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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CECB30 it is the complementary color #3134CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CECB30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CECB30 shade: #D3CB2B, #E4DD3E, #F5EF51, #FFFF64 and #FFFF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CECB30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CECB30 shade: #CECB30, #BDB91D, #ACA70A, #9B9500 and #8A8300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CECB30 shade: #CECB30, #CEA030, #CE7630, #CE4B30 and #CE3030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CECB30 shade: #CECB30, #A6CE30, #7CCE30, #51CE30 and #30CE39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CECB30 shade matches the following richer shades: #CECB30, #E3DF1B and #F7F307

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CECB30 shade: #CECB30, #B9B745, #A5A359, #90906E and #7C7C82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CECB30 shade: #CE7430, #CE9F30, #CEC930, #A9CE30 and #7FCE30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CECB30 shade: #8B8920, #ADAA28, #CECB30, #D6D351 and #DEDC73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CECB30 shade: #CECB30, #30CE4A and #8A30CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CECB30 shade: #CECB30, #30CEC9 and #C930CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CECB30 shade: #CECB30, #30CE4A, #3035CE and #CE30B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CECB30 shade: #CECB30, #30CE7A, #3035CE and #CE3084

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 77 / 19

HEX #CECB30

RGB 206 203 48

HSL 58.86, 0.62%, 0.5%

LAB 79.64, -15.9, 71.41

 

Complementary color

CMYK 76 / 75 / 0 / 19

HEX #3134CF

RGB 49 52 207

HSL 238.86, 0.62%, 0.5%

LAB 33.17, 50.6, -79

 

CMYK 0 / 4 / 80 / 17

HEX #D3CB2B

RGB 211 203 43

HSL 57.14, 0.66%, 0.5%

LAB 80.03, -13.95, 73.36

 

CMYK 0 / 3 / 73 / 11

HEX #E4DD3E

RGB 228 221 62

HSL 57.47, 0.75%, 0.57%

LAB 86.28, -15.03, 73.76

 

CMYK 0 / 2 / 67 / 4

HEX #F5EF51

RGB 245 239 81

HSL 57.8, 0.89%, 0.64%

LAB 92.46, -15.95, 73.55

 

CMYK 0 / 0 / 61 / 0

HEX #FFFF64

RGB 255 255 100

HSL 60, 1%, 0.7%

LAB 97.51, -18.57, 71.69

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF77

RGB 255 255 119

HSL 60, 1%, 0.73%

LAB 97.68, -17.25, 63.88

 

CMYK 0 / 1 / 77 / 19

HEX #CECB30

RGB 206 203 48

HSL 58.86, 0.62%, 0.5%

LAB 79.64, -15.9, 71.41

 

CMYK 0 / 2 / 85 / 26

HEX #BDB91D

RGB 189 185 29

HSL 58.5, 0.73%, 0.43%

LAB 73.29, -14.73, 70.41

 

CMYK 0 / 3 / 94 / 33

HEX #ACA70A

RGB 172 167 10

HSL 58.15, 0.89%, 0.36%

LAB 66.85, -13.35, 68.06

 

CMYK 0 / 4 / 100 / 39

HEX #9B9500

RGB 155 149 0

HSL 57.68, 1%, 0.3%

LAB 60.31, -11.71, 63.9

 

CMYK 0 / 5 / 100 / 46

HEX #8A8300

RGB 138 131 0

HSL 56.96, 1%, 0.27%

LAB 53.64, -9.89, 58.37

 

CMYK 0 / 1 / 77 / 19

HEX #CECB30

RGB 206 203 48

HSL 58.86, 0.62%, 0.5%

LAB 79.64, -15.9, 71.41

 

CMYK 0 / 22 / 77 / 19

HEX #CEA030

RGB 206 160 48

HSL 42.53, 0.62%, 0.5%

LAB 68.37, 6.47, 61.04

 

CMYK 0 / 43 / 77 / 19

HEX #CE7630

RGB 206 118 48

HSL 26.58, 0.62%, 0.5%

LAB 58.31, 29.2, 51.35

 

CMYK 0 / 64 / 77 / 19

HEX #CE4B30

RGB 206 75 48

HSL 10.25, 0.62%, 0.5%

LAB 49.94, 50.46, 42.84

 

CMYK 0 / 77 / 77 / 19

HEX #CE3030

RGB 206 48 48

HSL 0, 0.62%, 0.5%

LAB 46.24, 60.57, 38.93

 

CMYK 0 / 1 / 77 / 19

HEX #CECB30

RGB 206 203 48

HSL 58.86, 0.62%, 0.5%

LAB 79.64, -15.9, 71.41

 

CMYK 19 / 0 / 77 / 19

HEX #A6CE30

RGB 166 206 48

HSL 75.19, 0.62%, 0.5%

LAB 77.56, -33.85, 68.43

 

CMYK 40 / 0 / 77 / 19

HEX #7CCE30

RGB 124 206 48

HSL 91.14, 0.62%, 0.5%

LAB 75.23, -49.36, 65.41

 

CMYK 61 / 0 / 77 / 19

HEX #51CE30

RGB 81 206 48

HSL 107.47, 0.62%, 0.5%

LAB 73.61, -61.7, 63.3

 

CMYK 77 / 0 / 72 / 19

HEX #30CE39

RGB 48 206 57

HSL 123.42, 0.62%, 0.5%

LAB 72.94, -67.19, 59.34

 

CMYK 0 / 1 / 77 / 19

HEX #CECB30

RGB 206 203 48

HSL 58.86, 0.62%, 0.5%

LAB 79.64, -15.9, 71.41

 

CMYK 0 / 2 / 88 / 11

HEX #E3DF1B

RGB 227 223 27

HSL 58.8, 0.79%, 0.5%

LAB 86.6, -17.48, 82.85

 

CMYK 0 / 2 / 97 / 3

HEX #F7F307

RGB 247 243 7

HSL 59, 0.94%, 0.5%

LAB 93.4, -19.07, 90.96

 

CMYK 0 / 1 / 77 / 19

HEX #CECB30

RGB 206 203 48

HSL 58.86, 0.62%, 0.5%

LAB 79.64, -15.9, 71.41

 

CMYK 0 / 1 / 63 / 27

HEX #B9B745

RGB 185 183 69

HSL 58.97, 0.46%, 0.5%

LAB 72.63, -13.66, 56.3

 

CMYK 0 / 1 / 46 / 35

HEX #A5A359

RGB 165 163 89

HSL 58.42, 0.3%, 0.5%

LAB 65.68, -10.08, 38.49

 

CMYK 0 / 0 / 24 / 44

HEX #90906E

RGB 144 144 110

HSL 60, 0.13%, 0.5%

LAB 58.98, -5.88, 18.13

 

CMYK 5 / 5 / 0 / 49

HEX #7C7C82

RGB 124 124 130

HSL 240, 0.02%, 0.5%

LAB 52.19, 1.23, -3.26

 

CMYK 0 / 44 / 77 / 19

HEX #CE7430

RGB 206 116 48

HSL 25.82, 0.62%, 0.5%

LAB 57.87, 30.26, 50.91

 

CMYK 0 / 23 / 77 / 19

HEX #CE9F30

RGB 206 159 48

HSL 42.15, 0.62%, 0.5%

LAB 68.12, 7.01, 60.8

 

CMYK 0 / 2 / 77 / 19

HEX #CEC930

RGB 206 201 48

HSL 58.1, 0.62%, 0.5%

LAB 79.1, -14.9, 70.93

 

CMYK 18 / 0 / 77 / 19

HEX #A9CE30

RGB 169 206 48

HSL 74.05, 0.62%, 0.5%

LAB 77.75, -32.66, 68.68

 

CMYK 38 / 0 / 77 / 19

HEX #7FCE30

RGB 127 206 48

HSL 90, 0.62%, 0.5%

LAB 75.37, -48.34, 65.6

 

CMYK 0 / 1 / 77 / 45

HEX #8B8920

RGB 139 137 32

HSL 58.88, 0.63%, 0.34%

LAB 55.57, -11.81, 52.48

 

CMYK 0 / 2 / 77 / 32

HEX #ADAA28

RGB 173 170 40

HSL 58.65, 0.62%, 0.42%

LAB 67.86, -13.68, 62.19

 

CMYK 0 / 1 / 77 / 19

HEX #CECB30

RGB 206 203 48

HSL 58.86, 0.62%, 0.5%

LAB 79.64, -15.9, 71.41

 

CMYK 0 / 1 / 62 / 16

HEX #D6D351

RGB 214 211 81

HSL 58.65, 0.62%, 0.58%

LAB 82.64, -14.88, 62.61

 

CMYK 0 / 1 / 48 / 13

HEX #DEDC73

RGB 222 220 115

HSL 58.88, 0.62%, 0.66%

LAB 85.98, -13.52, 51.38

 

CMYK 0 / 1 / 77 / 19

HEX #CECB30

RGB 206 203 48

HSL 58.86, 0.62%, 0.5%

LAB 79.64, -15.9, 71.41

 

CMYK 77 / 0 / 64 / 19

HEX #30CE4A

RGB 48 206 74

HSL 129.87, 0.62%, 0.5%

LAB 73.07, -65.58, 52.8

 

CMYK 33 / 77 / 0 / 19

HEX #8A30CE

RGB 138 48 206

HSL 274.18, 0.62%, 0.5%

LAB 41.17, 63.68, -64.94

 

CMYK 0 / 1 / 77 / 19

HEX #CECB30

RGB 206 203 48

HSL 58.86, 0.62%, 0.5%

LAB 79.64, -15.9, 71.41

 

CMYK 77 / 0 / 2 / 19

HEX #30CEC9

RGB 48 206 201

HSL 178.1, 0.62%, 0.5%

LAB 75.44, -39.8, -8.93

 

CMYK 2 / 77 / 0 / 19

HEX #C930CE

RGB 201 48 206

HSL 298.1, 0.62%, 0.5%

LAB 50.67, 75.33, -49.15

 

CMYK 0 / 1 / 77 / 19

HEX #CECB30

RGB 206 203 48

HSL 58.86, 0.62%, 0.5%

LAB 79.64, -15.9, 71.41

 

CMYK 77 / 0 / 64 / 19

HEX #30CE4A

RGB 48 206 74

HSL 129.87, 0.62%, 0.5%

LAB 73.07, -65.58, 52.8

 

CMYK 77 / 74 / 0 / 19

HEX #3035CE

RGB 48 53 206

HSL 238.1, 0.62%, 0.5%

LAB 33.2, 49.65, -78.36

 

CMYK 0 / 77 / 13 / 19

HEX #CE30B4

RGB 206 48 180

HSL 309.87, 0.62%, 0.5%

LAB 50.13, 72.46, -34.87

 

CMYK 0 / 1 / 77 / 19

HEX #CECB30

RGB 206 203 48

HSL 58.86, 0.62%, 0.5%

LAB 79.64, -15.9, 71.41

 

CMYK 77 / 0 / 41 / 19

HEX #30CE7A

RGB 48 206 122

HSL 148.1, 0.62%, 0.5%

LAB 73.66, -58.58, 30.65

 

CMYK 77 / 74 / 0 / 19

HEX #3035CE

RGB 48 53 206

HSL 238.1, 0.62%, 0.5%

LAB 33.2, 49.65, -78.36

 

CMYK 0 / 77 / 36 / 19

HEX #CE3084

RGB 206 48 132

HSL 328.1, 0.62%, 0.5%

LAB 48.14, 66.52, -9.35

 

Description

Color code: HEX #CECB30 | qconv.com Color code: HEX #CECB30 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 203 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 203 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 77 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 77% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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