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Color name
HEX #CEBC50

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEBC50 it is the complementary color #3143AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEBC50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEBC50 shade: #D3BC4B, #E4CE5E, #F5E071, #FFF284 and #FFFF97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEBC50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEBC50 shade: #CEBC50, #BDAA3D, #AC982A, #9B8617 and #8A7404

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEBC50 shade: #CDBB4F, #CD994F, #CD774F, #CD564F and #CD4F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEBC50 shade: #CDBB4F, #BDCD4F, #9BCD4F, #79CD4F and #58CD4F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEBC50 shade matches the following richer shades: #CDBB4F, #DFC83D and #F1D52B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEBC50 shade: #CDBB4F, #BBAE62, #A9A174, #979486 and #858798

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEBC50 shade: #CD774F, #CD994F, #CDBA4F, #BECD4F and #9DCD4F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEBC50 shade: #9E8E2C, #BEAB35, #CDBB4F, #D6C870 and #DFD490

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEBC50 shade: #CEBC50, #4FCD56 and #884FCD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEBC50 shade: #CEBC50, #4FCDBA and #BA4FCD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEBC50 shade: #CEBC50, #4FCD56, #4F62CD and #CD4FC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEBC50 shade: #CEBC50, #4FCD7B, #4F62CD and #CD4FA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 61 / 19

HEX #CEBC50

RGB 206 188 80

HSL 51.43, 0.56%, 0.56%

LAB 75.86, -6.6, 55.53

 

Complementary color

CMYK 72 / 62 / 0 / 31

HEX #3143AF

RGB 49 67 175

HSL 231.43, 0.56%, 0.44%

LAB 33.48, 30.46, -59.66

 

CMYK 0 / 11 / 64 / 17

HEX #D3BC4B

RGB 211 188 75

HSL 49.85, 0.61%, 0.56%

LAB 76.27, -4.81, 58.28

 

CMYK 0 / 10 / 59 / 11

HEX #E4CE5E

RGB 228 206 94

HSL 50.15, 0.71%, 0.63%

LAB 82.62, -5.69, 57.31

 

CMYK 0 / 9 / 54 / 4

HEX #F5E071

RGB 245 224 113

HSL 50.45, 0.87%, 0.7%

LAB 88.88, -6.45, 56.21

 

CMYK 0 / 5 / 48 / 0

HEX #FFF284

RGB 255 242 132

HSL 53.66, 1%, 0.76%

LAB 94.5, -9.85, 54.23

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF97

RGB 255 255 151

HSL 60, 1%, 0.8%

LAB 98.04, -14.43, 49.58

 

CMYK 0 / 9 / 61 / 19

HEX #CEBC50

RGB 206 188 80

HSL 51.43, 0.56%, 0.56%

LAB 75.86, -6.6, 55.53

 

CMYK 0 / 10 / 68 / 26

HEX #BDAA3D

RGB 189 170 61

HSL 51.09, 0.51%, 0.49%

LAB 69.4, -5.67, 56.38

 

CMYK 0 / 12 / 76 / 33

HEX #AC982A

RGB 172 152 42

HSL 50.77, 0.61%, 0.42%

LAB 62.84, -4.54, 56.81

 

CMYK 0 / 14 / 85 / 39

HEX #9B8617

RGB 155 134 23

HSL 50.45, 0.74%, 0.35%

LAB 56.17, -3.16, 56.38

 

CMYK 0 / 16 / 97 / 46

HEX #8A7404

RGB 138 116 4

HSL 50.15, 0.94%, 0.28%

LAB 49.38, -1.48, 54.49

 

CMYK 0 / 9 / 61 / 20

HEX #CDBB4F

RGB 205 187 79

HSL 51.43, 0.56%, 0.56%

LAB 75.5, -6.58, 55.55

 

CMYK 0 / 25 / 61 / 20

HEX #CD994F

RGB 205 153 79

HSL 35.24, 0.56%, 0.56%

LAB 66.77, 11.52, 45.74

 

CMYK 0 / 42 / 61 / 20

HEX #CD774F

RGB 205 119 79

HSL 19.05, 0.56%, 0.56%

LAB 58.73, 29.96, 36.24

 

CMYK 0 / 58 / 61 / 20

HEX #CD564F

RGB 205 86 79

HSL 3.33, 0.56%, 0.56%

LAB 52.06, 46.74, 27.96

 

CMYK 0 / 61 / 61 / 20

HEX #CD4F4F

RGB 205 79 79

HSL 0, 0.56%, 0.56%

LAB 50.85, 49.96, 26.41

 

CMYK 0 / 9 / 61 / 20

HEX #CDBB4F

RGB 205 187 79

HSL 51.43, 0.56%, 0.56%

LAB 75.5, -6.58, 55.55

 

CMYK 8 / 0 / 61 / 20

HEX #BDCD4F

RGB 189 205 79

HSL 67.62, 0.56%, 0.56%

LAB 79.07, -22.32, 59.05

 

CMYK 24 / 0 / 61 / 20

HEX #9BCD4F

RGB 155 205 79

HSL 83.81, 0.56%, 0.56%

LAB 76.8, -35.7, 55.92

 

CMYK 41 / 0 / 61 / 20

HEX #79CD4F

RGB 121 205 79

HSL 100, 0.56%, 0.56%

LAB 75.01, -47.63, 53.44

 

CMYK 57 / 0 / 61 / 20

HEX #58CD4F

RGB 88 205 79

HSL 115.71, 0.56%, 0.56%

LAB 73.74, -57.05, 51.67

 

CMYK 0 / 9 / 61 / 20

HEX #CDBB4F

RGB 205 187 79

HSL 51.43, 0.56%, 0.56%

LAB 75.5, -6.58, 55.55

 

CMYK 0 / 10 / 73 / 13

HEX #DFC83D

RGB 223 200 61

HSL 51.48, 0.72%, 0.56%

LAB 80.37, -6.62, 68.32

 

CMYK 0 / 12 / 82 / 5

HEX #F1D52B

RGB 241 213 43

HSL 51.52, 0.88%, 0.56%

LAB 85.23, -6.23, 78.85

 

CMYK 0 / 9 / 61 / 20

HEX #CDBB4F

RGB 205 187 79

HSL 51.43, 0.56%, 0.56%

LAB 75.5, -6.58, 55.55

 

CMYK 0 / 7 / 48 / 27

HEX #BBAE62

RGB 187 174 98

HSL 51.24, 0.4%, 0.56%

LAB 70.68, -5.8, 40.47

 

CMYK 0 / 5 / 31 / 34

HEX #A9A174

RGB 169 161 116

HSL 50.94, 0.24%, 0.56%

LAB 65.89, -4.21, 24.53

 

CMYK 0 / 2 / 11 / 41

HEX #979486

RGB 151 148 134

HSL 49.41, 0.08%, 0.56%

LAB 61.2, -1.45, 7.79

 

CMYK 13 / 11 / 0 / 40

HEX #858798

RGB 133 135 152

HSL 233.68, 0.08%, 0.56%

LAB 56.67, 2.84, -9.31

 

CMYK 0 / 42 / 61 / 20

HEX #CD774F

RGB 205 119 79

HSL 19.05, 0.56%, 0.56%

LAB 58.73, 29.96, 36.24

 

CMYK 0 / 25 / 61 / 20

HEX #CD994F

RGB 205 153 79

HSL 35.24, 0.56%, 0.56%

LAB 66.77, 11.52, 45.74

 

CMYK 0 / 9 / 61 / 20

HEX #CDBA4F

RGB 205 186 79

HSL 50.95, 0.56%, 0.56%

LAB 75.24, -6.06, 55.26

 

CMYK 7 / 0 / 61 / 20

HEX #BECD4F

RGB 190 205 79

HSL 67.14, 0.56%, 0.56%

LAB 79.14, -21.91, 59.16

 

CMYK 23 / 0 / 61 / 20

HEX #9DCD4F

RGB 157 205 79

HSL 82.86, 0.56%, 0.56%

LAB 76.92, -34.94, 56.09

 

CMYK 0 / 10 / 72 / 38

HEX #9E8E2C

RGB 158 142 44

HSL 51.58, 0.56%, 0.4%

LAB 58.79, -5.33, 51.68

 

CMYK 0 / 10 / 72 / 25

HEX #BEAB35

RGB 190 171 53

HSL 51.68, 0.56%, 0.48%

LAB 69.7, -6.18, 59.9

 

CMYK 0 / 9 / 61 / 20

HEX #CDBB4F

RGB 205 187 79

HSL 51.43, 0.56%, 0.56%

LAB 75.5, -6.58, 55.55

 

CMYK 0 / 7 / 48 / 16

HEX #D6C870

RGB 214 200 112

HSL 51.76, 0.55%, 0.64%

LAB 80.05, -6.9, 45.5

 

CMYK 0 / 5 / 35 / 13

HEX #DFD490

RGB 223 212 144

HSL 51.65, 0.55%, 0.72%

LAB 84.37, -6.11, 35.04

 

CMYK 0 / 9 / 61 / 19

HEX #CEBC50

RGB 206 188 80

HSL 51.43, 0.56%, 0.56%

LAB 75.86, -6.6, 55.53

 

CMYK 61 / 0 / 58 / 20

HEX #4FCD56

RGB 79 205 86

HSL 123.33, 0.56%, 0.56%

LAB 73.54, -58.36, 48.25

 

CMYK 34 / 61 / 0 / 20

HEX #884FCD

RGB 136 79 205

HSL 267.14, 0.56%, 0.56%

LAB 45.95, 48.85, -56.64

 

CMYK 0 / 9 / 61 / 19

HEX #CEBC50

RGB 206 188 80

HSL 51.43, 0.56%, 0.56%

LAB 75.86, -6.6, 55.53

 

CMYK 61 / 0 / 9 / 20

HEX #4FCDBA

RGB 79 205 186

HSL 170.95, 0.56%, 0.56%

LAB 75.37, -39.19, -0.87

 

CMYK 9 / 61 / 0 / 20

HEX #BA4FCD

RGB 186 79 205

HSL 290.95, 0.56%, 0.56%

LAB 52.33, 60.64, -46.07

 

CMYK 0 / 9 / 61 / 19

HEX #CEBC50

RGB 206 188 80

HSL 51.43, 0.56%, 0.56%

LAB 75.86, -6.6, 55.53

 

CMYK 61 / 0 / 58 / 20

HEX #4FCD56

RGB 79 205 86

HSL 123.33, 0.56%, 0.56%

LAB 73.54, -58.36, 48.25

 

CMYK 61 / 52 / 0 / 20

HEX #4F62CD

RGB 79 98 205

HSL 230.95, 0.56%, 0.56%

LAB 45.37, 25.84, -57.83

 

CMYK 0 / 61 / 3 / 20

HEX #CD4FC7

RGB 205 79 199

HSL 302.86, 0.56%, 0.56%

LAB 54.76, 64.27, -38.62

 

CMYK 0 / 9 / 61 / 19

HEX #CEBC50

RGB 206 188 80

HSL 51.43, 0.56%, 0.56%

LAB 75.86, -6.6, 55.53

 

CMYK 61 / 0 / 40 / 20

HEX #4FCD7B

RGB 79 205 123

HSL 140.95, 0.56%, 0.56%

LAB 74.03, -52.9, 30.75

 

CMYK 61 / 52 / 0 / 20

HEX #4F62CD

RGB 79 98 205

HSL 230.95, 0.56%, 0.56%

LAB 45.37, 25.84, -57.83

 

CMYK 0 / 61 / 21 / 20

HEX #CD4FA1

RGB 205 79 161

HSL 320.95, 0.56%, 0.56%

LAB 53.11, 58.47, -19.13

 

Description

Color code: HEX #CEBC50 | qconv.com Color code: HEX #CEBC50 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 188 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 188 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 61 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 61% 19% C M Y K

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Provide designers and agencies with accurate color values.

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