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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEC511 it is the complementary color #313AEE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEC511. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEC511 shade: #D3C50C, #E4D71F, #F5E932, #FFFB45 and #FFFF58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEC511. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEC511 shade: #CEC511, #BDB300, #ACA100, #9B8F00 and #8A7D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEC511 shade: #CFC610, #CF9310, #CF5F10, #CF2C10 and #CF1010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEC511 shade: #CFC610, #A5CF10, #71CF10, #3ECF10 and #10CF16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEC511 shade matches the following richer shades: #CFC610

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEC511 shade: #CFC610, #BDB622, #ABA535, #999547 and #868459

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEC511 shade: #CF6010, #CF9310, #CFC610, #A6CF10 and #73CF10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEC511 shade: #837D0A, #A9A10D, #CFC610, #ECE21C and #EFE743

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEC511 shade: #CEC511, #10CF2D and #7910CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEC511 shade: #CEC511, #10CFC6 and #C610CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEC511 shade: #CEC511, #10CF2D, #101ACF and #CF10B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEC511 shade: #CEC511, #10CF66, #101ACF and #CF1079

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 92 / 19

HEX #CEC511

RGB 206 197 17

HSL 57.14, 0.85%, 0.44%

LAB 77.93, -13.68, 76.88

 

Complementary color

CMYK 79 / 76 / 0 / 7

HEX #313AEE

RGB 49 58 238

HSL 237.14, 0.85%, 0.56%

LAB 37.58, 57.33, -89.46

 

CMYK 0 / 7 / 94 / 17

HEX #D3C50C

RGB 211 197 12

HSL 55.78, 0.89%, 0.44%

LAB 78.35, -11.58, 78

 

CMYK 0 / 6 / 86 / 11

HEX #E4D71F

RGB 228 215 31

HSL 56.04, 0.78%, 0.51%

LAB 84.58, -13.03, 80.56

 

CMYK 0 / 5 / 80 / 4

HEX #F5E932

RGB 245 233 50

HSL 56.31, 0.91%, 0.58%

LAB 90.74, -14.29, 81.89

 

CMYK 0 / 2 / 73 / 0

HEX #FFFB45

RGB 255 251 69

HSL 58.71, 1%, 0.64%

LAB 96.28, -18.24, 81.66

 

CMYK 0 / 0 / 65 / 0

HEX #FFFF58

RGB 255 255 88

HSL 60, 1%, 0.67%

LAB 97.42, -19.26, 76.23

 

CMYK 0 / 4 / 92 / 19

HEX #CEC511

RGB 206 197 17

HSL 57.14, 0.85%, 0.44%

LAB 77.93, -13.68, 76.88

 

CMYK 0 / 5 / 100 / 26

HEX #BDB300

RGB 189 179 0

HSL 56.83, 1%, 0.37%

LAB 71.6, -12.13, 73.44

 

CMYK 0 / 6 / 100 / 33

HEX #ACA100

RGB 172 161 0

HSL 56.16, 1%, 0.34%

LAB 65.17, -10.35, 68.11

 

CMYK 0 / 8 / 100 / 39

HEX #9B8F00

RGB 155 143 0

HSL 55.35, 1%, 0.3%

LAB 58.61, -8.51, 62.68

 

CMYK 0 / 9 / 100 / 46

HEX #8A7D00

RGB 138 125 0

HSL 54.35, 1%, 0.27%

LAB 51.92, -6.6, 57.13

 

CMYK 0 / 4 / 92 / 19

HEX #CFC610

RGB 207 198 16

HSL 57.17, 0.86%, 0.44%

LAB 78.28, -13.76, 77.32

 

CMYK 0 / 29 / 92 / 19

HEX #CF9310

RGB 207 147 16

HSL 41.15, 0.86%, 0.44%

LAB 65.1, 13.07, 67.38

 

CMYK 0 / 54 / 92 / 19

HEX #CF5F10

RGB 207 95 16

HSL 24.82, 0.86%, 0.44%

LAB 53.48, 40.64, 58.98

 

CMYK 0 / 79 / 92 / 19

HEX #CF2C10

RGB 207 44 16

HSL 8.8, 0.86%, 0.44%

LAB 45.78, 61.29, 53.77

 

CMYK 0 / 92 / 92 / 19

HEX #CF1010

RGB 207 16 16

HSL 0, 0.86%, 0.44%

LAB 43.76, 67.03, 52.48

 

CMYK 0 / 4 / 92 / 19

HEX #CFC610

RGB 207 198 16

HSL 57.17, 0.86%, 0.44%

LAB 78.28, -13.76, 77.32

 

CMYK 20 / 0 / 92 / 19

HEX #A5CF10

RGB 165 207 16

HSL 73.19, 0.86%, 0.44%

LAB 77.68, -35.68, 75.51

 

CMYK 45 / 0 / 92 / 19

HEX #71CF10

RGB 113 207 16

HSL 89.53, 0.86%, 0.44%

LAB 74.93, -54.52, 72.16

 

CMYK 70 / 0 / 92 / 19

HEX #3ECF10

RGB 62 207 16

HSL 105.55, 0.86%, 0.44%

LAB 73.34, -67.35, 70.19

 

CMYK 92 / 0 / 89 / 19

HEX #10CF16

RGB 16 207 22

HSL 121.88, 0.86%, 0.44%

LAB 72.76, -72.48, 68.53

 

CMYK 0 / 4 / 92 / 19

HEX #CFC610

RGB 207 198 16

HSL 57.17, 0.86%, 0.44%

LAB 78.28, -13.76, 77.32

 

CMYK 0 / 4 / 92 / 19

HEX #CFC610

RGB 207 198 16

HSL 57.17, 0.86%, 0.44%

LAB 78.28, -13.76, 77.32

 

CMYK 0 / 4 / 82 / 26

HEX #BDB622

RGB 189 182 34

HSL 57.29, 0.7%, 0.44%

LAB 72.49, -13.06, 68.53

 

CMYK 0 / 4 / 69 / 33

HEX #ABA535

RGB 171 165 53

HSL 56.95, 0.53%, 0.44%

LAB 66.39, -11.34, 56.05

 

CMYK 0 / 3 / 54 / 40

HEX #999547

RGB 153 149 71

HSL 57.07, 0.37%, 0.44%

LAB 60.54, -9.44, 41.17

 

CMYK 0 / 1 / 34 / 47

HEX #868459

RGB 134 132 89

HSL 57.33, 0.2%, 0.44%

LAB 54.34, -6.34, 23.53

 

CMYK 0 / 54 / 92 / 19

HEX #CF6010

RGB 207 96 16

HSL 25.13, 0.86%, 0.44%

LAB 53.67, 40.15, 59.12

 

CMYK 0 / 29 / 92 / 19

HEX #CF9310

RGB 207 147 16

HSL 41.15, 0.86%, 0.44%

LAB 65.1, 13.07, 67.38

 

CMYK 0 / 4 / 92 / 19

HEX #CFC610

RGB 207 198 16

HSL 57.17, 0.86%, 0.44%

LAB 78.28, -13.76, 77.32

 

CMYK 20 / 0 / 92 / 19

HEX #A6CF10

RGB 166 207 16

HSL 72.88, 0.86%, 0.44%

LAB 77.74, -35.28, 75.59

 

CMYK 44 / 0 / 92 / 19

HEX #73CF10

RGB 115 207 16

HSL 88.9, 0.86%, 0.44%

LAB 75.02, -53.88, 72.26

 

CMYK 0 / 5 / 92 / 49

HEX #837D0A

RGB 131 125 10

HSL 57.02, 0.86%, 0.28%

LAB 51.28, -9.7, 54.47

 

CMYK 0 / 5 / 92 / 34

HEX #A9A10D

RGB 169 161 13

HSL 56.92, 0.86%, 0.36%

LAB 64.93, -11.52, 66.06

 

CMYK 0 / 4 / 92 / 19

HEX #CFC610

RGB 207 198 16

HSL 57.17, 0.86%, 0.44%

LAB 78.28, -13.76, 77.32

 

CMYK 0 / 4 / 88 / 7

HEX #ECE21C

RGB 236 226 28

HSL 57.12, 0.85%, 0.52%

LAB 88.12, -15.15, 84.19

 

CMYK 0 / 3 / 72 / 6

HEX #EFE743

RGB 239 231 67

HSL 57.21, 0.84%, 0.6%

LAB 89.82, -15.17, 75.76

 

CMYK 0 / 4 / 92 / 19

HEX #CEC511

RGB 206 197 17

HSL 57.14, 0.85%, 0.44%

LAB 77.93, -13.68, 76.88

 

CMYK 92 / 0 / 78 / 19

HEX #10CF2D

RGB 16 207 45

HSL 129.11, 0.86%, 0.44%

LAB 72.84, -71.36, 63.12

 

CMYK 42 / 92 / 0 / 19

HEX #7910CF

RGB 121 16 207

HSL 272.98, 0.86%, 0.44%

LAB 35.87, 70.48, -74.3

 

CMYK 0 / 4 / 92 / 19

HEX #CEC511

RGB 206 197 17

HSL 57.14, 0.85%, 0.44%

LAB 77.93, -13.68, 76.88

 

CMYK 92 / 0 / 4 / 19

HEX #10CFC6

RGB 16 207 198

HSL 177.17, 0.86%, 0.44%

LAB 75.33, -43.26, -7.51

 

CMYK 4 / 92 / 0 / 19

HEX #C610CF

RGB 198 16 207

HSL 297.17, 0.86%, 0.44%

LAB 48.11, 81.14, -53.85

 

CMYK 0 / 4 / 92 / 19

HEX #CEC511

RGB 206 197 17

HSL 57.14, 0.85%, 0.44%

LAB 77.93, -13.68, 76.88

 

CMYK 92 / 0 / 78 / 19

HEX #10CF2D

RGB 16 207 45

HSL 129.11, 0.86%, 0.44%

LAB 72.84, -71.36, 63.12

 

CMYK 92 / 87 / 0 / 19

HEX #101ACF

RGB 16 26 207

HSL 236.86, 0.86%, 0.44%

LAB 27.72, 61.3, -88.08

 

CMYK 0 / 92 / 14 / 19

HEX #CF10B2

RGB 207 16 178

HSL 309.11, 0.86%, 0.44%

LAB 48.07, 78.61, -36.93

 

CMYK 0 / 4 / 92 / 19

HEX #CEC511

RGB 206 197 17

HSL 57.14, 0.85%, 0.44%

LAB 77.93, -13.68, 76.88

 

CMYK 92 / 0 / 51 / 19

HEX #10CF66

RGB 16 207 102

HSL 147.02, 0.86%, 0.44%

LAB 73.35, -65.08, 40.21

 

CMYK 92 / 87 / 0 / 19

HEX #101ACF

RGB 16 26 207

HSL 236.86, 0.86%, 0.44%

LAB 27.72, 61.3, -88.08

 

CMYK 0 / 92 / 42 / 19

HEX #CF1079

RGB 207 16 121

HSL 327.02, 0.86%, 0.44%

LAB 45.66, 72.27, -6.31

 

Description

Color code: HEX #CEC511 | qconv.com Color code: HEX #CEC511 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 197 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 197 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 92 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 92% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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