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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEC104 it is the complementary color #313EFB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEC104. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEC104 shade: #D3C100, #E4D312, #F5E525, #FFF738 and #FFFF4B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEC104. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEC104 shade: #CEC104, #BDAF00, #AC9D00, #9B8B00 and #8A7900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEC104 shade: #CCC004, #CC8904, #CC5304, #CC1D04 and #CC0404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEC104 shade: #CCC004, #A3CC04, #6DCC04, #37CC04 and #04CC07

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEC104 shade matches the following richer shades: #CCC004

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEC104 shade: #CCC004, #BCB115, #ABA226, #9A9336 and #898547

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEC104 shade: #CC5404, #CC8A04, #CCBF04, #A4CC04 and #6FCC04

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEC104 shade: #7C7402, #A49A03, #CCC004, #F5E505 and #FAED28

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEC104 shade: #CEC104, #04CC1E and #6F04CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEC104 shade: #CEC104, #04CCBF and #BF04CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEC104 shade: #CEC104, #04CC1E, #0411CC and #CC04B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEC104 shade: #CEC104, #04CC5B, #0411CC and #CC0475

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 98 / 19

HEX #CEC104

RGB 206 193 4

HSL 56.14, 0.96%, 0.41%

LAB 76.84, -11.8, 77.5

 

Complementary color

CMYK 80 / 75 / 0 / 2

HEX #313EFB

RGB 49 62 251

HSL 236.14, 0.96%, 0.59%

LAB 39.69, 59.34, -93.29

 

CMYK 0 / 9 / 100 / 17

HEX #D3C100

RGB 211 193 0

HSL 54.88, 1%, 0.41%

LAB 77.27, -9.67, 78.42

 

CMYK 0 / 7 / 92 / 11

HEX #E4D312

RGB 228 211 18

HSL 55.14, 0.85%, 0.48%

LAB 83.51, -11.26, 81.82

 

CMYK 0 / 7 / 85 / 4

HEX #F5E525

RGB 245 229 37

HSL 55.38, 0.91%, 0.55%

LAB 89.67, -12.67, 84.05

 

CMYK 0 / 3 / 78 / 0

HEX #FFF738

RGB 255 247 56

HSL 57.59, 1%, 0.61%

LAB 95.19, -16.79, 84.49

 

CMYK 0 / 0 / 71 / 0

HEX #FFFF4B

RGB 255 255 75

HSL 60, 1%, 0.65%

LAB 97.34, -19.9, 80.72

 

CMYK 0 / 6 / 98 / 19

HEX #CEC104

RGB 206 193 4

HSL 56.14, 0.96%, 0.41%

LAB 76.84, -11.8, 77.5

 

CMYK 0 / 7 / 100 / 26

HEX #BDAF00

RGB 189 175 0

HSL 55.56, 1%, 0.37%

LAB 70.51, -10.07, 72.66

 

CMYK 0 / 9 / 100 / 33

HEX #AC9D00

RGB 172 157 0

HSL 54.77, 1%, 0.34%

LAB 64.07, -8.24, 67.32

 

CMYK 0 / 10 / 100 / 39

HEX #9B8B00

RGB 155 139 0

HSL 53.81, 1%, 0.3%

LAB 57.5, -6.35, 61.88

 

CMYK 0 / 12 / 100 / 46

HEX #8A7900

RGB 138 121 0

HSL 52.61, 1%, 0.27%

LAB 50.78, -4.38, 56.32

 

CMYK 0 / 6 / 98 / 20

HEX #CCC004

RGB 204 192 4

HSL 56.4, 0.96%, 0.41%

LAB 76.4, -12.16, 77.1

 

CMYK 0 / 33 / 98 / 20

HEX #CC8904

RGB 204 137 4

HSL 39.9, 0.96%, 0.41%

LAB 62.29, 17.04, 67.06

 

CMYK 0 / 59 / 98 / 20

HEX #CC5304

RGB 204 83 4

HSL 23.7, 0.96%, 0.41%

LAB 50.73, 45.15, 59.66

 

CMYK 0 / 86 / 98 / 20

HEX #CC1D04

RGB 204 29 4

HSL 7.5, 0.96%, 0.41%

LAB 43.84, 63.99, 56.01

 

CMYK 0 / 98 / 98 / 20

HEX #CC0404

RGB 204 4 4

HSL 0, 0.96%, 0.41%

LAB 42.66, 67.37, 55.49

 

CMYK 0 / 6 / 98 / 20

HEX #CCC004

RGB 204 192 4

HSL 56.4, 0.96%, 0.41%

LAB 76.4, -12.16, 77.1

 

CMYK 20 / 0 / 98 / 20

HEX #A3CC04

RGB 163 204 4

HSL 72.3, 0.96%, 0.41%

LAB 76.67, -35.27, 75.94

 

CMYK 47 / 0 / 98 / 20

HEX #6DCC04

RGB 109 204 4

HSL 88.5, 0.96%, 0.41%

LAB 73.83, -54.83, 72.51

 

CMYK 73 / 0 / 98 / 20

HEX #37CC04

RGB 55 204 4

HSL 104.7, 0.96%, 0.41%

LAB 72.23, -67.88, 70.56

 

CMYK 98 / 0 / 97 / 20

HEX #04CC07

RGB 4 204 7

HSL 120.9, 0.96%, 0.41%

LAB 71.71, -72.55, 69.6

 

CMYK 0 / 6 / 98 / 20

HEX #CCC004

RGB 204 192 4

HSL 56.4, 0.96%, 0.41%

LAB 76.4, -12.16, 77.1

 

CMYK 0 / 6 / 98 / 20

HEX #CCC004

RGB 204 192 4

HSL 56.4, 0.96%, 0.41%

LAB 76.4, -12.16, 77.1

 

CMYK 0 / 6 / 89 / 26

HEX #BCB115

RGB 188 177 21

HSL 56.05, 0.8%, 0.41%

LAB 71, -11.26, 70.17

 

CMYK 0 / 5 / 78 / 33

HEX #ABA226

RGB 171 162 38

HSL 55.94, 0.64%, 0.41%

LAB 65.47, -10.47, 60.59

 

CMYK 0 / 5 / 65 / 40

HEX #9A9336

RGB 154 147 54

HSL 55.8, 0.48%, 0.41%

LAB 59.89, -9.23, 48.47

 

CMYK 0 / 3 / 48 / 46

HEX #898547

RGB 137 133 71

HSL 56.36, 0.32%, 0.41%

LAB 54.6, -7.72, 33.75

 

CMYK 0 / 59 / 98 / 20

HEX #CC5404

RGB 204 84 4

HSL 24, 0.96%, 0.41%

LAB 50.91, 44.68, 59.77

 

CMYK 0 / 32 / 98 / 20

HEX #CC8A04

RGB 204 138 4

HSL 40.2, 0.96%, 0.41%

LAB 62.53, 16.5, 67.23

 

CMYK 0 / 6 / 98 / 20

HEX #CCBF04

RGB 204 191 4

HSL 56.1, 0.96%, 0.41%

LAB 76.14, -11.66, 76.9

 

CMYK 20 / 0 / 98 / 20

HEX #A4CC04

RGB 164 204 4

HSL 72, 0.96%, 0.41%

LAB 76.73, -34.87, 76.01

 

CMYK 46 / 0 / 98 / 20

HEX #6FCC04

RGB 111 204 4

HSL 87.9, 0.96%, 0.41%

LAB 73.92, -54.21, 72.61

 

CMYK 0 / 6 / 98 / 51

HEX #7C7402

RGB 124 116 2

HSL 56.07, 0.97%, 0.25%

LAB 47.98, -8.2, 53.25

 

CMYK 0 / 6 / 98 / 36

HEX #A49A03

RGB 164 154 3

HSL 56.27, 0.96%, 0.33%

LAB 62.52, -10.23, 65.44

 

CMYK 0 / 6 / 98 / 20

HEX #CCC004

RGB 204 192 4

HSL 56.4, 0.96%, 0.41%

LAB 76.4, -12.16, 77.1

 

CMYK 0 / 7 / 98 / 4

HEX #F5E505

RGB 245 229 5

HSL 56, 0.96%, 0.49%

LAB 89.61, -13.11, 88.25

 

CMYK 0 / 5 / 84 / 2

HEX #FAED28

RGB 250 237 40

HSL 56.29, 0.95%, 0.57%

LAB 92.15, -14.44, 85.63

 

CMYK 0 / 6 / 98 / 19

HEX #CEC104

RGB 206 193 4

HSL 56.14, 0.96%, 0.41%

LAB 76.84, -11.8, 77.5

 

CMYK 98 / 0 / 85 / 20

HEX #04CC1E

RGB 4 204 30

HSL 127.8, 0.96%, 0.41%

LAB 71.76, -71.86, 66.06

 

CMYK 46 / 98 / 0 / 20

HEX #6F04CC

RGB 111 4 204

HSL 272.1, 0.96%, 0.41%

LAB 33.62, 70.57, -76.31

 

CMYK 0 / 6 / 98 / 19

HEX #CEC104

RGB 206 193 4

HSL 56.14, 0.96%, 0.41%

LAB 76.84, -11.8, 77.5

 

CMYK 98 / 0 / 6 / 20

HEX #04CCBF

RGB 4 204 191

HSL 176.1, 0.96%, 0.41%

LAB 74.17, -44.33, -5.46

 

CMYK 6 / 98 / 0 / 20

HEX #BF04CC

RGB 191 4 204

HSL 296.1, 0.96%, 0.41%

LAB 46.34, 80.66, -55.02

 

CMYK 0 / 6 / 98 / 19

HEX #CEC104

RGB 206 193 4

HSL 56.14, 0.96%, 0.41%

LAB 76.84, -11.8, 77.5

 

CMYK 98 / 0 / 85 / 20

HEX #04CC1E

RGB 4 204 30

HSL 127.8, 0.96%, 0.41%

LAB 71.76, -71.86, 66.06

 

CMYK 98 / 92 / 0 / 20

HEX #0411CC

RGB 4 17 204

HSL 236.1, 0.96%, 0.41%

LAB 26.12, 63.22, -89.01

 

CMYK 0 / 98 / 13 / 20

HEX #CC04B2

RGB 204 4 178

HSL 307.8, 0.96%, 0.41%

LAB 47.16, 79.13, -38.41

 

CMYK 0 / 6 / 98 / 19

HEX #CEC104

RGB 206 193 4

HSL 56.14, 0.96%, 0.41%

LAB 76.84, -11.8, 77.5

 

CMYK 98 / 0 / 55 / 20

HEX #04CC5B

RGB 4 204 91

HSL 146.1, 0.96%, 0.41%

LAB 72.21, -66.24, 44.08

 

CMYK 98 / 92 / 0 / 20

HEX #0411CC

RGB 4 17 204

HSL 236.1, 0.96%, 0.41%

LAB 26.12, 63.22, -89.01

 

CMYK 0 / 98 / 43 / 20

HEX #CC0475

RGB 204 4 117

HSL 326.1, 0.96%, 0.41%

LAB 44.53, 72.4, -5.58

 

Description

Color code: HEX #CEC104 | qconv.com Color code: HEX #CEC104 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 193 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 193 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 98 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 98% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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