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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEBBD2 it is the complementary color #31442D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEBBD2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEBBD2 shade: #D3BBCD, #E4CDE0, #F5DFF3 and #FFF1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEBBD2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEBBD2 shade: #CEBBD2, #BDA9BF, #AC97AC, #9B8599 and #8A7386

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEBBD2 shade: #CEBBD2, #D2BBCF, #D2BBC9, #D2BBC3 and #D2BBBD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEBBD2 shade: #CEBBD2, #C8BBD2, #C2BBD2, #BCBBD2 and #BBBBD2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEBBD2 shade matches the following richer shades: #CEBBD2, #D4B2DB, #DAA9E4, #DFA0ED and #E597F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEBBD2 shade: #CEBBD2, #C8C4C9, #C2CDBF, #BCD6B6 and #B6DFAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEBBD2 shade: #C2BBD2, #C8BBD2, #CEBBD2, #D2BBD0 and #D2BBCA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEBBD2 shade: #AA8AB1, #BCA2C1, #CEBBD2, #E0D4E2 and #F2EDF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEBBD2 shade: #CEBBD2, #D2BCBB and #BBD2C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEBBD2 shade: #CEBBD2, #D2CEBB and #BBD2CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEBBD2 shade: #CEBBD2, #D2BCBB, #BFD2BB and #BBD1D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEBBD2 shade: #CEBBD2, #D2C2BB, #BFD2BB and #BBCBD2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 11 / 0 / 18

HEX #CEBBD2

RGB 206 187 210

HSL 289.57, 0.2%, 0.78%

LAB 78.06, 10.86, -9.09

 

Complementary color

CMYK 28 / 0 / 34 / 73

HEX #31442D

RGB 49 68 45

HSL 109.57, 0.2%, 0.22%

LAB 26.67, -12.83, 11.57

 

CMYK 0 / 11 / 3 / 17

HEX #D3BBCD

RGB 211 187 205

HSL 315, 0.21%, 0.78%

LAB 78.34, 11.65, -5.92

 

CMYK 0 / 10 / 2 / 11

HEX #E4CDE0

RGB 228 205 224

HSL 310.43, 0.3%, 0.85%

LAB 84.76, 11.3, -6.46

 

CMYK 0 / 9 / 1 / 4

HEX #F5DFF3

RGB 245 223 243

HSL 305.45, 0.52%, 0.92%

LAB 91.08, 10.97, -6.99

 

CMYK 0 / 5 / 0 / 0

HEX #FFF1FF

RGB 255 241 255

HSL 300, 1%, 0.97%

LAB 96.57, 7.12, -5.04

 

CMYK 2 / 11 / 0 / 18

HEX #CEBBD2

RGB 206 187 210

HSL 289.57, 0.2%, 0.78%

LAB 78.06, 10.86, -9.09

 

CMYK 1 / 12 / 0 / 25

HEX #BDA9BF

RGB 189 169 191

HSL 294.55, 0.15%, 0.71%

LAB 71.53, 11.21, -8.6

 

CMYK 0 / 12 / 0 / 33

HEX #AC97AC

RGB 172 151 172

HSL 300, 0.11%, 0.63%

LAB 64.87, 11.6, -8.09

 

CMYK 0 / 14 / 1 / 39

HEX #9B8599

RGB 155 133 153

HSL 305.45, 0.1%, 0.56%

LAB 58.08, 12.02, -7.57

 

CMYK 0 / 17 / 3 / 46

HEX #8A7386

RGB 138 115 134

HSL 310.43, 0.09%, 0.5%

LAB 51.14, 12.48, -7.03

 

CMYK 2 / 11 / 0 / 18

HEX #CEBBD2

RGB 206 187 210

HSL 289.57, 0.2%, 0.78%

LAB 78.06, 10.86, -9.09

 

CMYK 0 / 11 / 1 / 18

HEX #D2BBCF

RGB 210 187 207

HSL 307.83, 0.2%, 0.78%

LAB 78.31, 11.67, -7.06

 

CMYK 0 / 11 / 4 / 18

HEX #D2BBC9

RGB 210 187 201

HSL 323.48, 0.2%, 0.78%

LAB 78.15, 10.58, -4.06

 

CMYK 0 / 11 / 7 / 18

HEX #D2BBC3

RGB 210 187 195

HSL 339.13, 0.2%, 0.78%

LAB 77.98, 9.53, -1.05

 

CMYK 0 / 11 / 10 / 18

HEX #D2BBBD

RGB 210 187 189

HSL 354.78, 0.2%, 0.78%

LAB 77.83, 8.5, 1.97

 

CMYK 2 / 11 / 0 / 18

HEX #CEBBD2

RGB 206 187 210

HSL 289.57, 0.2%, 0.78%

LAB 78.06, 10.86, -9.09

 

CMYK 5 / 11 / 0 / 18

HEX #C8BBD2

RGB 200 187 210

HSL 273.91, 0.2%, 0.78%

LAB 77.56, 8.83, -9.89

 

CMYK 8 / 11 / 0 / 18

HEX #C2BBD2

RGB 194 187 210

HSL 258.26, 0.2%, 0.78%

LAB 77.08, 6.82, -10.66

 

CMYK 10 / 11 / 0 / 18

HEX #BCBBD2

RGB 188 187 210

HSL 242.61, 0.2%, 0.78%

LAB 76.61, 4.83, -11.41

 

CMYK 11 / 11 / 0 / 18

HEX #BBBBD2

RGB 187 187 210

HSL 240, 0.2%, 0.78%

LAB 76.53, 4.5, -11.53

 

CMYK 2 / 11 / 0 / 18

HEX #CEBBD2

RGB 206 187 210

HSL 289.57, 0.2%, 0.78%

LAB 78.06, 10.86, -9.09

 

CMYK 3 / 19 / 0 / 14

HEX #D4B2DB

RGB 212 178 219

HSL 289.76, 0.36%, 0.78%

LAB 76.65, 19.46, -16.03

 

CMYK 4 / 26 / 0 / 11

HEX #DAA9E4

RGB 218 169 228

HSL 289.83, 0.52%, 0.78%

LAB 75.38, 28.03, -22.79

 

CMYK 6 / 32 / 0 / 7

HEX #DFA0ED

RGB 223 160 237

HSL 289.09, 0.68%, 0.78%

LAB 74.15, 36.21, -29.51

 

CMYK 7 / 39 / 0 / 4

HEX #E597F6

RGB 229 151 246

HSL 289.26, 0.84%, 0.78%

LAB 73.18, 44.54, -35.86

 

CMYK 2 / 11 / 0 / 18

HEX #CEBBD2

RGB 206 187 210

HSL 289.57, 0.2%, 0.78%

LAB 78.06, 10.86, -9.09

 

CMYK 0 / 2 / 0 / 21

HEX #C8C4C9

RGB 200 196 201

HSL 288, 0.04%, 0.78%

LAB 79.6, 2.31, -2.02

 

CMYK 5 / 0 / 7 / 20

HEX #C2CDBF

RGB 194 205 191

HSL 107.14, 0.12%, 0.78%

LAB 81.23, -6.32, 5.67

 

CMYK 12 / 0 / 15 / 16

HEX #BCD6B6

RGB 188 214 182

HSL 108.75, 0.28%, 0.78%

LAB 83, -14.59, 12.92

 

CMYK 18 / 0 / 22 / 13

HEX #B6DFAD

RGB 182 223 173

HSL 109.2, 0.44%, 0.78%

LAB 84.86, -22.63, 20.2

 

CMYK 8 / 11 / 0 / 18

HEX #C2BBD2

RGB 194 187 210

HSL 258.26, 0.2%, 0.78%

LAB 77.08, 6.82, -10.66

 

CMYK 5 / 11 / 0 / 18

HEX #C8BBD2

RGB 200 187 210

HSL 273.91, 0.2%, 0.78%

LAB 77.56, 8.83, -9.89

 

CMYK 2 / 11 / 0 / 18

HEX #CEBBD2

RGB 206 187 210

HSL 289.57, 0.2%, 0.78%

LAB 78.06, 10.86, -9.09

 

CMYK 0 / 11 / 1 / 18

HEX #D2BBD0

RGB 210 187 208

HSL 305.22, 0.2%, 0.78%

LAB 78.34, 11.85, -7.55

 

CMYK 0 / 11 / 4 / 18

HEX #D2BBCA

RGB 210 187 202

HSL 320.87, 0.2%, 0.78%

LAB 78.17, 10.76, -4.56

 

CMYK 4 / 22 / 0 / 31

HEX #AA8AB1

RGB 170 138 177

HSL 289.23, 0.2%, 0.62%

LAB 61.57, 19.21, -15.89

 

CMYK 3 / 16 / 0 / 24

HEX #BCA2C1

RGB 188 162 193

HSL 290.32, 0.2%, 0.7%

LAB 69.74, 15.11, -12.38

 

CMYK 2 / 11 / 0 / 18

HEX #CEBBD2

RGB 206 187 210

HSL 289.57, 0.2%, 0.78%

LAB 78.06, 10.86, -9.09

 

CMYK 1 / 6 / 0 / 11

HEX #E0D4E2

RGB 224 212 226

HSL 291.43, 0.19%, 0.86%

LAB 86.22, 6.62, -5.41

 

CMYK 0 / 2 / 0 / 5

HEX #F2EDF3

RGB 242 237 243

HSL 290, 0.2%, 0.94%

LAB 94.28, 2.74, -2.31

 

CMYK 2 / 11 / 0 / 18

HEX #CEBBD2

RGB 206 187 210

HSL 289.57, 0.2%, 0.78%

LAB 78.06, 10.86, -9.09

 

CMYK 0 / 10 / 11 / 18

HEX #D2BCBB

RGB 210 188 187

HSL 2.61, 0.2%, 0.78%

LAB 78.03, 7.63, 3.34

 

CMYK 11 / 0 / 6 / 18

HEX #BBD2C5

RGB 187 210 197

HSL 146.09, 0.2%, 0.78%

LAB 82.21, -10.19, 3.82

 

CMYK 2 / 11 / 0 / 18

HEX #CEBBD2

RGB 206 187 210

HSL 289.57, 0.2%, 0.78%

LAB 78.06, 10.86, -9.09

 

CMYK 0 / 2 / 11 / 18

HEX #D2CEBB

RGB 210 206 187

HSL 49.57, 0.2%, 0.78%

LAB 82.61, -1.88, 9.94

 

CMYK 11 / 0 / 2 / 18

HEX #BBD2CE

RGB 187 210 206

HSL 169.57, 0.2%, 0.78%

LAB 82.44, -8.46, -0.65

 

CMYK 2 / 11 / 0 / 18

HEX #CEBBD2

RGB 206 187 210

HSL 289.57, 0.2%, 0.78%

LAB 78.06, 10.86, -9.09

 

CMYK 0 / 10 / 11 / 18

HEX #D2BCBB

RGB 210 188 187

HSL 2.61, 0.2%, 0.78%

LAB 78.03, 7.63, 3.34

 

CMYK 9 / 0 / 11 / 18

HEX #BFD2BB

RGB 191 210 187

HSL 109.57, 0.2%, 0.78%

LAB 82.25, -10.64, 9.23

 

CMYK 11 / 0 / 0 / 18

HEX #BBD1D2

RGB 187 209 210

HSL 182.61, 0.2%, 0.78%

LAB 82.28, -7.15, -3.01

 

CMYK 2 / 11 / 0 / 18

HEX #CEBBD2

RGB 206 187 210

HSL 289.57, 0.2%, 0.78%

LAB 78.06, 10.86, -9.09

 

CMYK 0 / 8 / 11 / 18

HEX #D2C2BB

RGB 210 194 187

HSL 18.26, 0.2%, 0.78%

LAB 79.54, 4.43, 5.53

 

CMYK 9 / 0 / 11 / 18

HEX #BFD2BB

RGB 191 210 187

HSL 109.57, 0.2%, 0.78%

LAB 82.25, -10.64, 9.23

 

CMYK 11 / 3 / 0 / 18

HEX #BBCBD2

RGB 187 203 210

HSL 198.26, 0.2%, 0.78%

LAB 80.7, -4.02, -5.34

 

Description

Color code: HEX #CEBBD2 | qconv.com Color code: HEX #CEBBD2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 187 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 187 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 11 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 11% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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