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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEBF5F it is the complementary color #3140A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEBF5F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEBF5F shade: #D3BF5A, #E4D16D, #F5E380, #FFF593 and #FFFFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEBF5F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEBF5F shade: #CEBF5F, #BDAD4C, #AC9B39, #9B8926 and #8A7713

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEBF5F shade: #CDBE5F, #CDA05F, #CD835F, #CD655F and #CD5F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEBF5F shade: #CDBE5F, #BECD5F, #A1CD5F, #83CD5F and #65CD5F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEBF5F shade matches the following richer shades: #CDBE5F, #DECB4E and #EFD73D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEBF5F shade: #CDBE5F, #BCB26F, #ACA680, #9B9991 and #8A8DA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEBF5F shade: #CD825F, #CD9F5F, #CDBD5F, #C0CD5F and #A3CD5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEBF5F shade: #A79733, #C4B23F, #CDBE5F, #D7CB7E and #E1D89E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEBF5F shade: #CEBF5F, #5FCD64 and #905FCD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEBF5F shade: #CEBF5F, #5FCDBD and #BD5FCD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEBF5F shade: #CEBF5F, #5FCD64, #5F6FCD and #CD5FC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEBF5F shade: #CEBF5F, #5FCD85, #5F6FCD and #CD5FA7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 54 / 19

HEX #CEBF5F

RGB 206 191 95

HSL 51.89, 0.53%, 0.59%

LAB 76.81, -7.04, 49.68

 

Complementary color

CMYK 69 / 60 / 0 / 37

HEX #3140A0

RGB 49 64 160

HSL 231.89, 0.53%, 0.41%

LAB 31.48, 26.93, -53.93

 

CMYK 0 / 9 / 57 / 17

HEX #D3BF5A

RGB 211 191 90

HSL 50.08, 0.58%, 0.59%

LAB 77.19, -5.34, 52.59

 

CMYK 0 / 8 / 52 / 11

HEX #E4D16D

RGB 228 209 109

HSL 50.42, 0.69%, 0.66%

LAB 83.55, -6.07, 51.44

 

CMYK 0 / 7 / 48 / 4

HEX #F5E380

RGB 245 227 128

HSL 50.77, 0.85%, 0.73%

LAB 89.82, -6.69, 50.26

 

CMYK 0 / 4 / 42 / 0

HEX #FFF593

RGB 255 245 147

HSL 54.44, 1%, 0.79%

LAB 95.44, -9.93, 48.25

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA6

RGB 255 255 166

HSL 60, 1%, 0.83%

LAB 98.25, -12.84, 42.58

 

CMYK 0 / 7 / 54 / 19

HEX #CEBF5F

RGB 206 191 95

HSL 51.89, 0.53%, 0.59%

LAB 76.81, -7.04, 49.68

 

CMYK 0 / 8 / 60 / 26

HEX #BDAD4C

RGB 189 173 76

HSL 51.5, 0.46%, 0.52%

LAB 70.34, -6.28, 50.8

 

CMYK 0 / 10 / 67 / 33

HEX #AC9B39

RGB 172 155 57

HSL 51.13, 0.5%, 0.45%

LAB 63.76, -5.37, 51.73

 

CMYK 0 / 12 / 75 / 39

HEX #9B8926

RGB 155 137 38

HSL 50.77, 0.61%, 0.38%

LAB 57.08, -4.25, 52.25

 

CMYK 0 / 14 / 86 / 46

HEX #8A7713

RGB 138 119 19

HSL 50.42, 0.76%, 0.31%

LAB 50.27, -2.85, 51.85

 

CMYK 0 / 7 / 54 / 20

HEX #CDBE5F

RGB 205 190 95

HSL 51.82, 0.52%, 0.59%

LAB 76.46, -6.93, 49.25

 

CMYK 0 / 22 / 54 / 20

HEX #CDA05F

RGB 205 160 95

HSL 35.45, 0.52%, 0.59%

LAB 68.71, 8.97, 39.98

 

CMYK 0 / 36 / 54 / 20

HEX #CD835F

RGB 205 131 95

HSL 19.64, 0.52%, 0.59%

LAB 61.69, 24.74, 31.2

 

CMYK 0 / 51 / 54 / 20

HEX #CD655F

RGB 205 101 95

HSL 3.27, 0.52%, 0.59%

LAB 55.19, 40.61, 22.75

 

CMYK 0 / 54 / 54 / 20

HEX #CD5F5F

RGB 205 95 95

HSL 0, 0.52%, 0.59%

LAB 54.02, 43.61, 21.19

 

CMYK 0 / 7 / 54 / 20

HEX #CDBE5F

RGB 205 190 95

HSL 51.82, 0.52%, 0.59%

LAB 76.46, -6.93, 49.25

 

CMYK 7 / 0 / 54 / 20

HEX #BECD5F

RGB 190 205 95

HSL 68.18, 0.52%, 0.59%

LAB 79.29, -20.66, 52.24

 

CMYK 21 / 0 / 54 / 20

HEX #A1CD5F

RGB 161 205 95

HSL 84, 0.52%, 0.59%

LAB 77.32, -31.99, 49.45

 

CMYK 36 / 0 / 54 / 20

HEX #83CD5F

RGB 131 205 95

HSL 100.36, 0.52%, 0.59%

LAB 75.65, -42.7, 47.05

 

CMYK 51 / 0 / 54 / 20

HEX #65CD5F

RGB 101 205 95

HSL 116.73, 0.52%, 0.59%

LAB 74.35, -51.83, 45.2

 

CMYK 0 / 7 / 54 / 20

HEX #CDBE5F

RGB 205 190 95

HSL 51.82, 0.52%, 0.59%

LAB 76.46, -6.93, 49.25

 

CMYK 0 / 9 / 65 / 13

HEX #DECB4E

RGB 222 203 78

HSL 52.08, 0.69%, 0.59%

LAB 81.18, -7.7, 62.51

 

CMYK 0 / 10 / 74 / 6

HEX #EFD73D

RGB 239 215 61

HSL 51.91, 0.85%, 0.59%

LAB 85.65, -7.47, 73.83

 

CMYK 0 / 7 / 54 / 20

HEX #CDBE5F

RGB 205 190 95

HSL 51.82, 0.52%, 0.59%

LAB 76.46, -6.93, 49.25

 

CMYK 0 / 5 / 41 / 26

HEX #BCB26F

RGB 188 178 111

HSL 52.21, 0.36%, 0.59%

LAB 72.01, -6.15, 35.49

 

CMYK 0 / 3 / 26 / 33

HEX #ACA680

RGB 172 166 128

HSL 51.82, 0.21%, 0.59%

LAB 67.73, -4.06, 20.5

 

CMYK 0 / 1 / 6 / 39

HEX #9B9991

RGB 155 153 145

HSL 48, 0.05%, 0.59%

LAB 63.17, -0.76, 4.45

 

CMYK 15 / 13 / 0 / 36

HEX #8A8DA2

RGB 138 141 162

HSL 232.5, 0.11%, 0.59%

LAB 59.03, 3.35, -11.46

 

CMYK 0 / 37 / 54 / 20

HEX #CD825F

RGB 205 130 95

HSL 19.09, 0.52%, 0.59%

LAB 61.46, 25.29, 30.91

 

CMYK 0 / 22 / 54 / 20

HEX #CD9F5F

RGB 205 159 95

HSL 34.91, 0.52%, 0.59%

LAB 68.46, 9.51, 39.67

 

CMYK 0 / 8 / 54 / 20

HEX #CDBD5F

RGB 205 189 95

HSL 51.27, 0.52%, 0.59%

LAB 76.19, -6.42, 48.94

 

CMYK 6 / 0 / 54 / 20

HEX #C0CD5F

RGB 192 205 95

HSL 67.09, 0.52%, 0.59%

LAB 79.44, -19.86, 52.45

 

CMYK 20 / 0 / 54 / 20

HEX #A3CD5F

RGB 163 205 95

HSL 82.91, 0.52%, 0.59%

LAB 77.45, -31.23, 49.62

 

CMYK 0 / 10 / 69 / 35

HEX #A79733

RGB 167 151 51

HSL 51.72, 0.53%, 0.43%

LAB 62.16, -5.79, 52.48

 

CMYK 0 / 9 / 68 / 23

HEX #C4B23F

RGB 196 178 63

HSL 51.88, 0.53%, 0.51%

LAB 72.19, -6.72, 58.62

 

CMYK 0 / 7 / 54 / 20

HEX #CDBE5F

RGB 205 190 95

HSL 51.82, 0.52%, 0.59%

LAB 76.46, -6.93, 49.25

 

CMYK 0 / 6 / 41 / 16

HEX #D7CB7E

RGB 215 203 126

HSL 51.91, 0.53%, 0.67%

LAB 81.11, -6.64, 39.85

 

CMYK 0 / 4 / 30 / 12

HEX #E1D89E

RGB 225 216 158

HSL 51.94, 0.53%, 0.75%

LAB 85.8, -5.68, 29.77

 

CMYK 0 / 7 / 54 / 19

HEX #CEBF5F

RGB 206 191 95

HSL 51.89, 0.53%, 0.59%

LAB 76.81, -7.04, 49.68

 

CMYK 54 / 0 / 51 / 20

HEX #5FCD64

RGB 95 205 100

HSL 122.73, 0.52%, 0.59%

LAB 74.2, -52.76, 42.57

 

CMYK 30 / 54 / 0 / 20

HEX #905FCD

RGB 144 95 205

HSL 266.73, 0.52%, 0.59%

LAB 50.12, 42.1, -49.9

 

CMYK 0 / 7 / 54 / 19

HEX #CEBF5F

RGB 206 191 95

HSL 51.89, 0.53%, 0.59%

LAB 76.81, -7.04, 49.68

 

CMYK 54 / 0 / 8 / 20

HEX #5FCDBD

RGB 95 205 189

HSL 171.27, 0.52%, 0.59%

LAB 75.93, -35.36, -1.62

 

CMYK 8 / 54 / 0 / 20

HEX #BD5FCD

RGB 189 95 205

HSL 291.27, 0.52%, 0.59%

LAB 55.49, 53.93, -41.04

 

CMYK 0 / 7 / 54 / 19

HEX #CEBF5F

RGB 206 191 95

HSL 51.89, 0.53%, 0.59%

LAB 76.81, -7.04, 49.68

 

CMYK 54 / 0 / 51 / 20

HEX #5FCD64

RGB 95 205 100

HSL 122.73, 0.52%, 0.59%

LAB 74.2, -52.76, 42.57

 

CMYK 54 / 46 / 0 / 20

HEX #5F6FCD

RGB 95 111 205

HSL 231.27, 0.52%, 0.59%

LAB 49.75, 20.89, -50.74

 

CMYK 0 / 54 / 2 / 20

HEX #CD5FC8

RGB 205 95 200

HSL 302.73, 0.52%, 0.59%

LAB 57.4, 57.36, -35.05

 

CMYK 0 / 7 / 54 / 19

HEX #CEBF5F

RGB 206 191 95

HSL 51.89, 0.53%, 0.59%

LAB 76.81, -7.04, 49.68

 

CMYK 54 / 0 / 35 / 20

HEX #5FCD85

RGB 95 205 133

HSL 140.73, 0.52%, 0.59%

LAB 74.69, -47.54, 26.52

 

CMYK 54 / 46 / 0 / 20

HEX #5F6FCD

RGB 95 111 205

HSL 231.27, 0.52%, 0.59%

LAB 49.75, 20.89, -50.74

 

CMYK 0 / 54 / 19 / 20

HEX #CD5FA7

RGB 205 95 167

HSL 320.73, 0.52%, 0.59%

LAB 56.04, 52.06, -18.16

 

Description

Color code: HEX #CEBF5F | qconv.com Color code: HEX #CEBF5F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 191 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 191 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 54 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 54% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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