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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEBC96 it is the complementary color #314369. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEBC96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEBC96 shade: #D3BC91, #E4CEA4, #F5E0B7, #FFF2CA and #FFFFDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEBC96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEBC96 shade: #CEBC96, #BDAA83, #AC9870, #9B865D and #8A744A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEBC96 shade: #CEBC96, #CEAD96, #CE9E96 and #CE9696

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEBC96 shade: #CEBC96, #CECB96, #C2CE96, #B3CE96 and #A4CE96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEBC96 shade matches the following richer shades: #CEBC96, #DAC08A, #E6C57E and #F3C971

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEBC96 shade: #CEBC96, #C1B7A3, #B5B3AF, #A8AFBC and #9CAAC8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEBC96 shade: #CE9E96, #CEAC96, #CEBB96, #CECA96 and #C3CE96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEBC96 shade: #B3985E, #C0AA7A, #CEBC96, #DBCEB3 and #E8E0CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEBC96 shade: #CEBC96, #9ECE96 and #A596CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEBC96 shade: #CEBC96, #96CEBB and #BB96CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEBC96 shade: #CEBC96, #9ECE96, #96A9CE and #C696CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEBC96 shade: #CEBC96, #96CEA0, #96A9CE and #CE96C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 27 / 19

HEX #CEBC96

RGB 206 188 150

HSL 40.71, 0.36%, 0.7%

LAB 76.85, 0.52, 21.57

 

Complementary color

CMYK 53 / 36 / 0 / 59

HEX #314369

RGB 49 67 105

HSL 220.71, 0.36%, 0.3%

LAB 28.61, 4.83, -24.41

 

CMYK 0 / 11 / 31 / 17

HEX #D3BC91

RGB 211 188 145

HSL 39.09, 0.43%, 0.7%

LAB 77.2, 1.8, 24.78

 

CMYK 0 / 10 / 28 / 11

HEX #E4CEA4

RGB 228 206 164

HSL 39.38, 0.54%, 0.77%

LAB 83.61, 1.39, 23.72

 

CMYK 0 / 9 / 25 / 4

HEX #F5E0B7

RGB 245 224 183

HSL 39.68, 0.76%, 0.84%

LAB 89.93, 1.02, 22.72

 

CMYK 0 / 5 / 21 / 0

HEX #FFF2CA

RGB 255 242 202

HSL 45.28, 1%, 0.9%

LAB 95.59, -1.84, 20.9

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDD

RGB 255 255 221

HSL 60, 1%, 0.93%

LAB 99.22, -5.56, 16.27

 

CMYK 0 / 9 / 27 / 19

HEX #CEBC96

RGB 206 188 150

HSL 40.71, 0.36%, 0.7%

LAB 76.85, 0.52, 21.57

 

CMYK 0 / 10 / 31 / 26

HEX #BDAA83

RGB 189 170 131

HSL 40.34, 0.31%, 0.63%

LAB 70.32, 0.92, 22.64

 

CMYK 0 / 12 / 35 / 33

HEX #AC9870

RGB 172 152 112

HSL 40, 0.27%, 0.56%

LAB 63.67, 1.38, 23.79

 

CMYK 0 / 14 / 40 / 39

HEX #9B865D

RGB 155 134 93

HSL 39.68, 0.25%, 0.49%

LAB 56.89, 1.93, 25.02

 

CMYK 0 / 16 / 46 / 46

HEX #8A744A

RGB 138 116 74

HSL 39.38, 0.3%, 0.42%

LAB 49.96, 2.61, 26.35

 

CMYK 0 / 9 / 27 / 19

HEX #CEBC96

RGB 206 188 150

HSL 40.71, 0.36%, 0.7%

LAB 76.85, 0.52, 21.57

 

CMYK 0 / 16 / 27 / 19

HEX #CEAD96

RGB 206 173 150

HSL 24.64, 0.36%, 0.7%

LAB 73.03, 8.53, 16.29

 

CMYK 0 / 23 / 27 / 19

HEX #CE9E96

RGB 206 158 150

HSL 8.57, 0.36%, 0.7%

LAB 69.31, 16.67, 11.06

 

CMYK 0 / 27 / 27 / 19

HEX #CE9696

RGB 206 150 150

HSL 0, 0.36%, 0.7%

LAB 67.38, 21.04, 8.32

 

CMYK 0 / 9 / 27 / 19

HEX #CEBC96

RGB 206 188 150

HSL 40.71, 0.36%, 0.7%

LAB 76.85, 0.52, 21.57

 

CMYK 0 / 1 / 27 / 19

HEX #CECB96

RGB 206 203 150

HSL 56.79, 0.36%, 0.7%

LAB 80.76, -7.3, 26.89

 

CMYK 6 / 0 / 27 / 19

HEX #C2CE96

RGB 194 206 150

HSL 72.86, 0.36%, 0.7%

LAB 80.64, -13.38, 26.56

 

CMYK 13 / 0 / 27 / 19

HEX #B3CE96

RGB 179 206 150

HSL 88.93, 0.36%, 0.7%

LAB 79.57, -18.92, 24.94

 

CMYK 20 / 0 / 27 / 19

HEX #A4CE96

RGB 164 206 150

HSL 105, 0.36%, 0.7%

LAB 78.6, -24.26, 23.46

 

CMYK 0 / 9 / 27 / 19

HEX #CEBC96

RGB 206 188 150

HSL 40.71, 0.36%, 0.7%

LAB 76.85, 0.52, 21.57

 

CMYK 0 / 12 / 37 / 15

HEX #DAC08A

RGB 218 192 138

HSL 40.5, 0.52%, 0.7%

LAB 78.72, 1.59, 30.62

 

CMYK 0 / 14 / 45 / 10

HEX #E6C57E

RGB 230 197 126

HSL 40.96, 0.68%, 0.7%

LAB 80.88, 2.47, 39.84

 

CMYK 0 / 17 / 53 / 5

HEX #F3C971

RGB 243 201 113

HSL 40.62, 0.84%, 0.7%

LAB 82.92, 4.49, 49.1

 

CMYK 0 / 9 / 27 / 19

HEX #CEBC96

RGB 206 188 150

HSL 40.71, 0.36%, 0.7%

LAB 76.85, 0.52, 21.57

 

CMYK 0 / 5 / 16 / 24

HEX #C1B7A3

RGB 193 183 163

HSL 40, 0.19%, 0.7%

LAB 74.73, 0.17, 11.44

 

CMYK 0 / 1 / 3 / 29

HEX #B5B3AF

RGB 181 179 175

HSL 40, 0.04%, 0.7%

LAB 73, -0.02, 2.28

 

CMYK 11 / 7 / 0 / 26

HEX #A8AFBC

RGB 168 175 188

HSL 219, 0.13%, 0.7%

LAB 71.29, 0.16, -7.48

 

CMYK 22 / 15 / 0 / 22

HEX #9CAAC8

RGB 156 170 200

HSL 220.91, 0.29%, 0.7%

LAB 69.46, 1.62, -16.92

 

CMYK 0 / 23 / 27 / 19

HEX #CE9E96

RGB 206 158 150

HSL 8.57, 0.36%, 0.7%

LAB 69.31, 16.67, 11.06

 

CMYK 0 / 17 / 27 / 19

HEX #CEAC96

RGB 206 172 150

HSL 23.57, 0.36%, 0.7%

LAB 72.78, 9.07, 15.94

 

CMYK 0 / 9 / 27 / 19

HEX #CEBB96

RGB 206 187 150

HSL 39.64, 0.36%, 0.7%

LAB 76.6, 1.05, 21.22

 

CMYK 0 / 2 / 27 / 19

HEX #CECA96

RGB 206 202 150

HSL 55.71, 0.36%, 0.7%

LAB 80.5, -6.79, 26.53

 

CMYK 5 / 0 / 27 / 19

HEX #C3CE96

RGB 195 206 150

HSL 71.79, 0.36%, 0.7%

LAB 80.71, -13, 26.67

 

CMYK 0 / 15 / 47 / 30

HEX #B3985E

RGB 179 152 94

HSL 40.94, 0.36%, 0.54%

LAB 64.04, 2.26, 34.13

 

CMYK 0 / 11 / 36 / 25

HEX #C0AA7A

RGB 192 170 122

HSL 41.14, 0.36%, 0.62%

LAB 70.43, 0.99, 27.69

 

CMYK 0 / 9 / 27 / 19

HEX #CEBC96

RGB 206 188 150

HSL 40.71, 0.36%, 0.7%

LAB 76.85, 0.52, 21.57

 

CMYK 0 / 6 / 18 / 14

HEX #DBCEB3

RGB 219 206 179

HSL 40.5, 0.36%, 0.78%

LAB 83.16, 0.14, 15.06

 

CMYK 0 / 3 / 11 / 9

HEX #E8E0CF

RGB 232 224 207

HSL 40.8, 0.35%, 0.86%

LAB 89.38, -0.13, 9.28

 

CMYK 0 / 9 / 27 / 19

HEX #CEBC96

RGB 206 188 150

HSL 40.71, 0.36%, 0.7%

LAB 76.85, 0.52, 21.57

 

CMYK 23 / 0 / 27 / 19

HEX #9ECE96

RGB 158 206 150

HSL 111.43, 0.36%, 0.7%

LAB 78.24, -26.33, 22.9

 

CMYK 20 / 27 / 0 / 19

HEX #A596CE

RGB 165 150 206

HSL 256.07, 0.36%, 0.7%

LAB 65.17, 17.04, -26.72

 

CMYK 0 / 9 / 27 / 19

HEX #CEBC96

RGB 206 188 150

HSL 40.71, 0.36%, 0.7%

LAB 76.85, 0.52, 21.57

 

CMYK 27 / 0 / 9 / 19

HEX #96CEBB

RGB 150 206 187

HSL 159.64, 0.36%, 0.7%

LAB 78.59, -22.03, 3.63

 

CMYK 9 / 27 / 0 / 19

HEX #BB96CE

RGB 187 150 206

HSL 279.64, 0.36%, 0.7%

LAB 67.15, 24.05, -23.52

 

CMYK 0 / 9 / 27 / 19

HEX #CEBC96

RGB 206 188 150

HSL 40.71, 0.36%, 0.7%

LAB 76.85, 0.52, 21.57

 

CMYK 23 / 0 / 27 / 19

HEX #9ECE96

RGB 158 206 150

HSL 111.43, 0.36%, 0.7%

LAB 78.24, -26.33, 22.9

 

CMYK 27 / 18 / 0 / 19

HEX #96A9CE

RGB 150 169 206

HSL 219.64, 0.36%, 0.7%

LAB 68.98, 1.75, -21

 

CMYK 4 / 27 / 0 / 19

HEX #C696CE

RGB 198 150 206

HSL 291.43, 0.36%, 0.7%

LAB 68.22, 27.64, -21.79

 

CMYK 0 / 9 / 27 / 19

HEX #CEBC96

RGB 206 188 150

HSL 40.71, 0.36%, 0.7%

LAB 76.85, 0.52, 21.57

 

CMYK 27 / 0 / 22 / 19

HEX #96CEA0

RGB 150 206 160

HSL 130.71, 0.36%, 0.7%

LAB 77.97, -27.28, 17.18

 

CMYK 27 / 18 / 0 / 19

HEX #96A9CE

RGB 150 169 206

HSL 219.64, 0.36%, 0.7%

LAB 68.98, 1.75, -21

 

CMYK 0 / 27 / 5 / 19

HEX #CE96C4

RGB 206 150 196

HSL 310.71, 0.36%, 0.7%

LAB 68.69, 28.42, -15.44

 

Description

Color code: HEX #CEBC96 | qconv.com Color code: HEX #CEBC96 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 188 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 188 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 27 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 27% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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