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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEB586 it is the complementary color #314A79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEB586. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEB586 shade: #D3B581, #E4C794, #F5D9A7, #FFEBBA and #FFFDCD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEB586. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEB586 shade: #CEB586, #BDA373, #AC9160, #9B7F4D and #8A6D3A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEB586 shade: #CEB587, #CEA287, #CE8F87 and #CE8787

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEB586 shade: #CEB587, #CEC887, #C0CE87, #ADCE87 and #9ACE87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEB586 shade matches the following richer shades: #CEB587, #DBB979, #E9BD6C and #F7C25E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEB586 shade: #CEB587, #C0B195, #B2ADA2, #A5A9B0 and #97A5BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEB586 shade: #CE8F87, #CEA287, #CEB587, #CEC887 and #C1CE87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEB586 shade: #B6914C, #C2A36A, #CEB587, #DAC7A4 and #E6D9C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEB586 shade: #CEB586, #92CE87 and #9987CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEB586 shade: #CEB586, #87CEB5 and #B587CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEB586 shade: #CEB586, #92CE87, #87A0CE and #C387CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEB586 shade: #CEB586, #87CE92, #87A0CE and #CE87C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 35 / 19

HEX #CEB586

RGB 206 181 134

HSL 39.17, 0.42%, 0.67%

LAB 74.76, 2.17, 27.27

 

Complementary color

CMYK 60 / 39 / 0 / 53

HEX #314A79

RGB 49 74 121

HSL 219.17, 0.42%, 0.33%

LAB 31.65, 5.85, -29.7

 

CMYK 0 / 14 / 39 / 17

HEX #D3B581

RGB 211 181 129

HSL 38.05, 0.48%, 0.67%

LAB 75.13, 3.58, 30.49

 

CMYK 0 / 13 / 35 / 11

HEX #E4C794

RGB 228 199 148

HSL 38.25, 0.6%, 0.74%

LAB 81.55, 3.03, 29.32

 

CMYK 0 / 11 / 32 / 4

HEX #F5D9A7

RGB 245 217 167

HSL 38.46, 0.8%, 0.81%

LAB 87.89, 2.55, 28.22

 

CMYK 0 / 8 / 27 / 0

HEX #FFEBBA

RGB 255 235 186

HSL 42.61, 1%, 0.86%

LAB 93.55, -0.47, 26.28

 

CMYK 0 / 1 / 20 / 0

HEX #FFFDCD

RGB 255 253 205

HSL 57.6, 1%, 0.9%

LAB 98.4, -6.92, 23.27

 

CMYK 0 / 12 / 35 / 19

HEX #CEB586

RGB 206 181 134

HSL 39.17, 0.42%, 0.67%

LAB 74.76, 2.17, 27.27

 

CMYK 0 / 14 / 39 / 26

HEX #BDA373

RGB 189 163 115

HSL 38.92, 0.36%, 0.6%

LAB 68.21, 2.71, 28.46

 

CMYK 0 / 16 / 44 / 33

HEX #AC9160

RGB 172 145 96

HSL 38.68, 0.31%, 0.53%

LAB 61.54, 3.35, 29.73

 

CMYK 0 / 18 / 50 / 39

HEX #9B7F4D

RGB 155 127 77

HSL 38.46, 0.34%, 0.45%

LAB 54.74, 4.13, 31.09

 

CMYK 0 / 21 / 58 / 46

HEX #8A6D3A

RGB 138 109 58

HSL 38.25, 0.41%, 0.38%

LAB 47.81, 5.07, 32.52

 

CMYK 0 / 12 / 34 / 19

HEX #CEB587

RGB 206 181 135

HSL 38.87, 0.42%, 0.67%

LAB 74.77, 2.29, 26.76

 

CMYK 0 / 21 / 34 / 19

HEX #CEA287

RGB 206 162 135

HSL 22.82, 0.42%, 0.67%

LAB 69.97, 12.51, 20.25

 

CMYK 0 / 31 / 34 / 19

HEX #CE8F87

RGB 206 143 135

HSL 6.76, 0.42%, 0.67%

LAB 65.37, 22.86, 13.88

 

CMYK 0 / 34 / 34 / 19

HEX #CE8787

RGB 206 135 135

HSL 0, 0.42%, 0.67%

LAB 63.51, 27.22, 11.26

 

CMYK 0 / 12 / 34 / 19

HEX #CEB587

RGB 206 181 135

HSL 38.87, 0.42%, 0.67%

LAB 74.77, 2.29, 26.76

 

CMYK 0 / 3 / 34 / 19

HEX #CEC887

RGB 206 200 135

HSL 54.93, 0.42%, 0.67%

LAB 79.72, -7.65, 33.31

 

CMYK 7 / 0 / 34 / 19

HEX #C0CE87

RGB 192 206 135

HSL 71.83, 0.42%, 0.67%

LAB 80.23, -16.13, 33.78

 

CMYK 16 / 0 / 34 / 19

HEX #ADCE87

RGB 173 206 135

HSL 87.89, 0.42%, 0.67%

LAB 78.91, -23.26, 31.8

 

CMYK 25 / 0 / 34 / 19

HEX #9ACE87

RGB 154 206 135

HSL 103.94, 0.42%, 0.67%

LAB 77.73, -30.05, 30.03

 

CMYK 0 / 12 / 34 / 19

HEX #CEB587

RGB 206 181 135

HSL 38.87, 0.42%, 0.67%

LAB 74.77, 2.29, 26.76

 

CMYK 0 / 16 / 45 / 14

HEX #DBB979

RGB 219 185 121

HSL 39.18, 0.58%, 0.67%

LAB 76.76, 3.82, 36.94

 

CMYK 0 / 19 / 54 / 9

HEX #E9BD6C

RGB 233 189 108

HSL 38.88, 0.74%, 0.67%

LAB 78.93, 6.24, 46.5

 

CMYK 0 / 21 / 62 / 3

HEX #F7C25E

RGB 247 194 94

HSL 39.22, 0.91%, 0.67%

LAB 81.38, 8.38, 56.4

 

CMYK 0 / 12 / 34 / 19

HEX #CEB587

RGB 206 181 135

HSL 38.87, 0.42%, 0.67%

LAB 74.77, 2.29, 26.76

 

CMYK 0 / 8 / 22 / 25

HEX #C0B195

RGB 192 177 149

HSL 39.07, 0.25%, 0.67%

LAB 72.77, 0.85, 16.28

 

CMYK 0 / 3 / 9 / 30

HEX #B2ADA2

RGB 178 173 162

HSL 41.25, 0.09%, 0.67%

LAB 70.84, -0.18, 6.27

 

CMYK 6 / 4 / 0 / 31

HEX #A5A9B0

RGB 165 169 176

HSL 218.18, 0.07%, 0.67%

LAB 69.12, -0.04, -4.09

 

CMYK 20 / 13 / 0 / 26

HEX #97A5BD

RGB 151 165 189

HSL 217.89, 0.22%, 0.67%

LAB 67.4, 0.27, -13.98

 

CMYK 0 / 31 / 34 / 19

HEX #CE8F87

RGB 206 143 135

HSL 6.76, 0.42%, 0.67%

LAB 65.37, 22.86, 13.88

 

CMYK 0 / 21 / 34 / 19

HEX #CEA287

RGB 206 162 135

HSL 22.82, 0.42%, 0.67%

LAB 69.97, 12.51, 20.25

 

CMYK 0 / 12 / 34 / 19

HEX #CEB587

RGB 206 181 135

HSL 38.87, 0.42%, 0.67%

LAB 74.77, 2.29, 26.76

 

CMYK 0 / 3 / 34 / 19

HEX #CEC887

RGB 206 200 135

HSL 54.93, 0.42%, 0.67%

LAB 79.72, -7.65, 33.31

 

CMYK 6 / 0 / 34 / 19

HEX #C1CE87

RGB 193 206 135

HSL 70.99, 0.42%, 0.67%

LAB 80.31, -15.75, 33.89

 

CMYK 0 / 20 / 58 / 29

HEX #B6914C

RGB 182 145 76

HSL 39.06, 0.42%, 0.51%

LAB 62.27, 5.77, 41.38

 

CMYK 0 / 16 / 45 / 24

HEX #C2A36A

RGB 194 163 106

HSL 38.86, 0.42%, 0.59%

LAB 68.54, 3.79, 33.78

 

CMYK 0 / 12 / 34 / 19

HEX #CEB587

RGB 206 181 135

HSL 38.87, 0.42%, 0.67%

LAB 74.77, 2.29, 26.76

 

CMYK 0 / 9 / 25 / 15

HEX #DAC7A4

RGB 218 199 164

HSL 38.89, 0.42%, 0.75%

LAB 80.98, 1.25, 19.96

 

CMYK 0 / 6 / 16 / 10

HEX #E6D9C2

RGB 230 217 194

HSL 38.33, 0.42%, 0.83%

LAB 87.17, 0.72, 12.93

 

CMYK 0 / 12 / 35 / 19

HEX #CEB586

RGB 206 181 134

HSL 39.17, 0.42%, 0.67%

LAB 74.76, 2.17, 27.27

 

CMYK 29 / 0 / 34 / 19

HEX #92CE87

RGB 146 206 135

HSL 110.7, 0.42%, 0.67%

LAB 77.28, -32.78, 29.34

 

CMYK 26 / 34 / 0 / 19

HEX #9987CE

RGB 153 135 206

HSL 255.21, 0.42%, 0.67%

LAB 60.39, 21.95, -34.22

 

CMYK 0 / 12 / 35 / 19

HEX #CEB586

RGB 206 181 134

HSL 39.17, 0.42%, 0.67%

LAB 74.76, 2.17, 27.27

 

CMYK 34 / 0 / 12 / 19

HEX #87CEB5

RGB 135 206 181

HSL 158.87, 0.42%, 0.67%

LAB 77.66, -27.74, 5.4

 

CMYK 12 / 34 / 0 / 19

HEX #B587CE

RGB 181 135 206

HSL 278.87, 0.42%, 0.67%

LAB 63.02, 30.51, -29.93

 

CMYK 0 / 12 / 35 / 19

HEX #CEB586

RGB 206 181 134

HSL 39.17, 0.42%, 0.67%

LAB 74.76, 2.17, 27.27

 

CMYK 29 / 0 / 34 / 19

HEX #92CE87

RGB 146 206 135

HSL 110.7, 0.42%, 0.67%

LAB 77.28, -32.78, 29.34

 

CMYK 34 / 22 / 0 / 19

HEX #87A0CE

RGB 135 160 206

HSL 218.87, 0.42%, 0.67%

LAB 65.55, 2.38, -26.33

 

CMYK 5 / 34 / 0 / 19

HEX #C387CE

RGB 195 135 206

HSL 290.7, 0.42%, 0.67%

LAB 64.47, 34.91, -27.56

 

CMYK 0 / 12 / 35 / 19

HEX #CEB586

RGB 206 181 134

HSL 39.17, 0.42%, 0.67%

LAB 74.76, 2.17, 27.27

 

CMYK 34 / 0 / 29 / 19

HEX #87CE92

RGB 135 206 146

HSL 129.3, 0.42%, 0.67%

LAB 76.9, -34.53, 22.98

 

CMYK 34 / 22 / 0 / 19

HEX #87A0CE

RGB 135 160 206

HSL 218.87, 0.42%, 0.67%

LAB 65.55, 2.38, -26.33

 

CMYK 0 / 34 / 5 / 19

HEX #CE87C3

RGB 206 135 195

HSL 309.3, 0.42%, 0.67%

LAB 65.27, 36.39, -20.07

 

Description

Color code: HEX #CEB586 | qconv.com Color code: HEX #CEB586 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 181 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 181 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 35 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 35% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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