

LAB 75.9, -41.34, 52.03

 

CMYK 48 / 0 / 59 / 20

HEX #6ACD55

RGB 106 205 85

HSL 109.5, 0.55%, 0.57%

LAB 74.43, -51.6, 49.96

 

CMYK 0 / 15 / 59 / 20

HEX #CDAF55

RGB 205 175 85

HSL 45, 0.55%, 0.57%

LAB 72.43, 0.14, 49.34

 

CMYK 0 / 18 / 70 / 13

HEX #DFB743

RGB 223 183 67

HSL 44.62, 0.71%, 0.57%

LAB 76.04, 2.47, 61.75

 

CMYK 0 / 20 / 80 / 5

HEX #F1C031

RGB 241 192 49

HSL 44.69, 0.87%, 0.57%

LAB 79.97, 4.72, 72.59

 

CMYK 0 / 15 / 59 / 20

HEX #CDAF55

RGB 205 175 85

HSL 45, 0.55%, 0.57%

LAB 72.43, 0.14, 49.34

 

CMYK 0 / 11 / 45 / 27

HEX #BBA666

RGB 187 166 102

HSL 45.18, 0.38%, 0.57%

LAB 68.6, -1.15, 35.83

 

CMYK 0 / 8 / 29 / 33

HEX #AA9D78

RGB 170 157 120

HSL 44.4, 0.23%, 0.57%

LAB 64.98, -1.11, 21.11

 

CMYK 0 / 3 / 9 / 40

HEX #98948A

RGB 152 148 138

HSL 42.86, 0.06%, 0.57%

LAB 61.39, -0.37, 5.8

 

CMYK 14 / 10 / 0 / 39

HEX #868C9C

RGB 134 140 156

HSL 223.64, 0.1%, 0.57%

LAB 58.25, 1.21, -9.23

 

CMYK 0 / 47 / 59 / 20

HEX #CD6D55

RGB 205 109 85

HSL 12, 0.55%, 0.57%

LAB 56.66, 35.69, 30.36

 

CMYK 0 / 31 / 59 / 20

HEX #CD8D55

RGB 205 141 85

HSL 28, 0.55%, 0.57%

LAB 63.9, 18.49, 39.32

 

CMYK 0 / 16 / 59 / 20

HEX #CDAD55

RGB 205 173 85

HSL 44, 0.55%, 0.57%

LAB 71.91, 1.2, 48.75

 

CMYK 0 / 0 / 59 / 20

HEX #CDCD55

RGB 205 205 85

HSL 60, 0.55%, 0.57%

LAB 80.35, -15.33, 58.23

 

CMYK 16 / 0 / 59 / 20

HEX #ADCD55

RGB 173 205 85

HSL 76, 0.55%, 0.57%

LAB 77.99, -28.27, 54.96

 

CMYK 0 / 18 / 71 / 37

HEX #A1842E

RGB 161 132 46

HSL 44.87, 0.56%, 0.41%

LAB 56.36, 1.65, 48.51

 

CMYK 0 / 18 / 71 / 24

HEX #C19E38

RGB 193 158 56

HSL 44.67, 0.55%, 0.49%

LAB 66.58, 2.21, 55.7

 

CMYK 0 / 15 / 59 / 20

HEX #CDAF55

RGB 205 175 85

HSL 45, 0.55%, 0.57%

LAB 72.43, 0.14, 49.34

 

CMYK 0 / 11 / 45 / 16

HEX #D6BE75

RGB 214 190 117

HSL 45.15, 0.54%, 0.65%

LAB 77.52, -1.23, 39.86

 

CMYK 0 / 8 / 34 / 12

HEX #E0CD94

RGB 224 205 148

HSL 45, 0.55%, 0.73%

LAB 82.73, -1.65, 30.82

 

CMYK 0 / 15 / 59 / 19

HEX #CEAF54

RGB 206 175 84

HSL 44.75, 0.55%, 0.57%

LAB 72.51, 0.49, 49.94

 

CMYK 55 / 0 / 59 / 20

HEX #5DCD55

RGB 93 205 85

HSL 116, 0.55%, 0.57%

LAB 73.96, -55.14, 49.3

 

CMYK 39 / 59 / 0 / 20

HEX #7D55CD

RGB 125 85 205

HSL 260, 0.55%, 0.57%

LAB 45.99, 43.11, -56.63

 

CMYK 0 / 15 / 59 / 19

HEX #CEAF54

RGB 206 175 84

HSL 44.75, 0.55%, 0.57%

LAB 72.51, 0.49, 49.94

 

CMYK 59 / 0 / 16 / 20

HEX #55CDAD

RGB 85 205 173

HSL 164, 0.55%, 0.57%

LAB 75.21, -41.29, 5.92

 

CMYK 16 / 59 / 0 / 20

HEX #AD55CD

RGB 173 85 205

HSL 284, 0.55%, 0.57%

LAB 51.6, 54.65, -47.34

 

CMYK 0 / 15 / 59 / 19

HEX #CEAF54

RGB 206 175 84

HSL 44.75, 0.55%, 0.57%

LAB 72.51, 0.49, 49.94

 

CMYK 55 / 0 / 59 / 20

HEX #5DCD55

RGB 93 205 85

HSL 116, 0.55%, 0.57%

LAB 73.96, -55.14, 49.3

 

CMYK 59 / 43 / 0 / 20

HEX #5575CD

RGB 85 117 205

HSL 224, 0.55%, 0.57%

LAB 50.76, 15.12, -49.16

 

CMYK 4 / 59 / 0 / 20

HEX #C555CD

RGB 197 85 205

HSL 296, 0.55%, 0.57%

LAB 54.84, 60.7, -42

 

CMYK 0 / 15 / 59 / 19

HEX #CEAF54

RGB 206 175 84

HSL 44.75, 0.55%, 0.57%

LAB 72.51, 0.49, 49.94

 

CMYK 59 / 0 / 45 / 20

HEX #55CD71

RGB 85 205 113

HSL 134, 0.55%, 0.57%

LAB 74.05, -53.27, 35.9

 

CMYK 59 / 43 / 0 / 20

HEX #5575CD

RGB 85 117 205

HSL 224, 0.55%, 0.57%

LAB 50.76, 15.12, -49.16

 

CMYK 0 / 59 / 14 / 20

HEX #CD55B1

RGB 205 85 177

HSL 314, 0.55%, 0.57%

LAB 54.71, 58.18, -26.01

 

Description

Color code: HEX #CEAF54 | qconv.com Color code: HEX #CEAF54 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 175 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 175 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 59 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 59% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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