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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEB3AF it is the complementary color #314C50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEB3AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEB3AF shade: #D3B3AA, #E4C5BD, #F5D7D0, #FFE9E3 and #FFFBF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEB3AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEB3AF shade: #CEB3AF, #BDA19C, #AC8F89, #9B7D76 and #8A6B63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEB3AF shade: #CEB3AF and #CEAFAF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEB3AF shade: #CEB3AF, #CEBCAF, #CEC4AF, #CECCAF and #C8CEAF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEB3AF shade matches the following richer shades: #CEB3AF, #D8ACA5, #E3A49B, #ED9C91 and #F79586

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEB3AF shade: #CEB3AF, #C4BBBA, #B9C3C4, #AFCACE and #A5D2D9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEB3AF shade: #CEAFBC, #CEAFB4, #CEB3AF, #CEBBAF and #CEC3AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEB3AF shade: #AF837C, #BE9B96, #CEB3AF, #DECCC9 and #EDE4E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEB3AF shade: #CEB3AF, #C4CEAF and #AFB8CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEB3AF shade: #CEB3AF, #AFCEB3 and #B3AFCE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEB3AF shade: #CEB3AF, #C4CEAF, #AFCACE and #B9AFCE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEB3AF shade: #CEB3AF, #BBCEAF, #AFCACE and #C2AFCE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 15 / 19

HEX #CEB3AF

RGB 206 179 175

HSL 7.74, 0.24%, 0.75%

LAB 75.11, 9.04, 5.61

 

Complementary color

CMYK 39 / 5 / 0 / 69

HEX #314C50

RGB 49 76 80

HSL 187.74, 0.24%, 0.25%

LAB 30.4, -9, -5.63

 

CMYK 0 / 15 / 19 / 17

HEX #D3B3AA

RGB 211 179 170

HSL 13.17, 0.32%, 0.75%

LAB 75.45, 10.11, 8.87

 

CMYK 0 / 14 / 17 / 11

HEX #E4C5BD

RGB 228 197 189

HSL 12.31, 0.42%, 0.82%

LAB 81.89, 9.68, 8.04

 

CMYK 0 / 12 / 15 / 4

HEX #F5D7D0

RGB 245 215 208

HSL 11.35, 0.65%, 0.89%

LAB 88.24, 9.29, 7.26

 

CMYK 0 / 9 / 11 / 0

HEX #FFE9E3

RGB 255 233 227

HSL 12.86, 1%, 0.95%

LAB 93.92, 6.5, 5.61

 

CMYK 0 / 2 / 4 / 0

HEX #FFFBF6

RGB 255 251 246

HSL 33.33, 1%, 0.98%

LAB 98.79, 0.47, 2.85

 

CMYK 0 / 13 / 15 / 19

HEX #CEB3AF

RGB 206 179 175

HSL 7.74, 0.24%, 0.75%

LAB 75.11, 9.04, 5.61

 

CMYK 0 / 15 / 17 / 26

HEX #BDA19C

RGB 189 161 156

HSL 9.09, 0.2%, 0.68%

LAB 68.54, 9.46, 6.41

 

CMYK 0 / 17 / 20 / 33

HEX #AC8F89

RGB 172 143 137

HSL 10.29, 0.17%, 0.61%

LAB 61.85, 9.93, 7.26

 

CMYK 0 / 19 / 24 / 39

HEX #9B7D76

RGB 155 125 118

HSL 11.35, 0.16%, 0.54%

LAB 55.01, 10.46, 8.19

 

CMYK 0 / 22 / 28 / 46

HEX #8A6B63

RGB 138 107 99

HSL 12.31, 0.16%, 0.46%

LAB 48.03, 11.09, 9.21

 

CMYK 0 / 13 / 15 / 19

HEX #CEB3AF

RGB 206 179 175

HSL 7.74, 0.24%, 0.75%

LAB 75.11, 9.04, 5.61

 

CMYK 0 / 15 / 15 / 19

HEX #CEAFAF

RGB 206 175 175

HSL 0, 0.24%, 0.75%

LAB 74.11, 11.2, 4.16

 

CMYK 0 / 13 / 15 / 19

HEX #CEB3AF

RGB 206 179 175

HSL 7.74, 0.24%, 0.75%

LAB 75.11, 9.04, 5.61

 

CMYK 0 / 9 / 15 / 19

HEX #CEBCAF

RGB 206 188 175

HSL 25.16, 0.24%, 0.75%

LAB 77.39, 4.22, 8.87

 

CMYK 0 / 5 / 15 / 19

HEX #CEC4AF

RGB 206 196 175

HSL 40.65, 0.24%, 0.75%

LAB 79.44, -0.02, 11.79

 

CMYK 0 / 1 / 15 / 19

HEX #CECCAF

RGB 206 204 175

HSL 56.13, 0.24%, 0.75%

LAB 81.51, -4.2, 14.72

 

CMYK 3 / 0 / 15 / 19

HEX #C8CEAF

RGB 200 206 175

HSL 71.61, 0.24%, 0.75%

LAB 81.58, -7.42, 14.74

 

CMYK 0 / 13 / 15 / 19

HEX #CEB3AF

RGB 206 179 175

HSL 7.74, 0.24%, 0.75%

LAB 75.11, 9.04, 5.61

 

CMYK 0 / 20 / 24 / 15

HEX #D8ACA5

RGB 216 172 165

HSL 8.24, 0.4%, 0.75%

LAB 74.07, 15, 9.71

 

CMYK 0 / 28 / 32 / 11

HEX #E3A49B

RGB 227 164 155

HSL 7.5, 0.56%, 0.75%

LAB 73.06, 22.1, 13.9

 

CMYK 0 / 34 / 39 / 7

HEX #ED9C91

RGB 237 156 145

HSL 7.17, 0.72%, 0.75%

LAB 72.11, 28.95, 18.24

 

CMYK 0 / 40 / 46 / 3

HEX #F79586

RGB 247 149 134

HSL 7.96, 0.88%, 0.75%

LAB 71.55, 35.23, 23.71

 

CMYK 0 / 13 / 15 / 19

HEX #CEB3AF

RGB 206 179 175

HSL 7.74, 0.24%, 0.75%

LAB 75.11, 9.04, 5.61

 

CMYK 0 / 5 / 5 / 23

HEX #C4BBBA

RGB 196 187 186

HSL 6, 0.08%, 0.75%

LAB 76.57, 2.99, 1.63

 

CMYK 6 / 1 / 0 / 23

HEX #B9C3C4

RGB 185 195 196

HSL 185.45, 0.09%, 0.75%

LAB 78.07, -3.23, -1.7

 

CMYK 15 / 2 / 0 / 19

HEX #AFCACE

RGB 175 202 206

HSL 187.74, 0.24%, 0.75%

LAB 79.51, -8.2, -5.05

 

CMYK 24 / 3 / 0 / 15

HEX #A5D2D9

RGB 165 210 217

HSL 188.08, 0.41%, 0.75%

LAB 81.35, -13.07, -8.29

 

CMYK 0 / 15 / 9 / 19

HEX #CEAFBC

RGB 206 175 188

HSL 334.84, 0.24%, 0.75%

LAB 74.45, 13.37, -2.45

 

CMYK 0 / 15 / 13 / 19

HEX #CEAFB4

RGB 206 175 180

HSL 350.32, 0.24%, 0.75%

LAB 74.24, 12.02, 1.61

 

CMYK 0 / 13 / 15 / 19

HEX #CEB3AF

RGB 206 179 175

HSL 7.74, 0.24%, 0.75%

LAB 75.11, 9.04, 5.61

 

CMYK 0 / 9 / 15 / 19

HEX #CEBBAF

RGB 206 187 175

HSL 23.23, 0.24%, 0.75%

LAB 77.14, 4.75, 8.51

 

CMYK 0 / 5 / 15 / 19

HEX #CEC3AF

RGB 206 195 175

HSL 38.71, 0.24%, 0.75%

LAB 79.18, 0.51, 11.43

 

CMYK 0 / 25 / 29 / 31

HEX #AF837C

RGB 175 131 124

HSL 8.24, 0.24%, 0.59%

LAB 58.79, 15.9, 10.37

 

CMYK 0 / 18 / 21 / 25

HEX #BE9B96

RGB 190 155 150

HSL 7.5, 0.24%, 0.67%

LAB 66.97, 12.2, 7.51

 

CMYK 0 / 13 / 15 / 19

HEX #CEB3AF

RGB 206 179 175

HSL 7.74, 0.24%, 0.75%

LAB 75.11, 9.04, 5.61

 

CMYK 0 / 8 / 9 / 13

HEX #DECCC9

RGB 222 204 201

HSL 8.57, 0.24%, 0.83%

LAB 83.41, 5.76, 3.75

 

CMYK 0 / 4 / 4 / 7

HEX #EDE4E3

RGB 237 228 227

HSL 6, 0.22%, 0.91%

LAB 91.25, 2.88, 1.56

 

CMYK 0 / 13 / 15 / 19

HEX #CEB3AF

RGB 206 179 175

HSL 7.74, 0.24%, 0.75%

LAB 75.11, 9.04, 5.61

 

CMYK 5 / 0 / 15 / 19

HEX #C4CEAF

RGB 196 206 175

HSL 79.35, 0.24%, 0.75%

LAB 81.28, -8.86, 14.28

 

CMYK 15 / 11 / 0 / 19

HEX #AFB8CE

RGB 175 184 206

HSL 222.58, 0.24%, 0.75%

LAB 74.73, 1.37, -12.15

 

CMYK 0 / 13 / 15 / 19

HEX #CEB3AF

RGB 206 179 175

HSL 7.74, 0.24%, 0.75%

LAB 75.11, 9.04, 5.61

 

CMYK 15 / 0 / 13 / 19

HEX #AFCEB3

RGB 175 206 179

HSL 127.74, 0.24%, 0.75%

LAB 79.9, -15.52, 10

 

CMYK 13 / 15 / 0 / 19

HEX #B3AFCE

RGB 179 175 206

HSL 247.74, 0.24%, 0.75%

LAB 72.69, 7.57, -15.18

 

CMYK 0 / 13 / 15 / 19

HEX #CEB3AF

RGB 206 179 175

HSL 7.74, 0.24%, 0.75%

LAB 75.11, 9.04, 5.61

 

CMYK 5 / 0 / 15 / 19

HEX #C4CEAF

RGB 196 206 175

HSL 79.35, 0.24%, 0.75%

LAB 81.28, -8.86, 14.28

 

CMYK 15 / 2 / 0 / 19

HEX #AFCACE

RGB 175 202 206

HSL 187.74, 0.24%, 0.75%

LAB 79.51, -8.2, -5.05

 

CMYK 10 / 15 / 0 / 19

HEX #B9AFCE

RGB 185 175 206

HSL 259.35, 0.24%, 0.75%

LAB 73.17, 9.55, -14.4

 

CMYK 0 / 13 / 15 / 19

HEX #CEB3AF

RGB 206 179 175

HSL 7.74, 0.24%, 0.75%

LAB 75.11, 9.04, 5.61

 

CMYK 9 / 0 / 15 / 19

HEX #BBCEAF

RGB 187 206 175

HSL 96.77, 0.24%, 0.75%

LAB 80.63, -12.06, 13.27

 

CMYK 15 / 2 / 0 / 19

HEX #AFCACE

RGB 175 202 206

HSL 187.74, 0.24%, 0.75%

LAB 79.51, -8.2, -5.05

 

CMYK 6 / 15 / 0 / 19

HEX #C2AFCE

RGB 194 175 206

HSL 276.77, 0.24%, 0.75%

LAB 73.92, 12.55, -13.2

 

Description

Color code: HEX #CEB3AF | qconv.com Color code: HEX #CEB3AF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 179 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 179 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 15 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 15% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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