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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CED968 it is the complementary color #312697. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CED968. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CED968 shade: #D3D963, #E4EB76, #F5FD89, #FFFF9C and #FFFFAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CED968. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CED968 shade: #CED968, #BDC755, #ACB542, #9BA32F and #8A911C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CED968 shade: #CED968, #D9C568, #D9A768, #D98868 and #D96A68

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CED968 shade: #CED968, #AFD968, #91D968, #72D968 and #68D97B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CED968 shade matches the following richer shades: #CED968, #DAE858 and #E6F749

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CED968 shade: #CED968, #C1C977, #B5BA86, #A9AB95 and #9D9CA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CED968 shade: #D9A668, #D9C468, #CFD968, #B1D968 and #93D968

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CED968 shade: #B1BF2F, #C3D147, #CED968, #D8E189 and #E3E9AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CED968 shade: #CED968, #68D988 and #B568D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CED968 shade: #CED968, #68CFD9 and #D968CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CED968 shade: #CED968, #68D988, #7168D9 and #D968B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CED968 shade: #CED968, #68D9AA, #7168D9 and #D96897

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 52 / 15

HEX #CED968

RGB 206 217 104

HSL 65.84, 0.6%, 0.63%

LAB 83.83, -19.38, 53.68

 

Complementary color

CMYK 68 / 75 / 0 / 41

HEX #312697

RGB 49 38 151

HSL 245.84, 0.6%, 0.37%

LAB 24.56, 40.08, -59.79

 

CMYK 3 / 0 / 54 / 15

HEX #D3D963

RGB 211 217 99

HSL 63.05, 0.61%, 0.62%

LAB 84.16, -17.79, 56.43

 

CMYK 3 / 0 / 50 / 8

HEX #E4EB76

RGB 228 235 118

HSL 63.59, 0.75%, 0.69%

LAB 90.42, -18.26, 55.37

 

CMYK 3 / 0 / 46 / 1

HEX #F5FD89

RGB 245 253 137

HSL 64.14, 0.97%, 0.76%

LAB 96.6, -18.65, 54.27

 

CMYK 0 / 0 / 39 / 0

HEX #FFFF9C

RGB 255 255 156

HSL 60, 1%, 0.81%

LAB 98.11, -13.92, 47.26

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFAF

RGB 255 255 175

HSL 60, 1%, 0.84%

LAB 98.38, -11.8, 38.32

 

CMYK 5 / 0 / 52 / 15

HEX #CED968

RGB 206 217 104

HSL 65.84, 0.6%, 0.63%

LAB 83.83, -19.38, 53.68

 

CMYK 5 / 0 / 57 / 22

HEX #BDC755

RGB 189 199 85

HSL 65.26, 0.5%, 0.56%

LAB 77.47, -18.92, 54.69

 

CMYK 5 / 0 / 64 / 29

HEX #ACB542

RGB 172 181 66

HSL 64.7, 0.47%, 0.48%

LAB 71.02, -18.33, 55.54

 

CMYK 5 / 0 / 71 / 36

HEX #9BA32F

RGB 155 163 47

HSL 64.14, 0.55%, 0.41%

LAB 64.46, -17.6, 56.01

 

CMYK 5 / 0 / 81 / 43

HEX #8A911C

RGB 138 145 28

HSL 63.59, 0.68%, 0.34%

LAB 57.79, -16.66, 55.75

 

CMYK 5 / 0 / 52 / 15

HEX #CED968

RGB 206 217 104

HSL 65.84, 0.6%, 0.63%

LAB 83.83, -19.38, 53.68

 

CMYK 0 / 9 / 52 / 15

HEX #D9C568

RGB 217 197 104

HSL 49.38, 0.6%, 0.63%

LAB 79.43, -4.84, 48.71

 

CMYK 0 / 23 / 52 / 15

HEX #D9A768

RGB 217 167 104

HSL 33.45, 0.6%, 0.63%

LAB 71.82, 10.98, 39.45

 

CMYK 0 / 37 / 52 / 15

HEX #D98868

RGB 217 136 104

HSL 16.99, 0.6%, 0.63%

LAB 64.45, 27.67, 30.11

 

CMYK 0 / 51 / 52 / 15

HEX #D96A68

RGB 217 106 104

HSL 1.06, 0.6%, 0.63%

LAB 58.09, 43.29, 21.74

 

CMYK 5 / 0 / 52 / 15

HEX #CED968

RGB 206 217 104

HSL 65.84, 0.6%, 0.63%

LAB 83.83, -19.38, 53.68

 

CMYK 19 / 0 / 52 / 15

HEX #AFD968

RGB 175 217 104

HSL 82.3, 0.6%, 0.63%

LAB 81.7, -31.43, 50.63

 

CMYK 33 / 0 / 52 / 15

HEX #91D968

RGB 145 217 104

HSL 98.23, 0.6%, 0.63%

LAB 79.98, -42.2, 48.17

 

CMYK 47 / 0 / 52 / 15

HEX #72D968

RGB 114 217 104

HSL 114.69, 0.6%, 0.63%

LAB 78.58, -51.86, 46.15

 

CMYK 52 / 0 / 43 / 15

HEX #68D97B

RGB 104 217 123

HSL 130.09, 0.6%, 0.63%

LAB 78.46, -51.89, 36.65

 

CMYK 5 / 0 / 52 / 15

HEX #CED968

RGB 206 217 104

HSL 65.84, 0.6%, 0.63%

LAB 83.83, -19.38, 53.68

 

CMYK 6 / 0 / 62 / 9

HEX #DAE858

RGB 218 232 88

HSL 65.83, 0.76%, 0.63%

LAB 88.6, -23.07, 66.19

 

CMYK 7 / 0 / 70 / 3

HEX #E6F749

RGB 230 247 73

HSL 65.86, 0.92%, 0.63%

LAB 93.37, -26.24, 76.92

 

CMYK 5 / 0 / 52 / 15

HEX #CED968

RGB 206 217 104

HSL 65.84, 0.6%, 0.63%

LAB 83.83, -19.38, 53.68

 

CMYK 4 / 0 / 41 / 21

HEX #C1C977

RGB 193 201 119

HSL 65.85, 0.43%, 0.63%

LAB 78.72, -15.12, 39.99

 

CMYK 3 / 0 / 28 / 27

HEX #B5BA86

RGB 181 186 134

HSL 65.77, 0.27%, 0.63%

LAB 73.97, -10.28, 25.85

 

CMYK 1 / 0 / 13 / 33

HEX #A9AB95

RGB 169 171 149

HSL 65.45, 0.12%, 0.63%

LAB 69.28, -4.64, 11.1

 

CMYK 5 / 5 / 0 / 35

HEX #9D9CA5

RGB 157 156 165

HSL 246.67, 0.05%, 0.63%

LAB 64.69, 2.13, -4.56

 

CMYK 0 / 24 / 52 / 15

HEX #D9A668

RGB 217 166 104

HSL 32.92, 0.6%, 0.63%

LAB 71.57, 11.51, 39.14

 

CMYK 0 / 10 / 52 / 15

HEX #D9C468

RGB 217 196 104

HSL 48.85, 0.6%, 0.63%

LAB 79.17, -4.32, 48.4

 

CMYK 5 / 0 / 52 / 15

HEX #CFD968

RGB 207 217 104

HSL 65.31, 0.6%, 0.63%

LAB 83.91, -18.98, 53.78

 

CMYK 18 / 0 / 52 / 15

HEX #B1D968

RGB 177 217 104

HSL 81.24, 0.6%, 0.63%

LAB 81.82, -30.68, 50.81

 

CMYK 32 / 0 / 52 / 15

HEX #93D968

RGB 147 217 104

HSL 97.17, 0.6%, 0.63%

LAB 80.08, -41.52, 48.32

 

CMYK 7 / 0 / 75 / 25

HEX #B1BF2F

RGB 177 191 47

HSL 65.83, 0.61%, 0.47%

LAB 74.07, -22.25, 65.78

 

CMYK 7 / 0 / 66 / 18

HEX #C3D147

RGB 195 209 71

HSL 66.09, 0.6%, 0.55%

LAB 80.55, -22.34, 64

 

CMYK 5 / 0 / 52 / 15

HEX #CED968

RGB 206 217 104

HSL 65.84, 0.6%, 0.63%

LAB 83.83, -19.38, 53.68

 

CMYK 4 / 0 / 39 / 12

HEX #D8E189

RGB 216 225 137

HSL 66.14, 0.59%, 0.71%

LAB 87.12, -16.15, 42.01

 

CMYK 3 / 0 / 27 / 9

HEX #E3E9AA

RGB 227 233 170

HSL 65.71, 0.59%, 0.79%

LAB 90.56, -11.94, 30.03

 

CMYK 5 / 0 / 52 / 15

HEX #CED968

RGB 206 217 104

HSL 65.84, 0.6%, 0.63%

LAB 83.83, -19.38, 53.68

 

CMYK 52 / 0 / 37 / 15

HEX #68D988

RGB 104 217 136

HSL 136.99, 0.6%, 0.63%

LAB 78.66, -49.77, 30.32

 

CMYK 17 / 52 / 0 / 15

HEX #B568D9

RGB 181 104 217

HSL 280.88, 0.6%, 0.63%

LAB 56.82, 49.67, -45.82

 

CMYK 5 / 0 / 52 / 15

HEX #CED968

RGB 206 217 104

HSL 65.84, 0.6%, 0.63%

LAB 83.83, -19.38, 53.68

 

CMYK 52 / 5 / 0 / 15

HEX #68CFD9

RGB 104 207 217

HSL 185.31, 0.6%, 0.63%

LAB 77.63, -27.17, -14.15

 

CMYK 0 / 52 / 5 / 15

HEX #D968CF

RGB 217 104 207

HSL 305.31, 0.6%, 0.63%

LAB 60.92, 57.65, -33.41

 

CMYK 5 / 0 / 52 / 15

HEX #CED968

RGB 206 217 104

HSL 65.84, 0.6%, 0.63%

LAB 83.83, -19.38, 53.68

 

CMYK 52 / 0 / 37 / 15

HEX #68D988

RGB 104 217 136

HSL 136.99, 0.6%, 0.63%

LAB 78.66, -49.77, 30.32

 

CMYK 48 / 52 / 0 / 15

HEX #7168D9

RGB 113 104 217

HSL 244.78, 0.6%, 0.63%

LAB 50, 32.78, -57.09

 

CMYK 0 / 52 / 15 / 15

HEX #D968B9

RGB 217 104 185

HSL 316.99, 0.6%, 0.63%

LAB 60.03, 54.1, -22.29

 

CMYK 5 / 0 / 52 / 15

HEX #CED968

RGB 206 217 104

HSL 65.84, 0.6%, 0.63%

LAB 83.83, -19.38, 53.68

 

CMYK 52 / 0 / 22 / 15

HEX #68D9AA

RGB 104 217 170

HSL 155.04, 0.6%, 0.63%

LAB 79.31, -43.2, 13.45

 

CMYK 48 / 52 / 0 / 15

HEX #7168D9

RGB 113 104 217

HSL 244.78, 0.6%, 0.63%

LAB 50, 32.78, -57.09

 

CMYK 0 / 52 / 30 / 15

HEX #D96897

RGB 217 104 151

HSL 335.04, 0.6%, 0.63%

LAB 58.87, 49.31, -4.44

 

Description

Color code: HEX #CED968 | qconv.com Color code: HEX #CED968 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 217 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 217 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 52 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 52% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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