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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CED75F it is the complementary color #3128A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CED75F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CED75F shade: #D3D75A, #E4E96D, #F5FB80, #FFFF93 and #FFFFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CED75F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CED75F shade: #CED75F, #BDC54C, #ACB339, #9BA126 and #8A8F13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CED75F shade: #CED75F, #D7BF5F, #D79F5F, #D77F5F and #D75F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CED75F shade: #CED75F, #AED75F, #8DD75F, #6DD75F and #5FD772

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CED75F shade matches the following richer shades: #CED75F, #DBE74F and #E9F73F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CED75F shade: #CED75F, #C0C76F, #B2B780, #A5A690 and #9796A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CED75F shade: #D79F5F, #D7BF5F, #CFD75F, #AFD75F and #8FD75F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CED75F shade: #ACB62D, #C4CE3E, #CED75F, #D8DF80 and #E2E7A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CED75F shade: #CED75F, #5FD77F and #AF5FD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CED75F shade: #CED75F, #5FCFD7 and #D75FCF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CED75F shade: #CED75F, #5FD77F, #675FD7 and #D75FB7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CED75F shade: #CED75F, #5FD7A3, #675FD7 and #D75F93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 56 / 16

HEX #CED75F

RGB 206 215 95

HSL 64.5, 0.6%, 0.61%

LAB 83.2, -19.14, 57.03

 

Complementary color

CMYK 69 / 75 / 0 / 37

HEX #3128A0

RGB 49 40 160

HSL 244.5, 0.6%, 0.39%

LAB 25.89, 41.9, -63.1

 

CMYK 2 / 0 / 58 / 16

HEX #D3D75A

RGB 211 215 90

HSL 61.92, 0.61%, 0.6%

LAB 83.54, -17.49, 59.71

 

CMYK 2 / 0 / 53 / 9

HEX #E4E96D

RGB 228 233 109

HSL 62.42, 0.74%, 0.67%

LAB 89.8, -18.04, 58.74

 

CMYK 2 / 0 / 49 / 2

HEX #F5FB80

RGB 245 251 128

HSL 62.93, 0.94%, 0.74%

LAB 95.98, -18.5, 57.68

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF93

RGB 255 255 147

HSL 60, 1%, 0.79%

LAB 97.99, -14.83, 51.43

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA6

RGB 255 255 166

HSL 60, 1%, 0.83%

LAB 98.25, -12.84, 42.58

 

CMYK 4 / 0 / 56 / 16

HEX #CED75F

RGB 206 215 95

HSL 64.5, 0.6%, 0.61%

LAB 83.2, -19.14, 57.03

 

CMYK 4 / 0 / 61 / 23

HEX #BDC54C

RGB 189 197 76

HSL 63.97, 0.51%, 0.54%

LAB 76.84, -18.58, 57.93

 

CMYK 4 / 0 / 68 / 30

HEX #ACB339

RGB 172 179 57

HSL 63.44, 0.52%, 0.46%

LAB 70.39, -17.88, 58.54

 

CMYK 4 / 0 / 76 / 37

HEX #9BA126

RGB 155 161 38

HSL 62.93, 0.62%, 0.39%

LAB 63.83, -17.01, 58.6

 

CMYK 3 / 0 / 87 / 44

HEX #8A8F13

RGB 138 143 19

HSL 62.42, 0.77%, 0.32%

LAB 57.17, -15.91, 57.6

 

CMYK 4 / 0 / 56 / 16

HEX #CED75F

RGB 206 215 95

HSL 64.5, 0.6%, 0.61%

LAB 83.2, -19.14, 57.03

 

CMYK 0 / 11 / 56 / 16

HEX #D7BF5F

RGB 215 191 95

HSL 48, 0.6%, 0.61%

LAB 77.6, -3.29, 50.81

 

CMYK 0 / 26 / 56 / 16

HEX #D79F5F

RGB 215 159 95

HSL 32, 0.6%, 0.61%

LAB 69.52, 13.69, 41.2

 

CMYK 0 / 41 / 56 / 16

HEX #D77F5F

RGB 215 127 95

HSL 16, 0.6%, 0.61%

LAB 62.04, 30.91, 31.91

 

CMYK 0 / 56 / 56 / 16

HEX #D75F5F

RGB 215 95 95

HSL 0, 0.6%, 0.61%

LAB 55.54, 47.2, 23.49

 

CMYK 4 / 0 / 56 / 16

HEX #CED75F

RGB 206 215 95

HSL 64.5, 0.6%, 0.61%

LAB 83.2, -19.14, 57.03

 

CMYK 19 / 0 / 56 / 16

HEX #AED75F

RGB 174 215 95

HSL 80.5, 0.6%, 0.61%

LAB 80.97, -31.73, 53.9

 

CMYK 34 / 0 / 56 / 16

HEX #8DD75F

RGB 141 215 95

HSL 97, 0.6%, 0.61%

LAB 79.09, -43.65, 51.24

 

CMYK 49 / 0 / 56 / 16

HEX #6DD75F

RGB 109 215 95

HSL 113, 0.6%, 0.61%

LAB 77.68, -53.56, 49.23

 

CMYK 56 / 0 / 47 / 16

HEX #5FD772

RGB 95 215 114

HSL 129.5, 0.6%, 0.61%

LAB 77.43, -54.67, 39.75

 

CMYK 4 / 0 / 56 / 16

HEX #CED75F

RGB 206 215 95

HSL 64.5, 0.6%, 0.61%

LAB 83.2, -19.14, 57.03

 

CMYK 5 / 0 / 66 / 9

HEX #DBE74F

RGB 219 231 79

HSL 64.74, 0.76%, 0.61%

LAB 88.34, -22.74, 69.48

 

CMYK 6 / 0 / 74 / 3

HEX #E9F73F

RGB 233 247 63

HSL 64.57, 0.92%, 0.61%

LAB 93.54, -25.48, 80.36

 

CMYK 4 / 0 / 56 / 16

HEX #CED75F

RGB 206 215 95

HSL 64.5, 0.6%, 0.61%

LAB 83.2, -19.14, 57.03

 

CMYK 4 / 0 / 44 / 22

HEX #C0C76F

RGB 192 199 111

HSL 64.77, 0.44%, 0.61%

LAB 77.99, -15.36, 43.06

 

CMYK 3 / 0 / 30 / 28

HEX #B2B780

RGB 178 183 128

HSL 65.45, 0.28%, 0.61%

LAB 72.82, -10.7, 27.45

 

CMYK 1 / 0 / 13 / 35

HEX #A5A690

RGB 165 166 144

HSL 62.73, 0.11%, 0.61%

LAB 67.49, -4.29, 11.28

 

CMYK 6 / 6 / 0 / 37

HEX #9796A0

RGB 151 150 160

HSL 246, 0.05%, 0.61%

LAB 62.45, 2.35, -5.12

 

CMYK 0 / 26 / 56 / 16

HEX #D79F5F

RGB 215 159 95

HSL 32, 0.6%, 0.61%

LAB 69.52, 13.69, 41.2

 

CMYK 0 / 11 / 56 / 16

HEX #D7BF5F

RGB 215 191 95

HSL 48, 0.6%, 0.61%

LAB 77.6, -3.29, 50.81

 

CMYK 4 / 0 / 56 / 16

HEX #CFD75F

RGB 207 215 95

HSL 64, 0.6%, 0.61%

LAB 83.28, -18.74, 57.14

 

CMYK 19 / 0 / 56 / 16

HEX #AFD75F

RGB 175 215 95

HSL 80, 0.6%, 0.61%

LAB 81.04, -31.35, 53.99

 

CMYK 33 / 0 / 56 / 16

HEX #8FD75F

RGB 143 215 95

HSL 96, 0.6%, 0.61%

LAB 79.19, -42.97, 51.38

 

CMYK 5 / 0 / 75 / 29

HEX #ACB62D

RGB 172 182 45

HSL 64.38, 0.6%, 0.45%

LAB 71.16, -19.99, 63.58

 

CMYK 5 / 0 / 70 / 19

HEX #C4CE3E

RGB 196 206 62

HSL 64.17, 0.6%, 0.53%

LAB 79.74, -20.96, 66.59

 

CMYK 4 / 0 / 56 / 16

HEX #CED75F

RGB 206 215 95

HSL 64.5, 0.6%, 0.61%

LAB 83.2, -19.14, 57.03

 

CMYK 3 / 0 / 43 / 13

HEX #D8DF80

RGB 216 223 128

HSL 64.42, 0.6%, 0.69%

LAB 86.47, -16.12, 45.61

 

CMYK 2 / 0 / 30 / 9

HEX #E2E7A1

RGB 226 231 161

HSL 64.29, 0.59%, 0.77%

LAB 89.81, -12.48, 33.6

 

CMYK 4 / 0 / 56 / 16

HEX #CED75F

RGB 206 215 95

HSL 64.5, 0.6%, 0.61%

LAB 83.2, -19.14, 57.03

 

CMYK 56 / 0 / 41 / 16

HEX #5FD77F

RGB 95 215 127

HSL 136, 0.6%, 0.61%

LAB 77.62, -52.64, 33.48

 

CMYK 19 / 56 / 0 / 16

HEX #AF5FD7

RGB 175 95 215

HSL 280, 0.6%, 0.61%

LAB 54.24, 52.29, -48.82

 

CMYK 4 / 0 / 56 / 16

HEX #CED75F

RGB 206 215 95

HSL 64.5, 0.6%, 0.61%

LAB 83.2, -19.14, 57.03

 

CMYK 56 / 4 / 0 / 16

HEX #5FCFD7

RGB 95 207 215

HSL 184, 0.6%, 0.61%

LAB 77.26, -29.49, -13.65

 

CMYK 0 / 56 / 4 / 16

HEX #D75FCF

RGB 215 95 207

HSL 304, 0.6%, 0.61%

LAB 59.1, 61.25, -36.27

 

CMYK 4 / 0 / 56 / 16

HEX #CED75F

RGB 206 215 95

HSL 64.5, 0.6%, 0.61%

LAB 83.2, -19.14, 57.03

 

CMYK 56 / 0 / 41 / 16

HEX #5FD77F

RGB 95 215 127

HSL 136, 0.6%, 0.61%

LAB 77.62, -52.64, 33.48

 

CMYK 52 / 56 / 0 / 16

HEX #675FD7

RGB 103 95 215

HSL 244, 0.6%, 0.61%

LAB 46.94, 35.47, -60.93

 

CMYK 0 / 56 / 15 / 16

HEX #D75FB7

RGB 215 95 183

HSL 316, 0.6%, 0.61%

LAB 58.08, 57.42, -24.15

 

CMYK 4 / 0 / 56 / 16

HEX #CED75F

RGB 206 215 95

HSL 64.5, 0.6%, 0.61%

LAB 83.2, -19.14, 57.03

 

CMYK 56 / 0 / 24 / 16

HEX #5FD7A3

RGB 95 215 163

HSL 154, 0.6%, 0.61%

LAB 78.27, -45.83, 15.65

 

CMYK 52 / 56 / 0 / 16

HEX #675FD7

RGB 103 95 215

HSL 244, 0.6%, 0.61%

LAB 46.94, 35.47, -60.93

 

CMYK 0 / 56 / 32 / 16

HEX #D75F93

RGB 215 95 147

HSL 334, 0.6%, 0.61%

LAB 56.82, 52.46, -5.18

 

Description

Color code: HEX #CED75F | qconv.com Color code: HEX #CED75F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 215 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 215 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 56 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 56% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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