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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEB58D it is the complementary color #314A72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEB58D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEB58D shade: #D3B588, #E4C79B, #F5D9AE, #FFEBC1 and #FFFDD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEB58D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEB58D shade: #CEB58D, #BDA37A, #AC9167, #9B7F54 and #8A6D41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEB58D shade: #CEB48C, #CEA38C, #CE918C and #CE8C8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEB58D shade: #CEB48C, #CEC68C, #C3CE8C, #B2CE8C and #A0CE8C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEB58D shade matches the following richer shades: #CEB48C, #DBB77F, #E8BB72 and #F5BE65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEB58D shade: #CEB48C, #C0B199, #B3AEA7, #A6ABB4 and #99A8C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEB58D shade: #CE918C, #CEA28C, #CEB38C, #CEC58C and #C5CE8C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEB58D shade: #B58F52, #C1A26F, #CEB48C, #DAC7A9 and #E6DAC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEB58D shade: #CEB58D, #99CE8C and #998CCE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEB58D shade: #CEB58D, #8CCEB3 and #B38CCE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEB58D shade: #CEB58D, #99CE8C, #8CA6CE and #C08CCE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEB58D shade: #CEB58D, #8CCE93, #8CA6CE and #CE8CC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 32 / 19

HEX #CEB58D

RGB 206 181 141

HSL 36.92, 0.4%, 0.68%

LAB 74.88, 3.05, 23.7

 

Complementary color

CMYK 57 / 35 / 0 / 55

HEX #314A72

RGB 49 74 114

HSL 216.92, 0.4%, 0.32%

LAB 31.27, 3.35, -25.92

 

CMYK 0 / 14 / 36 / 17

HEX #D3B588

RGB 211 181 136

HSL 36, 0.46%, 0.68%

LAB 75.25, 4.4, 26.94

 

CMYK 0 / 13 / 32 / 11

HEX #E4C79B

RGB 228 199 155

HSL 36.16, 0.57%, 0.75%

LAB 81.68, 3.88, 25.82

 

CMYK 0 / 11 / 29 / 4

HEX #F5D9AE

RGB 245 217 174

HSL 36.34, 0.78%, 0.82%

LAB 88.01, 3.43, 24.76

 

CMYK 0 / 8 / 24 / 0

HEX #FFEBC1

RGB 255 235 193

HSL 40.65, 1%, 0.88%

LAB 93.68, 0.46, 22.87

 

CMYK 0 / 1 / 17 / 0

HEX #FFFDD4

RGB 255 253 212

HSL 57.21, 1%, 0.92%

LAB 98.54, -5.91, 19.9

 

CMYK 0 / 12 / 32 / 19

HEX #CEB58D

RGB 206 181 141

HSL 36.92, 0.4%, 0.68%

LAB 74.88, 3.05, 23.7

 

CMYK 0 / 14 / 35 / 26

HEX #BDA37A

RGB 189 163 122

HSL 36.72, 0.34%, 0.61%

LAB 68.33, 3.55, 24.84

 

CMYK 0 / 16 / 40 / 33

HEX #AC9167

RGB 172 145 103

HSL 36.52, 0.29%, 0.54%

LAB 61.65, 4.14, 26.06

 

CMYK 0 / 18 / 46 / 39

HEX #9B7F54

RGB 155 127 84

HSL 36.34, 0.3%, 0.47%

LAB 54.85, 4.85, 27.38

 

CMYK 0 / 21 / 53 / 46

HEX #8A6D41

RGB 138 109 65

HSL 36.16, 0.36%, 0.4%

LAB 47.91, 5.72, 28.8

 

CMYK 0 / 13 / 32 / 19

HEX #CEB48C

RGB 206 180 140

HSL 36.36, 0.4%, 0.68%

LAB 74.61, 3.45, 23.86

 

CMYK 0 / 21 / 32 / 19

HEX #CEA38C

RGB 206 163 140

HSL 20.91, 0.4%, 0.68%

LAB 70.32, 12.6, 17.99

 

CMYK 0 / 30 / 32 / 19

HEX #CE918C

RGB 206 145 140

HSL 4.55, 0.4%, 0.68%

LAB 65.96, 22.41, 11.9

 

CMYK 0 / 32 / 32 / 19

HEX #CE8C8C

RGB 206 140 140

HSL 0, 0.4%, 0.68%

LAB 64.78, 25.14, 10.24

 

CMYK 0 / 13 / 32 / 19

HEX #CEB48C

RGB 206 180 140

HSL 36.36, 0.4%, 0.68%

LAB 74.61, 3.45, 23.86

 

CMYK 0 / 4 / 32 / 19

HEX #CEC68C

RGB 206 198 140

HSL 52.73, 0.4%, 0.68%

LAB 79.27, -6.01, 30.13

 

CMYK 5 / 0 / 32 / 19

HEX #C3CE8C

RGB 195 206 140

HSL 70, 0.4%, 0.68%

LAB 80.54, -14.34, 31.64

 

CMYK 14 / 0 / 32 / 19

HEX #B2CE8C

RGB 178 206 140

HSL 85.45, 0.4%, 0.68%

LAB 79.33, -20.73, 29.82

 

CMYK 22 / 0 / 32 / 19

HEX #A0CE8C

RGB 160 206 140

HSL 101.82, 0.4%, 0.68%

LAB 78.17, -27.21, 28.08

 

CMYK 0 / 13 / 32 / 19

HEX #CEB48C

RGB 206 180 140

HSL 36.36, 0.4%, 0.68%

LAB 74.61, 3.45, 23.86

 

CMYK 0 / 16 / 42 / 14

HEX #DBB77F

RGB 219 183 127

HSL 36.52, 0.56%, 0.68%

LAB 76.35, 5.51, 33.29

 

CMYK 0 / 19 / 51 / 9

HEX #E8BB72

RGB 232 187 114

HSL 37.12, 0.72%, 0.68%

LAB 78.41, 7.4, 42.85

 

CMYK 0 / 22 / 59 / 4

HEX #F5BE65

RGB 245 190 101

HSL 37.08, 0.88%, 0.68%

LAB 80.28, 10.12, 51.8

 

CMYK 0 / 13 / 32 / 19

HEX #CEB48C

RGB 206 180 140

HSL 36.36, 0.4%, 0.68%

LAB 74.61, 3.45, 23.86

 

CMYK 0 / 8 / 20 / 25

HEX #C0B199

RGB 192 177 153

HSL 36.92, 0.24%, 0.68%

LAB 72.86, 1.45, 14.23

 

CMYK 0 / 3 / 7 / 30

HEX #B3AEA7

RGB 179 174 167

HSL 35, 0.07%, 0.68%

LAB 71.31, 0.52, 4.21

 

CMYK 8 / 5 / 0 / 29

HEX #A6ABB4

RGB 166 171 180

HSL 218.57, 0.09%, 0.68%

LAB 69.84, 0.02, -5.23

 

CMYK 21 / 13 / 0 / 24

HEX #99A8C1

RGB 153 168 193

HSL 217.5, 0.24%, 0.68%

LAB 68.48, 0.17, -14.56

 

CMYK 0 / 30 / 32 / 19

HEX #CE918C

RGB 206 145 140

HSL 4.55, 0.4%, 0.68%

LAB 65.96, 22.41, 11.9

 

CMYK 0 / 21 / 32 / 19

HEX #CEA28C

RGB 206 162 140

HSL 20, 0.4%, 0.68%

LAB 70.07, 13.14, 17.65

 

CMYK 0 / 13 / 32 / 19

HEX #CEB38C

RGB 206 179 140

HSL 35.45, 0.4%, 0.68%

LAB 74.35, 3.98, 23.52

 

CMYK 0 / 4 / 32 / 19

HEX #CEC58C

RGB 206 197 140

HSL 51.82, 0.4%, 0.68%

LAB 79.01, -5.49, 29.78

 

CMYK 4 / 0 / 32 / 19

HEX #C5CE8C

RGB 197 206 140

HSL 68.18, 0.4%, 0.68%

LAB 80.69, -13.58, 31.87

 

CMYK 0 / 21 / 55 / 29

HEX #B58F52

RGB 181 143 82

HSL 36.97, 0.4%, 0.52%

LAB 61.72, 6.94, 37.62

 

CMYK 0 / 16 / 42 / 24

HEX #C1A26F

RGB 193 162 111

HSL 37.32, 0.4%, 0.6%

LAB 68.26, 4.45, 30.75

 

CMYK 0 / 13 / 32 / 19

HEX #CEB48C

RGB 206 180 140

HSL 36.36, 0.4%, 0.68%

LAB 74.61, 3.45, 23.86

 

CMYK 0 / 9 / 22 / 15

HEX #DAC7A9

RGB 218 199 169

HSL 36.73, 0.4%, 0.76%

LAB 81.08, 1.96, 17.45

 

CMYK 0 / 5 / 14 / 10

HEX #E6DAC6

RGB 230 218 198

HSL 37.5, 0.39%, 0.84%

LAB 87.51, 0.82, 11.31

 

CMYK 0 / 12 / 32 / 19

HEX #CEB58D

RGB 206 181 141

HSL 36.92, 0.4%, 0.68%

LAB 74.88, 3.05, 23.7

 

CMYK 26 / 0 / 32 / 19

HEX #99CE8C

RGB 153 206 140

HSL 108.18, 0.4%, 0.68%

LAB 77.76, -29.63, 27.45

 

CMYK 26 / 32 / 0 / 19

HEX #998CCE

RGB 153 140 206

HSL 251.82, 0.4%, 0.68%

LAB 61.64, 19.07, -32.27

 

CMYK 0 / 12 / 32 / 19

HEX #CEB58D

RGB 206 181 141

HSL 36.92, 0.4%, 0.68%

LAB 74.88, 3.05, 23.7

 

CMYK 32 / 0 / 13 / 19

HEX #8CCEB3

RGB 140 206 179

HSL 155.45, 0.4%, 0.68%

LAB 77.86, -26.7, 6.8

 

CMYK 13 / 32 / 0 / 19

HEX #B38CCE

RGB 179 140 206

HSL 275.45, 0.4%, 0.68%

LAB 64, 27.08, -28.43

 

CMYK 0 / 12 / 32 / 19

HEX #CEB58D

RGB 206 181 141

HSL 36.92, 0.4%, 0.68%

LAB 74.88, 3.05, 23.7

 

CMYK 26 / 0 / 32 / 19

HEX #99CE8C

RGB 153 206 140

HSL 108.18, 0.4%, 0.68%

LAB 77.76, -29.63, 27.45

 

CMYK 32 / 19 / 0 / 19

HEX #8CA6CE

RGB 140 166 206

HSL 216.36, 0.4%, 0.68%

LAB 67.5, 0.46, -23.31

 

CMYK 7 / 32 / 0 / 19

HEX #C08CCE

RGB 192 140 206

HSL 287.27, 0.4%, 0.68%

LAB 65.29, 31.21, -26.33

 

CMYK 0 / 12 / 32 / 19

HEX #CEB58D

RGB 206 181 141

HSL 36.92, 0.4%, 0.68%

LAB 74.88, 3.05, 23.7

 

CMYK 32 / 0 / 29 / 19

HEX #8CCE93

RGB 140 206 147

HSL 126.36, 0.4%, 0.68%

LAB 77.18, -32.78, 22.87

 

CMYK 32 / 19 / 0 / 19

HEX #8CA6CE

RGB 140 166 206

HSL 216.36, 0.4%, 0.68%

LAB 67.5, 0.46, -23.31

 

CMYK 0 / 32 / 3 / 19

HEX #CE8CC7

RGB 206 140 199

HSL 306.36, 0.4%, 0.68%

LAB 66.52, 34.41, -20.41

 

Description

Color code: HEX #CEB58D | qconv.com Color code: HEX #CEB58D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 181 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 181 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 32 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 32% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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