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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEB387 it is the complementary color #314C78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEB387. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEB387 shade: #D3B382, #E4C595, #F5D7A8, #FFE9BB and #FFFBCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEB387. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEB387 shade: #CEB387, #BDA174, #AC8F61, #9B7D4E and #8A6B3B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEB387 shade: #CEB387, #CEA087, #CE8D87 and #CE8787

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEB387 shade: #CEB387, #CEC687, #C2CE87, #AFCE87 and #9CCE87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEB387 shade matches the following richer shades: #CEB387, #DBB679, #E9B96C and #F7BD5E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEB387 shade: #CEB387, #C0B095, #B2ACA2, #A5A9B0 and #97A6BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEB387 shade: #CE8D87, #CEA087, #CEB387, #CEC587 and #C3CE87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEB387 shade: #B68E4C, #C2A06A, #CEB387, #DAC5A4 and #E6D8C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEB387 shade: #CEB387, #94CE87 and #9687CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEB387 shade: #CEB387, #87CEB3 and #B387CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEB387 shade: #CEB387, #94CE87, #87A2CE and #C187CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEB387 shade: #CEB387, #87CE8F, #87A2CE and #CE87C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 34 / 19

HEX #CEB387

RGB 206 179 135

HSL 37.18, 0.42%, 0.67%

LAB 74.26, 3.36, 26.07

 

Complementary color

CMYK 59 / 37 / 0 / 53

HEX #314C78

RGB 49 76 120

HSL 217.18, 0.42%, 0.33%

LAB 32.21, 4.17, -28.2

 

CMYK 0 / 15 / 38 / 17

HEX #D3B382

RGB 211 179 130

HSL 36.3, 0.48%, 0.67%

LAB 74.64, 4.75, 29.32

 

CMYK 0 / 14 / 35 / 11

HEX #E4C595

RGB 228 197 149

HSL 36.46, 0.59%, 0.74%

LAB 81.07, 4.19, 28.15

 

CMYK 0 / 12 / 31 / 4

HEX #F5D7A8

RGB 245 215 168

HSL 36.62, 0.79%, 0.81%

LAB 87.41, 3.7, 27.05

 

CMYK 0 / 9 / 27 / 0

HEX #FFE9BB

RGB 255 233 187

HSL 40.59, 1%, 0.87%

LAB 93.07, 0.67, 25.11

 

CMYK 0 / 2 / 19 / 0

HEX #FFFBCE

RGB 255 251 206

HSL 55.1, 1%, 0.9%

LAB 97.92, -5.78, 22.09

 

CMYK 0 / 13 / 34 / 19

HEX #CEB387

RGB 206 179 135

HSL 37.18, 0.42%, 0.67%

LAB 74.26, 3.36, 26.07

 

CMYK 0 / 15 / 39 / 26

HEX #BDA174

RGB 189 161 116

HSL 36.99, 0.36%, 0.6%

LAB 67.7, 3.91, 27.26

 

CMYK 0 / 17 / 44 / 33

HEX #AC8F61

RGB 172 143 97

HSL 36.8, 0.31%, 0.53%

LAB 61.03, 4.57, 28.53

 

CMYK 0 / 19 / 50 / 39

HEX #9B7D4E

RGB 155 125 78

HSL 36.62, 0.33%, 0.46%

LAB 54.22, 5.36, 29.89

 

CMYK 0 / 22 / 57 / 46

HEX #8A6B3B

RGB 138 107 59

HSL 36.46, 0.4%, 0.39%

LAB 47.28, 6.32, 31.34

 

CMYK 0 / 13 / 34 / 19

HEX #CEB387

RGB 206 179 135

HSL 37.18, 0.42%, 0.67%

LAB 74.26, 3.36, 26.07

 

CMYK 0 / 22 / 34 / 19

HEX #CEA087

RGB 206 160 135

HSL 21.13, 0.42%, 0.67%

LAB 69.48, 13.59, 19.58

 

CMYK 0 / 32 / 34 / 19

HEX #CE8D87

RGB 206 141 135

HSL 5.07, 0.42%, 0.67%

LAB 64.9, 23.95, 13.22

 

CMYK 0 / 34 / 34 / 19

HEX #CE8787

RGB 206 135 135

HSL 0, 0.42%, 0.67%

LAB 63.51, 27.22, 11.26

 

CMYK 0 / 13 / 34 / 19

HEX #CEB387

RGB 206 179 135

HSL 37.18, 0.42%, 0.67%

LAB 74.26, 3.36, 26.07

 

CMYK 0 / 4 / 34 / 19

HEX #CEC687

RGB 206 198 135

HSL 53.24, 0.42%, 0.67%

LAB 79.19, -6.62, 32.62

 

CMYK 6 / 0 / 34 / 19

HEX #C2CE87

RGB 194 206 135

HSL 70.14, 0.42%, 0.67%

LAB 80.38, -15.36, 34

 

CMYK 15 / 0 / 34 / 19

HEX #AFCE87

RGB 175 206 135

HSL 86.2, 0.42%, 0.67%

LAB 79.04, -22.52, 32

 

CMYK 24 / 0 / 34 / 19

HEX #9CCE87

RGB 156 206 135

HSL 102.25, 0.42%, 0.67%

LAB 77.85, -29.35, 30.2

 

CMYK 0 / 13 / 34 / 19

HEX #CEB387

RGB 206 179 135

HSL 37.18, 0.42%, 0.67%

LAB 74.26, 3.36, 26.07

 

CMYK 0 / 17 / 45 / 14

HEX #DBB679

RGB 219 182 121

HSL 37.35, 0.58%, 0.67%

LAB 76.01, 5.41, 35.97

 

CMYK 0 / 21 / 54 / 9

HEX #E9B96C

RGB 233 185 108

HSL 36.96, 0.74%, 0.67%

LAB 77.94, 8.35, 45.3

 

CMYK 0 / 23 / 62 / 3

HEX #F7BD5E

RGB 247 189 94

HSL 37.25, 0.91%, 0.67%

LAB 80.17, 10.98, 55.03

 

CMYK 0 / 13 / 34 / 19

HEX #CEB387

RGB 206 179 135

HSL 37.18, 0.42%, 0.67%

LAB 74.26, 3.36, 26.07

 

CMYK 0 / 8 / 22 / 25

HEX #C0B095

RGB 192 176 149

HSL 37.67, 0.25%, 0.67%

LAB 72.51, 1.39, 15.92

 

CMYK 0 / 3 / 9 / 30

HEX #B2ACA2

RGB 178 172 162

HSL 37.5, 0.09%, 0.67%

LAB 70.58, 0.36, 5.89

 

CMYK 6 / 4 / 0 / 31

HEX #A5A9B0

RGB 165 169 176

HSL 218.18, 0.07%, 0.67%

LAB 69.12, -0.04, -4.09

 

CMYK 20 / 12 / 0 / 26

HEX #97A6BD

RGB 151 166 189

HSL 216.32, 0.22%, 0.67%

LAB 67.67, -0.28, -13.57

 

CMYK 0 / 32 / 34 / 19

HEX #CE8D87

RGB 206 141 135

HSL 5.07, 0.42%, 0.67%

LAB 64.9, 23.95, 13.22

 

CMYK 0 / 22 / 34 / 19

HEX #CEA087

RGB 206 160 135

HSL 21.13, 0.42%, 0.67%

LAB 69.48, 13.59, 19.58

 

CMYK 0 / 13 / 34 / 19

HEX #CEB387

RGB 206 179 135

HSL 37.18, 0.42%, 0.67%

LAB 74.26, 3.36, 26.07

 

CMYK 0 / 4 / 34 / 19

HEX #CEC587

RGB 206 197 135

HSL 52.39, 0.42%, 0.67%

LAB 78.93, -6.1, 32.27

 

CMYK 5 / 0 / 34 / 19

HEX #C3CE87

RGB 195 206 135

HSL 69.3, 0.42%, 0.67%

LAB 80.46, -14.98, 34.11

 

CMYK 0 / 22 / 58 / 29

HEX #B68E4C

RGB 182 142 76

HSL 37.36, 0.42%, 0.51%

LAB 61.49, 7.43, 40.47

 

CMYK 0 / 18 / 45 / 24

HEX #C2A06A

RGB 194 160 106

HSL 36.82, 0.42%, 0.59%

LAB 67.76, 5.41, 32.79

 

CMYK 0 / 13 / 34 / 19

HEX #CEB387

RGB 206 179 135

HSL 37.18, 0.42%, 0.67%

LAB 74.26, 3.36, 26.07

 

CMYK 0 / 10 / 25 / 15

HEX #DAC5A4

RGB 218 197 164

HSL 36.67, 0.42%, 0.75%

LAB 80.47, 2.3, 19.26

 

CMYK 0 / 6 / 16 / 10

HEX #E6D8C2

RGB 230 216 194

HSL 36.67, 0.42%, 0.83%

LAB 86.91, 1.23, 12.57

 

CMYK 0 / 13 / 34 / 19

HEX #CEB387

RGB 206 179 135

HSL 37.18, 0.42%, 0.67%

LAB 74.26, 3.36, 26.07

 

CMYK 28 / 0 / 34 / 19

HEX #94CE87

RGB 148 206 135

HSL 109.01, 0.42%, 0.67%

LAB 77.39, -32.1, 29.51

 

CMYK 27 / 34 / 0 / 19

HEX #9687CE

RGB 150 135 206

HSL 252.68, 0.42%, 0.67%

LAB 60.13, 21.07, -34.64

 

CMYK 0 / 13 / 34 / 19

HEX #CEB387

RGB 206 179 135

HSL 37.18, 0.42%, 0.67%

LAB 74.26, 3.36, 26.07

 

CMYK 34 / 0 / 13 / 19

HEX #87CEB3

RGB 135 206 179

HSL 157.18, 0.42%, 0.67%

LAB 77.61, -28.16, 6.4

 

CMYK 13 / 34 / 0 / 19

HEX #B387CE

RGB 179 135 206

HSL 277.18, 0.42%, 0.67%

LAB 62.82, 29.89, -30.26

 

CMYK 0 / 13 / 34 / 19

HEX #CEB387

RGB 206 179 135

HSL 37.18, 0.42%, 0.67%

LAB 74.26, 3.36, 26.07

 

CMYK 28 / 0 / 34 / 19

HEX #94CE87

RGB 148 206 135

HSL 109.01, 0.42%, 0.67%

LAB 77.39, -32.1, 29.51

 

CMYK 34 / 21 / 0 / 19

HEX #87A2CE

RGB 135 162 206

HSL 217.18, 0.42%, 0.67%

LAB 66.1, 1.26, -25.5

 

CMYK 6 / 34 / 0 / 19

HEX #C187CE

RGB 193 135 206

HSL 289.01, 0.42%, 0.67%

LAB 64.26, 34.28, -27.91

 

CMYK 0 / 13 / 34 / 19

HEX #CEB387

RGB 206 179 135

HSL 37.18, 0.42%, 0.67%

LAB 74.26, 3.36, 26.07

 

CMYK 34 / 0 / 31 / 19

HEX #87CE8F

RGB 135 206 143

HSL 126.76, 0.42%, 0.67%

LAB 76.85, -35.05, 24.48

 

CMYK 34 / 21 / 0 / 19

HEX #87A2CE

RGB 135 162 206

HSL 217.18, 0.42%, 0.67%

LAB 66.1, 1.26, -25.5

 

CMYK 0 / 34 / 4 / 19

HEX #CE87C5

RGB 206 135 197

HSL 307.61, 0.42%, 0.67%

LAB 65.34, 36.75, -21.08

 

Description

Color code: HEX #CEB387 | qconv.com Color code: HEX #CEB387 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 179 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 179 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 34 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 34% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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